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Lot 105
An American sapphire and diamond cushion-shaped cluster ring, with a modified cushion cut sapphire, four claw set at the cut corners, surrounded by a border of brilliant cut diamonds, all four claw set to plain collets, with a straight wire basket, open hand engraved shoulders and a plain shank, marked platinum, head 17.3 x 6.5mm, 8.92g.Finger size K approximatelyCondition report: A little facet edge wear to the sapphire under 10X magnification.A surface-reaching inclusion towards one corner.Obvious colour banding to the sapphire.Dirty.Surface marks to the mount.Sapphire measures approximately 11.78 x 11.00 x 7.28mm.Estimated as approximately 8.00ct.The diamonds measure approximately 2.90mm.Estimated as approximately 1.25ct total.
Lot 168
An American white gold black opal and diamond ring, an oval cabochon opal claw set to a rex collet with a pierced underbezel, with row of three brilliant cut diamonds all claw set in a crescent to each side, to solid flat section shoulders and a plain shank, tested as approximately 9ct gold, ignore markings, maker's mark unidentified, head 16.4 x 16.1mm, 5.40g.Finger size K-K½Condition report: Surface marks and scratches to the opal.The opal does not move in the setting, although some of the end claws are not touching the stone correctly, and may catch when being worn.Light marks to the mount.The opal measures approximately 14.60 x 10.17 x 5.80mm.No visible hairline cracks or crazing to the opal.A natural surface reaching inclusion to the underside of the opal.
Lot 197
Two gold rings, to include a Victorian citrine and split pearl cluster, with a cushion cut citrine, claw set, to surround of split pearls, one missing, with later ring shank, tested as approximately 9ct gold, together with a 9ct gold hardstone cameo ring, by Charles Horner, with a green agate cameo depciting a female profile, chipped, Chester 1913, 6.84g total (2)Finger size O approximately, K approximatelyCondition report: Citrine ring:One split pearl missing.Shank is a later addition, possibly converted from a brooch or other piece of jewellery,Some minor scratches/abrasions to citrine commensurate with age.Wear to the nacre of some of the split pearls.Sizing joins and bled solder visible at base of shank.Surface marks/scratches to mounting.Shank slightly oval, as such finger size is approximate only.Cameo ring:Some chips to the cameo.Sizing join visible at base of shank.Surface marks/scratches to mounting.Shank slightly oval, as such finger size is approximate only.
Lot 218
A quantity of jewellery, to include a gold mounted shell cameo, depicting a Maenad wearing an animal pelt and with thyrsus, rub set with later metal pin, 'C' catch and safety chain, tested as approximately 18ct gold, 39 x 34mm, a 9ct gold single stone amethyst ring, Birmingham 1994, finger size K, a 9ct gold diamond and sapphire ring, a gold band ring, split, tested as approximately 22ct gold, etc. (qty.)9ct gold - 10.47g total, 22ct gold - 1.10g
![HOWARD HODGKIN RA [1932-2017] Indian View K, 1971. screenprint on J Green mouldmade paper printed to edges, editio](https://cdn.globalauctionplatform.com/e8dc8f69-d344-4476-81d6-ac6000dc5995/576b03d1-bd54-4be9-9ecf-ac6000ed3f64/468x382.jpg)
Lot 7
HOWARD HODGKIN RA [1932-2017] Indian View K, 1971. screenprint on J Green mouldmade paper printed to edges, edition of 75, printed at Kelpra Studio, published by Leslie Waddington, signed, dated and numbered in pencil. 58 x 77.6cm [image and sheet size]. Unframed. Literature: Howard Hodgkin the complete prints Heenk 21. [very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there..
Lot 440
Camera Related Articles, including a boxed/cased Rolleicord Va 16 and 24 exposure kit, a Rolleiflash, Hasselblad 50 1x HZ filter, a Cosmicar Television 22.5-90mm f/1.5 zoom lens, a Cine Kodak Model K 16mm cine camera, motor runs, G, with Kodacolor Assembly for Model B filters and other items
Lot 448
A Tray of Folding Cameras, including a Pentacon Ercona II, shutter working, body G, with Carl Zeiss Jena 105mm f/3.5 Tessar lens, elements G, a Foitzik Trier, shutter slightly sluggish on slow speeds, body G, with 75mm f/3.5 Foinar lens, elements G, an Adox Golf, shutter working, body G, with 75mm f/6.3 Adoxar lens, elements G, serial no 86214, an Ica folding camera, serial no K 86214, shutter working, body G, with Carl Zeiss Jena 15cm f/4.5 Tessar lens, elements G and two other AF folding cameras
Lot 345
Regency diamond and ruby ring with alternating rows of old cut diamonds and mixed cut rubies in gold and silver closed back setting, bifurcated shoulders and reeded gold shank. Ring size K½.Provenance: Estate of the Late Jane SumnerCondition report: Very good condition commensurate with age and wear. One small diamond is missing, otherwise all stones are present and in good order, the rubies are also in good condition. No obvious signs of any damage or repairs or alterations. The widest point of the ring measures approximately 7mm, gross weight approximately 3.2 grams.
Lot 346
Pair of Georgian diamond half eternity rings, each with thirteen old cut diamonds in silver collet setting on fluted gold shank, ring size K-K½.Provenance: Estate of the Late Jane SumnerCondition report: Both rings are in very good condition commensurate with age, no obvious signs of any damage or repairs or alterations. The stones all appear to be original to the ring with no obvious replacements. Setting and shank in good condition commensurate with age and wear. One ring is approximately size K and the other ring is approximately K½. Gross weight approximately 2.2 grams.
Lot 348
Regency emerald, ruby and pearl ring with a central step cut emerald, two half pearls and two oval mixed cut rubies in gold closed back setting with beaded border and openwork scroll shoulders and plain tapered shank. Ring size K½.Provenance: Estate of the Late Jane SumnerCondition report: The ring is in very good condition commensurate with age. Minor abrasions to the facets of the stones. Emerald measures approximately 5mm x 5mm. One ruby has a small chip. Widest part/head measures approximately 7mm. Evidence of re-sizing to the shank but no obvious signs of any damage or repairs. Appears to be very original. Gross weight approximately 2.4 grams.
Lot 359
Victorian-style 9ct gold amethyst and cultured pearl cluster ring with an oval mixed cut amethyst surrounded by a border of cultured pearls with further pearls to the shoulders on 9ct gold shank. Ring size K½-L.Provenance: Estate of the Late Jane SumnerCondition report: The cluster measures approximately 16.5mm x 14mm. The amethyst measures approximately 9.2mmx 6.9mm. London assay hallmarks for 1962. Clear hallmarks and in good condition commensurate with age and wear. Gross weight approximately 4.3 grams
Lot 367
Victorian turquoise and yellow metal brooch together with two turquoise ringsProvenance: Estate of the Late Jane SumnerCondition report: Ring with seed pearls - not hallmarked but probably 9ct gold, missing seed pearls, repair to shoulder, size K½, circa 1880, weighs approximately 2.5 gramsTurquoise cluster ring - altered/made from something else, gallery/bezel is gilt metal but the shank is 9ct gold, size J,2.1 gramsbrooch - good condition commensurate with age, appears to be gilt metal rather than gold. 31mm
Lot 436
E V Jackson (19th century school)WatercolourCoastal Scene, signed lower right and dated 188418 x 21cm K J Messer (20th century school)Watercolourriver scene with bridgesigned lower right 40 x 28cmMaine (?) (20th century School)Pastel studyPath through a village with hills in the background, signed lower right 21.5 x 28 cm (3)
Lot 19
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b 1952), CASTAWAY oil on canvas, signed; inscribed on artist label verso 73cm x 98cm Framed Provenance: Private Edinburgh collection. Note: The most recent Glasgow solo show of Gordon K Mitchell's work was held at the prestigious Roger Billcliffe Gallery, (26th April - 28th May 2019) where paintings of this size were priced at approximately £8000. Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include: Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections:Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky).
Lot 214
Taschenuhr Schaffhausen. 3 Deckel Gelb Gold 14 K. Circa 81,8 Gramm. Lief am 19.11.2020 an. Dazu Schatulle. Versand dieses Objektes durch Drittanbieter möglich. Liste ausgewählter vertrauenswürdiger Versandpartner liegt jeder Rechnung bei. Das Auktionshaus versendet nicht. Pocket watch Schaffhausen. 3 lids yellow gold 14 K. Approximately 81.8 grams. Movement working on November 19, 2020. Plus a box. Shipping of this object by a third-party provider possible. A list of selected trusted shipping partners is included with each invoice. The auction house does not ship.
Lot 59
TYPE A22 EKCO RADIO, brown bakelite drum case with cream dial, by Wells Coates for E K Cole Ltd., ser. no. 020659, 35cms high COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)The case is black.There is no damage. Very light surface scratches / general wear, hardly noticeable.The dial looks good, no damage or marks.The cloth speaker cover looks good, no rips or tears, slight staining around the edges.There is a small chip just on the left foot, it’s not very noticeable when stood upright.There are also scratches on the underside of both feet.
Lot 511
A BRONZE 'LION AND GRAPEVINE' CIRCULAR MIRROR, TANG DYNASTY China, 618-907. The mirror is cast in the center with a crouching beast-form loop surrounded by six smaller ‘lions’ amid fruiting grapevines, and in the outer field with birds in flight amidst further grapevine below a narrow border of florets. Condition: Good condition with minor wear, some small losses, a minor crack to the rim, and a fine dark patina with areas of copper red and malachite green. Provenance: Douglas J. K. Wright Ltd., London (label to back). Since 1945, Douglas J.K. Wright has been a renowned and well-respected auction specialist and London dealer in Chinese and Japanese works of art. He ran the Japanese department of Spink & Son before opening his own art gallery, Douglas J.K. Wright Oriental Art. Anthony du Boulay (label to back), acquired from the above. Anthony du Boulay served at Christie’s from 1949 to 1980, for many years as the Director of the Ceramics Department and for 13 years as the President of Christie’s, Geneva. From 1981, he served as Honorary Adviser on Ceramics to the National Trust, United Kingdom, on council of the Oriental Ceramic Society and as the Chairman of the French Porcelain Society. Weight: 1,124 g Dimensions: Diameter 13.4 cm Literature comparison: Compare with a similar mirror in the Avery Brundage Collection at the Asian Art Museum San Francisco (no. B60B600); see Also Hoyt, C., The Charles B. Hoyt Collection Memorial Exhibition, 1952, nos. 493 & 494. Auction result comparison: Compare with a closely related mirror sold by Christie’s New York in Fine Chinese Ceramics and Works of Art on 19-20 September 2013, lot 1481, for USD $12,500. 狻猊葡萄紋銅鏡，唐代 中國，618-907。海兽葡萄镜为伏兽钮，可見瑞兽。镜背有雀鸟相间环绕，葡萄及叶蔓铺地的图案。而纹饰中的瑞兽为西域引进的狮子。 品相：品相良好，輕微磨損，一些小缺失，邊緣處有一道輕微開裂，細膩深色包漿，成銅紅以及孔雀石綠。 來源：倫敦Douglas J. K. Wright Ltd. (背面標簽)。自1945年Douglas J.K. Wright已成爲倫敦中國日本工藝品方面最右面的拍賣專家。 在他建立自己的藝廊之前，他領導著Spink & Son 拍賣行日本藝術部。Anthony du Boulay (背面標簽)，購於上述藝廊。Anthony du Boulay 于1949-1980年間為佳士得工作，曾多年為陶瓷部主任，后又曾任13年日内瓦佳士得主席。1981年起他曾任英國陶瓷信托名譽顧問、東方陶瓷協會理事以及法國陶瓷協會主席。 重量：1,124 克 尺寸：直徑 13.4 厘米 拍賣結果比較：一件相似銅鏡2013年9月19至20日于紐約佳士得《中國陶瓷與工藝品》拍號1481，成交價USD $12,500。
Lot 1291
XVIII: Cast Copies, Restrikes and Electrotypes of Medals, Battle of Dunbar, 1650, a small uniface oval silver restrike medal, late 18th century, after T. Simon, from the same die as previous, 24 x 21mm, 6.27g (Lessen, BNJ 1981, p.118 and pl. viii, 8, this piece; Henfrey pl. i, 1; Platt I, p.327, type K; MI I, 391/13; E 181b2). Die flaws pronounced, good very fine £200-£300 --- Provenance: R.C. and O.M.W. Warner Collection, R.E. Ockenden Collection [from O.M.W.W. 1964], bt R.E.O.
Lot 499
Dickens (Charles). The Life and Adventures of Nicholas Nickleby, with Illustrations by Phiz, 1st edition, early issue, London: Chapman and Hall, 1839, bound from the parts, the 19 original printed front wrappers bound-in at rear (close-trimmed at fore-edge, a few lightly cropped), engraved portrait frontispiece, 39 etched plates by Hablot K. Browne, plates generally toned, some spotted, modern sprinkled green half calf, spine with gilt decorated raised bands and gilt lettering, 8voQty: (1)NOTESEckel pp.64-66; Gimbel A40. Early state: all plates before p.45 with publisher's imprint, plate facing p.457 with longer caption, p.123 with 'visitor' uncorrected, p.160 with 'latter' uncorrected (with neat manuscript correction). However,the caption 'Nicholas instructs Smike .... does agree with the list of plates.
Lot 510
Dickens (Charles). Our Mutual Friend, 2 volumes, 1st edition, London: Chapman and Hall, 1865, bound from the parts, half-titles, 40 engraved plates by Marcus Stone, including frontispieces, each volume with an original printed wrapper (parts 5 & 16 respectively) bound-in, 8 original advertisment leaves bound-in (on white, pink, and blue paper), scattered spotting, 1st volume one plate with chip and short edge tear, all edges gilt, near contemporary maroon half morocco, rubbed, corners showing, spines faded, 8vo, together with: ibid. Bleak House, 1st edition, London: Bradbury and Evans, 1853, bound from the parts, half-title discarded, 40 etched plates by H. K. Browne, including frontispiece and additional title, generally soiled throughout, plates toned with some spotting, p.107 with long closed tear (related to paper fault), p.331 with loss to blank fore-margin, 2 plate leaves with a closed tear extending 1cm into image, modern dark brown half morocco, lightly rubbed in places, spine faded, 8vo, plus: ibid. The Personal History of David Copperfield, 1st bookform edition, London: Bradbury & Evans, 1850, half-title discarded, title misbound after Contents, 40 etchings by H. K. Browne, including frontispiece and additional title (with date at foot), some light finger-soiling, letterpress spotted, frontispiece blank reverse with early ink manuscript signature, one plate with small stain to lower blank corner, one with short edge tear touching caption, one close-trimmed at fore-edge clipping caption, contemporary black half calf gilt, worn, cover detached at front hinge, 8vo, and 3 other Dickens 1st editions: Little Dorrit, Martin Chuzzlewit, Sketches by Boz (lacking 2 plates)Qty: (7)NOTESFirst three items: Eckel, pp. 94-95, 79-81, 77-78; Gimbel A149, A130, A122 respectively.
Lot 544
Lever (Charles). Davenport Dunn, or the Man of the Day, 22 parts in 21 (as issued), 1st edition, London: Chapman and Hall, July 1857 - April 1859, 44 etched plates by 'Phiz' (H. K. Browne), including frontispiece and additional title (issued in final double-part), numerous advertisement leaves throughout on pink, yellow, white, green, and blue papers, very scarce minor spots, sewn as issued, 2 parts unopened, original pictorial printed pink paper wrappers, somewhat faded and dust-soiled, few minor marks, part III front cover with early ink manuscript signature at head, contained together in brown cloth-covered portfolio with matching morocco-backed slipcase (rubbed with some marks), gilt-lettering to spine, 8voQty: (1)NOTESSadleir 1401; Wolff 4084 both for the bookform. Sadleir regarded Davenport Dunn as the rarest of the octavo novels first published in parts, and this is a rare survival of the original parts in excellent condition. The character of Dunn is loosely based on the notorious Irish financier, politician and swindler John Sadleir, who eventually fell into ruin and committed suicide on Hampstead Heath. Charles Dickens also made use of the character in his novel Little Dorrit, basing Mr. Merdle on Sadleir.
Lot 561
* Durrell (Gerald, 1925-1995). English writer and naturalist. Autograph Manuscript (unsigned), no place, no date, circa 1973-78, outlining ideas that were ultimately used in his book Garden of the Gods, '…Expeditions with donkey and boat... Margo staunch ally... Margo goes on trip to mainland. Returns. I return to find mother sitting... Introduced: Family. Spiro – Theo – Donald & Max – Creech – Hunting party – talk with K – the hunt – Return”, plus a list of ducks and waders, a total of approximately 200 words in blue ballpoint pen, a few minor spots and marks and a little light marginal creasing, one page, folioQty: (1)NOTESAutograph manuscripts relating to Gerald Durrell’s Corfu Trilogy are rare.
Lot 415
SCOTT, PETER; 'Morning Flight', a book of wildfowl, gilt tooled blue cloth and leather bindings, 'Mr Pickwick' illustrated by Frank Reynolds, Johnston 'Monarchical Government' (rebound), 'The Life of Samuel Johnson' Boswell two volumes, Jerome K Jerome John Ingerfield and Other Stories' (6).Additional InformationAll the bindings are very decorative, however they are discoloured, some quite dramatically and the spines are fading from being in bookcases.
Lot 116A
Richard Wilson (British, 1714-1782) Tower and Bastion by the Sea, oil on canvas, 16cm x 19cm, with ''M. Ford'' collection seal verso Provenance: Benjamin Booth; Rev R.S. Booth; Marianne Booth, Lady Ford; Richard Ford; Sir Francis Clare Ford; Captain Richard Ford; Mrs Richard Ford; thence by descent; Mallams Cheltenham, 21 January 2021 (116a). Exhibitions: Grosvenor Gallery, London, 1888 (197); Fine Art Galleries, Brighton 1920, A Collection of Oil Paintings and Sketches by Richard Wilson, R.A. lent by Captain Richard Ford (30). Bibliography: W.G. Constable, Richard Wilson, 1953, p. 227, pl. 120a; P. Spencer-Longhurst with K. Lowry and D. Solkin, Richard Wilson Online: A Digital Catalogue Raisonné (London: Paul Mellon Centre for Studies in British Art, 2014) With thanks to P. Spencer-Longhurst with K. Lowry and D. Solkin, Richard Wilson Online : A Digital Catalogue Raisonné, Paul Mellon Centre for Studies in British Art (www.richardwilsononline.ac.uk)
Lot 116B
Richard Wilson (British, 1714-1782) Entrance to a Town, oil on canvas, with ''M. Ford'' collection seal verso Provenance: Benjamin Booth; Rev R.S. Booth; Marianne Booth, Lady Ford; Richard Ford; Sir Francis Clare Ford; Captain Richard Ford; Mrs Richard Ford; thence by descent; Mallams Cheltenham, 21 January 2021 (116b) Exhibitions: Grosvenor Gallery, London, 1888 (197); Fine Art Galleries, Brighton 1920, A Collection of Oil Paintings and Sketches by Richard Wilson, R.A. lent by Captain Richard Ford (30) Bibliography: W.G. Constable, Richard Wilson, 1953, p. 227, pl. 120a; P. Spencer-Longhurst with K. Lowry and D. Solkin, Richard Wilson Online: A Digital Catalogue Raisonné (London: Paul Mellon Centre for Studies in British Art, 2014) With thanks to P. Spencer-Longhurst with K. Lowry and D. Solkin, Richard Wilson Online : A Digital Catalogue Raisonné, Paul Mellon Centre for Studies in British Art (www.richardwilsononline.ac.uk)
Lot 118
Richard Wilson (British, 1714-1782) Ponte Vigo at Chioggia, pencil drawing, 15cm x 20cm Provenance: William Lock (1732-1810); his sale, Sotheby's 3 May 1821; Marianne Booth, Lady Ford [?]; thence by descent; Mallams Cheltenham, 21 January 2021 (118) Exhibitions: Tate Gallery Richard Wilson Exhibition 3/11/82 - 2/1/83 no.16 William Lock 'of Norbury' was a well-known amateur, connoisseur and collector of works of art. In 1749 he set out on the Grand Tour and in Venice he met Richard Wilson. Wilson travelled with him in his carriage from Venice to Rome late in 1751 and Lock kept many of the drawings that Wilson made on the spot along the way. The town of Chioggia is situated on a small island at the southern entrance to the Lagoon of Venice, about 25 kilometres (16 miles) south of the city. It was the first major stopping-point on Wilson's journey from Venice to Rome With thanks to P. Spencer-Longhurst with K. Lowry and D. Solkin, Richard Wilson Online : A Digital Catalogue Raisonné, Paul Mellon Centre for Studies in British Art (www.richardwilsononline.ac.uk)
Lot 85
An early 20th century German K bayonet with wooden grip and fitted in metal scabbard, the blade stamped CSZM, the handle stamped 228[?], length 46cm, a Kukri knife, length 72cm, and a pair of binoculars fitted in leather case, stamped 'Medium 1905' (3).Additional InformationEach with general wear throughout, the case is in poor condition with scratches and scrapes to the leather. The cookery knife case is also in poor condition and the smaller daggers are missing - see additional images for further information.
Lot 1441
Harry Potter Unusual Rare Promo Poster Signed By J K Rowling & All Directors. This item is a very rare & special item, and a must for any Harry Potter or movie fan. It is a firstedition cinema promo poster for ‘Harry Potter’. It was signed at various Warner Brothers charity events to promote the new Harry Potter theme park by ALL the directors of each movie along withthe writer/creator. Chris Columbus (Director Harry Potter 1 & 2), Alfonso Cuaron (Director Harry Potter 3), Mike Newell (Director Harry Potter 4), David Yates (Director Harry Potter 5,6,7 part one, 7 part two, Fantastic Beasts 1 & 2) and J K Rowling (Writer & creator).
Lot 201
18ct Gold - Good Quality Sapphire and Diamond Set Dress Ring. Marked 750 - 18ct. The Round Brilliant Cut Diamonds of Commercial White Colour, The Pear Shaped Sapphires Also of Good Colour - Please Confirm with Photo. Ring Size J - K. All Aspects of Condition Excellent, Including Shank and Setting. Please see images.
Lot 294
AN IVORY HAKATA-STYLE NETSUKE OF ONO NO TOFU Unsigned Japan, Meiji period (1868-1912) Published: Schwarz, K. (1992) Netsuke Subjects, no. 199. The netsuke carved from ivory with finely stained details, depicting the famous calligrapher climbing on a large frog and holding a closed parasol in his left hand. Himotoshi to the back. HEIGHT 6.7 cm Condition: Very good condition with only minor surface wear. Provenance: Ex collection Dr. Karl Schwarz, exhibited at the MAK, Vienna, 1996. Sold at Kunsthandel Klefisch, Auction 98, October 2012, lot 254.
Lot 17
A fine William & Mary pewter two-banded tavern pot, circa 169020 fl.oz. capacity, having a tapering body with triangular lip, a single-curve handle with boot-heel terminal and 'lug' thumbrest stamped to the rear with the ownership initials 'G L', further engraved ownership initials 'R*L' to rim, touchmark inside base attributed to Philemon Angell, (fl.1684-1712), (PS201), 14.5cm highFootnotes:Provenance:Ex. K. Bradshaw Collection (no. 65).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 119
New Naturalist Monographs. Numbers 1,2, 4, 5, 9, 11, 12, 14-16, 19, 20, 1st editions, London: Collins, 1948-65, all in original cloth with dust jackets, number 1 with bookplate and ownership inscription of ornithologist K. E. L. (Kenneth) Simmonds, 5 with ownership inscription of naturalist Major A. W. Boyd (author of The New Naturalist: A Country Parish, number 9 in the series) and laid-in typed letter signed to Boyd from the publisher, 11 with bookplate of ornithologist Michael P. Harris, 1, 2 and 4 cloth faded, 9 spine rolled, number 1 jacket toned and nicked, 2 jacket spotted, clipped and repriced (90p), 4 jacket with tiny hole to spine, 5 jacket spine strengthened verso, 9 jacket with small chip to head of rear joint, 11 jacket slightly spotted and nicked, 14 jacket with small hole and repair to spine, 19 jacket clipped and with a short closed hear to head of front joint, all 8voQty: (12)NOTESProvenance: David R. Wilson (1926-2020), bookseller and secretary of the British Trust for Ornithology. Bernhard & Loe M1A, M2A-AP2, M4A, M5A, M6A, M9A, M11A, M12A, M15A, M16-A, M19-A, M20A-B1. The Hawfinch and The Wood Pigeon are both in the first-state binding.
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137173 item(s)/page