the round cut ruby flanked by baguette cut diamonds within borders of eight-cut diamonds, in white claw settings, to a parted shoulder plain polished shank, total estimated diamond weight 0.40 carat approximatelyfinger size OCondition report: The ring is in good condition however the facet edges of the ruby and abraded. It bears no hallmark nor stamp but in our opinion would test as gold. The ruby measures 10.49mm x 10.11mm x 4.45mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 4.0 grams. CR made 27.01.22.
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a fancy light yellow pear shaped diamond in a yellow rubbed over setting suspended within a graduated border of white round brilliant cut diamonds, to a trio of round brilliant cut diamond set bale, in white claw and rubbed over settings, total estimated diamond weight 4.40 carat approximately length 3.2cmFootnote: The pendant is accompanied by a Coloured Diamond Report from Gemmological Certification Services, GCS Lab, for the central pear shaped diamond, report number 5782-389, dated 20th January, 2022, stating the diamond weighs 2.90 carat approximately, colour grade fancy light yellow, colour origin natural, clarity VS1/VS2Condition report: The pendant is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the fancy diamond are; colour fancy light yellow, clarity VS1/VS2. The approximate qualities of the colourless diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 6.1 grams. CR made 30.12.21.
the oval cut ruby within a border marquise cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.15 carat approximatelyfinger size M1/2Footnote: The ring is accompanied by a Gemstone Report by the Gemresearch Swiss Lab, report numbers GRS2020-090683, dated 10 September, 2020 stating that the ruby weighs 1.30 carat, origin Burma (Myanmar), with no indications of heatingCondition report: The ring is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The colour is stated as vivd red (GRS-type 'pigeons blood'. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 5.5 grams. CR made 28.01.22.
Dog Nose pattern, the back of the oval bowl with rat-tail, the terminal engraved with initials 'K' over 'IL'42cm long, 9oz 19dwt, 309grProvenance:Property from a Private House, St Judes, Isle of Man (Lots 2231-2252 and 2254-2267).Footnote: Catalogue Note:There are only a small number of similar Scottish hash-spoons known to exist to which the present spoon can be compared. The earliest among them is one by Colin McKenzie which is hallmarked for Edinburgh, 1703 (Lyon and Turnbull, 16 August 2010, lot 301). Two other known examples are both marked for Edinburgh, 1707 and are respectively by Mungo Yorstoun and, in common with the present spoon, James Tait.Condition report: Marked on back of bowl with maker's mark, assay masters mark, Edinburgh mark and date letter 'B'. There is some wear to the marks but in general they are legible. There is overall some surface scratching and wear, consistent with age and use. The surface is somewhat bright.
Studiokeramik Beate Kuhn(1927 Düsseldorf - 2015 Düdelsheim) Satz von 2 Kannen, wohl um 2000. Hellgrauer, feiner Scherben, bunt glasiert. Jew. aus kugelig-ov. Elementen um zylindr. Mitte herum gestalteter Korpus m. 1 bzw. 2 kl. Aus- guss-Öffnungen. Obenauf mittig jew. rd. Deckel m. versch. geformtem Knauf, dahinter rd. ge- formter Bandhenkel. Am Boden jew. geritzt monogr. "K". H 16 bzw. 19,5 cmbunt, farbig, Frau, K, kugelig, rund, Mann, Monogramm
6-tlg. Kaffee-/ Tee-Service, Empire-Stil,Sheffield um 1925. Sterlingsilber. Beschau Sheffield, Jahresbuch- staben "h", "k", "l" (f. 1925, 1927 u. '28), Meistermarke f. James Dixon & Sons Ltd. Jew. glatt-bauchiger, nach unten stark verjüngter Korpus auf kl. Rd.fuß, d. Schulter breit gekehlt. Mittig aufschwingender Klappdeckel m. gr. Zapfenknauf. Kanten m. feinem Blatt- u. Eierstab- Relief. Kurz geschwungener Ausguss, d. (Holz-) Henkel m. Löwenkopf-Medaillons u. Blattrelief. Best. aus: 2 Kaffeekannen (m. Stoff-Filterein- sätzen), Teekanne, Sahnegießer, Zuckerschale, gr. rd. Henkeltablett auf Füßen, zus. ca. 4.426g Oberflächen partiell leicht ber. (v.a. Tablett).Blattrelief, Holzhenkel, James Dixon & Sons Ltd., Löwenkopf, Sterlingsilber, Zapfenknauf
Gr. Deckelpokal "Die dunkle Stunde", Barock-Stil, Berlin 19. Jh.Silber, innen vergoldet. Beschau Berlin m. Jahresbuchstabe "K" (um 1830/ 40), Beschaumeister "C", Meistermarke "AS". Weite, mittig leicht eingeschwungene Kuppa m. bauchigem, mehrfach eingezogenem unterem Teil auf Balusterschaft, d. in weiten Rd.fuss ausschwingt, ebenfalls mehrfach eingezogen, Kanten gewölbt. Deckel m. breiter, glatter Kante u. gewölbtem, mehrfach eingezogenem Mittelteil, d. erhöhte Mitte bekrönt v. gr. Knauf. Alle Teile m. reicher, mattierter Blattvoluten- u. Rocaillen-Gravur m. kl. Blüten-Details, d. Kuppa schauseitig m. gr. Eichblatt-Kranz, eine Leuchter-Applikation rahmend, bez. "2ten Februar 1862", verso Banderolen-Applikation m. Gravur "Die dunkle Stunde i/m I.Fr. Servaes, März 1885". Oberfläche partiell minim. ber., wenige minim. Dellen, Verschlusskanten leicht verzogen/ verdellt, ges. minim. verzogen. H 37,3 cm 560g
Kl. runde Diamant-Schleifen-Nadel,viktorianisch, England wohl um 1880. 14 kt GG/Silber, runde Nadel mittig besetzt m. 1 Altschliff-Diamant v. ca. 0,20 ct u. 20 Altschliff- Diamanten v. zus. ca. 1 ct im Verlauf sowie 22 kl. Diamant-Rosen auf d. Schleifenbekrönung, insg. ca. 1,30 ct. GG-Fassung u. 14 kt RG- Broschnadel jew. punziert m. Jahresbuchstabe "A" sowie m. Meistermarke "K" u. Punze m. wohl schreitendem Löwen. D 2,3 cm. Insg. 5 g. Verso m. Lötstellen, minim. Gebrauchsspuren.
Lara Croft Tomb Raider, Cradle of Life (2003) US one sheet film poster, 69 x 102cm, together with various other posters, to include Alien v. Predator (2004), Johnny English (2003), Mr Deeds (2002), The 51st State (2001), Me & Orson Welles (2008), Sunshine (2007), K Pax (2001), Young at Heart (1955), Strigoi (2009), Angus Thongs & Perfect Snogging (2008) x3, Zozo (2012) x2 (15)
17 Fachbücher über Glas Darunter: Jane S. Spillman: American and European Pressed Glass in the Corning Museum of Glass, New York 1981. Walter Spiegl: Glas des Historismus, Braunschweig 1980. Olga Drahotová/Gabriel Urbánek: Europäisches Glas, Hanau 1982. Thomas Dexel: Gebrauchsglas, München 1983. Raymond Slack: English Pressed Glass 1830-1900, London 1987. P. K. Schnurpfeil: Die Glasfabrikation, Leipzig 1923. Curt Hauck: Die Entwicklung der deutschen Glasindustrie, Berlin 1928. Arthur G. Peterson: 400 Trademarks on Glass, o.A. 1985. Walter Spiegl: Biedermeiner-Gläser, München 1981. Barbara Mundt: Historismus, München 1981. Bergbau- und Industriemuseum Ostbayern Band 14, 17 u. 25. Katalog: Fenner Glashütte, o.A. 1881. Manfred Franke: Frühes Pressglas in Frankreich, Berlin 1982. Fotokopien: Musterblätter von Villeroy & Boch 1888. Claus Grimm: Glück und Glas - Zur Kulturgeschichte des Spressartglases, München 1984.
''Graal''- Vase ''Nunorna'' Eva Englund (Entwurf), Dorothy Konnberg (Gravur), Wilke Adolfsson (Glasbläser), Muraya, Schweden, 1992 ''Graal''- Technik. Mehrfarbige Zwischenschichtmalerei mit grünem Aventuringlas. In Gravur bez.: Eva Englund Muraya 320392 Dorothy K. Wilke A unikt graal. H. 23,5 cm Lit.: Eva Englund, Millesgarden, 1990 - A. Duncan, Orrefors Glass, 1995, S. 200 ff.
Großes Flaschengefäß Kristian Klepsch, 1994 Hellgrünes Glas. Enghals mit Bandaufschmelzung. Sehr fein ausgeführter, teils polierter Gravurdekor mit Inschrift: ''Zu definieren versuchen das Sein. Find ich die Erkenntniß des gefangenen seins von Außen und Innen auf der Hülle der Sinne. Doch der Moment Erkenntniß aus abgelegter Erfahrung ist Raum ohne Dazwischen, ist erleben des Unendlichen vergleichlos göttlich. Aber die Angst davor gebiert die Zeit das wissen wollen, die Gesetze, die falsche Liebe und das unterbrochene die Erinnerung. KK.'' Oberhalb des Standes in Gravur signiert: K. Klepsch. H. 38 cm Lit.: H. Ricke, Neues Glas in Deutschland, S. 142 ff.
7- teiliges Trinkservice ''Adam und Eva'' Kristian Klepsch, 1977 Bestehend aus: Flasche und 6 Becher. Farbloses Glas mit Gravurdekor. Alle Teile in Gravur signiert, datiert und nummeriert: K. Klepsch 77, I - VI (Becher), Kristian Klepsch 77, VII (Flasche). H. 23,5 cm (Flasche); H. 7,5 - 8 cm (Becher) Lit.: H. Ricke, Neues Glas in Deutschland, S. 412 ff.
Manchester City multi signed 7x5 Black and White newspaper team photo includes 6 Maine Road legends such as R Little, K Barnes, R Johnstone, F Fagan and W Spurdle. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Fünf Trinkgläser Deutschland und Norwegen, 18. Jh. Abrissgläser. Scheibenfüße teils mit nach innen umgeschlagenen Rand, Schäfte teils mit eingeschlossenen Luftperlen. Zwei Gläser mit geschnittenem Dekor bzw. ein Glas mit Monogramm auf der Kuppa. H. 11,8 - 16 cm Ein formgleiches Kelchglas ist bei K.-H. Poser: ''Die Glasschneider Johann Albrecht Becker und Sohn'' in ''Der Glasfreund'', Nr. 75, S. 25 als norwegisches Glas abgebildet.
Dinky - Matchbox - 14 x boxed bus models including Dinky # 291 Leyland Atlantean in Kenning livery x 3, Matchbox # K-15 Berlin Bus, Matchbox # K-15 Bradford Telegraph & Argus and other similar models. All the buses appear Mint in mostly Very Good boxes, one of the box windows is split and a couple have creases. (This does not constitute a guarantee)
Collection of moonstone jewellery to include bracelet, comprising nine graduated oval cabochon cut moonstone, dimensions of principle stone approx 12.5mm x 10mm, rub over set (chain broken); unmarked silver bangle with moonstone insect; three Victorian/ Edwardian unmarked silver moostone brooches, and a moonstone and marcasite cluster ring, ring size K (6)
Topaz and cubic zirconia 9ct yellow gold dress ring, three oval mixed cut topaz with four small CZ spacers, claw set, ring size O; together with a topaz and cubic zirconia 9ct yellow gold cluster ring, tapered shoulders, ring size K; and an opal and black sapphire silver cluster ring, size O½
Early 20th century diamond three stone unmarked yellow gold and platinum ring, small round brilliant cut diamond and two small eight cut diamonds, rub over set with millegrain edging, total diamond weight approx 0.15 carat, ring size K; together with a diamond and sapphire crossover style unmarked yellow gold ring, small round eight cut diamond and small round blue-black sapphire, ring size O (2)
DIAMOND SOLITARE RING,the round brilliant cut diamond of approximately 0.58 carats, on diamond shoulders, marked 18CT & PLAT, size K 1/2, 2.3gCondition report: 5.4x3.1mmWell worn - requires cleaning. Noticeable grey tint to the stone. Large black inclusion visible within the table.All claws intact. Stone secure.
ARTUR PLEVA (Czechoslovakia, 1903-?), for SCHLEVOGT. Bohemia, ca. 1950.Pegasus" ashtray in moulded malachite glass, green in colour, supported by horses as legs at the base.Provenance: Private collection, Spain between 1970-1990.Measurements: 8 cm (height); 12,5 cm (diameter).American-born Curt Schlevogt established his own company focusing on the export of pearls from Jablonec in 1928. In the following years, however, his company also became heavily involved in the production of artistic glassware (tiny applied glass objects made by moulding or blowing). This was probably caused by his son, Henry Günther Schlevogt, who was extensively involved in the introduction of this type of production at the Jablonec export company A. Sachs & Co. as its representative in the USA. At the 1934 spring fair in Leipzig, the Schlevogt company presented its moulded glass collection under the brand name "Ingrid". The collection was opened and gradually received new patterns. The most artistically impressive ones were the result of the company's collaboration with prominent artists such as Ladislav P?enosil, Zden?k Juna, František Pazourek, Artur Pleva, M. Petrucci, E. Rottenberg and many others. The company gained fame and favour among glass lovers mainly for its fashionable glass materials, jade, turquoise jade and lapis lazuli, of which a significant part of the collection was moulded at the Josef Riedl glassworks in Polubný.A supreme example of the artistic efforts of the Schlevogt company was its "ArtisticCrystallery - Ingrid" catalogue, which included figurative sculptures awarded the Grand Prix at the 1937 World Exhibition in Paris. Among the conventional Art Nouveau and Rococo models, functionalist designs or, eventually, variations on the Art Deco style and Bruno Mauder's designs (vases, jugs) predominated.
FRANTISEK PAZOUREK (Czechoslovakia, 1905-1997), for SCHLEVOGT. Bohemia, ca. 1940.Vase "Grape Harvest", Art Deco period, in malachite moulded glass, green.Provenance: Private collection, Spain between 1970-1990.Measurements: 22 cm (height); 11.5 cm (largest diameter).American-born Curt Schlevogt established his own company focusing on the export of pearls from Jablonec in 1928. In the following years, however, his company also became heavily involved in the production of artistic glassware (tiny applied glass objects made by moulding or blowing). This was probably caused by his son, Henry Günther Schlevogt, who was extensively involved in the introduction of this type of production at the Jablonec export company A. Sachs & Co. as its representative in the USA.At the 1934 spring fair in Leipzig, the Schlevogt company presented its moulded glass collection under the brand name "Ingrid". The collection was opened and gradually received new patterns. The most artistically impressive ones were the result of the company's collaboration with prominent artists such as Ladislav P?enosil, Zden?k Juna, František Pazourek, Artur Pleva, M. Petrucci, E. Rottenberg and many others. The company gained fame and favour among glass lovers mainly for its fashionable glass materials, jade, turquoise jade and lapis lazuli, of which a significant part of the collection was moulded at the Josef Riedl glassworks in Polubný.A supreme example of the artistic efforts of the Schlevogt company was its "ArtisticCrystallery - Ingrid" catalogue, which included figurative sculptures awarded the Grand Prix at the 1937 World Exhibition in Paris. Among the conventional Art Nouveau and Rococo models, functionalist designs or, eventually, variations on Art Deco and Bruno Mauder's designs (vases, jugs) predominated.
A Tag Heuer automatic 200 meters wristwatch, no. WF2221-K, the signed circular dial with baton hour markers and date aperture to 3, within a stainless steel tachymeter case and leather strap with maker's buckle, case diameter 34mm.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with occasional wearSome slight discolouration to luminous markers, visible on close inspection
A diamond 'gold nugget' pendant, the brilliant cut diamond weighing approx. 0.25ct inset to the textured gold nugget pendant, estimated colour K-L, estimated clarity SI, length 4.5cm, gross weight 26.4g.Condition report: Overall condition good to fairPendant unmarked - bears the attributes of 9ct goldScratches and discolouration in keeping with general wear
A pearl and diamond necklace, the graduated saltwater natural pearl strand with marquise cut diamond clasp, diamond weight estimated 0.65ct, estimated colour J-K, estimated clarity P1-P2, length 45cm. Verbal obtained from GCS on 2.2.21 stating that the necklace contains a majority of saltwater natural pearls, with two beaded cultured pearls. Condition report: Overall condition good to fairPearls well matched, some dimples, scratches in keeping with general wear, largest diameter 9.25mm, smallest 2.85mm, shapes are off round, particularly towards claspDiamond with dark inclusion under table facet, visible with the unaided eyeClasp in working order, with safety chainCultured pearls are in positions 30 and 34 from the tongueGross weight 21.8g.
A diamond cluster ring, the old cut diamond within a circular cut diamond scalloped surround, estimated total diamond weight 0.90ct, principal diamond estimated 0.25ct, J-K colour, P1-P2 clarity, stamped PLAT, ring size N1/2, gross weight 4.4g.Condition report: Overall condition good to fairPrincipal diamond with dark scattered inclusions, visible with the unaided eye
An 18ct gold diamond single stone ring, the brilliant cut diamond weighing approx. 0.50ct within a bi-colour setting, estimated colour J-K, estimated clarity P1-P2, ring size V, gross weight 7.3g.Condition report: Overall condition fair to goodDiamond with chip to crown facetsHallmarks worn and partially indistinct, date letter visibleRing resized
A late Victorian vari-gem band ring, the oval and pear old cut diamond, rectangular shape emerald and split pearl line inset to the polished band, estimated total diamond weight 0.50ct, estimated colour K-L, estimated clarity SI2-P1, stamped 18ct, maker's marks RJ, ring size O, gross weight 9.2g. Condition report: Overall condition good to fairEmerald with abrasion to facet edges, scratches to facets, with scattered dark inclusions visible with magnificationDiamonds assessed within the limitations of the setting, may vary if unsetRing band to reverse with split, possibly from former resizing

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137173 item(s)/page