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Click here to subscribeCollection of 9ct Gold Jewellery ( 5 ) Five Items In Total. All Fully Marked for 9ct Gold. Comprises 1/ 9ct Gold Cameo Ring, Ring Size - K. 2.9 grams. 2/ 9ct Gold Signet Ring. 3.4 grams. 3/ 9ct Gold Brooch 2.4 grams. 4/ Antique 9ct Sweetheart Brooch, 1.9 grams. 5/ Antique 9ct Gold Citrine Set Swivel Fob of Excellent Quality. 9.9 grams.
Model Car Interest. Collection Of Boxed Model Cars To Include Supercar Collection MG RV8, Supercar Collection Jaguar XJ220, Superstar Collection McLaren F1 Roadcar, Classic Sportscar Porsche 911 Turbo Cabriolet, Classic Sportscar Ferrari 288 GTO, Classic Sportscar Collection Mercedes Benz 500 SL, Classic Sportscar BMW Z1, Corgi Concorde 59902, Classico Ferrari 1961 400 Superamerica, Classico Ferrari 1973 365 GT4 BB, Matchbox K 161 Superkings Etc
Royal Doulton Two Ceramic Dog Figures in the form of a Cocker Spaniel and British Bulldog, Bone china naturalistic miniature bulldog issued by Royal Doulton as part of the K series from 1931- 1977, green backstamp, marked K1 to base, good condition, 2.5 inches in height. Also an unglazed figure in the form of a cocker spaniel, grey factory mark to base, good condition circa 1995. Height 4.5 inches.
Original Chalk Pastel Portrait 'Dorothy 'Doris' Bradley And Her Brother 'Cyril 'Squib' Bradley' Signed K Shearfield 1924 A large scale double portrait rendered in soft pastels on Bristol paper depicting brother and sister in embrace. Signed in black pastel to bottom right 'K Shearfield, 1924'. Housed in large, ebonised wood frame with gilt inner mount. Label to verso, 'H W Hayward, Picture Mount And Frame Makers, London' 25 x 31 inches, good condition. Please see accompanying image
A GEORGE II HASH SPOON WILLIAM DEMPSTER, EDINBURGH 1757 Assay Master Hugh Gordon, of Hanoverian pattern with engraved crest to reverse of terminal, the bowl with chamfered drop and later armorial 36cm long, 6.2oz Heraldry: with contemporary crest to reverse of terminal for the Whiteford family of Blairquhan and Ballochmyle. With additional later armorial to reverse of bowl for Lockhart. Notes: Originally made for Sir John Whiteford of Blairquhan, this spoon was likely inherited by his son and heir Sir John Whiteford of Ballochmyle. The younger Sir John was perhaps most famous as one of Robert Burns' earliest patrons. Sir John Jnr and Robert Burns met when the latter was tenant at Mossgiel Farm near Ballochmyle. They served together as, the Master and the Depute Master of the St. James Masonic Lodge, where their friendship blossomed. Whiteford later helped Burns with introductions in Edinburgh after the poet moved to the city. Although without conclusive proof, a case has been put forward that this close connection of Whiteford and Burns may suggest this spoon was used to serve Burns at one of the many meetings between him and his patron. Reference: 'Reconstructing the Past through Material Culture: 'Facts', Imagination, Poetry - and a 1757 Silver Ragout Spoon from Edinburgh', K. Brown, History Scotland magazine, May/June 2013 issue.
Brassington (W. Salt). A History of the Art of Bookbinding, with some Account of the Books of the Ancients, Elliot Stock, 1894, 10 colour plates and numerous illustrations, occasional scattered spotting, top edge gilt, remainder untrimmed, modern dark green half morocco gilt, 4to, contained in purpose-made slipcase with original gilt blocked cloth book covers relaid, (unnumbered limited edition of 50 large paper copies, signed by the Publisher), together with Hobson (G.D.), Thirty Bindings... selected from the First Edition Club's Seventh Exhibition, held at 25 Park Lane, by permission of Sir Philip Sassoon, Bart., London: The First Edition Club, 1926, 30 photogravure & chromolithograph plates, bookplate of Irene K. Buckler to upper pastedown, top edge gilt, remainder untrimmed, original gilt decorated cloth, spine discoloured and some fraying to extremities, 4to, (limited edition 3/600), with Larsen (Sofus, & Kyster, Anker), Danish Eighteenth Century Bindings 1730-1780, Copenhagen: Levin & Munksgaard, 1930, colour and black & white plates, original cloth backed paste-paper covered boards, worm trail at foot of spine, dust jacket frayed and torn to edges, 4to, and Hobson (G.D.), Maioli, Canevari and Others, London: Ernest Benn Ltd., 1926, black & white plates, occasional spotting, original cloth gilt, light dust-soiling to spine and two worm holes to upper joint, 4to, plus other bookbinding and binding history related (25)
Lear (Edward). Laughable Lyrics: A Fourth Book of Nonsense Poems, Songs, Botany, Music, etc., 1st edition, Robert John Bush, 1877, illustrations throughout, some finger-soiling in lower margins, original green pictorial cloth, rubbed, wear to extremities, 4to, together with: Nonsense Books, I. A Book of Nonsense, II. Nonsense Songs ... III More Nonsense Pictures, Rhymes, Botany, Etc., IV Laughable Lyrics, Boston: Roberts Brothers, 1888, text illustrations, half-title repaired, frontispiece and title slightly frayed, original pictorial cloth, spine relaid, worn, 4to; Davidson (Angus), Landscape Painter and Nonsense Poet (1812-1888), John Murray, 1940, original cloth, spotting to endpapers and spine, spine rolled, dust jacket with a few nicks and chips, 8vo; Chesterton (G. K.), A Handful of Authors, 1st edition, Sheed and Ward, 1953, original brown cloth, dust jacket nicked and damp-stained on spine and rear panel, 8vo; and approximately 40 others including modern editions of Lear Osborne I p. 70 for Laughable Lyrics. (a carton)
A ruby, diamond and emerald cluster ring, the central circular cut emerald within a surround of circular cut rubies and brilliant cut diamonds, stamped K14, finger size K 1/2, 5g; an enamel lion ring, stamped 18k, finger size I 1/2, 6.5g; and a circular brooch, with a monogram, stamped 14C, 3.3cm diameter, 7.3g
A matched set of six Russian silver vodka cups (charka), maker's mark P.L (Latin, not traced), St Petersburg late 19th century (4); maker's mark Z. K (Cyrillic, unknown), St Petersburg 1892 and 1894 (one with retailers mark of Vladimir Morozov), slightly tapering cylindrical and engraved with a monogram SB beneath a viscount's coronet, the interiors gilt, 4cm (1 5/8in) high, 139g (4.45 oz), in a fitted light oak case
A KARL BUB LITHOGRAPHED TINPLATE POWER-HOUSE, electric motor not tested, marked K B Made in Bavaria, grey base, yellow walls and red roof, some paint loss, wear and minor damage, with two unmarked lithographed tinplate pieces of workshop equipment and a pressed steel vintage Mack Truck bonnet (4)
TWO ARMAND MARSEILLE BISQUE HEAD BABY DOLLS, one nape of neck marked 'A.M Germany 351/3 1/2 K', sleeping eyes, open mouth showing two teeth, moulded hair, jointed composition body with some damage including right leg, height approximately 38cm, the other nape of neck marked 'A.M Germany 341/4K' and 307 marked in pencil, sleeping eyes, closed mouth, moulded hair, jointed composition body with some minor damage, height approximately 44cm (2)
TWO ARMAND MARSEILLE BISQUE HEAD BABY DOLLS, My Dream Baby, first one nape of neck marked 'A.M. Germany 351/2 1/2 K', sleeping eyes, open mouth with two teeth, with plastic dummy, jointed composition body, some minor damage and wear, height approximately 27cm and sat on a wicker chair, the other nape of neck marked 'A.M. Germany 341/3', sleeping eyes, some paint loss to lids, closed mouth, head has several cracks which have been repaired, cloth body with composition hands, height approximately 40cm (2)
A JOHANN DANIEL KESTNER BISQUE HEAD DOLL, nape of neck marked 'Made in Germany J.D.K. 260', with an upside down K, two holes to back of head, sleeping eyes (s.d.), open mouth showing four teeth and tongue, jointed composition body with some wear and damage especially to hands, silver Baby badge pinned to dress (Male & Jones, Birmingham, 1887 ?), height approximately 65cm
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