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Lot 1105
A 17th century Stuart Crystal mourning slide ring, circa 1650 - 80, the very finely woven blonde hair panel decorated with a cherub, all beneath oval faceted glass, on blue ground with cut-down piecrust surround and closed-back settings, panel 21.2mm x 19.0mm, size approx K, 6.1g . Condition Report:Piece has been converted into a ring with a later shank soldered to backing, shank is slightly bent, several light dents on gold backing, light wear to facet edges of glass and some wear to decoration beneath glass, along with several small spots of glue, unmarked
Lot 1217
A retro 14ct rose gold ruby and diamond odeonesque cocktail ring, set with round-cut rubies and old European-cut diamonds, total diamond content approx 0.7ct, setting height 17.6mm, size K, 8.4g . Condition Report:No damage or repair, all stones present, diamonds are relatively bright and lively with a few internal black spot and crystal inclusions mostly only visible through a loupe, numerous light marks to outside of shank, stamped 14l
Lot 1290
An Antique Victorian 18ct gold Peruzzi-cut diamond cluster ring, the principal Peruzzi-cut diamond weighing approx 0.6ct, surrounded by vari-cut old-cut diamonds, the principal diamond weight calculated from approx dimensions: 4.72 x 4.67 x 3.28mm, setting height 11mm, size L, 3.6g . Condition Report:No damage, all stones present, all diamonds are quite bright and lively with a very slight yellow tint only visible under white light, a few surrounding diamonds have small surface chips and fractures only visible through a loupe, principal diamond is colour approx J/K, clarity approx VS1/VS2, light wear to settings, stamped 18c
Lot 1119
An Antique Victorian Etruscan Revival garnet mourning ring, circa 1880, centrally set with foil-back round cabochon garnet, with rope twist border, setting height 15.5mm, size J/K, 3g . Condition Report: Ring has been re-purposed from a brooch/stickpin head with an added ring shank, otherwise no damage, head of ring tests as 15ct gold, shank tests as 9ct gold, all unmarked
Lot 1149
A large Art Deco style sapphire and lab-grown diamond cluster ring, centrally rub-over set with 4ct lab-grown old-cut diamond surrounded by lab-grown modern round brilliant-cut diamonds with calibre-cut sapphires and diamond shoulders, principal diamond colour approx J/K, clarity approx SI1/SI2, unmarked mount tests as platinum, setting height 15.5mm, size N, 11.7g . Condition Report:No damage or repair, all stones present, diamonds very bright and lively, principle diamond only has a couple of very small internal black spot inclusions only visible through a loupe, settings heavy gauge, unmarked
Lot 1312
An 18ct gold seven stone sapphire and diamond half hoop ring, centrally set with oval mixed-cut corundum doublet, flanked by sapphires and diamonds, setting height 8.7mm, size K, 3.1g . Condition Report:Central stone has been replaced with a corundum doublet, otherwise no damage, stamped 18ct
Lot 1148
ASPREY - a GIA certified 0.52ct D colour single stone diamond ring, set with round modified brilliant-cut diamond, colour D, clarity VVS2, mounted in platinum, size K, 3.3g, boxed with gift bag, GIA certificate and insurance replacement document dated 2013 for £5,500 . Condition Report:No damage or repair, diamond is very bright and lively, light wear to high points of settings, full UK hallmarks clear, stamped 950, with GIA diamond grading report, report no. 2145800766
Lot 20
Große, hochfeine Art-déco Diamant-Brosche. Um 1920/25. Platin, ungest., abschraubbare Nadel mit Montierung in 14 kt. WG. Dichter Besatz in geschwungener, feiner Millegriffesfassung von 121 Altschliffdiamanten insges. über 9 ct. Feines Weiß(G)-Getöntes Weiß(K).vvs-P.: der zentrale Diam. im leicht kissenförmigen Altschliff ca. 1,25 - 1,30 ct. Leicht Getöntes Weiß(I).vs. (ca. 6,9 x 6,7 x 4,1 mm), seitlich 8 größere Diam. im kissenförmigen und annähernd runden Altschliff von ca. 0,50 ct. bis ca. 0,65 ct. Leicht Getöntes Weiß(I-J).vs-si. Verso kl. Besch. 61 x 33 mm, Gew. ca. 21,5 g. -
Lot 19
Herausragendes Art-déco Diamant-Saphir Armband. Frankreich. Um 1927/30. Platin, gest. In feinen Millegriffes- und Pavéfassungen reicher Besatz mit 252 Diam. im Alt-, Übergangs-, Brillant- und 8/8-Schliff zus. ca. über 14 ct. Feines Weiß(F)-Getöntes Weiß(K).vvs-P. sowie mit 420 kl. Saphiren im Trapez-, Baguette- und Carréeschliff zus. ca. über 5 ct. (tlw. Altersspuren). B. 26,5 mm, L. 17,7 cm, Gew. ca. 58 g. - Literatur: Vgl. Divis, No. 569, 1027 -
Lot 18
Diamant-Bergkristall Armband im Art-déco Stil. 18 kt. WG mit GG, gest., kleine Beschädigungen. Große Rechteckstege aus Bergkristall (23 x 17 mm, verso verbödet) alternierend mit Filigran-Stegen besetzt mit insges. 299 Kleinstbrill. in Millegriffesfassungen zus. ca. 3,10 - 3,20 ct. Weiß(H)-Getöntes Weiß(K).vvs-P. B. 11 - 23 mm, L. 17,5 cm, Gew. ca. 67,5 g. -
Lot 22
Kleine Art-déco Diamant-Brosche. Um 1920. Platin, Nadel mit Montierung 14 kt. WG. In hochwertiger Millegriffesfassung 68 Diam. in Navette-, Alt-, Übergangs- und Brillantschliff zus. ca. 1,35 ct. Weiß(H)-Getöntes Weiß(K).vs-P.: der zentrale Navette-Diam. ca. 0,20 ct. Leicht Getöntes Weiß(J).si. 36 x 15 mm, Gew. ca. 6,1 g. -
Lot 3
Jugendstil Diamant-Brosche. Um 1900. 18 kt. GG, gest., mit Platin. In Millegriffe- u. Krappenfassung 17 Diam. im Alt- u. Rosenschliff zus. ca. 0,75 ct. Weiß(H)-Getöntes Weiß(K).vvs-P. (im Zentrum ca. 0,40 ct. Leicht Getöntes Weiß(J).vvs). 3 kl. Saatperlen (wohl natürlich). 25 x 36 mm, Gew. ca. 4,9 g. -
Lot 89
Paar Solitär-Brillant-Ohrstecker. Platin, gest. Pt900. Im Zentrum je ein Solitär im Brillantschliff zus. 1,52 ct. Feines Weiß(G).si-P.: 1 Brill. 0,79 ct. (Dm. ca. 5,78 - 5,82 mm), 1 Brill. 0,73 ct. (Dm. ca. 5,78 - 5,89 mm), Umrahmung mit 36 pavégefassten Kleinstbrill. zus. ca. 0,24 ct. Weiß(H)-Getöntes Weiß(K).si-P. Schauseite Dm. 9,5 mm, Gew. ca. 3,4 g. -
Lot 124
Ring mit natürlichem Ceylon Saphir und Brillant-Besatz. Um 1930. 14 kt. GG mit WG, gest. Der feinfarbige Ceylon Saphir im Emeraldschliff ca. 2,60 ct. (ca. 8,8 x 6,5 x 4,2 mm, Erhitzung nicht nachweisbar), in WG-Fassungen die 18 Brill. zus. ca. 0,70 ct. Leicht Getöntes Weiß(I)-Getöntes Weiß(K).vvs-P. Ringkopf 17 x 15 mm, Weite 56/57, Gew. ca. 6,3 g. Wir danken dem Gemmologischen Institut Hamburg für die Information bezüglich des Saphirs. -
Lot 13
Grosser Jugendstil Diamant-Ring mit Granat-Besatz. Anf. 20. Jh. 14 kt. Roségold, GG mit Silber. Navetteförmiger Ringkopf, dicht besetzt mit 20 Altschliffdiam. in Kissen- und annähernd runder Form zus. ca. 2,80 - 3 ct. Weiß(H)-Getöntes Weiß(K).vs-P. Im Zentrum farbintensiver Granat im Treppenschliff in GG-Krappenfassung (ca. 11 x 10,6 x 4,3 mm). Ringkopf 31 x 19 mm, Weite 51, Gew. ca. 8,5 g. -
Lot 84
A pair of George III Old English pattern silver table spoons, each initialled K to terminals, hallmarked by Hester Bateman, London, 1790, each approx. 22.9cm long; a single George III bright cut engraved example with initialled terminal B, C-I-P, hallmarked by Hester Bateman, London, 1782, approx. 21.7cm long, and a further Old English patterned earlier example, initialled terminal, also hallmarked by Hester Bateman, London, date letter rubbed, approx. 21.8cm long. (4) Weight: approx. 249.5 grams (8ozt) Further details; marks rubbed, scratching and wear to bowl of earlier example; some small surface dents to all; pitting / marks to areas; overall tarnishing and general wear.
Lot 96
FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W (SCOTTISH 1883-1937) PINK AND GOLD Signed, oil on canvas 102cm x 76cm (40in x 30in) Presented by Miss M. K. Muir McKean, 1932. The Scottish Colourist F C B Cadell’s Pink and Gold epitomises the celebration of feminine elegance and a sophisticated lifestyle for which he is renowned. Even its title is the essence of modernity, focussing on the high notes of colour within the image, namely his sitter’s headscarf, floral accessories and the gilt of the mirror in which they are reflected.Having trained in Paris and Munich, Cadell made his name in pre-World War One Edinburgh with paintings such as Reflections (Glasgow Life) and The Black Hat (Edinburgh Museums & Galleries). They featured fashionable ladies in the stylish interiors of the capital city’s New Town, often depicted in the artist’s own impressive studio at 130 George Street.Pink and Gold reveals how Cadell’s work developed following his move in 1920 to an imposing residence at nearby 6 Ainslie Place. He took great pains over the decoration and furnishing of his new quarters. The distinctive lilac of the painting’s background reveals it to have been created on the first floor, where front and back drawing-rooms were linked by double doors and he brought painted black floorboards up to a high polish. Cadell revelled in the original features of the house, such as the white marble mantelpiece glimpsed in Pink and Gold, its colour used to signify a feminine space in the vocabulary of Georgian architecture.During a landmark trip to Venice in 1910, Cadell’s imagination was captured by experiencing the city in mirror image in its watery surroundings. This led to an interest in reflections that became a defining characteristic of his work. Set to the centre-right of the background of Pink and Gold, the mirror reveals the space in front of the sitter, almost to where Cadell must have been positioned at his easel, its cropping also hinting at the room beyond. Furthermore, the device of the mirror allows Cadell to present his model in two poses, one looking directly at the viewer, the other seen in profile gazing beyond the realm of the canvas.The present painting also shows how Cadell’s practice progressed from the bright palette, tight technique and suppression of volume of the works made during his first years at Ainslie Place. Portrait of a Lady in Black (National Galleries of Scotland) defines this phase, which gave way to lower-toned works such as The Embroidered Cloak (Ferens Art Gallery) and then to the calmer atmosphere, more gentle palette and broader technique apparent in Pink and Gold. Cadell devoted decades to exploring an idealised portrayal of womanhood. Although his favoured model, Miss Bethia Hamilton Don Wauchope, sat for him for over fifteen years, his images of elegant, modish ladies – most often dressed in black, with carefully chosen luxurious accessories from broad-brimmed hats, glinting gold-hoop ear-rings and long white gloves – are not about the identity of a specific sitter. In Pink and Gold, Cadell contrasts his model’s fair complexion with the darkness of her outfit. The delicate defining of her facial features matches the treatment of the diaphanous nature of her headscarf as it falls over her back. In addition, freely-painted passages, such as the realisation of her be-gloved hands, verge on the abstract.Pink and Gold was presented to Paisley Art Institute (PAI) in 1932, by Miss Margaret Kathleen Muir MacKean (1879-1969) of Auchenlodment House, Elderslie and of the town’s soap then starch manufacturing family. They were leading citizens of Paisley, not least its artistic circles, with her uncle James Anderson Dunlop MacKean (1849-1932) becoming an Honorary President of the Institute. As a major collector, J. A. D. MacKean gave several important works to the PAI’s holdings, including George Henry’s The Banks of Allan Water: Spring, Autumn and Winter series (lots 76, 77 and 78).It is believed that Miss MacKean inherited Pink and Gold from her uncle, who died in the year of her gift. At the same time, her father William Muir MacKean gave Henry’s Beauty and the Beast to the PAI, whilst one of her other uncles, Major Norman MacKean, presented George Pirie’s The Hen Roost (lot 89); perhaps all three were given in memory of their recently deceased relative.Our thanks are due to Colin C. MacKean, Miss MacKean’s first cousin once removed and PAI’s current Treasurer, for his help with our research.
Lot 161
Theatres.- Littmann (Max) Die Königlichen Hoftheater in Stuttgart, only edition, photogravure plates, original boards with illustration mounted on upper cover, Darmstadt, 1912 § Beijer (Agne) Slottsteatrarna pa Drottingholm och Gripsholm, limited edition, original cloth, Stockholm, 1937 § Zucher (Paul) Theater und Lichtspielhäuser, original cloth, Berlin, 1926 § [Graslin (J.J.L.)] Réflexions d'un Citoyen, sur la Construction d'une Salle de Spectacle à Nantes, drop-head title, annotations in pencil, stitched in contemporary wrappers, upper cover with title in ink manuscript and inscription “Monsieur de Kevegant Premier Juge Consul”, a little stained, [Nantes], [c.1783] § [Caristie (Auguste)] Notice sur l'État Actuel de l'Arc Orange de des Théatres Antiques d'Orange et d'Arles, 9 lithographed plates, ink stamp "H.Revoil Architecte" to title, pencil tracing loosely inserted, light foxing to plates, contemporary cloth-backed marbled boards, original printed upper wrapper mounted on upper cover, Paris, 1839, plates and/or illustrations, a little rubbed; and 15 others on theatres and theatre design, v.s. (20)
![Dickens (Charles) [The Works], 'The Nonesuch Dickens', edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, 24 v](https://cdn.globalauctionplatform.com/5467794f-dd1d-460d-85a7-b1da00f65bbf/a2618e39-130d-4868-a60a-b1e000e96570/468x382.jpg)
Lot 275
Dickens (Charles) [The Works], 'The Nonesuch Dickens', edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, 24 vol., including box with original steel plate, woodcut illustrations, original variously-coloured buckram by Leighton Straker, gilt-stamped black morocco spine labels (some lightly scuffed), t.e.g., some with very lightly sunned spines, original steel plate with mounted engraving (lightly spotted) loose in box bound as the rest of the set, with the publisher's letter of authenticity, [Dreyfus 108], Nonesuch Press, 1937-38; and two copies of the accompanying Dickensiana, and the Specimen Pages from the press, 8vo (27) *** The steel plate included is "A model of parental deportment" by H. K. Browne.
Lot 328
Bloch (Robert) Psycho, first edition, usual marginal toning, very light browning to endpapers, original boards, slight bumping to spine tips and corners, dust-jacket, minor chipping to spine tips and corners 1 or 2 nicks to head and foot of panels with some light creasing, light rubbing to extremities, a sharp and excellent copy overall, 8vo, New York, 1959.*** A cornerstone of modern horror fiction, Psycho was famously adapted into Alfred Hitchcock's seminal 1960 film of the same name.
Lot 57
An 18ct yellow gold three stone sapphire and diamond ring, set to centre with an oval sapphire with an approximate weight of 0.40 carats, flanked with two round brilliant cut diamonds set in white metal, total diamond weight approximately 0.30 carats combined, size K 1/2, 2.0 grams. Accompanied by original receipt dated to the 5th of July, 1949. Condition report: 2.0 grams Slight abrasion to sapphire
Lot 19
An early to mid 20th century platinum and diamond ring, collet-set with five graduated diamonds, pierced openwork surround mount with diamond accents, the central stone measuring in the mount at approximately 6 x 6 x 4.5mm, approximate colour and clarity J/K, SI1, size M, 4 grams. Condition report: Overall good condition, diamonds clean to the eye. Colour and clarity are approximate and in-house estimation.
Lot 95
A 9ct yellow gold and green and white paste stone eternity ring, size P, together with a 9ct yellow gold and diamond single stone ring, size K, an 18ct yellow gold and sapphire cluster ring, size K, a rose metal and paste stone ring (lacking one stone), size N, and a yellow metal and green jade heart pendant. Condition report: two 9ct rings and rose metal ring, 7.6 grams combined; 18ct ring 2.1 grams.
Lot 1279
Two WWI medals awarded to W-932 Gunner S Evans, Royal Artillery, comprising War Medal and Victory Medal, three further medals including George VI with Palestine bar 1945-48 awarded to AS 18028 Private K Ranth AP, a Victorian Sutlej Medal including Moodkee 1845 and with Ferozeshuhur bar awarded to Bulkeley Williams 80th Regiment, and an Elizabeth II medal with Cyprus bar awarded to H H Pearce International Corps, and two WWII medals (7).
Lot 908
Olivia Lomenech Gill(b.1974)"Exile Notes I (Procession with Tractor etc)",signed, titled verso,hand-tinted etching with collage,29 x 83cms, in frame.Notes: Gill is the illustrator of "Fantastic Beasts and Where to Find Them" by J. K. Rowling, and "Where My Wellies Take Me", written by Michael and Clare Morpurgo. She was shortlisted for the Kate Greenaway Medal and won the English Association Picture Book Award.
Lot 1369
Medals of 1596 Private Kenneth Mackenzie of the 6th Battalion Seaforth Highlanders who was killed in action KIA aged 20 on 6th June 1915, commemorated at Le Touret Memorial France, son of Mrs. Margaret Mackenzie of Wardend, Altyre, Forres, Morayshire, comprising WWI war medal, victory medal and 1914-15 star [1596 PTE K MACKENZIE SEA HIGHRS] .(3)
Lot 542
Diamant-SolitärringRingweite: 50. Gewicht: ca. 4,6 g. WG 750.Um 1940.Klassisch-eleganter Diamantring mit einem zentralen Altschliff-Diamansolitär, 3,005 ct (ausgefasst gewogen) ca. K/SI2, flankiert von vier feinen Diamanten im Baguetteschliff, zus. ca. 0.6 ct G/VVS. (1410552) (16)Diamond solitaire ringRing size: 50. Weight: ca. 4.6 g. 18 ct white gold.ca. 1940.Classic, elegant diamond ring with a central old-cut diamond solitaire, 3.005 ct (weighed outside setting) ca. K/SI with minimal chips on the girdle, flanked by four fine baguette-cut diamonds, totalling ca. 0.6 ct G/VVS.
Lot 936
Karl Stuhlmüller, 1859 München – 1930 EtzenhausenBAUERN BEI DER HEUERNTEÖl auf Leinwand.34,2 x 56,8 cm.Rechts unten signiert und ortsbezeichnet „K. Stuhlmüller/ München“.Bei strahlend blauem Himmel, der nur von ein paar harmlosen weißen Wolken bedeckt ist, arbeiten viele Bauern unermüdlich an der Heuernte. Im Hintergrund, in Richtung der Kirche und des Dorfes, ist bereits ein zweiter beladener Wagen zu sehen, der sich entfernt. Stuhlmüller, Mitglied der Münchner Künstlergenossenschaft und Schüler von Carl Theodor von Piloty, widmete sich in seinen Werken den Landschaften, die er unter Berücksichtigung der Eindrücke des Lichtspiels, des schnellen Pinselstrichs und der natürlichen Farben realisierte. (14010234) (19))
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137173 item(s)/page