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Lot 2047
Rembrandt Harmensz. van Rijn (Leiden 1606 - 1669 Amsterdam)Der Prediger Jan Cornelius Sylvius - Jan Cornelis Sylvius1633Radierung auf Bütten mit Wasserzeichen "Fünfzackige Schellenkappe" (vgl. Hinterding, Variante K. c.)16,8x14,1 cm, BlattgrösseWerkverzeichnisThe New Hollstein (Hinterding/Rutgers) 124/I (v. III)White/Boon 266/I (v. II)ProvenienzPrivatsammlung USAZustandSehr guter Druck. Die linke obere Ecke leicht verbräunt, sonst in ausgezeichnetem Zustand mit umlaufend sichtbarer EinfassungslinieErläuterungenJan Cornelis Sylvius (1564–1628) war seit 1610 Prediger in Amsterdam. Er stand Rembrandt nahe, denn er war ein Verwandter Saskias und hatte bei deren Verlobung amtiert. Später war er auch bei der Taufe der Kinder Saskias und Rembrandts beteiligt. Rembrandt porträtierte ihn zweimal, neben dem Porträt von 1633 entstand 1646 posthum ein Gedenkbild.Die frühere Darstellung zeigt den Geistlichen am Tisch vor einem geöffneten Buch, wahrscheinlich der Bibel. Er wendet sich dem Betrachter zu. Seine Augen sind jedoch nach unten gerichtet, als denke er über eine gerade gelesene Passage nach. Aus dem Netz zahlloser Linien, aus denen Rembrandt Raum und Kleidung bildet, sind lediglich das Gesicht mit dem weissen Kragen und das Buch ausgespart, um sie so als wesentliche Elemente der Komposition hervorzuheben.MWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 19:30 h (MEST)VersandkostenSchweiz: CHF 165.-Europa: CHF 280.-Übrige Länder: CHF 335.-
Lot 642
KATASTROFARussian Poster (19" x 32")Very Fine+ on Linen Budapest Filmstúdio, 1960This is a Russian poster for a Hungarian film titled Crime at Dawn or Assassination Attempt, and the design is quite striking. It has been professionally linen-backed, with expert touch-ups along the folds and minor touch-ups on the "K" in the film's title, as well as a small tear on the lower edge. The poster is hand-numbered "No.1337" in pencil in the lower left corner.Crime at Dawn or Assassination Attempt (Hungarian: Merenylet) is a 1960 Hungarian drama directed by Zoltan Varkonyi and starring Lajos Basti, Iren Psota and Antal Pager. Filmed at the Hunnia Studios in Budapest, the sets were designed by the art director, Istvan Basthy.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
Lot 584
HARRY POTTER SERIESOne Sheets (9) (27" x 40"); Double-Sided AdvanceVery Fine+ Rolled Warner Bros., 2001-2011This group of 9 posters from author J. K. Rowling's adventure fantasy franchise consists of: "Harry Potter and the Order of the Phoenix" (2007) 2 double-sided advance posters; "Harry Potter and the Half-Blood Prince" (2009) 2 double-sided advance posters; and "Harry Potter and the Deathly Hallows" (2010) 5 double-sided advance posters. Each poster is in excellent condition and some may exhibit light scuffing or edge wear and corner creases.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.
Lot 12
Art Deco Alabaster & Wilson Sapphire and Diamond Cluster Ring. Weight: 4.1 grams Ring Size: K (50) Face Dimensions: 11.5mm x 10mm Band Width: 2mm Sapphire Weight: Approx. 1.50 carats Total Diamond Weight: Approx. 0.42 carats, Colour: I-J, Clarity: SI Marked: 'A&W PT 995’ Period: Art Deco, Circa. 1920s
Lot 158
A late Victorian 18ct gold diamond cluster ring. Designed as a triple old cut diamond cluster, estimated total diamond weight 1.25cts, principal diamond approx. 0.35ct, estimated J-K colour, SI clarity, hallmarks for Henry Griffith & Sons Ltd, Chester, 1899, ring size N1/2, gross weight 4.5g.Overall condition good to fairLight scratches and abrasion in keeping with age and wearHallmarks clear and legibleDiamonds bright and well matchedA couple of surrounding stones with nicks to facets, and nibbles to pavillions Light and dark scattered inclusions visible with magnification onlyPrincipal diamond with light scattered inclusions, visible only with close inspection under magnification
Lot 411
Late George III oak-cased 8-day longcase clock with automaton, the two-piece silvered dial with Roman hours and Arabic minutes framing subsidiary seconds dial and terrestrial calendar crescent, an engraved tall-masted ship and coastal cottage, the spandrels engraved with putti emblematic of the Four Seasons, the arch signed "Harry Mogg Wincanton" with engraved silvered rocking chariot automaton before a printed arched backdrop ('Wisdom delivers Don Quixote from the madness'), the movement with four knopped pillars striking on a bell, the case with moulded arched dentil cornice, ball and eagle finials and turned columns with brass capitals, the ogee-arched long trunk door on conforming base and bracket feet, 216cm high (sold with two weights, pendulum and key)Bellchambers, J. K., Somerset Clockmakers, 1968, p. 75 under Wincanton entries records "Moggs [not Mogg], Harry"1820 ca." , although this clock would appear in all areas to predate this.
Lot 8
Diamond three stone white metal ring, the three round brilliant cut diamonds each measuring approx. 5.22 x 5.10 x 3.18mm; 5.21 x 5.09 x 3.28mm; 5.24 x 5.18 x 3.31mm, total diamond weight approx. 1.50 carats, assessed clarities VS-SI, assessed colours I-K, claw settings, tapered shoulders, ring size L, weight approx. 3.1g
Lot 317
Indian Interest: Approximately twenty proof half-tone and photogravure portrait photographic prints, relating to Indian Maharajahs and other rulers, attendees of the Delhi Durbar 1902, comprising (sizes are plate impression): H. H. The Maharajah of Jaipur, inscribed in pencil thus, 23cm x 13.5cm H. H. Nawab of Junagadh, K. C. S. I. (F. Nelson, Junagadh), inscribed in pencil thus, 15.3cm x 10.1cm H. H. The Maharajah of Travancore, G. C. S. I., G. C. I. E. (D' Cruz photo., Walker & Cockerell Ph. Sc.), 23.5cm x 13.8cm (x2)H. H. The Maharajah of Patiala (G. Craddock & Co., Lahore, photo., Walker & Cockerell Ph. Sc.), 20.3cm x 12.4cm (x5)H. H. The Maharajah of Datia (R. L. Desai, Gwalior, photo., Walker & Cockerell Ph. Sc.), 19.8cm x 12.2cm H. H. The Maharajah of Jammu and Kashmir, G. C. S. I. (G. Craddock & Co., Lahore, photo., Walker & Cockerell Ph. Sc.), 20.3cm x 13.2cm H. H. The Gackwar of Baroda, G. C. S. I., (Bourne & Shepherd, photo., Walker & Cockerell Ph. Sc.), 23cm x 13.8cm H. H. The Maharajah of Bikanir, K. C. I. E., (Esmé Collings, photo.), inscribed in pencil thus, 20.8cm x 13.3cm H. H. The Maharajah of Cochin, inscribed in pencil thus, 23.6cm x 13.6cmH. H. The Raja of Nabha, G. C. S. I., G. C. I. E., (Bourne & Shepherd, photo., Walker & Cockerell Ph. Sc.), 20cm x 12.8cm H. H. The Thakur of Morvi, G. C. I. E., (W. Whiteley, photo., Walker & Cockerell Ph. Sc.), 17cm x 11.5cmThe Thakur of Morvi, a variant inscribed in pencil thus, 'Whiteley 61', 17cm x 11.5cmScindhia (Gwalior), inscribed in pencil thus, 23.4cm x 13.5cm N. W. Frontier Group, (Dir, Chitral, Nawagai), inscribed in pencil thus, 17.2cm x 20.2cm, andRetainers Review Kirkanghur Cavalry, inscribed thus and 'Lawrie', no plate impression, image size 13.7cm x 19.8cm, together with a book, John Lord, 'The Maharajahs', ("Uncorrected proof copy on proofing paper and the property of the publisher and not for sale"), Provisional Date 15 May 1972, Provisional Price £3.23, Publ. Hutchinson of London, in printed softcover
Lot 368
Attributed to Henry Victor Milner, (1864-1942) reputedly after a design by Temple Moore (1856-1920) for the Church of St. Bartholomew, Parish of Bowling, Bradford, West Yorkshire - Late Victorian gothic revival painted ecclesiastical reredos panel, depicting Christ enthroned, holding orb and cross in left hand, right hand raised in blessing, angel supporters beneath holding a banner - 'We praise Thee, We worship Thee, We glorify Thee', 181cm x 81.5cm, beneath a separate panel applied with three gilt crocketed cusped arches, 72cm high x 81cm wide, overall 253cm high Typewritten note verso states:"Bradford - St. Bartholomew Bowling Recently I have discovered from "Temple Moore - an architect of the Late Gothic Revival" by Geoffrey K. Brandwood that the reredos of which you have sections in the crypt dates from 1886. It was designed by this very great architect (1856-1920), was painted by the equally distinguished artist H. Victor Milner and made and carved by James Elwell & Son of Beverley (the earlier attributions were apparently incorrect). The reredos and rood cost £210!"
Lot 1047
Ɵ HOROLOGICAL REFERENCE BOOKS MAINLY ON 19th CENTURY ENGLISH CLOCKSSEVEN PUBLICATIONS:Hawkins, J.B. THOMAS COLE AND VICTORIAN CLOCKMAKING privately printed by the author, Sydney 1975, dj; Roberts, Derek BRITISH SKELETON CLOCKS The Antique Collectors' Club, Woodbridge 1987, dj; Royer-Collard, F.B. SKELETON CLOCKS N.A.G. Press, London 1977, dj; Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development The Antique Collectors' Club, Woodbridge 1974, dj; Vulliamy, David G. THE VULLIAMY CLOCKMAKERS The Antiquarian Horological Society, Ticehurst 2002, dj; Rose, Ronald E. ENGLISH DIAL CLOCKS The Antique Collectors' Club, Woodbridge 1978, dj; Aked, Charles K. A CONSPECTUS OF ELECTRICAL TIMEKEEPING The Antiquarian Horological Society, Ticehurst 1977, softbound with staple spine, together with four further related sundry publications (13). Provenance:The Leonard Fuller Collection.
Lot 1013
A FINE VIENNESE LACQUERED BRASS CAMPAIGN THEODOLITE CHR. AND G. STARKE, VIENNA, MID 19th CENTURYThe single short draw focusing telescope inscribed K. K. polytechn. Institut in Wien. Chr. & G. Starke to one side held within oxidised brass frame supporting a spirit level to top and with micrometer screw elevation adjustment to eyepiece end, fitted via a rotating joint onto a horizontal degree circle with fine silver scale and Vernier applied to an arm screwed to the telescope frame, the base with ball and socket sleeve joint for mounting on a tripod, in unusual tooled and textured paper covered 'admiral's hat' shaped carrying case finished to resemble leather and with moulded fabric lined interior incorporating a small selection of accessories; with a wooden tripod, 19th century, incorporating oxidised brass knuckles and threaded instrument mounting socket, (2).The case 12cm (4.75ins) high, case 18.5cm (7.25ins) wide; 11.5cm (4.5ins) deep; the tripod 84cm (33ins) long closed. The current lot was presumably made by Georg Christoph Starke (1794-1865) in partnership with his son, Gustave (1832-1917) suggesting that it was made in around 1850.
Lot 94
* IRENE LESLEY MAIN (SCOTTISH 1959 - 2023), SAN GIMIGNANO, ITALY watercolour on paper, signed and titled mounted, framed and under glassimage size 21cm x 12cm, overall size 52cm x 39cm Note: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship, and in Italy. She travelled extensively throughout Europe, America and Africa and exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. She was a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and had studios in Glasgow, Athens and Brodick, Isle of Arran. Lesley Main was strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpinned her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, the late Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.
Lot 45
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), BOWLER oil on canvas, signed, titled label versoframed image size 51cm x 41cm, overall size 66cm x 56cm Artist's label versoLabel verso: Roger Billcliffe Gallery, GlasgowNote: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.
Lot 135
* IRENE LESLEY MAIN (SCOTTISH 1959 - 2023), TREES NEAR FISH HOER mixed media on board, signed and dated 1991, titled versoframed image size 33cm x 38cm, overall size 51cm x 55cm Label verso: Main Fine Art, GlasgowNote: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship, and in Italy. She travelled extensively throughout Europe, America and Africa and exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. She was a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and had studios in Glasgow, Athens and Brodick, Isle of Arran. Lesley Main was strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpinned her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, the late Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.
Lot 57
* GORDON K MITCHELL RSA RSW RGI (SCOTTISH b. 1952), ARABESQUE oil on canvas, signed, titled labels versoframed image size 31cm x 26cm, overall size 45cm x 40cm Artist's label versoLabel verso: Roger Billcliffe Gallery, GlasgowNote: Prizes and Awards include: Borders Biennial Exhibition; First Prize, City Arts Centre, Open Exhibition; First Prize, Educational Institute for Scotland; Purchase Prize, Glasgow Mayfest Award, Royal Scottish Academy Award; First Prize, Royal Scottish Society of Painters in Watercolour; William Gillies Award, Scottish Drawing Competition, Paisley; Second Prize, Royal Scottish Academy; J. Murray Thompson Award, Scottish Artists and Artist Craftsmen; Arts Club Prize, Scottish Artists and Artist Craftsmen; Whyte & Mackay Award, Scottish Artists and Artist Craftsmen; Scottish Provident Award, Scottish Artists and Artist Craftsmen; Dunfermline Building Society Prize, Scottish Artists and Artist Craftsmen; SSWA Special Award. Solo Exhibitions include Dorothy Quinn Gallery, St. Andrews, Henderson Gallery, Edinburgh, Old City Art Gallery, Jerusalem, Traverse Theatre, Edinburgh, Open Eye Gallery, Edinburgh (biannually since 1992), Roger Billcliffe Fine Art, Glasgow (biannually since 1993), Atholl Gallery, Dunkeld (1993) Albemarle Gallery (biannually since 1997). Represented in Group Exhibitions in the United Kingdom, including:Allan Park Gallery, Stirling, Atholl Gallery, Dunkeld, Borders Biennial Exhibition, City Arts Centre, Edinburgh, Contemporary British Art Show, London, Contemporary Fine Art Gallery, Fine Art Society Galleries, Glasgow, Gracefield Art Centre, Dumfries, Hilton Hotel, Hong Kong, John Martin of London, Kirkcaldy Art Gallery, Mall Galleries, London, Morrison Scottish Portrait ExhibitionOpen Eye Gallery, Edinburgh, Paisley Art Institute, Portland Gallery, London, Richard Demarco Gallery, Edinburgh, Roger Billcliffe Fine Art, Glasgow, Royal Glasgow Institute, Royal Scottish Academy, Edinburgh, Royal Scottish Society of Painters in Watercolour, Scottish Arts Club, Edinburgh, Scottish Arts Council Gallery, Smith Art Gallery & Museum, Society of Scottish ArtistsSociety of Scottish Artists and Artist Craftsmen, Stirling Gallery, Talbot Rice Gallery, Edinburgh Group Exhibitions held abroad: Through the `Old City Gallery` Jerusalem, paintings have been included in group exhibitions in Israel, Australia, Canada, U.S.A. and Sweden. Blue and White Gallery, Jerusalem, Contemporary Scottish Art 1994, Hilton Hotel, Hong Kong Collections: Works held in a great many private and public collections, including; Alliance & Leicester Building Society, Edinburgh Distillers Co. Ltd, Edinburgh College of Art, Educational Institute for Scotland, Johnny Walker Whisky Co, Kansas City Art Institute, Macfarlane Group Plc, National Westminster Bank, Paisley Art Institute, Scottish Arts Council, Scottish Brewers Limited, Slottseal Forthside Limited, The Knesset, Israel, University of Edinburgh, Welcome Inns, Whyte & Mackay Group, William Teacher & Sons (Whisky). One of the most recent examples of Gordon Mitchell's paintings we've offered was "Castaway" a 73 x 98cm oil on canvas which sold in The Scottish Contemporary Art Auction of 24th January 2021 for £8000 (hammer) setting a new auction world record for a work by the artist.
Lot 79
* IRENE LESLEY MAIN (SCOTTISH 1959 - 2023), SAUCHIEHALL STREET, GLASGOW watercolour on paper, signed and titled mounted, framed and under glassimage size 12cm x 22cm, overall size 33cm x 44cm Note: Irene Lesley Hope Main was born in Glasgow. She studied Drawing and Painting at the Glasgow School of Art from 1976 until graduating in 1980 (under Donaldson, Robertson, Shanks and Rae), the Patrick Allan-Fraser School of Art at Hospitalfield to which she won a scholarship, and in Italy. She travelled extensively throughout Europe, America and Africa and exhibited widely in one-person and group exhibitions in the United Kingdom, Europe and America. She was a full-time painter, a winner of the Hiram Walker Award and the Lauder Award, and had studios in Glasgow, Athens and Brodick, Isle of Arran. Lesley Main was strongly influenced by the Scottish Colourists (in particular, J. D. Fergusson) and the Glasgow School, with its emphasis on light and shade, use of colour and sensuous handling of paint, and traditional pursuit of academic excellence. Her great love of nature underpinned her joie de vivre and essential optimism, of which her work is a direct and fluent complement and statement. Lesley Main's work is well-known, and is in public and private collections world- wide, including those of: H.R.H. Diana, the late Princess of Wales; Allied Irish Bank; Argyll Group; Australian Capital Equity; Bank of Ireland; British Petroleum; Charterhouse Development Capital; Citicorp Scrimgeour Vickers International; Clyde Port Authority; Commonwealth Development Corporation; Robert Fleming Holdings; Henry Ford Foundation; G. K. Goh; Gouldens; Iomart Group; Lam Soon Group; Lanitis Development; Lithgow Group; John Makepeace; Mercury Asset Management; Metropole Group; Prudential Corporation; BWD Rensburg; Royal Bank of Scotland; Save and Prosper; Scottish Arts Council; Herbert Smith; South African Department of Foreign Affairs; Standard Life; Deloitte Touche; University of Strathclyde; Warwick Arts Trust; Yarrow.
Lot 30
A pair of Hollinshead & Kirkham. H & K Tunstall Art Deco hand painted Lonsdale pattern vases of inverse baluster form, decorated with ragged poppies on a mottled teal ground, graded lemon interiors, black printed Unicorn factory mark, together with a Tulip pattern jug of flared form with bladed knop and zig-zag handle, height 16cm, a Panola pattern pot, and twin handled dish decorated with flowers on a mottled blue ground. (5)
Lot 24
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted floral earthenware designed by R Grocott, to include a twin handled lustre vase, decorated with glue hibiscus type flower over mottled brown and yellow ground, height 11cm, a similar cream jug, together with a pair of elongated ovoid vases, a cream jug and ewer, black and green printed Unicorn factory marks. (6)
Lot 17
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted earthenware designed by R Grocott, to include a Gaiety pattern water jug, decorated with floral rosettes and leaves over blue, pink and brown mottled ground, height 16cm, a twin handled vase and similar globe form example, together with a collection of Tulip Time pattern jugs, including a water jug, a milk and cream jug and a small ewer, Black printed Unicorn factory marks and other marks. (7)
Lot 12
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Tuliptime pattern earthenware, designed by R Grocott, to include a circular hexagonal lobed dish, decorated with blue and yellow tulips on a mottled brown ground, Unicorn factory mark, diameter 21cm, together with a baluster form jug with red glazed C scroll handle, height 14cm, and a lug-handled bowl, width 18cm, together with a similar pair of twin handled vases of baluster form, painted with single tulip heads on brown mottled ground, black unicorn mark, height 11cm, and lug handled bowl, width 18cm, and a small ewer, spherical body and narrow neck, painted with tulips over blue mottled ground, green Unicorn marks, height 12cm. (7)
Lot 15
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted poppy pattern earthenware, to include a vase of inverse baluster form, decorated with blousy pink and lilac flowerheads over mottled brown ground, height 21cm, a circular bowl, damaged, a milk jug, two cream jugs and a lug handled bowl, black printed Unicorn Factory marks. (6)
Lot 22
A collection of Hollinshead & Kirkham H & K Tunstall Art Deco hand painted earthenware designed by R Grocott, to include a plum pattern milk jug of squat spherical form with loop handle, green printed factory mark, height 12cm, a smaller example, a Lonsdale pattern twin handled spill vase, height 14cm, a shouldered vase decorated with five petaled flowers over black and yellow ground, height 22cm, a smaller vase decorated with ragged tulip head over green, yellow and blue ground and a baluster form ewer decorated with nasturtium type flowers over dark blue ground, Unicorn factory marks and other marks. (5)
Lot 23
A collection of Hollinshead & Kirkham H & K Tunstall Art Deco hand painted earthenware designed by R Grocott, to include a Lincoln pattern baluster form vase, decorated with flower heads on a streaked blue/green ground, height 21.5cm, together with a Melrose pattern jug, flowerheads and leaves on a blue mottled ground, green glazed interior, height 21.5cm, a Panola pattern twin handled dish decorated with pansies on blue, purple and black ground, width 16cm, and a small ewer, decorated with flowers on a blue, yellow and red ground. (4)
Lot 21
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Luscious pattern Autumn earthenware designed by R Grocott, decorated with still life fruit studies on a mottled blue/brown ground, to include a pedestal jug, flared form with angular handle, height 21cm, a milk jug and cream jug, together with a collection of H & K poppy pattern on green mottled ground, including two trays, rectangular form, a water jug with bladed knop and zig-zag handle, height 16cm, and a milk jug Unicorn factory marks and other marks. (7)
Lot 14
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted poppy pattern earthenware, to include a circular hexagonal lobed dish, decorated with blousy pink and lilac flower heads on brown mottled ground, including trumpet shaped vase, height 20cm, a twin handled vase, height 16cm, two smaller vases, a jug and a small ewer, all with black printed Unicorn factory marks. (7)
Lot 33
A Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Lonsdale pattern tray of rectangular form, designed by R Grocott, decorated with ragged poppies over a sponged teal ground, width 31cm, together with a matching sandwich plate, and a Plum pattern twin handled bowl of octagonal form, decorated with branched fruit on an acid yellow gound, graded purple glazed exterior, Unicorn factory marks. (3)
Lot 28
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Viola pattern earthenware designed by R Grocott, to include four milk jugs, tallest 12cm, each decorated with flower heads and leaves over mottled brown, blue and pink ground, and two similar cream jugs, five with black printed Unicorn factory marks. (6)
Lot 20
A collection of Hollinshead & Kirkham, H & K Tunstall Art Deco hand painted Poppy pattern earthenware designed by R Grocott, to include a fruit bowl of circular form decorated with blousy pink and blue flowerheads on a green/yellow mottled ground, diameter 21cm, a cream jug and a pair of ewers, Unicorn factory marks and other marks, together with a collection of H & K Tunstall Spring Time pattern, to include a milk jug decorated with stylised primula flowers and leaves on burgundy band and mottled pale green ground, height 10cm, a cream jug, stem vase and twin handled dish. (8)
Lot 321
J. K Rowling, Nine Harry Potter hardback books, comprising the first three books (Philosophers Stone, Chamber of Secrets and Prisoner of Azkaban) in a slip case published by Ted Smart, Goblet of Fire also published by Ted Smart, the remaining five first editions published by Bloomsbury, comprising Order of the Phoenix x 2, Half Blood Prince x 2 and Deathly Hallows, in read condition with some marks to dust jackets (1 box0
Lot 764
Oscar Wiggli (Solothurn 1927 - 2016 Muriaux)Skulptur 12 K1959-60Eisen, geschmiedetCa. 50 cm, Höhe; 15 cm, HolzsockelSignaturUnten links mit dem gestanzten Namenszug "WIGGLI"ProvenienzDirekt vom Künstler erworben vonSlg. Anna Blankart, durch Erbschaft (1987) anPrivatsammlung SchweizLiteraturCollection Prisme (Hrsg.) Oscar Wiggli, Vol. 14, Gentilly 1977, S. 8ZustandGeschmiedetes und geschweisstes Eisen auf einem Holzsockel. Mit schwarzer, leicht beriebener Patina. In sehr guter ErhaltungErläuterungenEine typische, dünnschalige Eisenplastik aus Wigglis früher Schaffensperiode Ende der 1950er-Jahre. Dargestellt ist wohl ein Rabe. Da Wiggli selbst der Deutung seiner Werke keine Richtung vorgab, verzichtete er auf informative Titel und begnügte sich mit Werknummern, wie bei der hier angebotenen Arbeit: "12 K".Erwartete Ausrufzeit (+/- 15min)12.09.2024; 17:25 h (MEST)VersandkostenAuf Anfrage / On request
Lot 238
Otto Charles Bänninger (1897 Zürich 1973)Sitzende mit Tuch1939Bronze28,5x29x13 cmSignaturAuf der Plinthe geritzt monogrammiert "OB" und datiert "39" und mit dem Giesserstempel "K Stutz Kunstgiesserei Zürich"ProvenienzAuktion Sotheby's, Zürich, 7. Juni 2004, Los 51, dort erworben vonPrivatsammlung SchweizAusstellungenVenedig 1942, XXIII. Biennale di Venezia, Nr. 109ZustandIn brauner Patina. In tadelloser ErhaltungErläuterungenOtto Charles Bänninger gehört zu den wichtigen Bildhauern der Zwischen- und Nachkriegszeit in der Schweiz. Die angebotene Plastik wurde 1942 an der Biennale in Venedig ausgestellt und der Künstler wurde mit dem "1. Internationaler Preis für Skulptur" ausgezeichnet.Erwartete Ausrufzeit (+/- 15min)12.09.2024; 9:40 h (MEST)VersandkostenAuf Anfrage / On request
Lot 409
Keith Grant, British b.1930 - Sun Study No.23, 1980; acrylic and watercolour on paper, laid down on canvas board, signed, titled and dated on the reverse 'K Grant Sun Study No 23 80', 29.6 x 29.6 cm (ARR) Provenance: with Browse & Darby Ltd., London (according to the label attached to the reverse of the frame); private collection
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