CHARLES DICKENS: BLEAK HOUSE, ill H K Browne, London, Bradbury & Evans, 1853, 1st edition in book form with most of the early issue points, added vignette title and 39 plates as list, including all 10 'dark' plates, most plates with minor foxing, 5 line errata, 'elgble' page 19, 'attornies' page 95, 'mens' page 184, 'shair' page 209, 'Sangsby' pages 256, 303 and 447, 'counsinship' page 275, 'proprietorshop' page 314, 'sol's arm's' page 321, 'setted' page 372, 'tremulouslessly' page 403, 'clerks'' pages 414 and 415, 'mother's' page 503, 'phenomonons' page 510, 'it' omitted page 516, 'in to' page 518, 'French' not capitalised page 523, 'picter' page 529, 'seem' page 559, 'purpose' page 577, 'pounds, and' closely spaced page 588, 'will' initial letter lower case pages 596 and 613, 'homeards' page 605, 'relieved' page 620, contemporary calf gilt worn, spine gilt in compartments, morocco gilt spine label, all edges marbled, armorial book plate on front paste down part removed
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CHARLES DICKENS; THE LIFE AND ADVENTURES OF MARTIN CHUZZLEWIT, ill H K Browne, 'Phiz', London, Chapman & Hall, 1844, 1st edition in book form, early issue, added engraved title with £ sign transposed and 7 studs in the trunk, lacks frontis and one other plate, quotes missing after 'yes' page 435, quotes missing before '30-5' page 452, 'd ug' page 537, 'I' no quotes page 560, 'thresh-hold' page 587, old half calf worn
A rare Gateshead Art Pottery charger possibly by J G Sowerby, painted with a rectangular panel to the well of a stylised Japanese Galleon at sea, a samuri standing on deck, in colours inside green border and rim, Painted The Gateshead Art Pottery and Bsc monogram, and painted monogram, chips to rim, 36cm. diam. Litertaure A W Coysh British Art Pottery, David & Charles, page 54 catalogue number 48, this actual charger illustrated (Mrs K Coleman collection)
A diamond solitaire ring, the six claw set round brilliant cut diamond weighing approx. 1 carat (estimated), baguette cut diamonds to shoulders, band marked '18ct', gross wt. 3.53g, size M. Condition - sold without certificate, however, in our opinion colour approx. J/K, clarity SI1, dark mineral inclusion near girdle visible with 10x loupe only, general wear to band and setting.
A single stone diamond solitaire ring, the bezel set Old European cut stone weighing approx. 0.43 carats, band marked '18ct PLAT', gross wt. 2.10g, size K. Condition - wear around bezel, band a little thin but not severe, general wear, sold without certificate the diamond is bright and lively, no visible yellowness, appears loupe clean.
A collection of Matchbox 1-75 vehicles, including a No. 25 tanker 'BP', a No. 11 scaffolding truck and a No. 58 DAF girder truck, together with a Major Pack No. 6 200 ton transporter 'Pickfords' and a Kingsize K-15 Merryweather fire engine, some boxed (some playwear, paint chips and two repainted).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two boxes of mostly pottery and china jugs, copper lustre, a Radford beer jug, Fairmont cockerel jugs, Portmeirion British Heritage Collection Parian ware jugs, Alfred Meakin Tin tin jug, Jim K Tunstall Springtime jug, Lairds E Lindsay Pembroke Own Blend Old Scotch Whisky jug, Jameson's Irish Whisky jug, black Lambert & Butler king size jug, Prinknash pewter effect jug, etc. (2)(B.P. 21% + VAT)
An important verseuse François-Thomas Germain (1726-1791)French silver, 18th century (1755-56) Pear shaper body of spiralled gadroons that extend to the spout Base and cover edges of joint acanthus leaves clusters Volute thumb piece The lid with sliding mechanism for inserting whisk Carved rosewood handle Paris assay-marks for 1750-1756 stamped FTG for François-Thomas Germain. Two Paris warrantee marks letter K for (1750-1751) and letter P for (1755-56) (spout cover missing)Height: 26 cm1180 g Catalogue EssayCoffee or chocolate pot, defined by a circular base and bulging twisted spiralled body, accentuated by shallow, smooth fluting that extends to the short and broad spout. Counter-curved profile wooden handle and circular section cover, featuring a sliding element for opening and closing a small orifice for fitting a whisk to homogenize its contents.HISTORY AND PROVENANCEInformation about the history of this piece is scarce, similarly to what often happens with mobile heritage destined for secular use within domestic contexts, whose existence is not always considered in the extant documentation. Nonetheless, it is known that this coffee or chocolate pot, still owned by her descendants, belonged to the 5th Countess of Ficalho, Maria Josefa de Mello (1863-1941), daughter of the 4th Counts, Francisco Manuel de Mello Breyner (1837-1903) and Josefa Brito do Rio (1840-1892), and that it had entered the family collections some generations earlier. Made at the famous silversmith François-Thomas Germain’s workshops, in Paris, it might in fact have been acquired by the well-travelled and wealthy merchant Anselmo da Cruz Sobral (1728-1802), an ancestor of Maria Luísa Braamcamp Sobral de Almeida Castelo-Branco de Narbonne-Lara (1812-1890) who married the 2nd Marquess of Ficalho, António José de Mello Breyner Teles da Silva (1806-1893). Maria Luísa was the daughter of the 1st Counts of Sobral, and, through her mother, a descendant of the Duke of Narbonne-Lara (1755-1813), Minister of War to Louis XVI and aid-de-camp to Emperor Napoleon, a fact that establishes an unequivocal connection to France. We should not, however, neglect the suggestion (PENALVA & MAGALHÃES 2021, p. 131) that it may have entered the family via the 1st Marquess of Ponte de Lima, Tomás Xavier de Lima Teles da Silva (1727-1800), figure of the highest rank that, during the Marquess of Pombal consulate would know identical tragic fate as the Dukes of Aveiro who, before their imprisonment and the confiscation of their property, held in their collection important gold and silverware made by the Germain workshops, such as the extraordinary centrepiece that belongs to the Museu Nacional de Arte Antiga collection in Lisbon (inv. 1827 Our.).WHAT DOES IT TELL US: AUTHORSHIP AND DATINGDetailed analysis and observation of the coffee / chocolate pot allows us to gather information that is essential for its understanding. For one, the interpretation of the marks, for which was invaluable the cooperation of Michèle Bimbenet-Privat, allows for accurate dating of the piece and attribution of unequivocal authorship. As such, it is possible to assert that it is an object produced within the context of the French gold and silversmith François-Thomas Germain’s (1726-1791) workshop, son of the master gold and silversmith Thomas Germain (1673-1748). Thomas Germain had fulfilled numerous orders from Portuguese customers during the reign of King João V, either from the sovereign himself or from private patrons, such as the writing set gifted by the king to Cardinal Nuno da Cunha de Ataíde (1664-1750), or the porringer (écuelle) commissioned by Cardinal João da Mota e Silva (1685-1747), both now at the Musée du Louvre (inv. OA 9941 and inv. AO 6118) (VALE, 2016b and VALE 2018, pp. 72-73 e 119-122). His son, François-Thomas, who had studied at the Académie Royale de Peinture in order to get a good education in the art of drawing, competence seen as fundamental for the fulfilment of a gold and silversmith career, will inherit Thomas Germain official role as goldsmith and sculptor to the King of France (1748). Maintaining his father’s renowned workshop at the Galleries du Louvre, François-Thomas will carry on supplying the main European courts, from Saint Petersburg to Lisbon (D’OREY 1991, GODINHO 2002), with the most remarkable objects, often resorting to Thomas models. In 1765 however, the business goes into bankruptcy proceedings that determine its closure and the abandonment of the Louvre workshop (BAPST 1887, BIMBENET-PRIVAT 2002 and above all PERRIN 1993). The dating of the object, for which assessment concurred decisively the above-mentioned marks, reveals a curious situation, albeit not necessarily uncommon: the piece encompasses components from two distinctive moments in time. The cover, whose marks date to 1750-51, is articulated to a body made some years later, in 1755-56, but still by the same master FrançoisThomas Germain. Would the presence of the cover reflect an intervention in a coffee /chocolate pot whose body, for some unknown reason, needed replacing? Or did this cover, from 1750-51, correspond to a component that was already available at the Germain workshop when, five years later, it received an order for a coffee /chocolate pot? Unfortunately, we might never know the answer. The presence of the two discharge marks, 1750-51 in the cover and 1755-56 in the body, reveals however that the piece was destined for exporting rather than for the French market.One other question, which is also likely to remain unanswered, refers to the clarification of typology and inherent functionality of the piece. Is it a coffee pot or a chocolate pot? Nor the morphology nor the ornamental options, in terms of their characteristics, contribute to the answering of this question. The body, cover and handle shapes are identifiable in both extant coffee and chocolate pots. Although it can be argued that for the latter there is a preference for straight handles placed perpendicularly to the body, such option – as is the case with the notable coffee pot from the same maker kept at the Metropolitan Museum of New York (inv. 33.165.1) is not sine qua non condition. On the other hand, the orifice seen in the cover, destined for fitting a whisk to homogenize the liquid in the vessel’s interior, occurs in both coffee and chocolate pots. We cannot even count on the artist’s cooperation in terms of his ornamental grammar choices, as the motifs seen near the spout cannot be unequivocally identified as cocoa beans or as coffee grains. We would however accept this latter possibility, based on comparisons with other extant examples (see the above mentioned on this subject by PENALVA & MAGALHÃES 2021, p. 131). The French language addresses the question in a simpler and pragmatic manner by resorting to the term verseuse, generic yet encompassing, that refers to a spouted vase destined to serve and contain liquids. For convenience we have adopted it for referring the piece. While, for the moment, we must accept the dual probability in terms of the object’s functionality, as a coffee or as a chocolate pot, it is also important to leave open the option that it was intended for serving both drinks.CONTEXTCoffee pots and chocolate pots are typologies frequently present in the scope of 18th century secular silverware production, stylistically fitting within the Baroque and the Rococo periods. Some of the most interesting examples, from the standpoint of the creative expression of their maker’s, are identifiable from within the Italian and French contexts. [...] full text version available at https://veritas.art/en/lot/an-important-chocolate-pot-francois-thomas-germain-1726-1791-1783137335/Teresa Leonor M. Vale
GLAM/ART/PUNK ROCK - LP COLLECTION. Really smart collection of 33 xx LPs including 12". Artists/titles include Iggy Pop/The Stooges (x12) inc. The Stooges (very early US pressing, Elektra EKS-74051, Columbia Pitman pressing with CP in the runouts, 'The Stooges' on the label indicating a second pressing - please note the record is in G+ condition with a number of surface marks, scuffs and some light scratches/VG with ringwear, some creasing and the bottom edge unglued, an easy repair), Rubber Legs (FC 037, complete with 7"), The Idiot (RCA Victor orange labelsPL 12275 -1/-1 - VG copy), I'm Sick Of You! (white vinyl LILP 4.00093 J), Raw Power (sunburst labels, CBS 65586 'Made In Holland' - VG/G+), New Values, Brick By Brick and Lust For Life (green label RE), David Bowie - Man In The Middle (as Arnold Corns, Norwegian copy), Fashion and Absolute Beginners 12", Mick Ronson - Play Don't Worry and Slaughter On 10th Avenue, Ian Hunter, Laurie Anderson - Big Science (signed!), Jobriath - Creatures Of The Street (K 42163), Bryan Ferry/Roxy Music, Lou Reed, The Sweet, Alice Cooper and T. Rex/Marc Bolan. Condition is generally speaking VG to Ex though some can drop below.
GLAM - CLASSIC LP COLLECTION. Super instant collection of 20 x classic LPs. Artists/titles are Easy Action (US green labels WS 1845), Killer (UK, K 56005), School's Out (UK K 56007, no pants...) and Billion Dollar Babies (UK copy, no bill), Queen - Jazz (EMA 788, UK original with fully attached poster - Ex+/VG+), Sheer Heart Attack (EMC 3061) and A Night The Opera, Sweet - Desolation Boulevard (LPL1 5080), Roxy Music/Bryan Ferry inc. S/T (Polydor 2302-048) and Viva! (ILPS 9400), Slade - Old New Borrowed And Blue (2383261) and Slade Alive, Mott The Hoople - Wildlife (pink rim ILPS 9144), Ian Hunter (x3) and Elton John. Condition is generally VG+ to Ex+ (records) and VG to Ex (sleeves).
A diamond ring by Kutchinsky, 1972, and a dress ring, circa 1970, the first designed as a bicoloured 18ct gold column, set with three brilliant-cut diamonds to one side, the second set with a rectangular lapis lazuli panel within an abstract quatrefoil surround set with two brilliant-cut diamond highlights, first signed ‘Kutchinsky’, London hallmark, maker’s mark, second stamped ‘14Kt’, total diamond weight approximately 0.50 carat, ring sizes G and K. £400-£600
A Medieval gold ring set with a possible toadstone, 14th-16th century, the circular bezel set with a round stone with white cabochon centre within a grey border, the stone collet set, the underside of the bezel with incised flowerhead detail, between trifurcating scrolled shoulders, ring size K. £1,500-£2,000 --- This ring was discovered in Stinsford in West Dorset. The ring is recorded on the Portable Antiquities Scheme database, Ref: SOM-D01838, and has subsequently been disclaimed as Treasure. Lapidaries (i.e. texts that describes the physical properties and virtues of precious and semi-precious stones) were very popular in the Middle Ages when belief that gems held various powers was widely held. Included within these lapidaries, were a few non-mineral items and these included crampodine, or ‘toadstone’. The ‘toadstone’ is round and brownish, and is in fact the palate tooth of a fossilised shark known as Lepidotus. Literary references to toadstones appear from the 12th century when it was believed that the toad, whose breath was venomous, had within its head a stone which was an antidote to poison. The story relates that the toad should be placed on a red cloth and this would cause him to belch forth the stone from its head - the stone should be quickly whipped away before the toad could attempt to reclaim it. Charles Oman of the British Museum, referring to toadstones mounted in rings explained: “Extant examples do not date before the middle of the fourteenth century, but belief in their efficacy survived well into the seventeenth century, though descriptions of techniques for testing doubtful specimens suggest the gradual growth of scepticism. The toadstone was the best known of the substances which were credited with curative or protective powers. It is frequently difficult to identify both the material or the supposed efficacy of some rings which are obviously magical.” Literature: Oman, C., British Rings 800-1914, (B.T. Batsford Ltd, London, 1974)
A small collection of antique jewellery, to include a 15ct gold seed pearl and diamond memorial ring, a diamond single stone ring with pierced shoulders, a cannetille work ring, a gold mounted turquoise and seed pearl bangle, together with a pair of matching rings, and further items, the bangle and one ring with French assay mark, ring sizes K - T, bangle inner diameter 5.6cm. (8) £500-£700
A WWI medal pair, named to GS-10617 PTE. F Tomlinson, 17-LRS, comprising the 1914-15 Star and British War Medal 1914-18, together with two further WWI medal pairs, named to 266913 PTE. J Speller, Herts. R, and 23443 PTE. A. Cowland, L. N Lan. R, comprising the British War Medal 1914-18 and Victory Medal, and three further British War Medals 1914-18, named to 6603 A. CPL. C.R.T Pearce, H. A. C. (INF.), 58289 PTE. W. Dutnall, K. R. Rif. C, and 10087 PTE. D. Stewart, Seaforth (9)Condition report: All without ribbons. Tarnishing, rubbing and marks throughout.
HOUSE/DEEP HOUSE/TECHNO - 12". Wicked collection of 40 x 12" releases. Artists/titles include Backbone Grooves - Volume One (BBR 010, black vinyl - VG+), Latin Boom - Cafe Con Leche (FFR93-01 - VG+), Technasia, The Visitor feat. Roxanne, Monika Kruse, Bug & Tanzmann, Jean Winner, Eric Prydz, Quentin Harris, Penn And Chus, Alexi Delano, Bucci Pink Elln, Serge Santiago, David Amo & Julio Navas, Vincenzo & Titus K, Hollis P Monroe, Misc./Kalkito, Joris Voorn, Sergio Fernandez, Sebastien Roya, Santos, Santacana, Richard Davis, Martin Jarl, Abe Duque, Noon (At Down The Room), Wally Lopez, Chris Udoh and Jens. Condition is generally VG+ to Ex+.
35 essential titles which made an impact on the UK club scene, not all UK releases but all tracks that received heavy airplay in UK clubs and which can certainly be counted as 'classics'. Condition varies but many will be well presented, generally from VG+ to Ex. Titles and artists from: Daft Punk - Human After All (2 x 12", Virgin – 094634170918), Frankie Knuckles, The Future Sound of London - Papua New Guinea (12TOT-44P1), Subliminal Cuts – Le Voie Le Soleil (XLT53), Groove Armada – Superstylin' (Jive Electro – JDAB-42898-1), Inner City, K Klass, Jam & Spoon – The Complete Stella (R&S), Leftfield, Roy Davis Jr. - Gabrielle (LAR019), Frankie Knuckles, Chicane, Junior Boys Own, Deconstruction, XL
US HOUSE/ TECH/ DEEP - 12". A superb collection of around 59 house 12". Mostly US house including deep/ tech etc. Artists/ titles include Callisto - Nether World EP (GDR 038. Record is Ex), Laurent X - Machines (HN 88012), Johnny Fiasco - Get Up (CAJ 223-1), Heaven & Earth - Ascension Into Heaven (Q002), Partners - Tight (P1 1203), Solo - Reference To A Funky Dream (ABI-002), Tronic Pulse - Early AM (SRT 109). Photon Inc, Elements Of Life, Erick More Morillo, Alcatraz, H Foundation, Yaz, 20 Fingers, Junior Sanchez, Big Lady K, King Of All Media, Drum Addicts, Glen Scott, Jamico, Here I Am, Deep Dish Daddy Cool, Brother Brown's Be-Mix, Armand Van Helden, Richard Rogers, The Feeling, Submarine, DeeeLite, Barratt Waugh, Afrodesiac, Dee Gorgeous, D Bora, The Nick Jones Experience, DTR Production. Condition is generally VG+ to Ex+.
UK HOUSE & GARAGE - 12". Wicked collection of around 52 x classic 12" largely comprising of UK artists/issues. With twelves from the likes of Africanism, Sidekick, K. Capone, Son Kite, Cable, Steve Loria, Flex, Nine Yards, Thee Maddkatt Courtship III, HCCR, Basement Jazz, Dimitri From Paris, D*Note, Future Perfect, Marshall Jefferson, Sandy B, D. Mob, Lighthouse Family, Michael Moog, Roger Sanchez, Shakedown, Finley Quaye, Roach Motel, Chaka Khan and Ernest Saint Laurent.
UK HOUSE & GARAGE - 12". Ace collection of around 52 x classic 12" largely comprising of UK artists/issues. With twelves from the likes of Ron Trent, I: Cube, Eddie Amador, Terpsichord, Temper Tempter, Deep Disch With EBTG, Bobby Peru, Satoshi Tomiie, Mass Order, Frankie Knuckles, Attaboy, Bernard Badei/Louis Lang, My Connection, Reel Houze, Francois K, Urban Soul, Superchumbo, The Brand New Heavies, Maw Electronic, Shauna Davis, X-Press 2, George Llanes, JR. and Junk. Condition is generally VG+ to Ex+.
DECONSTRUCTION RECORDS - 12" COLLECTION. Fantastic archive of around 107 x 12" releases on Deconstruction Records which mainly comprise promos and include white labels/test pressings. With winners from the likes of Dave Clarke, Lionrock, Smells Like Heaven, Djaimin, Harmonix, Kylie Minogue, Felix, The Grid, O.R.N., N-Joi, Hed Boys, Tilt, De'Lacy, Y-Tribe, Robert Miles, Transatlantic Soul, K-Klass, Republica, Ariel, Coloursound/Siobhan, Definitive Two, Usura, Hysterix, Bassheads, Angela Lewis and Sasha. Condition is generally VG+ to Ex+ with almost house with their original company sleeves.
US - HOUSE/ DEEP HOUSE/ TECHNO - 12". A magical selection of 23 house/ techno 12". Mostly US including some deep house. Artists/ titles include Jaguar - Knights Of The Jaguar EP (UR-049, Record has some light surface marks, just about VG+), Diffusion - Even Moaning (EX-22, record Ex), Avalon - Harlequin (INDX003, VG+), Paul Mix - New Millennium (EX-12, blue vinyl), Terrence Parker - Hold On (TF 504), AJ Hunter - Pressure Point EP (PAR 009), Various - Out Of The Purple Haze (Communique 004), Various - Crime Report (UR-021), Timeline - Time Sensitive, Anthony Acid - Phony Alibis, Kevin Saunderson - History Elevate 1, Critical Rhythm - It Could Not Happen. The Aztec Mystic, Francois K, Designer Music, Dubtribe Sound System, Eddie Flashin Fowlkes, Indigo Tracks Part One, Psyance, Roy Davis, David Alvardo, The Underground Crew, Floppy Sounds. Condition is generally VG+ to Ex+.
EUROPEAN HOUSE/TRANCE/TECHNO - 12". Monster collection of 40 x classic 12". With releases from the likes of Dimitri From Paris, Technasia - Force (ta05), Sakan, Go (Music From The Motion Picture), Subtrain, Jens Lissat Project, Nalin & Kane, Steff & Vincent De Moore, Odyssee Of Noises, Barbarella, Aquatic Plant, Cirillo, Speedy J, Construct Rhythm, Chris Liebing, Ericke, Sueno Latino, Alex K. Katz, Sextant, Pancake, Jopan, Kerosene, Cruz Control, The Freak & Mac Zimms, Animation and Capricorn. Condition is generally VG to Ex+.
THE KLF/ THE JAMS AND RELATED - LP/ 12" RARITIES. An excellent selection of 12 LPs/ 12" by The KLF/ The Justified Ancients Of Mu Mu, 2 of the biggest mysteries in music history. Titles include The White Room (JAMS LP006, including printed inner. Record Ex/ sleeve VG+), Justified And Ancient [Anti-Acapella Version] (CHOC ICE 3, single sided white label promo. Record VG+), Last Train (x2) (KLF 008Y, 3-track white label promo. VG+), What Time Is Love LP (JAMS LP4, VG+/ VG+). Whitney Joins (TAMS24T), Burn The Beat (JAMS26T), 3AM Eternal (KLF 005, promo), America No More (KLF 92 PROMO1). Disco 2000 inc Uptight (D2003T), One Love Nation (D2002), 2K - ***K The Millennium (BFFP 146t). Condition is generally VG to Ex. Some of the company sleeves have water damage and have started to fray along the opening edge.
US TECH/ DEEP HOUSE - 12". A quality collection of 40 deep/ tech house 12", mostly US. Artists/ titles include Dominik Eulberg - Flora And Fauna, Roy Davis Jr - The Secret Mission, Octave One - Foundation EP, Barada - Baradatrax 1, The Talking Rocks Of Marks/ The Vanishing Race (RP6), Roy Davis Jr - Dance With Me, Vandal - The Laws Of Chants Vol 2 (NG057), Ian Pooley - Sure, Pipecarrier EP (RP-12), Stryke Presents - Shadows Of Blue EP, Teknotika - The Art Of Teknotika, Spylab - Celluloid Hypnotic, Paperclip People, Dick Rickles, DJ Assault, Big Sexy, Astrogiri, Paranoid Jack, Markus Schulz, Echospace, Octave One, Francois K, Musk Men, Neomorph, Solaris, Kirk Degiorgio, E-Dance Banjo, Sight Beyond Sight, Floppy Sounds, A: Xus, Urban Tribe, Dubtribe Sound System, Elektrik Disko, Inner City, Decibel, Math-U-Matix, Aphrohead, Cormano, Biotrans. Condition is generally VG+ to Ex+.
CLUB CLASSICS - HOUSE/ RAVE/ TRANCE/ GARAGE - 12". Another quality collection of 40 12" full of classic club floor fillers. Artists/ titles include Funkatarium (JUMP 001), Bizarre Inc inc Raise Me (STORM 32), I'm Gonna Get You. Outrage - Drives Me Crazy, Habit - Shades Of Rhythm, Warehouse Raves 2 (RUMLD 102, record 2 only), The Colour Of Love - Groove Corporation 021 Remixes, Taiko - Echo Drop, Seven Grand Housing - Authority, 5th Circuit - Hot Mix, Lost - Bazz De Congo. E-Lustrious, True Love, Junior Boy's Own, Sueno Latino, Andronicus, K&M, Nush Nush, Mombassa, Bump, Phuture, Baby June, Raven Maize, LUPO, The Cotton Club, Music Man, The High Givers, The Reese Project, The Badman Presents, Rollo Goes Spiritual, Slo Moshun, DSK, DJ Essentials Inc. Condition is generally VG to Ex+.
CLUB CLASSICS - 12". A smashing collection of 30 12" all dance floor club classics. Artists/ titles include Modjo - Lady (314 561 730-1), Jamiroquai - Space Cowboy (777827-S1), Mory Kante - Ye Ke Ye Ke (0501), The Blue Boy - Remember Me, Da Hool - Meet Her At The Love Parade 2001, Robin-S - Show Me Love, Alison Limerick - Where Love Lies, K Klass - Remix, The Age Of Love - The Jam + Spoon Remixes, Congress - 40 Miles Better Grooves, Bizarre Inc - Playing With Knives. Gat Decor - Passion, The Goodman - Give It Up, The Future Sound Of London - Papua New Guinea. Happy Clappers, The OT Quartet, Joe Smooth, The Age Of Love, Bizarre Inc, Two April 91, CJ Bolland, Alex Party, Liquid, Cafe Del Mar, Faithless, JX, A Wild Bunch Of Recording, Everything But The Girl, Ruffneck. Condition is generally VG+ to Ex+.
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137169 item(s)/page