A diamond floral spray brooch, designed as a trio of round brilliant and single-cut diamond set flowerhead clusters, issued from a similarly cut diamond set branch with textured decoration, white precious metal mounted, stamped 'PLAT', in Carrington & Co. Ltd. retailer's case, total diamond weight approximately 0.95ct, length 5.1cmDiamonds are mostly well matched, bright and lively, estimated VS to SI clarity and H to K colour, assessed mounted, graduating from approximately 0.12ct to 0.01ct in size. Surface wear to mount. The pin fitting is functioning. Metal standard is untested. Gross weight only approximately 11.5gm. Wear to case, with loss of finish to one corner.
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A George IV enamel memorial ring, relief decorated with bands of black enamel and 'In Memory Of', the interior inscribed 'Caroline Oglander Ob 29 June 1826 in her 32 yr', 18ct gold mounted, hallmarked for London 1826, and a further 19th century memorial ring, set with a single seed pearl framed by a black enamel border, to a black enamel band with foliate scroll engraved shoulders, (pearl untested for origin), ring sizes approximately K½ and J½ respectively (2)gross weight approx 9g overall
A diamond single stone ring, the old-cut diamond in eight claw setting, white precious metal mounted, diamond weight approximately 1.20ct, ring size JThe diamond is off-round, with chips and naturals to the girdle, measuring approximately 7mm diameter x 4.2mm depth. Estimated P1/P2 clarity and K to L colour, assessed mounted. The mount is heavily worn and the shank is thin, with rubbing to the base of the setting. The setting has been re-tipped. Metal standard is untested. Gross weight approximately 2.2gm.
A diamond single stone ring, the old brilliant-cut diamond claw set to a foliate mount accented with graduated single-cut diamonds, white precious metal mounted, accompanied by an engraved slim wedding band, stamped 'PLAT', principal diamond weight approximately 0.45ct, ring sizes K½ and L respectively (2)Approximate gross weights only: first ring 1.5gm, second ring 2.2gm.
An Art Deco diamond panel brooch, modelled as a stylised tied ribbon of geometric design, inset with channels of graduated round brilliant and single-cut diamonds, white precious metal mounted, total diamond weight approximately 1.40ct, length 4.55cmDiamonds are mostly well matched, bright and lively, estimated VS2 to P1 clarity and H to K colour, assessed mounted, graduating from approximately 0.08ct to 0.005ct in size. Surface wear to mount. Small dark solder repair to pin, at junction with hinge. The pin and safety clasp are functioning. Metal standard is untested and the mount appears to be unmarked. Gross weight approx. 4.5gm.
A diamond three stone ring, of crossover design, obliquely claw set with graduated round brilliant-cut diamonds, two colour precious metal mounted, stamped '18CT' and signed JWB, principal diamond weight approximately 0.45ct, total diamond weight approximately 0.85ct, ring size O½Diamonds are well matched, bright and lively, one of the outer stones with a surface-reaching fracture, estimated SI1 to P1 clarity and I to K colour, assessed mounted. The setting has been repaired and re-tipped, with areas of solder and discolouration visible. Surface wear throughout mount. Metal standard is untested. Gross weight approx. 3 gm.
An amethyst and diamond cluster ring, the oval mixed-cut amethyst claw set within a border of round brilliant and baguette-cut diamonds, white precious metal mounted, stamped '18CT', total diamond weight approximately 0.50ct, ring size OSurface wear to amethyst, which contains areas of whiteish colour zoning. Diamonds are well matched, bright and lively, estimated SI1 to SI2 clarity and I to K colour, assessed mounted. The ring mount is relatively modern but with noticeable surface wear, surface pitting and porosity, and scattered chips/nicks throughout. The claws have patchy wear and one has a small split to the side. There is a further indistinct mark to the shank. Metal standard is untested. Gross weight approx. 4.7gm.
M K "Pastel painted houses with boats in foreground", oil on board, initialled lower left, 35 cm x 44 cm, together with BERNARD J MUGHLEN? "Dhow and Ngalawa", study of boats on a beach, watercolour, indistinctly signed and dated 8/63 and titled in biro lower left, 49 cm x 62 cm, CANDY LEVA "Le Petit Etang", landscape with house and boat, oil on canvas, signed lower right, signed, titled and bearing label verso, 38 cm x 46.5 cm, together with other various engravings and prints, decorative watercolours, etc. (22)
R K W AFTER RAPHAEL "The Madonna della Sedia", miniature oil on ivory, circular, unsigned, inscribed verso variously "The Madonna & Child by Raphael - painted on ivory at Naples - 1861 R K W", 5.5 cm diameter CONDITION REPORTS Glass is missing. Areas of the frame are missing. Cracking and crazing to the frame throughout. Some light surface wear to the painting itself. Otherwise general wear and tear conducive with age and use. See images for more details.
Wall Maps. George Phillip & Son Lts (publisher), Philip's New Commercial Map of the World. Projection: Mercator.., London: circa 1920, large colour photolithographic map, laid on linen and supported by contemporary turned stained battens, 1280 x 1810 mm, retaining ribbon ties, together with Johnston (W. & A. K.). Political Map of India, Pakistan, Ceylon & Burma, Edinburgh: 1957, colour-photolithographic map, laid on linen, slight creasing, supported with stained wooden battens, 935 x 1260 mm, with Physical-Political Map of Asia, 1954, colour-photolithographic map, inset map of Java, laid on linen, slight creasing, 915 x 1270 mm, supported by stained wooden battens, with another copy similar, plus Visual Relief Map of North America, 1954, colour-photolithographic map, laid on linen, some creasing, 1240 x 930 mm, supported by stained wooden battens, and England & Wales, 1955, colour-photolithographic map, laid on linen, some creasing, 1240 x 925 mm, supported by stained wooden battens, together with Eilers (A. H. & Co. publishers of Sunday School Supplies). New Testament map of Palestine showing every Place in Palestine mentioned in the New Testament, St Louis: circa 1885, colour lithographic map, printed on linen, inset maps of Jerusalem, Canaan, the Bible Lands and the Red Sea, old folds, 1240 x 860 mm, supported by stained wooden battens, with Dawson (Robert, Captain R. E.). Plan of the Township Norton-le-Clay in the Parish of Cundall and North Riding of Yorkshire, 1847, ink and watercolour manuscript estate plan, laid on linen, attached to eight sheets of vellum containing descriptive text annotating the apportionment of Rents and Tithes, some creasing, water staining and dust soiling, signed in ink by Robert Dawson with additional manuscript annotations, sealed by the Commissioners, 555 x 795 mm, plus The Scarborough Company (publisher). Scarborough's map of the World, North America and South America, Showing Countries and their Colonies [on verso] Scarborough's Map of the World, Europe, Asia, Africa and Australia, 1913, colour photolithographic map printed 'back-to-back' on linen, several long closed tears affecting the printed image, 990 x 970 mm, supported by metal tubular battens, with another four wall maps similar, various sizes and conditionQTY: (13)
Atlases. A collection of atlases and travel guides, mostly 19th-century, many defective, including examples by or after Lewis (lacking map of London), John Haywood, Reynolds, Sidney Hall, George Phillip & Son, W & A. K. Johnston, Leonard Townsend and others, various sizes and condition QTY: (15)NOTE:Sold as a collection of maps not subject to return.
[Balcanquhall, Walter]. A Large Declaration concerning the late Tumults in Scotland, from their first originalls: together with a particular deduction of the seditious practices of the prime leaders of the Covenanters: collected out of their owne foule acts and writings: by which it doth plainly appeare, that religion was onely pretended by those leaders, but nothing lesse intended by them. By the King, London: printed by Robert Young, His Majesties printer for Scotland, 1639, engraved portrait frontispiece, title with neatly repaired hole (measuring approximately 4 x 3 cm, with no loss of text), final leaf with colophon present, armorial bookplate to upper pastedown, contemporary calf, rebacked with modern black morocco title label, joints lightly cracked, folio (28.6 x 18.2 cm), together with:Nalson (John). A True Copy of the Journal of the High Court of Justice, for the Tryal of K. Charles I. As it was read in the House of Commons, and attested under the hand of Phelps, Clerk to that infamous Court. Taken by J. Nalson, LL D. Jan. 4. 1683, London: printed by H[enry]. C[larke]. for Thomas Dring, 1684, engraved frontispiece (frayed to margins, without "Explanation of the Frontespiece"), engraved plate with facing letterpress explanation leaf (explanation leaf torn at foot with some text loss), light damp mottling to lower margins, bound with at rear Act of Parliament. Anno XII Caroli II Regis, An Act for the Attainder of several persons guilty of the Horrid Murther of his late Sacred Majestie King Charles the First, pages 81-93, contemporary mottled calf, mottled calf, rebacked with burgundy calf title label, corner refurbished, folio (31.2 x 19.5 cm)QTY: (2)NOTE:1. ESTC S116832; STC 21906.2. Wing N116.
* Gillray (James). Doublures of Characters; - or - Striking Resemblances in Phisiognomy. "If you would know Men's Hearts, look in their Faces", London: J. Wright for the Anti Jacobin Review, November 1st 1798, uncoloured etched caricature, light areas of dust-soiling, old folds, 260 x 360 mm, together with: Gillray (James). Pen-Etration..., London: H. Humphreys, August 6th, 1799, etching on wove paper with contemporary hand colouring, small area of mount tape at top margin on verso, 260 x 200 mmGillray (James). Half Natural, London: H. Humphreys, August 1st, 1799, etching on wove paper with contemporary hand colouring, some mount burning, tipped onto card, 250 x 190 mm, together with 4 other portraits by Gillray, various sizes and condition QTY: (7)NOTE:BM Satires 9261 for the first work.'In 1798 the Anti-Jacobean Review published the explicit Doublures of Characters; - or - striking Resemblances in Physiognomy. This print played on the recent success of the English translation of J. K. Lavater's Essay on Physiognomy which offered rules interpreting facial features. Gillray ironically unveiled the 'true' faces of the opposition party by linking their caricatures to their various weaknesses for drink, gambling or debt' Gillray Caricatures: The Genesis of Caricature, The National Portrait Gallery.
Harry Potter 1st Editions: Harry Potter and the Half-Blood Prince ROWLING, J. K. Published by Bloomsbury, 2005. This is a first printing, with the misprint on page 99 "eleven" instead of "ten" OWLS; Harry Potter and the Deathly Hallows J. K. Rowling Published by Bloomsbury Publishing Plc., London, 2007; Harry Potter and the Order of the Phoenix Rowling, J. K. Published by Bloomsbury, 2003 (3)
LARGE COLLECTION OF REFERENCE BOOKS ON BRITISH CERAMICS including ‘Staffordshire Porcelain’, by G Godden; ‘Creamware for the American Market’, by Teiteman, Halfpenny and Fuchs; 'Mortlake Potteries', by Howart and Hildyard; ‘Staffordshire Potters’, by R K Henrywood; ‘The Yorkshire Potteries’, by J D Griffin; ‘The Leeds Pottery 1770-1881, vol II, by J D Griffin; ‘The Don Pottery’, by J D Griffen; ‘The Don Pottery Pattern Book; ‘The Cambrian Company’, by J Gray; ’Derby Porcelain', by G Bradley; ‘Godden’s Guide to English Blue and White Porcelain', by G Godden; ‘Eighteenth Century English Porcelain’, by G Godden; ‘British Porcelain’, by G Godden; ‘Oriental Export Market Porcelain’, by G Godden; ‘Printed English Pottery’ , by J Horne; ‘Letters of Josiah Wedgwood’, by Finer and Savage; ‘Naval Ceramics’, by G and M Pugh; ‘British Porcelain Sauceboats of the 18th Century’, by N. Panes; ‘British Ceramic Design 1600-2002’, English Ceramic Circle; ‘The Lady Ludlow Collection of English Porcelain at the Bowes Museum’; and others similar; also including a collection of Simon Spero exhibition catalogues (qty) tallest book 35cm high Provenance: The Maisels Collection of British Ceramics
A LARGE CHINESE BLUE AND WHITE 'EIGHTEEN LUOHAN' BRUSHPOT, BITONGPROBABLY 20TH CENTURYThe cylindrical body painted with a continuous scene of the Eighteen Luohan by a riverbank, welcoming Guanyin and her attendant below a five-clawed dragon emerging from a cloud, 24cm.Cf. T Canepa & K Butler, Leaping the Dragon Gate, pp.221-222, item III.2.52a-c for a High Transitional example depicting the same scene.
Art Déco-VasenpaarK&G Luneville, Frankreich, um 1930, beiger Scherben, weiße Craqueléeglasur, mit polychromem Dekor aus Vögeln auf einem Ast sitzend, Steifen und Punkten, die Vase mit konischem Korpus und kurzem zylindrischem Hals, der Mündungsrand goldgerändert, auf Standring, bodenseitig je grüne Marke und Aufkleber/-Reste, 1x gepresste Modellnr. "457" sowie Ziffer "2", H: 32 cm. Part. Alters- und Gebrauchsspuren.
Caasmann, AlbertBerlin 1886 - 1968 Brandenburg, war ein deutscher Bildhauer. Jugendstil-Figurengruppe "Schneckenpost", E: 1913, A: Rosenthal, Selb, um 1920, Porzellan, glasiert, polychrome Unterglasurbemalung in gedeckten Farben, vollplastische Darstellung einer, auf einer Schnecke, reitenden Elfe, über rechteckigem Sockel, dieser rückseitig mit Entwerferbez., bodenseitig unterglasurgrüner Fabrikstempel, geprägte Modellnr. "205", Malermarke "K", H: 9 cm. Ein Fühler mit prod.bed. F. (?).
20 Espresso-Sammeltassen mit UnterenRosenthal, studio-linie, 2. H. 20. Jh., Porzellan, glasiert, Tasse "Cupola" (E: Mario Bellini) mit variierenden polychromen Umdruckdekoren nach Entwürfen verschiedener zeitgenössischer Künstler, 40-tlg. best. aus: Nr. 1 (E: J. C. de Crousaz), Nr. 3 (E: N. Still McKinney), Nr. 4 (E: B. Doege), Nr. 5 (E: U. u. K. Scheid), Nr. 6 (E: Yves Galgon), Nr. 11 (E: J. van der Vaart), Nr. 18 (E: N. Akeren), Nr. 20 (E: G. Müller Behrendt), Nr. 22 (E: Yang), Nr. 23 (E: M. Vrolijk), Nr. 25 (E: Katja Marzahn), Nr. 26 (E: Maarten Vrolijk), Nr. 27 (E: Sanja Zivo), Nr. 28 (E: Kitty Kahane), Nr. 29 (E: Kitty Kahane), Nr. 30 (E: Simone Kreuzer), Nr. 32 (E: Sanja Zivo), Nr. 38 (E: Designers Guild), Nr. 39 (E: Sanja Zivo) und Nr. 40 (E: Prospero Rasulo), die Unteren je mit korrespondierendem Dekor, unterseitig je grüne Stempelmarke, bez., sign., Ziffer, mit Aufklebern, H: 6 cm (Tasse), D: 10,5 cm (Untere). 1 Originalkarton anbei.
3 Vogel- & 2 Elefanten-Figuren3x Rosenthal, 1x Hutschenreuther und 1x thüringisch-sächsische Porzellanmanufaktur "HR", 20. Jh., Porzellan, glasiert, mit polychromer Unter- bzw. Aufglasurbemalung, je vollplastische Ausführung, überw. auf Sockel, unterseitig je Marke, mit Presszeichen, 2x mit Entwerferbez. "F. Heidenreich" bzw. "K. Tutter" bzw. "K. Himmelstoss", H: bis 15,5 cm. 1x Sockel am Rand min. best..
PuppeSimon & Halbig, Kämmer und Reinhardt, gemarkt: S&H K+R 55, Porzellan-Kurbelkopf, Schlafaugen, offener Mund m. 4 Zähnen, Kinngrübchen, Ohrlöcher m. Schmuck, Kopfdeckel fixiert, Perücke ergänzt, Massekörper m. Kugelgelenken, Kleid neu, Unterkleidung und Lederschuhe alt, H: 54 cm, part. Altersspuren, Lider berieben.
15 Bücher | Art Déco & BakelitY. Brunhammer, Art Decoratifs Des Annees 20, Regard, 1991 u. a.; Millman/Dwyer, Art Deco Lighting, Schiffer, 2001; Keresztury/Schiffer, Art Deco Bakelite Jewelry & Boxes, Schiffer, 2001; Hillier/Escitt, Art Deco. DVA, 1997; J. Linz, Art Deco Chrome, Schiffer, 1999; Kunst der 20er und 30er Jahre, Sammlung Karl H. Bröhan, Bd. III, 1985; A. van de Lemme, De Wereld Van Art Deco, Gaade, 1997; Battle/Lesser, The Best of Bakelite and other plastic jewelry, Schiffer, 1996; Davidov/Redington Dawes, The Bakelite Jewelry Book, Abbeville, 1988; Art Deco - Boemia 1918-1938, Electa, 1997; K. McConnell, Collecting Art Deco, Schiffer, 1990; A. Krekel-Aalberse, Art Nouveau and Art Deco Silver, Abrams, 1989. Altersspuren.
7 Stofftiere1950-70er Jahre, 4 x Steiff: 1 x Bully, L. 10 cm, ohne K/F; Schnauzer Tessi, L. 14 cm, Knopf, 1 x Esel, L. 34 cm, Knopf, 1 x Ente Ballent, H.15 cm, Knopf, 1 x Koala H. 12 cm, Knopf; 1 x Hermann: Foxterrier in Beige/Schwarz mit Etikett, Halsband, L: 29 cm, 1 x unbekannt, Foxterrier, strohgestopf, Halsband, weiß/schwarz, L: 32 cm; Part. Altersspuren.
Konvolut Steiff Tiere15. St., 3 x Elefant in 3 Größen, 3 x Knopf, 1 x Fahne, L: 24, 18 und 10 cm; 3 x Jocko in 3 Größen, 1 x Etikett, 1 x Knopf unf Fahnenreste, H: 30,18 und 10 cm; 1 x Hahn und 1 x Henne, je mit Knopf und Fahnen(reste), L: ca. 12 cm; 1 x Ente Flori, Etikett, K. u. F., L: 10 cm, 1 x Fisch, orangegelb, K. und Fahnenreste, L: 25 cm; 1 x Frosch Froggi, L: 9 cm; 1 x Löwe, L: 18 cm; 1 x Giraffe, Jungtier, H: 14 cm; 1 x Esel aus Filz, Knopf, Fahnenreste, L: 13 cm, 1 x Esel, Mohair, L: 18 cm; Altersspuren.
Konvolut Steiff Tiere14 St., 3. Drittel 20. Jh., 4 unterschiedl. Hasen mit Lulac, 1 x K u F; 1 x Mungo, Etikett, K. und F., H: 30 cm; 1 x Igel, L: 13 cm; 1 x Katze Kitty, K., L: 10 cm; 1 x Katze Tabby, L: 14 cm; 1 x Dackel Waldi, Knopf, L: 22 cm; 1 x Dackel Beppo, 1 x Dackel Hexi, L: 13 cm; L: 17 cm; 1 x Pudel Snobbx, K./F., L: 18 cm; 1 x Terrier Ary, L: 21 cm; 1 x Hund Molly, Etikett, L: 10 cm; meist mit part. Altersspuren, bespielt.

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137173 item(s)/page