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Lot 189

Waterman 42 1/2 V black hard rubber fountain pen Damascene Toledo overlay. Damascene, or "damasquinado," is the Moorish art of inlaying gold or silver threads into black steel. Toledo in Spain was the area most known for this work. Toledo overlays are rare to find on any fountain pen, especially on American made pens, this Waterman 42 1/2 V has a Toledo cap and barrel overlay with Waterman Ideal fine tip 14 K flexible nib. Length 3 1/2" and 4 5/8" posted, filling mechanism safety filler (dropper fill). Overall excellent condition with deep pattern, two small marks near base of barrel to hard rubber, safety mechanism functional.

Lot 80

Montblanc 144 Solitaire solid 18 K gold fountain pen with box, outer box and cardboard sleeve. Herringbone pattern, marked 2279 on box and model 1449 in solid 18 K bi-colour gold with 750 hallmarks on cap and back of clip. Medium 18 K gold nib, length 5 1/4†and 5 7/8†posted, filling mechanism cartridge/converter fill (converter present). Overall near mint condition, pen appears to be uninked, clean black lacquer box, outer cardboard box and cardboard sleeve worn at corners.

Lot 73

1999 Montblanc Proust limited edition Writers Series fountain pen, with box, outer box, protective cardboard sleeve and certificate booklet. This limited edition fountain pen was limited to 21,000 pens (9749/21000) with decorative sterling silver octagonal barrel with an alternating Art Nouveau pattern of swirls and dimpled panels with Rhodium plated 18 K fine tipped with an hourglass motif referencing his most famous work. Length 5 3/8â€. Overall excellent condition, sterling with patina that could be polished to high shine, outer box and cardboard sleeve with rubbing to corners.

Lot 69

Montblanc Boheme platinum trim fountain pen and ballpoint set with boxes, outer boxes and papers. Platinum trim with blue jewels, threaded end on fountain pen for cap to post and to extend the nib like a vintage safety pen with 14 K fine nib. Length 4 3/8†(ballpoint), 4 1/4†and 5 1/4†posted (pen), filling mechanism cartridge fill (half box of old converters included). Overall near near mint condition, both pieces look to have seen only slight use, outer boxes both correctly marked BOH, some rubbing to corners present, ballpoint with spare refills (current one operates at time of listing).

Lot 75

1996 Montblanc Dumas limited edition Writers series 3-piece fountain pen set with sons (fils) signature with box, outer box and papers. The Montblanc Dumas 3-piece set was limited to 5000 (3091/5000), this example with the sons (fils) signature. Originally the wrong signature was used and Montblanc then recalled unsold inventory and remade the caps with the correct signature. This example with medium 18 K nib and original stickers on all three pieces. Length 5 1/8†(ballpoint), 5 1/8†(pencil), 5 3/8†and 6 3/8†posted (pen), filling mechanism piston fill. Overall near mint, the 3-piece set is unused with original stickers, the box shows some rubbing to the corners and some light marking to the base, outer box shows rubbing at corners and papers are bent at outer corners.

Lot 34

Conklin made Spencerian blue/bronze marble fountain pen. Spencerian was a Conklin sub-brand, the shape is similar to that of the Symetric with pinned lever. Clip, lever and nib marked Spencerian, 14 K nib with fine tip. Length 4 15/16†and 6 3/16†posted, filling mechanism lever fill. Overall near mint condition with a spot of wear to clip, colour perfect with bright blue with bronze, unusual bandless cap, potentially late model clear out. Pen was water tested and filled at time of listing.

Lot 24

Cameleon black and pearl marble double ended fountain pen combination. Cameleon pens are well known and prized by collectors for their great celluloid colours, and original design which facilitated the use of multiple colours of ink. This example has red and blue bands at either of the pen to help the user determine the colour of ink at each end. Long extended clip to have it come in contact with the barrel given the small cap and Cameleon logo on barrel. Correct 14 K warranted nibs and even colour throughout with good trim. Length 5 3/8†and 6 1/2†posted, filling mechanism eyedropper fill. Overall excellent condition, one small mark to the right of the clip, deep imprints and otherwise quite clean.

Lot 35

Conklin green and bronze marble student model fountain pen set. The student model was made in several colours including black, burgundy/bronze, pearl/black along with patterns known by collectors as Zebra or Halloween. This example in deep green and bronze marbling with Conklin 2 Toledo extra fine 14 K nib. Length 4 7/8†(pencil), 5†and 6 1/4†posted (pen), filling mechanism lever fill. Overall excellent condition with bright colour, trim and imprints.

Lot 186

Waterman 412 1/2 S sterling silver filigree over black hard rubber pen. Trefoil sterling filigree on an early Waterman safety denoted by the 12 S (s for safety) as later examples were denoted by the 4X numbering system with the 4 referring to it being a safety filler. Marked Waterman Ideal New York 2 fine tipped 14 K nib. Length 5 1/8†and 6 1/2†posted, filling mechanism safety filler (dropper fill). Overall good condition with one small ding to edge of cap, cartouche engraved with initials in cursive script, lower barrel imprint worn, stamp on butt end clear with some red wax still present. Safety mechanism functional. A nice early example in a somewhat more uncommon half size.

Lot 91

Parker Lucky Curve #9 black chased hard rubber fountain pen. Longitudinal wavy lined chased pattern with sharp Parker 1884/91 patent date imprint and two decorative gold filled bands. Parker Lucky Curve Pen 3 extra fine flexible 14 K nib and Lucky Curve feed. Length 5 7/8†and 7†posted, filling mechanism eyedropper fill. Overall near mint condition with bright colour, chasing and trim. A fine example of an early slip cap Parker Lucky Curve pen.

Lot 23

Carter Coralite red marble fountain pen and pencil set. Carter well known for their ink production but produced high quality pens in hard rubber and celluloid from the mid 1920’s through to the early 1940’s, their rocker clip slips into a slot in the cap to decrease the change of the clip being sprung through use and they used many beautiful materials, some unique during their pen production. This set in bright Coralite coral red coloured celluloid with streamlined ends, full size set with Carter Inx Pen fine 14 K nib. Length 5 1/8†(pencil), 5 1/4†and 6 3/8†posted (pen), filling mechanism lever fill. Overall good condition, pen shows some brassing to cap bands and mark to center of lever, imprint legible but worn, pencil near mint with bright trim, colour and imprint.

Lot 43

David Oscarson Henrik Wigstrom translucent red and opalescent white enamel vermeil trim limited edition fountain pen with box and outer box. Made as an homage to Henrik Wigstrom, Faberge's head Work Master, this enamel and vermeil pen was limited to 128 (103/128). The pen features Guilloche in red and white enamel highlighted with designs similar to that of the Faberge egg with two-tone 18 K medium nib. Length 6" long, filling mechanism cartridge/converter fill (converter present). Overall excellent condition, box shows some wear, outer cardboard box is split at corners, comes with polishing cloth.

Lot 175

Wahl Eversharp Equi-Poised fountain pen pocket & combo combination in Brazilian Green. Wahl Eversharp made these multi-purpose fountain pens during the combo craze of the late 1920s-1930s, this example can be made into a pen/pencil combination by installing the pencil end or full length fountain pen by installing end piece. Bright Brazilian Green colour with gold seal with marked Wahl Eversharp Gold Seal Manifold medium 14 K nib and M marked on feed. Length 5 11/16†and 6 1/4†posted (fountain pen), 6 3/16†and 6 1/2†posted (combo), filling mechanism lever fill. Overall excellent condition with bright colour and trim. Pen was water tested and filled at time of listing.

Lot 63

Michel Perchin Bossert & Eberhard Monogram enamel and sterling silver fountain pen. Bossert & Eberhard are those behind the beautiful Russian style translucent glass enamel work over sterling silver that have made the pens by Michel Perchin so popular today. This model is exactly like the Michel Perchin Monogram model down to the M P in the silver work near the base and Michel Perchin fine 18 K two-tone nib but is marked Bossert & Erhard and Ag 925 B&E Germany on the cap band. The black enamel work is set off with beautiful sterling silver scroll design and Michel Perchin markings along with decorative clip. Length 5 5/8†and 6 3/8†posted, filling mechanism cartridge/converter (converter present). Overall good condition as clip is slightly loose, otherwise excellent.

Lot 142

Platinum 3776 Urushi Maki-e collection fountain pen fall leaves. Likely from the early 1990’s, signature present on barrel with original box, outer box and papers. Nib Platinum 14 K medium tip. Length 5 5/8†and 6 3/8†posted, filling mechanism cartridge/converter fill (squeeze converter present). Overall excellent condition, one scratch to back of section, outer box shows wear.

Lot 194

Waterman Ideal 0552 1/2 LEC Sheraton pattern gold filled overlay fountain pen. The LEC refers to "lower end covered" in that the barrel is covered in gold filled overlay down to the bottom, the Sheraton vertical lined pattern is bright with extra fine Waterman Ideal 14 K flexible 2 nib. Length 5 1/8†and 6 1/2†posted, filling mechanism lever fill. Overall near mint condition, cartouche engraved in cursive script. A pristine Waterman overlay example.

Lot 115

Parker 75 Presidential Keepsake 14 K solid gold fountain pen. Crisp solid gold 75 with dish tassies. Pen free of dings, with medium 14 K nib, made in the USA. The pen is marked 14K Gold Cap & Barrel Made in USA, weight is 22.5 grams for complete pen. Length 5 1/16†and 5 1/2†posted, filling mechanism cartridge/converter (converter absent). Overall excellent condition.

Lot 105

Parker Vacumatic Major star clip grey pearl double jewel fountain pen. The star clip was produced in 1939 before the more common blue diamond clip appeared, this example with medium 14 K flexible nib. Length 5 1/4†and 6 1/4†posted, filling mechanism Vacumatic fill. Overall good condition, USA production pen with bright colour and trim.

Lot 4

Montblanc 75th Anniversary Solitaire Doue sterling silver cap fountain pen. 144 model with Grain d'Orge barleycorn sterling silver cap and pink gold trim, cap engraved in cartouche, two-tone 18 K 750 fine tip Montblanc 75th Anniversary nib. Length 5 1/4†and 5 7/8†posted, filling mechanism cartridge/converter (converter absent). Overall excellent condition.

Lot 55

John Holland 71 gold filled filigree hatchet filler fountain pen. Filigree with large Lillies and scroll work with cursive initials engraved in cartouche. Marked John Holland with patent date at base of filigree work on barrel and 71 on the butt end of the barrel, large long tined John Holland CinO 12 14 K fine flexible nib. Length 5 7/16†and 6 3/4†posted, filling mechanism hatchet fill. Overall excellent condition with minor wear. Pen was water tested and filled at time of listing.

Lot 98

Vest-Parker Duofold fountain pen in Burgundy & Black. Often known as the vest pocket, the Vest-Parker was produced throughout the Duofold line with clip and ring top models, this being the clip version. Bright burgundy and black marble with fine Parker Duofold 14 K nib and later comb feed. Length 3 7/16†and 4 7/16†posted, filling mechanism button fill. Overall excellent condition, sharp barrel imprint, clean trim, minor discolouration to black top.

Lot 20

Ancora Special Edition Demonstrator limited edition fountain pen, with box, ink bottle, papers and outer box. This particular Ancora was limited to just 33 pens, this being the first (1/33), with clear acrylic and vermeil trim with 925 hallmarks. It is similar to the Cielo but was made in much smaller numbers, this example with Ancora 1919 18 K fine nib. The warranty book with anchor pin is marked inside Demonstrator 1/31 and is signed off in 2000. Length 5 3/4†and 6 3/4†posted, filling mechanism vacuum fill. Overall near mint condition, the pen itself is brand new and unused, blue faux leather box shows some flaking to exterior, outer box with rubbing to corners. A very limited Ancora model in exceptional condition.

Lot 199

Waterman Ideal Red Ripple fountain pen/pencil combination. Waterman combos are uncommon, found in metal overlay, hard rubber and celluloid, this example is in the classic Red Ripple pattern. Bright colour and trim throughout with Waterman Ideal New York 2 14 K fine flexible nib. Length 5 5/8†and 5 5/8†posted, filling mechanism lever fill. Overall excellent condition, fine example.

Lot 107

Parker Vacumatic Imperial Golden Pearl fountain pen single jewel set, boxed. Gold filled caps with alternating lined design on Golden Pearl barrels. These were made by Parker as they exited Vacumatic production and into 51 production though they were produced as a deluxe Vacumatic model of sorts. The threaded sections are known to be an issue as they are often worn, this cap threads on properly with an extra fine flexible Parker Vacumatic 14 K nib. Length 5 1/16†(pencil), 5 3/8†and 5 15/16†(pen), filling mechanism Vacumatic fill. Overall good condition, some spots of wear to the caps, cartouche on both pieces free of engravings, pencil imprint present while pen is not visible. Pen was water tested and filled at time of listing.

Lot 106

1940 Parker Vacumatic Maxima Golden Pearl fountain pen. This earlier Maxima example has striped jewels and wide deco band with metal speedline filler and extra fine Parker arrow two-tone 14 K nib. Length 5 5/16†and 6 3/16†posted, filling mechanism Vacumatic fill. Overall excellent condition with bright colour, imprints and trim, name engraved in cursive on barrel (this was available as an option by Parker to duplicate the owners signature).

Lot 31

OTTO ALTENKIRCH (1875 Ziesar - 1945 Siebenlehn) "Baselitzer Teiche" (Sandteich mit Dorf und Eichen in der Ferne)Öl auf Leinwand. 1906.35,5 x 50,7 cm. Unten rechts mit Pinsel in Schwarz signiert "Otto Altenkirch" und schwer leserlich datiert.Verso auf dem Keilrahmen signiert "Otto Altenkirch" sowie betitelt.1906-23-KWir danken Herrn Petrasch für die Bestätigung der Werkverzeichnisnummer und für die Unterstützung bei der Katalogisierung der vorliegenden Arbeit.Die weitläufige Teichlandschaft der Region Deutschbaselitz studierte Otto Altenkirch auf einem seiner Malausflüge mit dem Tiermaler Emanuel Hegenbarth. Der junge Künstler war damals noch Student an der Dresdner Kunstakademie und Eugen Brachts Assistent. Es handelt sich hierbei um eine der ersten Arbeiten in der pastosen Maltechnik, die später zu seinem Markenzeichen wurde. Diese Freilichtarbeit gehört zu den insgesamt 17 Werken, die Altenkirch dort anfertigte

Lot 588e

Ladies 18ct Gold Diamond set Art Deco style ring Size K. 2g total weight

Lot 33

A plain platinum wedding band, finger size K, stamped 'PLAT', 2.8g CONDITION REPORTS & PAYMENT DETAILS IMPORTANT*  Descriptions do not include condition reports.  Please contact us to if you require further information or images.*  Please consider shipping costs before bidding as this may affect your decision to bid*  Please familiarise yourself with our payment methods.  All payments MUST be electronic

Lot 94

Franz Kafka - Le procès. The Trial. Orson Welles’ Arbeitsexemplar des Drehbuchs. Typoskript mit zahlreichen eigenhändigen und handschriftlichen Anmerkungen. 1962. Ca. 230 Blätter. Handexemplar des Drehbuchs der bedeutenden Verfilmung von Kafkas »Prozess«, über die Orson Welles unmittelbar nach Abschluss der Dreharbeiten sagte: »›The Trial‹ is the best film I have ever made.« (aus dem Interview Huw Wheldon, BBC 1962). - Mit zahlreichen eigenhändigen Ergänzungen, Anmerkungen und Korrekturen sowie Anstreichungen von Orson Welles. - Die Dreharbeiten fanden vom 26. März bis 5. Juni 1962 im Studio de Boulogne, Paris, statt, die Außenaufnahmen in Rom, Zagreb und Paris, der Schnitt wurde erst im Dezember 1962 beendet. - Hauptdarsteller: Anthony Perkins (Josef K.), Jeanne Moreau, Romy Schneider, Orson Welles, Suzanne Flon u. a. - Weltpremiere war am 21. Dezember 1962 in Paris. - »Ich konnte den Film überhaupt nur machen, weil ich selbst mein Leben lang immer wiederkehrende Alpträume von Schuld gehabt habe: ich bin im Gefängnis und weiß nicht, warum; ich komme vor Gericht und weiß nicht, warum. Das ist sehr persönlich. Ein sehr persönlicher Ausdruck meines Innersten, und es stimmt einfach nicht, dass ich mich hier in fernen Welten bewege, die mit mir nichts zu tun haben. Dies ist der autobiographischste Film, den ich je gemacht habe, der einzige, der mir wirklich so nah ist wie die eigene Haut. [...] Dieser Film kommt meinen eigenen Gefühlen viel näher als jeder andere, den ich je gemacht habe.« (Welles/Bogdanovich, S. 443). - »Weniger an der Figurenkonstellation als am stilistischen Einfallsreichtum lässt sich [...] die Autorenschaft Welles' am Procès erkennen; einzelne Szenen, die K.s Erniedrigtwerden, die Vergeblichkeit seiner Fluchtversuche suggerieren, muten gelegentlich an wie Zitate aus ›Citizen Kane‹ und ›The Third Man‹. Der von Welles entworfene Lebensraum K.s evoziert zwar Erinnerung an Realpolitik bis hin zum Holocaust; mit einem konkreten Gesellschaftsmodell jedoch soll er offensichtlich nicht identifiziert werden. Architektur, expressive Perspektivik, Licht- und Schatten-Optik modellieren eine surreale Landschaft vollkommener wie selbstverständlich gewordener Bedrohung allem und jedermann gegenüber, denn die zu erzählende Geschichte folge der ›Logik eines Traums, eines Alptraums [...] über ein Labyrinth ohne Ausweg‹ (Welles). So gesehen wirkt Welles' Film durchaus wie der Versuch, Innenleben zu durchleuchten - jedoch nicht das des Helden, sondern das eines zur seelenlosen Bürokratie verkommenen Gemeinwesens.« (Weise, S.110f).Aufbau: Titelblatt (»The Trial«), Blätter 1-124, Zwischentitel (»The Trial, part II«), Blätter 125-233. Einige Doppel-Paginierungen (z. B. 7/8, 18/19, 97/100), zusätzlich Blätter 71A und 101A sowie 15 weitere Blätter mit Textvarianten, in kleinerem Format auf dünnem Durchschlagpapier, vor Blätter zwischen 101 und 124 geheftet (Büro- oder Heftklammern). - Blätter 18-34 mit neueren Textvarianten überklebt (Originalfassung noch lesbar). - Blatt 13 verso mit Zeichnung. - Blatt 49 halbseitig und Blatt 97/100 rückseitig ganzseitig mit eigenhändigen Varianten von Dialogen. - Beilagen: Eigenhändige Pariser Straßenskizze von Welles (auf gefaltetem Packpapier, ca. 28 : 30 cm) sowie zweifarbiges Typoskriptblatt »Kafka »The Trial. Sound track of children’s voices, pp. 198-221. Recorded by DOUGLAS CLEVERDON, November 22nd 1962«, mit eigenhändigen Bleistiftanmerkungen von Welles. - Das letzte Blatt verso mit eigenhändigem Vierzeiler von Orson Welles (»This tale is told during the story called the Trial ... It has been said the logic of [?] story« sowie Inventarnummern. - Mit zwei Pappstreifen und Metallklammern geheftet.Provenienz: Orson Welles, Beatrice Welles. - Dr. Jörn Leinweber 2013, Katalog 33, Nr. 400.33 : 20 cm. - Gebrauchsspuren, besonders die beiden Außenseiten fleckig, der Heftstreifen vorn durchgerissen. Einige Ränder etwas bestoßen.Orson Welles/Peter Bogdanovich. Hier spricht Orson Welles. 1992. - Eckhard Weise. Orson Welles. Reinbek 1996

Lot 107

Die Rote Erde. Herausgegeben von Karl Lorenz und Paul Schwemer. Erster Jahrgang, Heft 1, 3, 4/5, 6 [und] 7 [und] Zweite Folge. Erstes [und] Zweites Buch. Hamburg 1919-1923. Mit zusammen 110 meist ganzseitigen Holzschnitten, davon 30 signiert, und fünf Linolschnitten. Fünf Originalbroschuren, ein Originalhalbleinenband und lose Bogen.Umfangreiche Folge der bedeutenden Publikation des Hamburger Expressionismus. - Vorhanden sind fünf der sieben Hefte von Jahrgang 1 und beide Bände der zweiten Folge. - Heft 1 mit eigenhändiger Widmung beider Herausgeber »Für Gustav Schiefler«, alle 30 Holzschnitte in Band II/1 signiert. - Folge 1 enthält Holzschnitte von Paul Schwemer, Karl Schmidt-Rottluff, Conrad Felixmüller, Lyonel Feininger u. a., die beiden Bücher von Folge 2 je sechs bzw. zwölf* Holz- bzw. Linolschnitte von W. Tegtmeier, K. Opfermann*, H. Stegemann*, J. Achmann*, Fortuna Brulez-Mavromati, E. A. Weber, R. Köpcke, W. Menz, K. Löwengard, O. Niebuhr und zwei von Adolf Bauer-Saar, davon einer farbig. - Buch II/1: Exemplar 53 von 300 (Gesamtauflage 450), Buch II/2 im Druckvermerk als »Dritter Fehldruck« bezeichnet. - Die Zeitschrift wurde fortgesetzt durch »Das neue Hamburg«. - Hamburg zählte zu den Zentren des deutschen Expressionismus. Gustav Schiefler, das Ehepaar Rauert, Rosa Schapire, Gustav Pauli sind nur einige Namen, die in den frühen Jahren des zwanzigsten Jahrhunderts das künstlerische Klima der Stadt bestimmten. »Der bedeutendste Hamburger Dichter des Expressionismus, Karl Lorenz (1888-1961), gab in den zwanziger Jahren mehrere expressionistische Zeitschriften heraus. Überdies war er von 1919 bis 1923 der Verleger der herausragenden Zeitschrift ›Die Rote Erde‹. Lorenz arbeitete oft mit Mitgliedern der Hamburgischen Sezession zusammen an Publikationen. Daneben war er selber als bildender Künstler tätig. 1923 verließ Karl Lorenz Hamburg und zog nach Malente-Gremsmühlen, wo er im Jahr darauf die ›Turmpresse‹ gründete« (Onlinearchiv Hamburger Kunsthalle). - Mit bedeutender Provenienz und vielen Gefälligkeitssignaturen. - Vgl. KatNr. 106.Meist 32,5 : 24 cm. - Die Rücken der Broschuren fadengeheftet, Einband von II/1 lichtrandig, die erste und letzte Seite der losen Lagen von II/2 etwas gebräunt und fleckig.Söhn HDO VI, 670-672. - Raabe 80. - Perkins 195. - Schlawe II, 46

Lot 89

Franz Kafka. In der Strafkolonie. Leipzig, Kurt Wolff 1919. Originalhalblederband mit vergoldetem Rückentitel und grün-braunen Buntpapierdeckelbezügen.Erste Ausgabe. - Drugulin-Drucke, Neue Folge, Band IV. - Eins von 1000 Exemplaren. - Gesetzt aus der Cicero Französische Antiqua und gedruckt in Blau und Schwarz bei Drugulin, Leipzig. - Kafka schrieb über die Erzählung an seinen Verleger Kurt Wolff , »daß nicht nur sie peinlich ist, daß vielmehr unsere allgemeine und meine besondere Zeit gleichfalls sehr peinlich war und ist [...]« (K. W. Briefwechsel S. 41). - Unbeschnitten, teils unaufgeschnitten; die braun-grüne Einbandvariante in makelloser Erhaltung.23,3 : 15,5 cm. 68, [4] Seiten. - Die Ecken minimal berieben.Dietz 50. - Raabe/Hannich-Bode 146.5. - Rodenberg 380, 4

Lot 117

Kurt Schwitters. Die Scheuche. Märchen. No. 3. Typographisch gestaltet von K[urt] Schwitters, Käte Steinitz, T[heo] v[an] Doesburg. Hannover, Aposs 1925. Zwölf Seiten mit Typographiken, abwechselnd gedruckt in Rot und Blau. Originalbroschur, Vorderumschlag mit Typographik.Erste Ausgabe, hier die seltenste Variante des Vorderdeckels. - Das dritte Kinderbuch des Aposs-Verlages nach »Hahnepeter« und »Märchen vom Paradies«, die beiden von Schwitters und Käte Steinitz gestaltet wurden. An der »Scheuche« war der De Stijl-Künstler Theo van Doesburg maßgeblich beteiligt. Käte Steinitz erinnerte sich: »Theo van Doesburg zuckten die Finger nach dem Setzkasten. Könnten wir nicht sofort ein anderes typographisches Bilderbuch machen, noch konsequenter, nur Druckelemente benutzen, wie etwa Lissitzky in seinem typographischen Gedichtbuch [Geschichte zweiter Quadrate, Berlin 1922], aber auch wieder ganz anders? [...] Paul Vogt, der in einer kleinen Druckerei gern mit neuen typographischen Ideen herumspielte [...] ließ uns schalten und walten« (zitiert nach Schmalenbach). - Ein Teil der Auflage erschien ohne Untertitel als Heft 14/15 der Zeitschrift »Merz«. - »Kinderbuch, das zu den Meilensteinen der Typographie, des Avantgarde Page Designs und des Kinderbuchdesigns gehört« (Thomas Derda, Merz = Kurt Schwitters, Berlin 2019, S. 98).20,5 : 24 cm. [12] Seiten. - Vorderdeckel unten mit kleiner Schabstelle und minimaler Knickfalte. - 3 Blätter im Falz minimal brüchig.Schelle/Haldenwanger/Heine 27 b. - Raabe/Hannich-Bode 273.7. - Schmalenbach S. 188f. - Schauer II, 125 (nur dort Abbildung dieser Einbandvariante). - Dada global 115

Lot 225

An assortment of silver jewellery. To include jelly opal and zircon cluster ring, size M. An opal three stone ring, size K. A fire opal five stone ring, size K. A pair of amethyst and topaz earring. A white and yellow diamond cluster ring, size O, stated 0.25ct. Weight 13.05 grams.

Lot 42

A 9ct gold diamond snowflake cluster ring. Weight 0.50ct. Size K. Weight 2.76 grams.

Lot 18

An early 20th century diamond foliate brooch, set with old and rose cut diamonds. The larger old cut diamond to the base of the stem estimated 0.60ct K/L VS/SI. Tests silver and gold. Length 65mm. Weight approx 10.89 grams

Lot 188

An 18ct gold, platinum and diamond solitaire ring, the stone of approximately 1.5ct, size L/M, 3.1g - Estimated J/K colour. VS clarity

Lot 234

A 10ct gold, marked, white stone and pearl ring set with two pearls, size K, 3.1g.

Lot 111

An assortment of 9ct gold sapphire jewellery. To include a pair of pear shape studs, a pair of four stone ear pendants, a three stone line pendant, a snowflake cluster ring, size K. An oval sapphire ring with diamond set shoulders, size M. An oval sapphire and white zircon cluster ring, size M. Weight 10.42 grams

Lot 12

An 18ct white gold baguette and brilliant cut diamond cluster ring - stated total diamond weight 0.42ct - clarity SI1, colour G approx weight 3.8 grams - ring size K

Lot 230

A group of Mexican or Southern US, Native American silver and turquoise jewellery, including dream catcher earrings and pin, mother of pearl and hardstone set crosses with chain, 51cm long, another cross pendant set with turquoise, 5.5 by 5.5cm, with chain 63cm long, and a turquoise set ring, size K, total weight 2.43toz.

Lot 34

A 9ct gold champagne diamond triple cluster ring. Diamond weight 1ct. Size K. Weight 3.18 grams

Lot 11

A 9ct gold amethyst and diamond dress ring, size K. Together with a similar pendant. Hallmarked gold 9ct. Total weight 3.29 grams.

Lot 220

A group of blue jade silver jewellery to include a pendant, a pair of earrings, a ring size J 1/2, a ring with white topaz size K. Weight 18.58 grams.

Lot 170

An 18ct gold navette shape diamond ring, diamonds are a very good colour and clarity and well matched, G/H vs1, head size approx 17mm x 6.5mm, size K

Lot 8

Three single stone 9ct gold rings. To include Kunzite, size K, Rubellite, size N 1/2, and Turquoise, size O. Total weight 5.90 grams

Lot 119

Two 9ct rings. To include a yellow tanzanite with diamond shoulders, size O. An oval tanzanite three stone with zircon highlights, size K 1/2. Weight 4.33 grams

Lot 107

Two 9ct gold diamond cluster rings. To include a yellow gold square cluster - 0.75ct, size K. A bi-colour cluster ring - 0.50ct. Size M. Weight 5.53 grams

Lot 183

An 18ct and old cut diamond two stone ring, each diamond of approximately 0.125ct, unmarked, but testing as at least 18ct, size K/L, 5.5g.

Lot 114

A 9ct gold spinel and zircon crossover ring. Size K. Together with a 9ct spinel single stone pendant. Weight 3.56 grams

Lot 102

Two 9ct gold garnet rings. To include a two stone crossover ring with white zircon shoulders, size M 1/2. An eleven stone wishbone ring, size K. Weight 3.03 grams.

Lot 164

An 18ct gold Tahitian cultured pearl and brilliant cut diamond pendant. Weight 1.41 grams. Together with an 11 mm Tahitian cultured pearl ring with single cut diamond shoulders. Size K. A pair of 9ct gold 7mm cultured Tahitian pearl studs. Weight of 9ct pieces 6.36 grams

Lot 110

Two 9ct gold sapphire and diamond crossover rings. To include an oval sapphire with four diamonds to each side, Size K. An oval diamond collet with grain set diamonds to each shoulder, size O. Weight 4.19 grams

Lot 185

A Tiffany diamond and platinum three stone ring, set with a central marquise cut diamond, 1.41ct, clarity vs2, colour grade white, adjoined by two pear cut diamonds, the internal shank marked Tiffany & Co, PT950, and British hallmarks for 2002, size K, 5.2g, complete with original blue suede Tiffany double compartment pouch.

Lot 106

A 9ct gold marquise tanzanite and diamond dress ring. Size K. Weight 2.40 grams

Lot 115

A 9ct gold opal triplet eight stone ring, size K. Together with a 9ct opal triplet and diamond pendant. Weight 4.40 grams

Lot 204

Eight 9ct gold hallmarked, stamped and tested rings - sizes U, R, N, K, J, F, D & E - total weight approx 21.4 grams

Lot 161

Five pieces of 9ct csarite jewellery. To include a heart shape three stone ring with zircon highlights. Size K. Weight 2.45 grams. A single stone heart shape ring with single cut diamond shoulders. Size S. Weight 3.02 grams. A heart shape pendant with single cut diamond surmount. Weight 1.33 grams. A pear of heart shape ear studs. Weight 1.12 grams. Together with a 14ct gold heart shape seven stone bracelet. Weight 3.94 grams

Lot 10

Two 9ct gold diamond rings. A cognac diamond circular cluster, diamond weight 1.01cts, Size K. A champagne and white diamond heart shape cluster, 0.75ct, size K. Total weight 5.08 grams

Lot 1493

E. K. Redmore, oil on board depicting sailing boats near shore in calm waters. Oval image size 31 x 25cm, frame 47.5 x 53cm.

Lot 694

A yellow metal eternity ring set with clear stones. Size K. Weight 2.2gm.

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