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Lot 419
VINTAGE TOBACCO PIPES COLLECTION (27) - including meerschaum, briar wood with horn and other mouth pieces, one having Chester silver mounts, names include Singleton Duro, Falcon, K & P Peterson, Greaves Patent, Parker, Reject London, Briar Bark Perfect Pipe, Medico, Ropp Bussang, S McLardy Manchester, Stonehaven, ETC, along with a small metal pipe cleaner tool
Lot 757
A 20th century oil on board landscape and a pencil sketch, the oil on board depicting a country cottage perched beside a stone bridge overlooking a stream, signed K. Burtonshaw, mounted in gilt frame, 12cm x 17cm, the drawing depicting a traditional street scene, titled 'Mermaid St. Rye', signed F.E. (?) Georges, framed and glazed, 23.5cm x 30cm
Lot 762
Joseph Caraud (1821-1905) - The Feather Duster, signed with initials, oil on canvas, 23 x 27.5cm Lined, restored, small horizontal scratch above subjects head and another smaller scratch between the chair legs, in otherwise ready to hang gallery condition, in modern sanded gilt frames, with on the reverse a label of the dealer K Chappell Bakewell
Lot 123
YES - LP COLLECTION. Great instant collection of 10 x classic LPs from Yes including UK plum Atlantic originals. Titles are Time And A Word (UK plum Atlantic og, 2400006 - VG record with surface marks/scuffs, with insert though has a section torn/VG, also US copy SD 8273, orange/green labels), The Yes Album (UK plum Atlantic og, 2400101 - VG/VG), S/T (K 40034 RE - Ex+/Ex w/insert), The BBC Recordings 1969-1970 (2019 ltd edition blue vinyl), In The Beginning (2020 orange vinyl), Fragile(K 50009 RE), Close To The Edge, Tormato and 90125. Condition elsewhere is typically VG+ to Ex+.
Lot 135
NEIL YOUNG - LP COLLECTION. Not so shaky comprehensive collection of 23 x LPs from Neil Young! Titles are Ragged Glory (UK/EU 1990 og, WX 374, 7599-26315-14 - archive vinyl/Ex), Harvest Moon (EU 1992 og, 9362-45057-1 - archive vinyl/with inner/Ex), Chrome Dreams (2017 double LP, private, 90110-1), Homegrown (2020 RSD 2020), Zuma (DE and UK), Everybody Knows Time Is Nowhere (K 44073), Harvest (K 54005 A3/B2, w/insert), Decade, Rust Never Sleeps (K 54105), Live Rust, Old Ways, Everybody's Rockin', Trans, Re.Ac.Tor, Life (WX 109), This Note's For You, Freedom, Journey Through The Past, Crazy Moon, Crazy Horse (K 44114), Loose and At Crooked Lake. Condition is primarily well kept VG+ to Ex+/archive
Lot 141
LED ZEPPELIN - 'I TO IV' LPs. Ace selection of the first 4 from Led Zep including early UK plums. Titles are I (UK plum Atlantic 588171 A1/B4, '8' on A side corrected, '8' on B side remaining uncorrected, Warner/Arts/Jewel credits - Ex lovely clean condition record/VG+ orange lettering grey stripe sleeve, light creasing), II (UK plum Atlantic 588198 A2/B2, Livin' Lovin' Maid, The Lemon Song label and sleeve credits - VG record with surface marks/scuffs/VG sleeve, writing on reverse in pen), III (EU RE, K 50 002 - VG+/VG) and 'IV' (UK green/orange label RE, K 50008 - Ex/Ex, w/inner).
Lot 225
R&B - EPs/7" COLLECTION. Great pick of 13 x 7"/EPs loaded with rarities. Titles are Russell Byrd - Hitch Hike (Sue WI-305 - clean Ex condition), Wynder K. Frog - Turn On Your Lovelight (Island WI-280 - sharp Ex condition), Jimmy Reed - Got No Where To Go (POP 1579 - top Ex+) and Shame, Shame, Shame (SS 330), Booker T - R & B With (RE-K 1367) and Vol 2 (AET 6002), The Ramsey Lewis Trio (CRE 6019), The Platters - Pick Of The Platters No. 1 (ZEP 10000) and The Fabulous, Big Dee Irwin & Little Eva - Swinging On A Star, The Crystals - Da Doo Ron Ron (RE-U 1381 - VG+/VG) and Ray Charles - At Newport and I Can't Stop Loving You. Condition is often neat VG+ to Ex+.
Lot 226
60s UK/US GROUPS - EPs. Wicked pack of 12 x EPs from both sides of the Atlantic. Titles are Saturday Nite With The Cougars (GEP 8886), The Move - Something Else From (TRZ 2001), The Moody Blues (DFE 8622), Sounds Incorporated - Top Gear (SEG 8360), The Nashville Teens (DFE 8600), The Dave Clark Five - S/T and Hits Of (SEG 8381), The Cascades - Rhythm Of The Rain (WEP 6106), The Byrds - The Times They Are A' Changin' (CBS EP 6069, 4 prong), Buffalo Springfield (K 10237), The Lovin' Spoonful (KEP 300) and Tommy James And The Shondells - Say I Am (VREX 65045). Condition is generally VG+ to Ex+
Lot 97
FAMILY - UK ORIGINAL LP RELEASES. Top pack of 4 x LPs from Family including original tri-steamboats! Titles are Music In A Doll's House (superb scarce original mono copy, tri-steamboat RLP 6312 - stunning Ex+ condition record showing only a couple of extremely faint and wispy paper marks/with insert in Ex+ condition/Ex+ superlative condition sleeve too showing but slight wear), Family Entertainment (stereo tri-steamboat UK og, RSLP 9001 - VG with surface marks/scuffs/with Ex condition insert/VG+ some edgewear), Anyway (RSX 9005 - VG/Ex with VG original PVC outer) and Old Songs New Songs (K 34001 - VG+ copy).
Lot 98
FRANK ZAPPA - LP COLLECTION. Tasty collection of 7 x LPs including hard to find early/original US and UK pressings. Titles are Lumpy Gravy (1968 original US MGM pressing, Verve V6-8741 with matrix/runout V6-8741 SIDE-1 MGS-1068-1 12 & V6-8741 SIDE-2 MGS-1069-1 11 with the 'block shaped' S on both sides - Ex+ superb clean record showing very few marks/og company inner/VG heavy gatefold sleeve with the usual foxing, nothing severe), Hot Rats (tri-steamboat UK og, RSLP 6356 - in very fine Ex/Ex condition), Chungas's Revenge (RSLP 2030, og olive cover - Ex+/Ex), 200 Motels (UDF 50003 - Ex+ records/Ex), Joe's Garage Act I (CBS 86101, 'Made In Holland' labels - Ex+/Ex, with insert) Joe's Garage Acts II & III (CBS 88479/S CBS 84019/20 - Ex+ records/Ex, with insert) and Orchestral Facorites (K 59212 - Ex+/VG+). Super clean records.
Lot 99
FRANK ZAPPA - LP COLLECTION. Another hot pack of LPs from Frank Zappa/The Mothers with 7 included. Titles are Uncle Meat (UK Transatlantic original, TRA 197 - super clean Ex+ records/complete with book in Ex condition/VG+ only minor edgewear), Cruising With Ruben And The Jets (US Verve V6/5055x, blue/silver 'T' labels - very clean Ex record/VG+ clean heavyweight gatefold), Burnt Weeny Sandwich (tri-steamboat UK original, RSLP 6370 - Ex+ the record in fantastic condition/Ex), Weasels Ripped My Flesh (RSLP 2028 - Ex+/Ex+), Fillmore East (K 44150 - Ex+/VG+), Just Another Band From LA (K 44179 - Ex+/Ex+) and Lumpy Gravy Primordial (ltd edition burgundy coloured vinyl, 2018 copy, non-numbered, 'as new'). Super clean copies again.
Lot 430
A Royal Worcester vase, hand-painted by Kitty Blake, decorated with berries and autumnal leaf on a blush ivory ground, with gilt borders, painted signature to body, pattern No. G923, 15cms high; together with a smaller vase similarly decorated by K. Blake for Royal Worcester, 10.5cms high. (2)
Lot 10
A YELLOW METAL SINGLE STONE DIAMOND RING, centring on a four claw set, old cut diamond, estimated diamond weight 0.20cts, raised gallery, floral detailed shoulders leading onto a textured band, stamped '18k', ring size K, approximate gross weight 1.9 grams (condition report: there is a chip to the diamond under a claw, would benefit from a gentle clean, general light wear, overall condition good)
Lot 105
TWO LATE VICTORIAN RINGS, to include a yellow metal seed pearl mourning ring, with foliage detailing on the band, inscribed 'J.Pinkney to M.Allnoley', ring size N 1/2, together with a yellow metal, turquoise and seed pearl ring, with inscription on the inside of the band, ring size K, approximate gross weight 3.8 grams, (condition report: termination of a leaf on the band of the mourning ring, glass and hair missing, signs of weakness on the band of the turquoise ring)
Lot 174
AN ART DECO DIAMOND RING, square stepped design centring on an old cut diamond, single cut diamond detailed stepped shoulders, to a plain polished band, stamped 'Fine Plat 18ct', also personally engraved 'G.H.G to M.H.M', ring size K, approximate gross weight 2.2 grams, together with a fitted ring box (condition report: general light wear, slight nibbles to the girdle of the central diamond, overall condition good)
Lot 411
David K Stone (Oregon, 1922 - 2001) "District of Columbia circa 1800" Signed lower left. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood First Day of Issue Maximum Card for the U.S. 29c District of Columbia stamp issued September 7, 1991. After the Revolutionary War, Congress decided that the federal government needed a permanent home. Secretary of the Treasury Alexander Hamilton suggested that the capital be built on federal land, and in 1791 President George Washington selected territory along the Potomac River -- ceded from both Maryland and Virginia. In 1800 the federal government took up residence in Washington City, in the newly-established District of Columbia. The city -- initially governed by Congress and later by Congressionally-appointed commissioners -- underwent massive changes during the next one hundred years. The British set fire to the city in 1814, burning both the Capitol and President's Residence. Enormous growth following the Civil War and both World Wars expanded the city's population base, and local clamors for equal political participation were finally heard in 1964 -- when District residents cast their first Presidential election ballots. Image Size: 17.75 x 24.75 in. Overall Size: 23.75 x 27 in. Unframed. (B13236)
Lot 412
David K Stone (Oregon, 1922 - 2001) "Robert Frost" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood Commemorative Cover for the Shapers of America Collection produced throughout 1986 and 1987. Robert Frost summed up his own life in a few lines: "I had to have a job. I ran away from college and went to teaching. I got where I wanted to do the telling, instead of being told. My poetry and my teaching are one." And, it was in poetry and teaching he "found the meaning of life only where need and love are one, and the work is played for mortal stakes." He taught first in a small academy, then at Amherst College, then to the whole of America. Reciting poetry everywhere he went, Robert Frost followed his own advice, "You mustn't leave anything the way it was before you touched it." What he touched were the simple things -- the snow-clad hills and the flowing brooks and the elms and the birches; the hardscrabble farms and their hardscrabble farmers and their brave but weary wives. His poems offered simple but profound commentary on the American experience. Frost first won his reputation in England, but in the end, he was happy only in the States. He became, unwittingly, the poet laureate of America - a poet equally loved by the plain people who had no difficulty understanding, and by the critics who knew they were in the presence of truths sometimes too deep to understand. Frost became a national possession. When John Kennedy was inaugurated President, it was Robert Frost who spoke at the inauguration. His was a life of fame and recognition, but as he, himself, put it, all he wished to leave behind "was a few poems it would be hard to get rid of." Image Size: 17.75 x 20.75 in. Overall Size: 23.75 x 26.75 in. Unframed. (B11411)
Lot 413
David K. Stone (American, 1922 - 2001) "New York Statehood" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Fleetwood First Day Cover for the U.S. 22c New York Statehood stamp issued July 26, 1988. In the state of New York, the Anti-Federalists had done a good job of organizing and, but for the timing of their convention, they might have won the vote and kept New York out of the new United States. Thanks to machinery set in motion by the powerful Governor George Clinton and his associates, the Anti-Federalists found a receptiveness to their point of view in New York. There, articles appeared in newspapers against, as well as for, the Constitution, and the opinions and viewpoints of "Cato," "Brutus," "Sidney," and "A Republican" were immortalized in print. In February, a committee of seven Anti-Federalists organized in Albany to help manage the elections of delegates to the state convention. They corresponded with other New York Anti-Federalists, wrote articles for the newspapers, and distributed pamphlets. When the convention convened in Poughkeepsie in the summer of 1788, the vast majority of delegates were opposed to ratification. But soon the news arrived that New Hampshire and Virginia had ratified, and the delegates realized that a failure to ratify now would leave New York outside of an already-existing Union. Aaron Burr put it succinctly, stating that, "after the adoption by ten states, I think it became both politic and necessary that we should also adopt it (the Constitution)." New York ratified the Constitution on July 26, 1788, the eleventh state to do so. Image Size: 20.75 x 18.25 in. Overall Size: 26.75 x 24 in. Unframed. (B11656)
Lot 414
David K. Stone (American, 1922 - 2001) "United States Senate" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 25c United States Senate stamp issued April 6, 1989. The stamp on this First Day Cover was released by the Post Office in honor of the Two Hundredth Anniversary of the first meeting of the Senate. Though the idea for the Senate originated during the Constitutional Convention in 1787, it actually began work in 1789 after ratification of the Constitution. Made up of two Senators from each state, the first Senate convened with only twenty-two members, as two of the original thirteen states had yet to ratify the Constitution. The Constitution provides that a Senator must be thirty years of age, have been a citizen of the United States for at least nine years, and be a resident of the state from which he or she is elected. Traditionally, a Senator is also from a wealthy background, is well educated, likely to be a lawyer, and even more likely a veteran. His or her position in the government, coupled with the structure of the Senate itself, provides a Senator considerable power. The Senate has a complex organizational makeup, relying on committees and subcommittees to process legislation. Each Senator may serve on various committees and virtually every Senator is chairman of at least a subcommittee. Thus, a Senator is likely to influence the decisions made in a number of different committees and subcommittees. This affords him or her the opportunity to be a spokesperson for the Senate as a whole on issues handled in his or her committees. Image Size: 17.75 x 21 in. Overall Size: 23.75 x 27 in. Unframed. (B11952)
Lot 415
David K. Stone (American, 1922 - 2001) "Captain John Young" Signed lower left. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Fleetwood John W. Young Commemorative Cover postmarked March 11, 1995. Considered to be one of America's most experienced space travelers, astronaut John Watts Young has made six different NASA flights. Young's first space mission, Gemini 3, was made with veteran astronaut Gus Grissom on March 23, 1965. The following year, Young and Michael Collins teamed up on Gemini 10, in which they rendezvoused with two Agena spacecraft and set a record altitude of 475 miles. In May 1969, as command module pilot for Apollo 10, Young orbited in Charlie Brown while his fellow crewmen took the lunar module Snoopy to within 10 miles of the Moon -- a mission that served as a dress rehearsal for the first actual lunar landing in July. Three years later, Young finally set foot on the Moon himself when he commanded Apollo 16. Traveling nearly 17 miles in a lunar rover, he and Charles Duke spent three days on the Moon's surface setting up experiments and collecting over 200 pounds of Moon rocks. On April 12, 1981 -- exactly 20 years after Yuri Gagarin became the first man in space -- Young made his fifth NASA flight. Together with Robert Crippen, he flew on the premier mission in NASA's Space Shuttle program. From November 28 to December 8, 1983, Young commanded his second Shuttle mission, STS-9, which brought his total hours in space to 835. Commenting about his illustrious career during an interview, Young once stated, "I can't think of another single job I'd rather have -- in this world or out of it. Image Size: 18.5 x 20.75 in. Overall Size: 23.75 x 27 in. Unframed. (B15082)
Lot 1873
Karl Hermann Roehricht (Leipzig 1928 – 2015 Berlin). „Schwedt/Heinersdorf“. 1975Aquarell und Tusche auf Fabriano-Velin. 47,9 × 51,3 cm (18 ⅞ × 20 ¼ in.). Unten rechts monogrammiert und datiert: KHR 75. Rückseitig unten rechts mit Kugelschreiber bezeichnet: K. H. Roehricht 1975 Schwedt/Heinersdorf.[3610]Zustandsbericht: Schöner harmonsicher Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Die Ecken jeweils mit Bereibungen durch ehemalige Montierung mit Fotoecken. In den rechten Ecken jeweils eine Knickspur (bis zu 2,2 cm) mit Farbverlust. Entlang der Unterkante kleine Wasserfleckchen (bis zu 0,6 cm Höhe; vermutlich während des Malprozesses entstanden). Oberhalb der Mitte ein kleines braunes Fleckchen (0,2 cm). Rückseitig in den oberen Blattecken jeweils ein brauner Papierklebebandrest. In der oberen rechten Ecke eine minimale Papierausdünnung.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1813
Ulrich Knispel (Altschaumburg 1911 – 1978 Reutlingen). „JBM“. 1964/65Öl auf Leinwand, mit Künstlerleiste. 129,9 × 119,5 cm (51 ⅛ × 47 in.). Unten rechts mit schwarzer Kreide signiert und datiert: [K]nispel 64. Rückseitig auf dem Keilrahmen mit Bleistift nummeriert, signiert, bezeichnet, mit 2 Richtungspfeilen versehen und betitelt: 15 [eingekreist] Knispel, Dortmund, Korneliusstr. 4 130x120 AD [eingekreist] OBEN "JBM" [eingekreist] und mit Bleistift bezeichnet: Titel. Sowie mit dem zweifachen Nachlassstempel in Schwarz.[3258]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Leinwand ist nicht doubliert und befindet sich auf dem originalen Keilrahmen (originale Aufspannung). Am linken Blattrand mittig eine kleine Oberflächenverschmutzung (1,1 x 1,1 cm). In der oberen rechten Ecke ein kleines Löchlein. Dicht entlang der Kanten der oberen pinkfarbenen Farbflächen kleinere Retuschen. Die Kantenmit vereinzelten schwachen Bereibungsspuren. Unter UV-Licht sind keine weiteren Retuschen oder Restaurierungen erkennbar. Unterhalb der Oberkante Mitte sowie in der unteren rechten Ecke jeweils kleine Spritzfleckchen (kaum erkennbar).Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 103
Ring mit Saphir, ca. 8,5 ct und 2 Diamantbaguettes zus. ca. 0,2 ct, ca. GW (K-L)/VS-SI, Saphir rechteckig antik facettiert mit WMM und Ausbrüchen, Platin, 5,3 g, RW: 55, 20. Jh., Tragespuren. | Ring with rectangular antique faceted sapphire ca. 8.5 ct, with natural signs of growth and chips flanked by 2 baguette-cut diamonds totalling ca. 0.2 ct, ca. TIW (K-L)/VS-SI, platinum, 5.3 g, ring size 55, 20th century, signs of wear.
Lot 2505
SILLEMS 2er Zigarrenetui, 925 Silber, 20. Jh. Für 2 Zigarren, mit Initialen 'H. K. E.', scharnierter Klappdeckel, punziert, L. ca. 18 cm. Alters- und Gebrauchsspuren. | SILLEMS cigar case, 925 silver, 20th c. For 2 cigars, with initials 'H. K. E.', hinged lid, hallmarked, l. approx. 18 cm. Signs of age and use.
Lot 146
Ring mit feinem, sehr klaren Rubin und Brillanten von zus. ca. 0,75 ct, ca. GW (K-L)/VS-SI, Rubin ca. 2 ct, WG 8K, 6 gr, RW: 53, Ende 20. Jh., leichte Tragespuren, 1 Diamant bestoßen. (1.1) | Ring with fine, very clean ruby of ca. 2 ct and brilliant-cut diamonds totalling ca. 0.75 ct, ca. TIW (K-L)/VS-SI, 8K WG, 6 gr, ring size 53, late 20th century, minor signs of wear, 1 diamond chipped.
Lot 161
Paar Ohrstecker mit 2 weißen Akoyaperlen, Zuchtperlen D: 8,8 und 9,2 mm, sowie 2 Brillanten zus. ca. 0,2 ct, ca. GTW-GET (I-K) /VS, WG 18K unterlegiert, Rückstecker 925er Silber, 3,6 g, 21. Jh., leichte Tragespuren. (5) | Pair of stud earrings with 2 white Akoya cultured pearls D: 8.8 and 9.2 mm and 2 brilliant-cut diamonds, total ca. 0.2 ct, ca. STW-TIN (I-K) /VS, 18K WG underalloyed, backstud 925 silver, 3.6 g, 21st century, minor signs of wear.
Lot 98
Art Déco Ring mit 2 Altschliffdiamanten, zus. ca. 0,2 ct, ca. GW (K-L)/SI-P1, WG 14K, 2,2 g, RW: 49, um 1920-30, Tragespuren, feine Ajour- und Millegriffesverzierungen. | Art Déco Ring with 2 old-european-cut diamonds totalling ca. 0.2 ct, ca. TIW (K-L)/SI-P1, 14K white gold, 2.2 g, ring size49, around 1920-30, signs of wear, fine ajour- and millegriffes decorations.
Lot 27
Paar Ohrstecker mit 2 Brillanten zus. ca. 0,70 ct, ca. GW (K-L)/ P1. GG 14K (1 Brisur GG 18K). 20./21. Jh., minimale Tragespuren. | Pair of ear studs with 2 brillant- cut diamonds totalling ca. 0,70 ct, ca. TIW (K-L)/ I 1. 14K YG (1 earring back 18K YG). 20th/ 21st century, minimale signs of wear.
Lot 145
Ring mit ovalem Rubincabochon und Brillanten von zus. ca. 0,45 ct, ca. LGW-GW (J-K)/SI-P1, Rubin mit feinen Rißchen, GG 18K, 8,1 g, RW: 56, mit Ajour-Verzierungen, 20./21. Jh., guter Erhalt, punziert Diemer/Pforzheim. | Ring with oval cabochon-cut ruby (with slight cracks) surrounded by brilliant-cut diamonds totalling ca. 0.45 ct, ca. STW-TIW (J-K)/SI-P1, 18K yellow gold, 8.1 g, ring size 56, with ajour decorations, 20th/21st century, good condition, marked Diemer/Pforzheim.
Lot 143
Konvolut aus 2 Paar Brillantohrsteckern, davon 1x punziert FARO mit je 1 Brillant von je ca. 0,16 ct (punziert), ca. WEISS (H)/VS, GG 18K, 2,6 g und 1x mattierte runde Stecker mit Brillanten von zus. ca. 0,2 ct, ca. LGW-GW (J-K)/P1, GG 14K, 2,7 g, 20./21. Jh., leichte Tragespuren. | Bundle of 2 pair of earrings consisting of 1x marked FARO with 1 brilliant-cut diamond 0.16 ct each (marked), ca. WHITE (H)/VS, 18K yellow gold, 2.6 g and 1x round satinized pins with brilliant-cut diamonds totalling ca. 0.2 ct, ca. STW-TIW (J-K)/P1, 14K yellow gold, 2.7 g, 20th/21st century, minor signs of wear.
Lot 229
Konvolut: 2 Perlenketten weiße und rosafarbene Süßwasserzuchtperlen, mehrreihig, Verschlüsse in Silber und in GG 14 K, L.: ca. 46 - 48 cm, 294,4 g, 20./21. Jh., guter Erhaltungszustand. (3) | Bundle of 2 necklaces made of freshwater cultured pears, clasps made of silver and 14K YG, L.: ca. 46 - 48 cm, 294,4 g, 20./21. Jh., good condition.
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137173 item(s)/page