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Lot 1627
SZEWCZENKO, KONSTANTIN (1915-1991), "Lesender Rabbi", 20. Jh., unten rechts signiert: "K. Szewczenko", Öl auf Holz, HxB: ca. 25 x 30 cm. Alters- und Beriebspuren, kleine Farbfehlstellen. Ohne Rahmen.| SZEWCZENKO, KONSTANTIN (1915-1991), "Reading Rabbi", 20th century, signed lower right: "K. Szewczenko", oil on panel, HxW: approx. 25 x 30 cm. Signs of age and rubbing, small colour defects. Without frame.
Lot 243
dating: 1851 provenance: Prussia, Smoothbore, round, 15 mm cal. barrel, with octagonal base marked 'FW' under crown, with mark and date '1851', foresight, nozzle with ring; forward spring lock marked 'Saarn' under crown, with mark and safety lock. Wooden, half stock with brass mounts. Trigger guard with finger support marked 'K.4.5. 56.' and all mounts '21', with marks. Butt-plate with suspension ring. length 39 cm.
Lot 552
dating: 1591 provenance: Saxony, Smoothbore, two-stage, 16 mm cal. barrel, first octagonal with mark 'A', 'K', mark with a bird and date '1591', the base engraved, after round with a ring and small engravings at the girdle, slightly bell-mouthed nozzle; lock with flat lock plate and external wheel, engraved springs, with safety lock and snap sliding pan cover, inside some engravings. Full stock made of blackened wood, scales engraved with bone inlays; sphere-shaped pommel bearing in the centre a bone medallion with the Saxon royal coat of arms. Bone-tipped wooden ramrod and iron cartridge extractor. Interesting puffer for the personal guard of the Princes of Saxony Christian I and II. This rare weapon has the barrel with the same marks as the puffer of the previous lot, only the date is from the year before. Although the lock and the stock show slight differences, there is a probability that the two puffers formed a single pair. length 55 cm.
Lot 553
dating: 1592 provenance: Saxony, Smoothbore, two-stage, 16 mm cal. barrel, first octagonal with mark 'A', 'K', mark with a bird and date '1592', the base engraved, after round with a ring and small engravings at the girdle, slightly bell-mouthed nozzle; lock with flat lock plate and external wheel, engraved springs, with safety lock and snap sliding pan cover, inside some engravings. Full stock made of blackened wood, scales engraved with bone inlays; sphere-shaped pommel bearing in the centre a bone medallion with the Saxon royal coat of arms. Bone-tipped wooden ramrod and iron cartridge extractor. Interesting puffer for the personal guard of the Princes of Saxony Christian I and II. length 56 cm.
Lot 3503
CHÂTEAU MOUTON ROTHSCHILD 6 Flaschen PAUILLAC 1988 "Dessin inédit de K. Haring", 1er Grand Cru Classé, Region: Pauillac, Frankreich, 750 ml, 12,5% Vol., Füllstand BON (base of neck), VTS (very top shoulder). Alters- und Lagerungsspuren. SHIPPING RESTRICTIONS OUTSIDE THE EU!| CHÂTEAU MOUTON ROTHSCHILD 6 bottles PAUILLAC 1988, "Dessin inédit de K. Haring", 1er Grand Cru Classé, Region: Pauillac, France, 750 ml, 12,5% Vol., fill level BON (base of neck), VTS (very top shoulder). Signs of age and storage. RESTRICTIONS OUTSIDE THE EU!
Lot 2278
Taxidermy: A Late Victorian Case of Common Roach (Rutilus rutilus), dated 1894-1895, by J. Jones, 20 Malt Street, Old Kent Road, London, a group of four skin mounts, of various sizes, preserved and mounted within a natural riverbed setting of reeds and weeds, set above a pebbled riverbed, against a pale blue painted backdrop, enclosed within a period bowed glass ebonised display case with verre eglomise border, 76.5cm by 15.5cm by 41.5cm, bearing paper legend to interior upper right -"Taken by Horace Howard, Bure, L, Ouse, Cam, 1lb 14½ oz, 1lb 13oz, 1lb 15½ oz, 1894-95", original taxidermist's full paper trade label to interior upper right, restoration label for - "Re-Preserved by K. Wells, Watton at Stone"Historical crack to glass top right corner, 05/05/23
Lot 1361
A modern 18ct white gold pink sapphire and diamond halo cluster ring, by The Diamond Store of London, claw set with round-cut pink sapphire and modern round brilliant-cut diamonds, total diamond content approx 0.36ct, setting height 8.3mm, size K, 3g, boxed with certificate of authenticity and insurance valuation for £1,435
Lot 1603
A William IV novelty silver fox head snuffbox, George Tye, probably by Nathanial Mills, circa 1830, realistically chased decoration with end hinged lid bearing initials, with gilt interior, 8cm, 1.7oz. A fox mask snuffbox of 1830 by Mills of the exact same form is illustrated on the front cover of Crisp Jones, K., (1981), The Silversmiths of Birmingham and Their Marks: 1750 - 1980No damage or repair, light wear to high points and a few very minor edge indents, lid has engraved initials, hallmarks slightly rubbed
Lot 1232
A platinum 0.5ct solitaire diamond ring and wedding band engagement set, claw set with emerald-cut diamond, colour approx H/I, clarity approx VS1/VS2, size K, 8.5g total (2)No damage or repair, wedding band has personalised engraving inside shank, diamond is bright white and free from obvious inclusions through a loupe, general wear to high points, hallmarks clear
Lot 1110
STEPHEN WEBSTER - a modern designer 18ct white gold blue topaz and sapphire Haze Collection ring, maker SW, set with marquise rose-cut topaz with pave sapphire bridge and diamond faceted shank, setting height 10.4mm, size K, 8.3g, RRP £6,500No damage or repair, all stones present, topaz has a few tiny nicks to facet edges mostly only visible through a loupe, hallmarks clear, laser engraved 750
Lot 1289
A modern 18ct gold seven stone emerald and diamond half hoop ring, rub-over set with oval mixed-cut emeralds and modern round brilliant-cut diamonds, setting height 7.7mm, size K, 3.9gNo damage or repair, all stones present, emeralds have a good colour saturation with typical internal inclusions and a few surface reaching fractured chips, diamond bright and fiery, engraved 750
Lot 1186
An 18ct white gold diamond circular cluster ring, stepped form, claw set with modern round brilliant-cut diamonds and wire underbridge, total diamond content approx 1ct, setting height 17.9mm, size approx K/L, 6.8gShank slightly off-round and has 2 sizing balls, otherwise no damage, all stones present, diamonds relatively bright with a few tinted yellow and only minor internal inclusions, stamped 18ct
Lot 18
A collection of gold jewellery comprising an 18ct Ruby and diamond cluster ring, size J (2.5gm approximately), an unmarked yellow metal smoky quartz cocktail ring (surface tests as 18k), size G, weight approximately 5.5gm, an intaglio in carnelian cocktail ring, stamped 9ct, size M, weight approximately 3.6gm, an onyx initial K ring, size O, stamped 9ct weight approximately 1.9gm, a pair of yellow metal studs, a 9ct curb chain , 2.1gm approximately and a 375 stamped chain
Lot 270
A 9 Carat Gold Signet Ring, finger size M1/2; A Tapered Brooch, catch indistinctly marked, length 5.4cm; A 9 Carat Gold Dress Ring, finger size M1/2; A 15 Carat Gold Blue Topaz Ring, finger size K (approximately, sizing band present); together with A Quantity of Costume Jewellery, including beaded necklaces, brooches, bracelets, two wristwatches etcTwo rings and brooch - 5.4 grams. Blue topaz ring - 3.2 grams
Lot 14
Box containing die cast cars including Dinky model 104 Aston Martin, 163 Bristol 450, 185 Alfa Romeo 1900 Super Sprint, 342 Mini Moke, 116 Volvo 1800S (unboxed) and Corgi 150 Vanwall F1, 155 Lotus-Climax F1, 154 Ferrari F1GP, 156 Cooper Maserati F1, 159 Cooper Maserati F1, 249 Mini Cooper (wickerwork), 321 Mini Cooper (Monte Carlo), 324 Marcos 1800 GT, 325 Ford Mustang, 327 MGB GT, 330 Porsche Carrera 6, 250 Ferrari Berlinetta (unboxed), 318 Lotus Elan 52rp (unboxed), 322 Rover 2000 Monte Carlo (unboxed), 824 MG 1600(unboxed). This lot includes a quantity of Corgi model cars nr 218 Aston Martin DB4, 341 Mini Marcos GT 850, 206 and 233; Matchbox K-24 Lamborghini Miura, Matchbox 33 Lamborghini Miura P400; Dinky Toys 220 Ferrari P5 , 116 Ford GT, 187 De Tomaso-Mangusta, 216 Ferrari Dino, 25C UB. Moy cigarette box surmounted with a Rolls Royce; Avon Glass scent bottle modelled as a Packard; a kit-built Burago 1:18; 7005 Bugatti Type 59 G.P and a 7002 Mercedes SSKL Mille Miglia.
Lot 32
Box of butterflies, together with English and German books on Butterflies including H.L Lewis Butterflies of the World; Zauberhafte Schmetterlinge Kjell B. Sandved; Schmetterlinge K. Harz W. Zepf; Howarth South's British Butterflies, Thomas C. Emmel Wunderbare und geheimnisvolle Welt der Schmetterlinge. Note: Property of a Yorkshire lady.
Lot 18
Quantity of Matchbox Models of Yesteryear, Y2 Vauxhall Prince Henry, Y3 Ford T Tanker, Y5 Talbot Van x 8 Express Dairy, Ever Ready, Wrights Soap, Lipton's Tea, Liptons Tea, Taystee Bread, Nestle's Milk, Menier, Chivers & Sons; Y6 Rolls Royce Fire Engine, Y8 MG TC, Y8 MG TC, Y10 Rolls ROyce Silver Ghost, Y12 Ford T Van Colman's Mustard, Harrods, Birds Custard, Hoover, Royal Mail, Suze, Smith's Crisps, Pepsi-Cola, Captain Morgan, Carlsberg; Y13 Crossley Lorry, Y14 Stutz Bearcat, Y17 Hispano Suiza, Y19 Auburn 851, Y20 Mercedes Benz 540 K, Y21 Ford A Woody, Ford A Woody Estate Car, Y22 Ford A Van (Oxo and Maggie's); Y23 AEC's 'Type' Omnibus, Y24 Bugatti T44; Y25 Renault Van (Perrier).
Lot 75
Master of Antwerp (1485-1491) - Adam and Eve in Paradise / Description: God shows Adam and Eve Paradise. Paradise with the four rivers. God introduces Adam and Eve and points to the Tree of Good and Evil. This old colored incunabula woodcut was used in the first edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". and in some other editions, all still from the 15th century. The first edition was published in 1487 in Antwerp. The attribution to the Fist Antwerp Woodcutter is confirmed by Sir William Martin Conway in his work 'The Woodcutters of the Netherlands in the Fifteenth Century', page 229 (Folio cut from the First Antwerp Woodcutter: 3. God's commands to Adam and Eve). The fresh impression still with complete intact borderlines makes it very likely our woodcut belongs to the first edition of 1487 or the second from 1488. / Dimensions: 17,80 x 14,60 cm / Condition: Excellent impression with unbroken woodcut lines, tipped with corners on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Sir William Martin Conway (1884) The Woodcutters of the Netherlands in the Fifteenth Century: In Three Parts ...page 229 ---- "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1487 320
Lot 72
Master of Haarlem (1483-1486 Fl.) - Christ baptizes in the Jordan / Description: Christ baptizing in the Jordan. How Jesus began to baptize in public. This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to The Master of Haarlem and dated 1483-1486. This makes it a real early woodcut in History. / Dimensions: 9,20 x 13,00 cm / Condition: Excellent impression with unbroken woodcut lines. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Colored woodcut /Circa: 1483-1486 260
Lot 74
Master of Antwerp (1485-1491) - The calling of Zacchaeus / Description: Woodcut with two scenes: The last supper and The calling of Zacchaeus. This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to The First Antwerp Master and dated 1485-1491 / Dimensions: 9,80 x 13,00 / Condition: Excellent impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1485-1491 260
Lot 76
Master of Antwerp (1485-1491) - Jesus' sermon at sea / Description: Jesus' sermon at sea, Peter and Andrew with the full net. This old colored incunabula woodcut corresponds to the first edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". This first edition was published in 1487 in Antwerp. The woodcut here on auction is similar to RDK IX, 345, Abb. 23. Antwerpen 1487.: Seepredigt Jesu, Petrus und Andreas mit dem vollen Netz.23. Holzschnitt-Ill. (18,3 × 12,8 cm) aus Ludolf von Sachsen a. a. O. (Sp. 339) Bl. K 4v. Antw. (Gerardus Leen) 1487. In fact it is more fresh and with complete intact borderlines so probably an eve earlier impression than the one in RDX Labor. It precedes a variant by the Master of Delft. Due to chronology and style it can be attributed to The Master of Antwerp (Act. 1485-1491). This is confirmed by Sir William Martin Conway in his work 'The Woodcutters of the Netherlands in the Fifteenth Century', page 229 (Folio cut from the First Antwerp Woodcutter: 4.Christ teaching from a boat). This woodcut was only used in 16th century's editions. / Dimensions: 18,30 x 12,80 cm / Condition: Excellent impression with unbroken woodcut lines, tipped with corners on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Sir William Martin Conway (1884) The Woodcutters of the Netherlands in the Fifteenth Century: In Three Parts ...page 229 (Conway 10.6:4) ---- "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1487 280
Lot 108
Albrecht Dürer Attr. - Dance of the Impious - Liber Cronicarum -1493 / Description: Panofsky relates this work to a group in the Dürer blocks for the Narrenschiff. Albrecht Dürer was working in the workshop of Wohlgemut and Wilhelm Pleydenwurff in the years 1486-1489 when many of the early designs for the Chronicle were made. About the subject: 'The dance of the impious' or 'Coreizantes per annum shows a group of people who miraculously danced from Christmas Eve till after New Year without interruption. Cfr. Panofsky a woman and a young man ecstatically pointing upwards, have been changed so as to anticipate some early works by Dürer, particularly the ... group in the "Narrenschiff". If Dürer is not responsible for the "Coreizantes" woodcut himself, which is difficult to decide because of the cutting, he must have greatly benefited by it. Very sharp printed woodcut from the first German edition of Hartmann Schedel, "Liber Cronicarum", printed by Anton Koberger in Nuremberg in 1493. / Dimensions: 11,70 x 15,60 cm / Condition: Excellent condition. / Literature: Panofsky, Erwin, op.Cit., Vol.II, Handlist, Nr.435(k), pp. 52-53) -- Adrian Wilson - 1976: The making of the Nuremberg Chronicle. P.199. / Medium: Woodcut /Circa: 1493 380
Lot 77
Master of Antwerp (1485-1491) - The disiples preaching to all nations / Description: Three scenes Where: in each case two Apostles are preaching the Gospel to a group of people. This old colored incunabula woodcut was used in the first edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". and in some other editions, all still from the 15th century. The first edition was published in 1487 in Antwerp. The attribution to the First Antwerp Woodcutter is confirmed by Sir William Martin Conway in his work 'The Woodcutters of the Netherlands in the Fifteenth Century', page 229 (Folio cut from the First Antwerp Woodcutter: 15. The disiples preaching to all nations). The fresh impression still with complete intact borderlines makes it very likely our woodcut belongs to the first edition of 1487 or the second from 1488. There is a rude copy known attributed to the Master of Delft in the Rijksmuseum (Inv. RP-P-OB-2110) but the one here on auction is earlier and far more sophisticated. / Dimensions: 18,50 x 13,00 cm / Condition: Excellent impression with unbroken woodcut lines, tipped with corners on a laid paper collection sheet. Very nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Sir William Martin Conway 1884, The Woodcutters of the Netherlands in the Fifteenth Century: In Three Parts ...page 229 (Conway 10.6:15)---- "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1487 280
Lot 73
Master of Antwerp (1485-1491) - The conversion of Mary Magdalene / Description: Mary Magdalene listens to Christ and converts. Christ sitting on couch, Mary Magdalene sitting on floor in room. This is an old colored incunabula woodcut from an early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. Amongst the earliest artist who worked at the project we mention: The Master of Haarlem, The second Gouda woodcutter and The first Antwerp woodcutter. The woodcut here on auction is attributed by the Rijksmuseum to The First Antwerp Master and dated 1485-1491 / Dimensions: 9,80 x 13,00 / Condition: Excellent impression with unbroken woodcut lines, mounted on a laid paper collection sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway (1884) and in "The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Woodcut /Circa: 1485-1491 260
Lot 2020
18ct gold single stone old cut diamond ring of approx 2.80 carat, with eighteen round brilliant cut diamond set shank of approx 3.00 carat, total diamond weight approx 5.80 caratCondition Report:Approx 7.8gm, tested 18ctsize O-P, band depth = 5mm, principal diamond 9.3mm x 9mm x 5.25mm with a large culet, slight chip to facet edge, diamond colour approx K-M, bright with good movement, clarity approx SI1 - eye clean with some very light specks only visible under 10x loop, diamonds within shank bright with good movement, approx colour H-J, clarity VS-SI, each approx 3.5mm diameter
Lot 2005
Pair of Art Deco platinum and gold, milgrain set old cut diamond pendant stud earrings, total diamond weight approx 0.70 caratCondition Report: Approx 2.95gm, central bar tested platinum, round diamond settings 15ct, hooks 9ct, length = 31mm (excluding hook 38mm including), diamonds bright good colour approx H-K with some inclusions under 10x loop, SI clarity
Lot 9399
An early 20th Century Simon and Halbig for Kammer and Reinhardt and bisque head girl doll with blonde wig, striated blue glass sleepy eyes, pierced ears, painted features, open mouth showing, three teeth, head stamped Halbig K&R 70, jointed composition body wearing white linen dress and bonnet, 68cm tall
Lot 9394
An early 20th Century Simon and Halbig for Kammer and Reinhart head girl doll with brown wig, striated blue glass sleepy eyes, painted features, open mouth showing four teeth, pierced eyes, head stamped K & R Simon and Halbig 76, on articulated wood and composition body, wearing straw hat, floral dress and white linen cape, 74cm tall
Lot 388
Vinyl - Over 80 Soul / RnB LPs to include Rhythm Makers, Patti LaBelle & Her Belles, The Originals, The Drifters, Joe Tex, Jackie Edwards, Roberta Flack (Test Pressing), Rufus Thomas, Percy Sledge, The White Cane, Johnny Johnson & The Bandwagon, The Markeys, Ernie K-Doe, Pic & Bill, Minnie Riperton, Millie Jackson and more. At least Vg overall
Lot 320
Vinyl - YES 7 LP's to include Fragile (K 30009) orange and green label, with booklet, Close To The Edge (K50012), gatefold sleeve with green inner, Yessongs (K 60043), Tales From The Topographic Oceans (K 80001), Relayed (K 50096) and Going For The One (K 50379) The YES Album (Atlantic 2400101). Sleeves VG overall (some worse) shelf wear and buffering to seams & corners. Vinyl VG+ overall
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137173 item(s)/page