40th Anniv Battle of Britain Signed by 8 Pilots, Crew, involved in the Battle of Britain. Last Reunion of Biggin Hill Veterans Special Postmark 40th Anniversary of the Battle of Britain miniature sheet of Hurricane and Spitfire. Flown in Hurricane Personally Signed by Gp Capt J C Sprent and 8 Pilots, Crew involved in the Battle of Britain. A L Winskill 72 and 603 Sqn's, British Battle of Britain Spitfire pilot and Fighter Ace J Peel DFC Battle of Britain Fighter Pilot with 145 Sqn. K C Edwards was at Stalag Luft 111 inmate help carry the wooden Horse and joined the Gymnasium class K. C. Edwards 1941- 1945, Air Gunner 600 Sqn Battle of Britain Blenheims Ernest Waite Wootten 234 Sqn Spitfires Battle of Britain Pilot. John Booth 600 and 23 Sqdns Sqn Blenheim s Battle of Britain Air Gunner Trevor Gray 64 Sqn Battle of Britain fighter pilot J A A Gibson 501 Sqn New Zealander Ace with 12 Victories in Hurricane. Battle of Britain Fighter Pilot G W Benn 219 Sqn Air Gunner Battle of Britain. Good condition Est.
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Battle of Britain Signed 21 Battle of Britain Pilots, Crew. 1st Oct 1998 In Commemoration of the Battle of Britain Suite datestamp. In Commemoration of The Battle of Britain Suite at the Royal Star and Garter Home for disabled Ex Service Men and Women. Opened by his Royal Highness The Duke of Kent. Picture cachet of Spitfire and Group Captain Douglas Bader visiting the Home in 1945. Personally Signed ( hand Signed ) by 22 Pilots, Air Gunners all involved in the Battle of Britain R. L. Jones 64 and 19 Sqns Battle of Britain Fighter pilot G Leggett 46 Sqn Battle of Britain fighter Pilot Geoffrey Garside Observer 236 Sqn Battle of Britain FIt. Lt. Ludwik A. Martel (VM KW K2)603 Fighter Sqn. 1940. Battle of Britain. He joined 54 Squadron at Catterick in Mid-September 1940 and moved to 603 Squadron at Hornchurch, E B B Smith 610 Sqn Pilot Battle of Britain. WW11 Ace Sqn Ldr H. M. T. Heron 266 and 46 Sqn Battle of Britain Fighter pilot R. L. Jones 64 and 19 Sqns Battle of Britain Fighter pilot Cyril B. Brown Air Commodore Battle of Britain Fighter pilot 245, 253, 532, Sqn. John Keatings ( Air Gunner with 219 Sqn Battle of Britain ) A G Russell 43 and 145 Squadrons Battle of Britain fighter. Joined 43 Squadron at Usworth 28 th September 1940. Alan W Gear 32 Hurricane Sqn, Battle of Britain fighter pilot Plt Off Peter Ayerst who achieved confirmed victories in the Battle of Britain and not eligible for the Battle of Britain Clasp, Sqn Ldr J G P Millard Nos 1 and 242 squadrons Battle of Britain fighter pilot. J A A Gibson 501 Sqn New Zealander Ace with 12 Victories in Hurricane. Battle of Britain Fighter Pilot Sqn Ldr T S Pickering 501 Sqn Battle of Britain During lead on attack on DO 17 Bomber over London I was shot down by front gunners of the formation aircraft on fire baled out and landed by parachute in the guards depot at Caterham E. G. Parkin, fighter pilot with 501 sqn., Battle of Britain. £9. 95 Peter Raymond Hairs 501 Sqn Battle of Britain fighter pilot. K. N. T. Lee, 501 Sqn Battle of Britain, Dunkirk pilot WW11 Ace Trevor Gray 64 Sqn Battle o[f Britain fighter pilot. Avis Hearn awarded M M for Bravery during Battle of Britain whilst under stuka attack on poling radar station Aug 1940. H G Whittick 604 Sqn Air Gunner Battle of Britain. Good condition Est.
A collection of Royal Doulton rabbit figures including Bunnykins "Bath Night Bunnykins" (DB241) limited edition 3601/5000, "Christening Day Girl" (DB327), "Watching Time Bunnykins" (D7166) modelled by Warren Platt, designed by C Dadd limited edition 111/1500 jug, "Fortune Teller Bunnykins" (D7157) modelled by Warren Platt, designed by K A Curtis limited edition 785/1500 jug and a Bunnykins bowl with dog train after Barbara Vernon
A TWO STONE DIAMOND CROSSOVER RING, the brilliant cut stones each of approx. 0.60cts, claw set to scroll shoulders pave set with small stones to a plain white shank, stamped 18ct PL, size K (Est. plus 21% premium inc. VAT)3.8g, shank resized, generally good but both stones have obvious black inclusions close to table, at least two claws require attention
A two colour gold and diamond ring, mounted with the principal princess cut diamond in a square shaped setting within a surround of circular cut diamonds, between circular cut diamond set shoulders, otherwise with engraved decoration, detailed '18K', weight 7.6g, ring size approx K.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A hallmarked 9ct gold sapphire and diamond three stone ring. The ring having a central round cut sapphire flanked by two diamond accents and a further two smaller sapphires, within a scrolled setting. central sapphire measures approximately 4mm x 4mm. Assay marked for Birmingham. Date letter c for 1977. Makers marks ineligible. Ring size K / K.5. Total weight 1.9g.
Two hallmarked 9ct gold rings to include a signet pinkie ring with incised star detail to head and an eternity ring set with round cut blue and white stones. Signet assay marked for London. Date letter c for 1977. Makers marks HC&S. Ring size K & E. Eternity ring marks ineligible. Total weight 3.3g.
An early 20th Century antique S Mordan & Co tigers eye novelty birds egg pencil pendant. The pendant constructed from a polished tigers eye stone with internal mechanical pencil marked S Mordan & Co. Measures 5cm when extended and 2.8cm to the pendant bale. Note 4 K B Collection of Pencils page 214.
A polychrome painted cotton throne cover (khandpaat) Deccan, 19th Centuryof rectangular form with pointed upper edge, painted in polychrome and gold with a central panel depicting Krishna and the gopis, above and below panels depicting the worship of Krishna symbolised by the kadamba tree and cows on the bank of the river Jumna, the border with scrolling floral vines, mounted 212 x 110 cm.Footnotes:A Khandpaat or Simhasana is a piece of cloth made to cover a throne in a Shrinathji shrine. The throne would have been set in front of the picchavai, sometimes flanked by smaller thrones. A photograph of a Shrinathji (Krishna) shrine showing the picchavai and other furnishings and ritual accoutrements, including the cloth covering the throne and steps, is published in Krishna, K. & Talwar, K. In Adoration of Krishna - Picchwais of Shrinathji - Tapi Collection' 2007, p. 10. The present lot has been dated to the 19th Century based on an analysis of pigments which identifies the presence of 'emerald green' (copper acetate arsenite) which was invented in 1814 in Europe and became widely used by the 1820s. It fell out of fashion by the end of the 19th century due to the invention of a similar but cheaper substitute. By 1840, a community of around ten families of Pushtimarg devotees had settled in Hyderabad, Deccan. This community of Gujarati merchants and bankers probably commissioned such textiles for their personal shrines and for the temples they patronised. A Deccani picchavai with traces of the same pigment is in the Boston Museum of Fine Arts (acc.no.67.837).For further information on this lot please visit Bonhams.com
Charles R. Gerrard ARA (British, b. 1892) The Delhi Gate, Delhioil on board, signed C. Gerrard lower right 51 x 61 cm.Footnotes:The Delhi Gate depicted by Gerrard in this painting was built in the 17th Century, comprising one of fourteen such gates built by Shah Jahan within his city walls, having moved his capital from Agra (the city's original name was Shahjahanabad, after its founder). The Delhi Gate stands at the entrance of Daryagani, linking New Delhi city with the old walled city.C. R. Gerrard was Principal of the Sir J. J. School of Art in Bombay from 1936 to 1946, introducing a keen personal observation of 1930s modernist developments in British and European painting, sculpture, graphic design and architecture. He was assisted in this by exiles from the Nazi regime such as Walter Langhammer and Rudi van Leyden, who with Gerrard directed at the School, invigorated the Bombay Art Society and encouraged modernist and art deco European design amongst local architectural practices and in commercial printing. Despite the pupils' necessarily local origins and inability to travel during the war, Gerrard encouraged groupings of pupils to adopt this eye on Western developments.In 1941 a group referred to as the 'Young Turks' held a show featuring the work of P. T. Reddy, M. Y. Kulkarni, A. A. Majeed, C. Baptista and M. Bhople, artists who regarded themselves as being in modernist opposition to the more Victorian and Edwardian style of Dhurandhar, Haldankar, and Trindade. But more notably in the history of modern Indian art the less tentative group known as the Bombay Progressives emerged. This consisted of Francis Newton Souza (whom, however, Gerrard was forced to expel from the School for his connections with the pro-independence movement), H. A. Gade, S. H. Raza, S. K. Bakre, K. H. Ara and M. F. Husain. Some of Gerrard's pupils retained close ties with Bombay (e.g. K. K. Hebbar and Tyeb Mehta) while others, like Souza and Raza, under his influence embarked for Britain and Europe after the war.Gerrard brought the J. J. to maturity: under enlightened predecessors such as Lockwood Kipling, Solomon Gladstone, Cecil Burns and M. V. Dhurandhar a beaux-arts and arts and crafts traditionality had understandably persisted, but with Gerrard the J. J. became modernist.For discussion of Gerrard and his work, his influence on Bakre and others, and the Bombay art scene at this time, see Y. Dalmia, The Making of Modern Indian Art: the Progressives, New Delhi 2001, pp. 27-28, 189, 240-241; and N. Tuli, The Flamed Mosaic: Indian Contemporary Painting, 1997, pp. 196, 200.For further information on this lot please visit Bonhams.com
Aviation to include a quantity of Air Britain publications, including Miles Aircraft (4 vols), Lockhead Twins, False Dawn The Beagle Aircraft Story, quantity of Osprey titles (3 boxes)Condition ReportKagero publications volume: 1 small Bf-109F sheet present with vol.i issue 31, 1 Bf-109G/K sheet present with vol.ii issue 22. No others present
"The Royal Martyr; or the Life and Death of King Charles I", printed by J M for R Royston Bookseller to His Most Sacred Majesty 1676, half title torn, inscribed on ffep dated June 1792, rebacked contemporary leather boards "The Pourtraicture of its Sacred Majesty King Charles II ... found in the strong box with his reasons for turning Roman Catholick", published by K James printed in the year 1694, rebacked, frontis portrait, library blindstamp on ffep, contemporary boards laid down (2)
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