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Lot 2090

the round cut ruby flanked by baguette cut diamonds within borders of eight-cut diamonds, in white claw settings, to a parted shoulder plain polished shank, total estimated diamond weight 0.40 carat approximatelyfinger size OCondition report: The ring is in good condition however the facet edges of the ruby and abraded. It bears no hallmark nor stamp but in our opinion would test as gold. The ruby measures 10.49mm x 10.11mm x 4.45mm approximately. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 4.0 grams. CR made 27.01.22.

Lot 2091

a fancy light yellow pear shaped diamond in a yellow rubbed over setting suspended within a graduated border of white round brilliant cut diamonds, to a trio of round brilliant cut diamond set bale, in white claw and rubbed over settings, total estimated diamond weight 4.40 carat approximately length 3.2cmFootnote: The pendant is accompanied by a Coloured Diamond Report from Gemmological Certification Services, GCS Lab, for the central pear shaped diamond, report number 5782-389, dated 20th January, 2022, stating the diamond weighs 2.90 carat approximately, colour grade fancy light yellow, colour origin natural, clarity VS1/VS2Condition report: The pendant is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the fancy diamond are; colour fancy light yellow, clarity VS1/VS2. The approximate qualities of the colourless diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 6.1 grams. CR made 30.12.21.

Lot 2092

the oval cut ruby within a border marquise cut diamonds, in white claw settings, to a tapered shoulder plain polished shank, total estimated diamond weight 1.15 carat approximatelyfinger size M1/2Footnote: The ring is accompanied by a Gemstone Report by the Gemresearch Swiss Lab, report numbers GRS2020-090683, dated 10 September, 2020 stating that the ruby weighs 1.30 carat, origin Burma (Myanmar), with no indications of heatingCondition report: The ring is in good condition. It bears no hallmark nor stamp but in our opinion would test as gold. The colour is stated as vivd red (GRS-type 'pigeons blood'. The approximate qualities of the diamonds are; colour I/J/K, clarity SI1/SI2/I1. Gross weight 5.5 grams. CR made 28.01.22.

Lot 2241

Dog Nose pattern, the back of the oval bowl with rat-tail, the terminal engraved with initials 'K' over 'IL'42cm long, 9oz 19dwt, 309grProvenance:Property from a Private House, St Judes, Isle of Man (Lots 2231-2252 and 2254-2267).Footnote: Catalogue Note:There are only a small number of similar Scottish hash-spoons known to exist to which the present spoon can be compared. The earliest among them is one by Colin McKenzie which is hallmarked for Edinburgh, 1703 (Lyon and Turnbull, 16 August 2010, lot 301). Two other known examples are both marked for Edinburgh, 1707 and are respectively by Mungo Yorstoun and, in common with the present spoon, James Tait.Condition report: Marked on back of bowl with maker's mark, assay masters mark, Edinburgh mark and date letter 'B'. There is some wear to the marks but in general they are legible. There is overall some surface scratching and wear, consistent with age and use. The surface is somewhat bright.

Lot 976

A circa 1900 10k gold, turquoise and pearl set ring, 1.7g, K

Lot 988

An 18ct gold, platinum and three stone old cut diamond ring, circa 1920, approximately 0.5ct diamond weight, 2.3g, K

Lot 1022

Two 9ct gold rings, one set with opal and garnet and one set with opal, 3.5g, N and K

Lot 1023

Two 9ct gold and diamond set rings, 2.9g, K and N

Lot 335

Victor Vasarely (1906 in Pécs - 1997 in Paris)Hold-K aus der Serie Progression 2, Farboffset, glanzfolienkaschiert, ca. 37x37cm, gerahmt (ca. 43x43cm), Alurahmen mit Gebrauchsspuren

Lot 254

Karl Gatermann (1883 Mölln - 1959 Ratzeburg)Lettner im Lübecker Dom, Öl auf Holz, u.l. sign. "K. Gatermann", ca. 45x34cm, gerahmt (ca. 69x60cm), Rahmen m. Gebrauchsspuren/Fehlstellen

Lot 20

5-tlg. Gemälde Keiko Sadakanegeb. 1948 Tokio "Gelb-grau-purpur (1600cm2)" jeweils verso sign., dat. u. m. d. Titel sowie m. d. Nummerierung K. Sadakane '06 Acryl/Holz, je ca. 40 x 40 cm (mit leicht abweichenden Maßen).

Lot 229

Gemälde Karl Luckhardt1886 Frankfurt - 1970 Frankfurt "Pflügender Bauer vor Taunuspanorama" u. re. signiert K. Luckhardt Öl/Karton, 40 x 60 cm Lit.: AKL

Lot 25

7-tlg. Gemälde Keiko Sadakanegeb. 1948 Tokio "grey-brown (900cm2)" je verso sign. u. dat. K. Sadakane '05 sowie m. d. Nummerierung Acryl/Holz ca. 30 x 30 cm, leicht variierende Maße

Lot 523

Studiokeramik Beate Kuhn(1927 Düsseldorf - 2015 Düdelsheim) Satz von 2 Kannen, wohl um 2000. Hellgrauer, feiner Scherben, bunt glasiert. Jew. aus kugelig-ov. Elementen um zylindr. Mitte herum gestalteter Korpus m. 1 bzw. 2 kl. Aus- guss-Öffnungen. Obenauf mittig jew. rd. Deckel m. versch. geformtem Knauf, dahinter rd. ge- formter Bandhenkel. Am Boden jew. geritzt monogr. "K". H 16 bzw. 19,5 cmbunt, farbig, Frau, K, kugelig, rund, Mann, Monogramm

Lot 730

6-tlg. Kaffee-/ Tee-Service, Empire-Stil,Sheffield um 1925. Sterlingsilber. Beschau Sheffield, Jahresbuch- staben "h", "k", "l" (f. 1925, 1927 u. '28), Meistermarke f. James Dixon & Sons Ltd. Jew. glatt-bauchiger, nach unten stark verjüngter Korpus auf kl. Rd.fuß, d. Schulter breit gekehlt. Mittig aufschwingender Klappdeckel m. gr. Zapfenknauf. Kanten m. feinem Blatt- u. Eierstab- Relief. Kurz geschwungener Ausguss, d. (Holz-) Henkel m. Löwenkopf-Medaillons u. Blattrelief. Best. aus: 2 Kaffeekannen (m. Stoff-Filterein- sätzen), Teekanne, Sahnegießer, Zuckerschale, gr. rd. Henkeltablett auf Füßen, zus. ca. 4.426g Oberflächen partiell leicht ber. (v.a. Tablett).Blattrelief, Holzhenkel, James Dixon & Sons Ltd., Löwenkopf, Sterlingsilber, Zapfenknauf

Lot 759

Gr. Deckelpokal "Die dunkle Stunde", Barock-Stil, Berlin 19. Jh.Silber, innen vergoldet. Beschau Berlin m. Jahresbuchstabe "K" (um 1830/ 40), Beschaumeister "C", Meistermarke "AS". Weite, mittig leicht eingeschwungene Kuppa m. bauchigem, mehrfach eingezogenem unterem Teil auf Balusterschaft, d. in weiten Rd.fuss ausschwingt, ebenfalls mehrfach eingezogen, Kanten gewölbt. Deckel m. breiter, glatter Kante u. gewölbtem, mehrfach eingezogenem Mittelteil, d. erhöhte Mitte bekrönt v. gr. Knauf. Alle Teile m. reicher, mattierter Blattvoluten- u. Rocaillen-Gravur m. kl. Blüten-Details, d. Kuppa schauseitig m. gr. Eichblatt-Kranz, eine Leuchter-Applikation rahmend, bez. "2ten Februar 1862", verso Banderolen-Applikation m. Gravur "Die dunkle Stunde i/m I.Fr. Servaes, März 1885". Oberfläche partiell minim. ber., wenige minim. Dellen, Verschlusskanten leicht verzogen/ verdellt, ges. minim. verzogen. H 37,3 cm  560g

Lot 867

Kl. runde Diamant-Schleifen-Nadel,viktorianisch, England wohl um 1880. 14 kt GG/Silber, runde Nadel mittig besetzt m. 1 Altschliff-Diamant v. ca. 0,20 ct u. 20 Altschliff- Diamanten v. zus. ca. 1 ct im Verlauf sowie 22 kl. Diamant-Rosen auf d. Schleifenbekrönung, insg. ca. 1,30 ct. GG-Fassung u. 14 kt RG- Broschnadel jew. punziert m. Jahresbuchstabe "A" sowie m. Meistermarke "K" u. Punze m. wohl schreitendem Löwen. D 2,3 cm. Insg. 5 g. Verso m. Lötstellen, minim. Gebrauchsspuren.

Lot 1229A

Lara Croft Tomb Raider, Cradle of Life (2003) US one sheet film poster, 69 x 102cm, together with various other posters, to include Alien v. Predator (2004), Johnny English (2003), Mr Deeds (2002), The 51st State (2001), Me & Orson Welles (2008), Sunshine (2007), K Pax (2001), Young at Heart (1955), Strigoi (2009), Angus Thongs & Perfect Snogging (2008) x3, Zozo (2012) x2 (15)

Lot 612

STAMPS JAMAICA : 1890 2 1/2d on 4d Red Brown, PFNNY for PENNY ad K for Y, lightly mounted mint SG 30ca

Lot 1

An Art Nouveau gilt bronze bowl by Leon Kann (Fl. 1896 - 1908), for the Sion Decauville Foundry Paris, width 21 cm, height 9 cm, depth 15 cm, signed and numbered 896 K. CONDITION REPORT: Condition is good with no signs of damage or breaks, Moderate surface tarnish in areas, gilding is bright.

Lot 9

A Victorian seed pearl mourning brooch, converted to a ring, size J/K, 5g. CONDITION REPORT: The central glass panel with hair locket within, the back glass is cracked. Pearls mounted in yellow metal and on a white metal shank, unmarked.

Lot 1082

17 Fachbücher über Glas Darunter: Jane S. Spillman: American and European Pressed Glass in the Corning Museum of Glass, New York 1981. Walter Spiegl: Glas des Historismus, Braunschweig 1980. Olga Drahotová/Gabriel Urbánek: Europäisches Glas, Hanau 1982. Thomas Dexel: Gebrauchsglas, München 1983. Raymond Slack: English Pressed Glass 1830-1900, London 1987. P. K. Schnurpfeil: Die Glasfabrikation, Leipzig 1923. Curt Hauck: Die Entwicklung der deutschen Glasindustrie, Berlin 1928. Arthur G. Peterson: 400 Trademarks on Glass, o.A. 1985. Walter Spiegl: Biedermeiner-Gläser, München 1981. Barbara Mundt: Historismus, München 1981. Bergbau- und Industriemuseum Ostbayern Band 14, 17 u. 25. Katalog: Fenner Glashütte, o.A. 1881. Manfred Franke: Frühes Pressglas in Frankreich, Berlin 1982. Fotokopien: Musterblätter von Villeroy & Boch 1888. Claus Grimm: Glück und Glas - Zur Kulturgeschichte des Spressartglases, München 1984.

Lot 1265

Seltenes Trinkglas aus dem Gläsersatz G 110 Richard Riemerschmid (Entwurf), Krystallglasfabrik Benedikt von Poschinger, Oberzwieselau (Ausführung), 1904 Farbloses Glas, formgeblasen. H. 14,3 cm. Lit.: K.-W. Warthorst, Gebrauchsglas 1898-1924, Gläsersatz G 110 Abb. 112.

Lot 1387

''Graal''- Vase ''Nunorna'' Eva Englund (Entwurf), Dorothy Konnberg (Gravur), Wilke Adolfsson (Glasbläser), Muraya, Schweden, 1992 ''Graal''- Technik. Mehrfarbige Zwischenschichtmalerei mit grünem Aventuringlas. In Gravur bez.: Eva Englund Muraya 320392 Dorothy K. Wilke A unikt graal. H. 23,5 cm Lit.: Eva Englund, Millesgarden, 1990 - A. Duncan, Orrefors Glass, 1995, S. 200 ff.

Lot 1410

Objekt Karel Wünsch, 1977 Farbloses Glas, partiell lila und blau unterfangen, zusammengeschmolzen, geschliffen und poliert. In Vibrogravur signiert und datiert: K. WÜNSCH 77. H. 22 cm

Lot 1492

Großes Flaschengefäß Kristian Klepsch, 1994 Hellgrünes Glas. Enghals mit Bandaufschmelzung. Sehr fein ausgeführter, teils polierter Gravurdekor mit Inschrift: ''Zu definieren versuchen das Sein. Find ich die Erkenntniß des gefangenen seins von Außen und Innen auf der Hülle der Sinne. Doch der Moment Erkenntniß aus abgelegter Erfahrung ist Raum ohne Dazwischen, ist erleben des Unendlichen vergleichlos göttlich. Aber die Angst davor gebiert die Zeit das wissen wollen, die Gesetze, die falsche Liebe und das unterbrochene die Erinnerung. KK.'' Oberhalb des Standes in Gravur signiert: K. Klepsch. H. 38 cm Lit.: H. Ricke, Neues Glas in Deutschland, S. 142 ff.

Lot 492

7- teiliges Trinkservice ''Adam und Eva'' Kristian Klepsch, 1977 Bestehend aus: Flasche und 6 Becher. Farbloses Glas mit Gravurdekor. Alle Teile in Gravur signiert, datiert und nummeriert: K. Klepsch 77, I - VI (Becher), Kristian Klepsch 77, VII (Flasche). H. 23,5 cm (Flasche); H. 7,5 - 8 cm (Becher) Lit.: H. Ricke, Neues Glas in Deutschland, S. 412 ff.

Lot 330

Manchester City multi signed 7x5 Black and White newspaper team photo includes 6 Maine Road legends such as R Little, K Barnes, R Johnstone, F Fagan and W Spurdle. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Lot 821

Fünf Trinkgläser Deutschland und Norwegen, 18. Jh. Abrissgläser. Scheibenfüße teils mit nach innen umgeschlagenen Rand, Schäfte teils mit eingeschlossenen Luftperlen. Zwei Gläser mit geschnittenem Dekor bzw. ein Glas mit Monogramm auf der Kuppa. H. 11,8 - 16 cm Ein formgleiches Kelchglas ist bei K.-H. Poser: ''Die Glasschneider Johann Albrecht Becker und Sohn'' in ''Der Glasfreund'', Nr. 75, S. 25 als norwegisches Glas abgebildet.

Lot 117

Dinky - Matchbox - 14 x boxed bus models including Dinky # 291 Leyland Atlantean in Kenning livery x 3, Matchbox # K-15 Berlin Bus, Matchbox # K-15 Bradford Telegraph & Argus and other similar models. All the buses appear Mint in mostly Very Good boxes, one of the box windows is split and a couple have creases. (This does not constitute a guarantee)

Lot 12

An 18 carat gold five stone diamond ring, 3.4g, size K/L, together with an 18 carat gold and platinum set three stone diamond ring 2.5g, size M and an unmarked wedding band, 4g, size O (3)

Lot 519

K C Browne, 20th century, a spaniel, signed and dated 1940, oil on paper, 34 x 27cm

Lot 273

A 1970s 18 carat gold dress ring, of all over pierced abstract form, maker AB, London 1972, 7.5g, size K½

Lot 1

Diamond and ruby unmarked rose gold ring, the central cushion cut diamond weighing approx 1.0 carat, assessed clarity VS, assessed colour K, two oval mixed cut rubies measuring approx 4.5mm x 3.5mm, flush set, width at widest point approx 8mm, ring size K½, band resized

Lot 110

Collection of moonstone jewellery to include bracelet, comprising nine graduated oval cabochon cut moonstone, dimensions of principle stone approx 12.5mm x 10mm, rub over set (chain broken); unmarked silver bangle with moonstone insect; three Victorian/ Edwardian unmarked silver moostone brooches, and a moonstone and marcasite cluster ring, ring size K (6)

Lot 112

Topaz and cubic zirconia 9ct yellow gold dress ring, three oval mixed cut topaz with four small CZ spacers, claw set, ring size O; together with a topaz and cubic zirconia 9ct yellow gold cluster ring, tapered shoulders, ring size K; and an opal and black sapphire silver cluster ring, size O½

Lot 114

Sapphire and diamond 9ct yellow gold cluster ring, the oval black mixed cut sapphire with small eight cut diamond surround, tapered shoulders, ring size K½, together with a cubic zirconia 9ct yellow gold half eternity ring, size L (2)

Lot 117

Peridot 9ct yellow gold ring, the oval mixed cut peridot measuring approx 6.5mm x 4.5mm, rub over set, openwork entwined shoulders, ring size K½

Lot 133

22ct yellow gold wedding band, plain polished, width approx 5mm, ring size K

Lot 134

Early 20th century diamond three stone unmarked yellow gold and platinum ring, small round brilliant cut diamond and two small eight cut diamonds, rub over set with millegrain edging, total diamond weight approx 0.15 carat, ring size K; together with a diamond and sapphire crossover style unmarked yellow gold ring, small round eight cut diamond and small round blue-black sapphire, ring size O (2)

Lot 221

Ruby and diamond 18ct yellow gold three stone ring, the small round mixed cut ruby diameter approx 4mm, two small round brilliant cut diamonds, total diamond weight approx 0.10 carat, claw settings, reeded tapered shoulders, ring size K

Lot 244

Four 9ct yellow gold dress rings, ring sizes K x 2, L and M (4)

Lot 269

Sapphire and diamond 9ct gold ring, four rectangular mixed cut blue-black sapphires, six small round brilliant cut diamonds, ring size K½ together with a platinum wedding band, cast rose bud and foliate decoration to band, width approx 2mm, ring size N

Lot 284

22ct yellow gold wedding band, plain polished band, width approx 4mm, ring size K½

Lot 50

Black pearl and diamond 18ct white gold ring, the central cultured black pearl with pink overtones, small round cut diamond to each shoulder, tapered shoulders, ring size K

Lot 59

Diamond four stone 18ct yellow gold ring, four small round brilliant cut diamonds in quatre-foil formation, total diamond weight approx 0.60 carat, shared claw and prong settings, tapered shoulders, ring size K

Lot 289

ORIGINAL PENCIL SKETCH OF A FOREST SCENE SIGNED RUBY K. WALTERS, 14.5 X 10CM

Lot 717

**CERTIFICATED PARCEL OF UNMOUNTED DIAMONDS,weighing approximately 5.46 carats, colour grade G - K, clarity grade SI1 - I1, with accompanying WGI report number WGI9624133692

Lot 718

SILVER 'GOOD LUCK' BROOCH,in the form of a horseshoe and riding crop, with 'To Jeanie, From Mrs K, 4th Oct 18' the end broken off, along with an Art Nouveau silver button depicting a female in profile facing left, makers mark 'E.M & S', dated 1902 (2)

Lot 744

DIAMOND SOLITARE RING,the round brilliant cut diamond of approximately 0.58 carats, on diamond shoulders, marked 18CT & PLAT, size K 1/2, 2.3gCondition report: 5.4x3.1mmWell worn - requires cleaning. Noticeable grey tint to the stone. Large black inclusion visible within the table.All claws intact. Stone secure.

Lot 779

SOUTH SEA PEARL AND DIAMOND RING,the pearl 11.8mm in diameter, with crossover diamond set shoulders, in eighteen carat white gold, size K, 8.8gCondition report: Generally worn. Some small scratches to the pearl. Slight grey tint to the diamonds. All stones intact.

Lot 783

DIAMOND FLOWER RING,the round brilliant cut diamonds totalling approximately 0.25 carats, in nine carat gold, size K 1/2, 1.7g

Lot 20

ARTUR PLEVA (Czechoslovakia, 1903-?), for SCHLEVOGT. Bohemia, ca. 1950.Pegasus" ashtray in moulded malachite glass, green in colour, supported by horses as legs at the base.Provenance: Private collection, Spain between 1970-1990.Measurements: 8 cm (height); 12,5 cm (diameter).American-born Curt Schlevogt established his own company focusing on the export of pearls from Jablonec in 1928. In the following years, however, his company also became heavily involved in the production of artistic glassware (tiny applied glass objects made by moulding or blowing). This was probably caused by his son, Henry Günther Schlevogt, who was extensively involved in the introduction of this type of production at the Jablonec export company A. Sachs & Co. as its representative in the USA. At the 1934 spring fair in Leipzig, the Schlevogt company presented its moulded glass collection under the brand name "Ingrid". The collection was opened and gradually received new patterns. The most artistically impressive ones were the result of the company's collaboration with prominent artists such as Ladislav P?enosil, Zden?k Juna, František Pazourek, Artur Pleva, M. Petrucci, E. Rottenberg and many others. The company gained fame and favour among glass lovers mainly for its fashionable glass materials, jade, turquoise jade and lapis lazuli, of which a significant part of the collection was moulded at the Josef Riedl glassworks in Polubný.A supreme example of the artistic efforts of the Schlevogt company was its "ArtisticCrystallery - Ingrid" catalogue, which included figurative sculptures awarded the Grand Prix at the 1937 World Exhibition in Paris. Among the conventional Art Nouveau and Rococo models, functionalist designs or, eventually, variations on the Art Deco style and Bruno Mauder's designs (vases, jugs) predominated.

Lot 77

FRANTISEK PAZOUREK (Czechoslovakia, 1905-1997), for SCHLEVOGT. Bohemia, ca. 1940.Vase "Grape Harvest", Art Deco period, in malachite moulded glass, green.Provenance: Private collection, Spain between 1970-1990.Measurements: 22 cm (height); 11.5 cm (largest diameter).American-born Curt Schlevogt established his own company focusing on the export of pearls from Jablonec in 1928. In the following years, however, his company also became heavily involved in the production of artistic glassware (tiny applied glass objects made by moulding or blowing). This was probably caused by his son, Henry Günther Schlevogt, who was extensively involved in the introduction of this type of production at the Jablonec export company A. Sachs & Co. as its representative in the USA.At the 1934 spring fair in Leipzig, the Schlevogt company presented its moulded glass collection under the brand name "Ingrid". The collection was opened and gradually received new patterns. The most artistically impressive ones were the result of the company's collaboration with prominent artists such as Ladislav P?enosil, Zden?k Juna, František Pazourek, Artur Pleva, M. Petrucci, E. Rottenberg and many others. The company gained fame and favour among glass lovers mainly for its fashionable glass materials, jade, turquoise jade and lapis lazuli, of which a significant part of the collection was moulded at the Josef Riedl glassworks in Polubný.A supreme example of the artistic efforts of the Schlevogt company was its "ArtisticCrystallery - Ingrid" catalogue, which included figurative sculptures awarded the Grand Prix at the 1937 World Exhibition in Paris. Among the conventional Art Nouveau and Rococo models, functionalist designs or, eventually, variations on Art Deco and Bruno Mauder's designs (vases, jugs) predominated.

Lot 150

A Tag Heuer automatic 200 meters wristwatch, no. WF2221-K, the signed circular dial with baton hour markers and date aperture to 3, within a stainless steel tachymeter case and leather strap with maker's buckle, case diameter 34mm.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with occasional wearSome slight discolouration to luminous markers, visible on close inspection

Lot 19

A diamond 'gold nugget' pendant, the brilliant cut diamond weighing approx. 0.25ct inset to the textured gold nugget pendant, estimated colour K-L, estimated clarity SI, length 4.5cm, gross weight 26.4g.Condition report: Overall condition good to fairPendant unmarked - bears the attributes of 9ct goldScratches and discolouration in keeping with general wear

Lot 33

A pearl and diamond necklace, the graduated saltwater natural pearl strand with marquise cut diamond clasp, diamond weight estimated 0.65ct, estimated colour J-K, estimated clarity P1-P2, length 45cm. Verbal obtained from GCS on 2.2.21 stating that the necklace contains a majority of saltwater natural pearls, with two beaded cultured pearls. Condition report: Overall condition good to fairPearls well matched, some dimples, scratches in keeping with general wear, largest diameter 9.25mm, smallest 2.85mm, shapes are off round, particularly towards claspDiamond with dark inclusion under table facet, visible with the unaided eyeClasp in working order, with safety chainCultured pearls are in positions 30 and 34 from the tongueGross weight 21.8g.

Lot 45

A diamond cluster ring, the old cut diamond within a circular cut diamond scalloped surround, estimated total diamond weight 0.90ct, principal diamond estimated 0.25ct, J-K colour, P1-P2 clarity, stamped PLAT, ring size N1/2, gross weight 4.4g.Condition report: Overall condition good to fairPrincipal diamond with dark scattered inclusions, visible with the unaided eye

Lot 57

An 18ct gold diamond single stone ring, the brilliant cut diamond weighing approx. 0.50ct within a bi-colour setting, estimated colour J-K, estimated clarity P1-P2, ring size V, gross weight 7.3g.Condition report: Overall condition fair to goodDiamond with chip to crown facetsHallmarks worn and partially indistinct, date letter visibleRing resized

Lot 60

A late Victorian vari-gem band ring, the oval and pear old cut diamond, rectangular shape emerald and split pearl line inset to the polished band, estimated total diamond weight 0.50ct, estimated colour K-L, estimated clarity SI2-P1, stamped 18ct, maker's marks RJ, ring size O, gross weight 9.2g. Condition report: Overall condition good to fairEmerald with abrasion to facet edges, scratches to facets, with scattered dark inclusions visible with magnificationDiamonds assessed within the limitations of the setting, may vary if unsetRing band to reverse with split, possibly from former resizing

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