We found 137173 price guide item(s) matching your search
There are 137173 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
137173 item(s)/page
An 18ct White Gold And Diamond Set Chopard Style Floating Diamond Ring Fully hallmarked to shank, ring size K-L; the square centre glazed and set with a single, encapsulated floating modern brilliant cut diamond, the mount set with a further 36 modern round brilliant cut diamonds extending to the shoulders. Very good condition, please see accompanying image
Roman, Republican Period, ca. late 1st century BCE. A marble head of an elderly man from a relief - similar to Republican portraits of Julius Caesar found on coinage of the state (the Roman Senate made Caesar the first living Roman whose image was portrayed on state coinage in 44 BCE). Note his clean-shaven haggard visage, wrinkles upon his forehead, folded baggy skin on this neck, and a receding hairline with closely cropped hair that is combed forward from the crown of his head and finely delineated with incised wavy locks. The veristic rendering of his visage is a product of keen observation on the part of the sculptor. Note the furrows across his forehead, those deep-set, large, almond-shaped eyes beneath full brows, his pursed thin lips flanked by nasolabial creases, and overall gaunt face with pronounced cheek bones and pointy chin. Further conveying his advanced age are the wrinkles surrounding the Adam's apple on his neck. The epitome of Republican "warts and all" portraiture! Size: 10" H (25.4 cm); 16.25" H (41.3 cm) on included custom stand.This remarkably realistic representation suggests that the portrait may have been created during his lifetime or very soon after death, perhaps taken from a death mask. The sculptors' "warts and all" approach which may seem unflattering to modern eyes, was extremely popular during the late Republic and Early Empire periods. Such realistic portraits were created to preserve records of elite members of society such as senators, generals, and other high-ranking officials.In the Classical world, portraiture served two main functions - all depended upon whether the subject was dead or alive. Images of the deceased were created for ancestral worship and kept in a private or family context. Ancestral busts preserved the individual's contributions and legitimized the family line. Sometimes masks of important ancestors were worn at funeral processions. Images of the living, on the other hand, were placed in public contexts, as a means of commemorating the individual's might, oftentimes honoring a military victory or public benefaction. For example, sculptures of Augustus and successive emperors served to advertise and affirm their power.Cf. a similar sized portrait of an old man from a tomb relief, said to be from Rome, now in the Metropolitan Museum, inventory number 17.230.133.A portrait bust depicting Julius Caesar that is very similar in style and likeness to this example hammered at 160,000 Euro at Gorny & Mosch (June 2014) - https://www.gmcoinart.de/auction/STEINSKULPTUR_Portr%C3%A4t%20des%20Gaius%20Julius%20Caesar.aspx?los=10&lager=00108&ActiveID=106&lang=enThe description translates as follows: "In 44 BC. the Roman Senate voted to make Caesar the first living Roman to be portrayed on the coinage of the state. Immediately, the Roman mint began to churn out money with variations on the new theme, the dictators portrait. Nevertheless the research seems to be still quite diffuse as an official effigy was not published during his lifetime. The portraits that appear on republican coins can be referred for comparison, although they show great individuality of features. But despite all differences they have three important characteristics in common: They show Caesars head in profile right, a haggard face with wrinkled forehead, prominent nose and a long narrow neck with folds of baggy skin. This is exactly what Suetonius relates (Divus Iulius, Cap. 45):while his baldness was a disfigurement which troubled him greatly, since he found that it was often the subject of the gibes of his detractors. Because of it he used to comb forward his scanty locks from the crown of his head . The present marble head reflects the high cheekbones with the sunken cheeks, the aquiline nose, the broad mouth and the individual wrinkled skin of the neck. All of these features are comparably found in authenticated portraits as well (cf. E. Boehringer, Der Caesar von Acireale [1933] Taf. 25-29). Exactly for these reasons the designation of this portrait head as Gaius Iulius Caesar appears to be secured. As it bears all the characteristics of republican portrait art it must have been created during the dictators lifetime or very soon after his death. It originates presumably from a statue. Especially in Asia Minor Caesar gained great popularity by freeing the cities from the Roman tax collectors excessive demands as well as by granting privileges to the leading municipalities. The cities repaid the Clementia Caesaris with the erection of statues and other honours (cf. K. Tuchelt, Frühe Denkmäler Roms in Kleinasien 1: Roma und Romagistrate [1979] Nr. 45-54; statues in Alabanda, Ephesos, Pergamon, Phokaia and Smyrna). In most cases the only reminders of them are the inscriptions on their bases whilst the presevation of a head like this one is a very rare exception." Provenance: private East Coast, USA collection; ex-William Froelich collection, New York, USA, acquired in the 1970s Condition: Losses to back, sides, neck, and high-pointed areas such as the nose and ears as shown. Expected surface wear commensurate with age, though the visage is still quite strong with realistic features and countenance. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #144095
Roman, early Imperial Period, ca. 1st century CE. A gorgeous mold-made, translucent glass bowl of a pale green hue with occasional bands of dark purple-red near the rim. It has a rounded base, gradually-expanding walls decorated with a trio of horizontal wheel-cut striations, and an unpronounced rim that was ground until smooth to the touch. This type of mastoid-shaped vessel was likely used for drinking wine based on the elegant and uncomplicated presentation. A fabulous example from the early Roman Empire! Size: 6.25" W x 3.5" H (15.9 cm x 8.9 cm)Published in "Glasses of Antiquity", Sarah E. Cox and Constantin E. Marinescu, New York, 2002. Provenance: private East Coast, USA collection; ex-S. K. Heninger Jr. collection, South Carolina, USA 1970s Condition: Intact, with light deposits on the surface. Old collection sticker on interior. This vessel does not possess a pontil mark, indicating that it was mold made rather than free blown. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #146576
British WWII Far East RAF Double sided silk escape map, Sheet 44/J covers French Indo China (central) and Siam (Thailand) (east) and Sheet 44/K covers French Indo China (south) and Siam (Thailand) (part of). Scale 1 : 1,000,000 1mm = 1 kilometer, Overall size, including its small border is 94cm x 60cm
British WWII Far East RAF Double sided silk escape map, Sheet 44/J covers French Indo China (central) and Siam (Thailand) (east) and Sheet 44/K covers French Indo China (south) and Siam (Thailand) (part of). Scale 1 : 1,000,000 1mm = 1 kilometre, Overall size, including its small border is 94cm x 60cm
British WWII Far East RAF Double sided silk escape map, Sheet 44/J covers French Indo China (central) and Siam (Thailand) (east) and Sheet 44/K covers French Indo China (south) and Siam (Thailand) (part of). Scale 1 : 1,000,000 1mm = 1 kilometre, Overall size, including its small border is 94cm x 60cm
Kammer & Reinhardt 109 bisque head character doll, in original clothes, German circa 1909, the beautifully moulded bisque head with painted blue eyes, moulded lids and single stroke eyebrows, closed mouth and subtle shading to cheeks, with her original light brown wig in plaits and card pate, on a good fully jointed wood and composition body with swivel wrists, wearing a white spotted cotton dress with lace, underclothes, socks and leather shoes, incised K&R, 109, 49, known as ‘Elise’ in the rare K&R character doll series, (condition: a few minor wig-pulls to back of head, head perfect) 20” (50cm) tall.
Rare small size Kammer & Reinhardt 107 bisque head character doll, in original factory clothes, German circa 1909, the pale bisque head with exceptional moulding, painted blue eyes, and single stroke eyebrows, closed mouth and original light brown wig, on a good fully jointed wood and composition body with swivel wrists and wearing original Lederhosen- style outfit with black velvet breeches, green felt jacket, braces, white shirt with red neck-tie, green felt hat and knitted socks with leather shoes, incised K&R 107, 30, known as ‘Carl’ in the rare K&R character doll series, (condition: excellent) 12 ½” (32cm) tall.
Rare Kammer & Reinhardt 131 bisque head character doll in original clothes, German circa 1909, the moulded bisque head with weighted blue glass eyes, finely painted lashes and feathered eyebrows, closed smiling mouth and original light brown wig, on a good composition five-piece star-fish body, wearing original red romper and striped hat, incised K&R/Simon & Halbig 131, 24, (condition: excellent, romper faded) 10 ½” (27cm) tall.
Kammer & Reinhardt 114 bisque head character doll in original clothes, German circa 1909, the pale bisque head with painted pale blue eyes, moulded lids, and single stroke eyebrows, closed mouth and original long blonde wig with card pate, on a good fully jointed wood and composition body with swivel wrists and wearing original white cotton dress with lace, straw bonnet, underclothes and socks, incised K&R, 114, 39, known as ‘Gretchen’ in the rare K&R character doll series, (condition: excellent) 15 ½” (39cm) tall.
Kammer & Reinhardt 117 bisque head character doll in original clothes, German circa 1909, the fine bisque head with weighted blue glass eyes, finely painted lashes and feathered eyebrows, closed mouth and original light brown wig in two plaits, on a good fully jointed wood and composition body with swivel wrists and wearing all original blue dress with pocket, blue flannel coat and beret, , underclothes, socks and brown leather shoes, incised K&R/Simon & Halbig 117, 43, known as ‘Mein Liebling’ in the rare K&R character doll series, (condition: one wig pull to back of head, otherwise, perfect) 17” (43cm) tall.
Small Kammer & Reinhardt 114 bisque head character doll, German circa 1909, the pale bisque head with painted pale blue eyes, and single stroke eyebrows, closed mouth and original long light brown wig, on a good fully jointed wood and composition body with swivel wrists and wearing original white cotton dress with lace, bonnet, underclothes and socks, known ‘Gretchen’ in the rare K&R character doll series, (condition: a little wear to upper legs, head perfect) 8” (20cm) tall.
Kammer & Reinhardt 116A bisque head character doll in original clothes, German circa 1909, the well moulded bisque head with weighted brown glass eyes, finely painted lashes and feathered eyebrows, open/closed mouth with two upper teeth, original blonde wig and card pate, on a good fully jointed wood and composition chunky toddler body with swivel wrists and wearing all original white dress and hat, underclothes, socks and shoes, incised K&R/Simon & Halbig 116/A, S&H, 42, (condition: excellent) 16” (41cm) tall.
Small Kammer & Reinhardt 101 bisque head character doll, German circa 1909, the pale bisque head with painted pale blue eyes, and single stroke eyebrows, closed mouth and original light brown wig, on a good fully jointed wood and composition body with swivel wrists and wearing original white cotton trouser suit, incised K&R 101, known as ‘Peter’ in the rare K&R character doll series, (condition: excellent) 9” (23cm) tall.
Beautiful Kammer & Reinhardt/S&H 117N bisque head character doll, German circa 1910, pale bisque head with brown glass ‘flirty’ eyes, painted lashes and brows, open mouth with upper teeth and dimple to chin, original dark brown wig and on a fully jointed wood and composition body, wearing a cream silk and lace embroidered dress, coat, straw bonnet, layers of underclothes, socks and shoes, incised K star R, Simon & Halbig, 117N, 58, (condition: very good), 23” (58cm) tall.
Large Kammer & Reinhardt/Simon & Halbig bisque head doll, German circa 1910, with weighted blue glass eyes, painted lashes and raised brows, open mouth with upper teeth, pierced ears and long brown wig, on a fully jointed wood and composition body, wearing a white cotton dress with broderie anglaise, flannel cape, layers of under clothes , socks and shoes, incised, Halbig, K&R, 80, (condition: good), 32” (80cm) tall.
A.M 390 bisque head doll, circa 1910, with weighted brown glass eyes, open mouth, upper teeth and later long brown wig, on a fully jointed wood and composition body and wearing a pink silk dress, bonnet and underclothes, (condition: crack to back of head, body over-painted, lacks one finger), 25” (64cm) tall, together with a K&R girl doll, (teeth missing, body over-painted), (2 items).
Large Kammer & Reinhardt 126 bisque head toddler doll, German, circa 1910, with brown glass ‘flirty’ eyes, painted lashes and brows, open mouth with tongue and original blonde wig, on a good fully jointed toddler body and wearing a white smocked dress, bonnet and underclothes, incised K&R, Simon & Halbig, 126, 56, (condition: head good, tip to finger missing, needs re-stringing) 24” (61cm) tall.
A circa 1920s Ashtead Pottery character jug of 'Stanley Baldwin' by Percy Metcalfe, limited edition no. 490/1000, buff, signed 'Stanley Baldwin' to the rim and 'Percy Metcalfe J25 K' to the base, approx. 20cm high, together with a Melba 'Punch m/s' Mr Punch seated with bat and dog, with incised marks to base and maker's mark, approx. 18cm high (2)
Two hallmarked 15ct gold Suffragette style rings, gross wt. 3.1g, size K & P.Condition: one seed pearl missing to one ring with engraved band showing signs of wear with dents/misshaping, hallmarks slightly rubbed, surface wear to stones, other ring has all stones present with minor surface scratches to stones, some wear to engraved band with repair on band, hallmarks ok.
A 14ct yellow gold sapphire and diamond Art Deco style cluster ring, the central brilliant-cut diamond weighing 0.60 carat, clarity P2, colour G, between two brilliant-cut light-yellow diamonds totalling 0.50 carat, of P1 clarity, also with fourteen checkerboard square-cut blue sapphires in channel settings weighing 0.36 carat, within a further sixteen brilliant-cut diamonds weighing 0.24 carat, of SI/P1 clarity and G/H colour, with certification, size J/K
A 14ct white gold sapphire and diamond ring, an oval-cut deep-blue sapphire weighing 0.83 carat, between two tear drop deep-blue sapphires weighing 0.10 carat in total, bordered by forty-eight brilliant-cut diamonds totalling 0.14 carat, of I clarity and G colour, with certification, size J/K
A 14ct white gold tanzanite, sapphire and diamond Art Deco style ring, the oval-cut tanzanite weighing 1.10 carat, between two tear drop shaped blue sapphires weighing 0.39 carat in total, with seventy-two millegrain set brilliant-cut diamonds totalling 0.35 carat, of I clarity and G colour, with certification, size J/K
A 14ct rose gold ruby and diamond ring, with two brilliant-cut diamonds totalling 0.67 carat, of P2 clarity and I/J colour, forty-three brilliant-cut, grain-set diamonds totalling 0.52 carat, of P1/P2 clarity and H/I colour, and twenty-four free-form cut pinkish/red rubies, pave set and totalling 0.72 carat, with certification, size J/K
An 18ct white gold emerald and diamond ring, the central oval-cut emerald of medium-green colour weighing 1.23 carat, surrounded by twenty-two brilliant-cut diamonds totalling 0.44 carat, of I1-I3 clarity and H/I colour, and ten French-cut emeralds totalling 0.12 carat, with certification, size J/K
ROCK/PROG/PSYCH LPs - UK TEST PRESSINGS. Another terrific selection of white label test pressings with 7 x UK issues here. Titles are SRC - S/T (side 1, ST2 2991 A-5 - Ex condition), The Section - S/T (K 46191 - very nice Ex), Jess Roden - Keep Your Hat On (ILPS 9349 - Ex+), Manfred Mann - Excerpts From The New Album 'The Roaring Silence' (promo sampler I-1 MM1 single sided - Ex+), Steve Miller Band (x2) Children Of The Future (side 1 single sided, matrix ST1 2920 A5 with KT tax code - Ex+ lovely condition) and Sailor (side 1 matrix ST2 2984 A-6 - Ex+) and Lifetime (2482 179 - Ex+ with original sleeve).
CLASSIC ROCK LPs. Really smart collection of 39 x LPs loaded with classic titles. Artists/albums include Led Zeppelin - III (2401-002 UK plum Atlantic no Peter Grant credit, A5/B5 matrix - VG+ some light surface markings/Ex original UK working wheel sleeve) and Houses Of The Holy (K 50014 A2/B2 - Ex+/Ex+ top copy), Robert Plant, Groundhogs - Split (original UK LBG 83401 - Ex+/Ex+), Hawkwind - Doremi Fasol Latido and S/T (black Liberty label LBS 83348 - Ex+/Ex+ lovely copy), Deep Purple - In Rock (SHVL 777 original unboxed - G+ due to a scratch on B2 and 3/Ex), Who Do We Think We Are (original UK TPSA 7508 A-1U/B-1U - Ex+ top record/Ex nice and clean laminated gatefold sleeve too) and Perfect Strangers, Stones - It's Only Rock And Roll and Tattoo You, Emerson, Lake & Palmer - Brain Salad Surgery (K 53501), Roxy Music - Siren, U2 - Rattle And Hum and The Joshua Treem, Free, Dire Straits, Bob Dylan - At Budokan, Slow Train COming, More Greatest Hits, Greatest Hits and Planet Waves, Gary Numan - The Pleasure Principle, Mike Oldfield and Paul Simon. Condition is often Ex to Ex+ (records) and VG+ to Ex+ (sleeves). Very well presented.
JIMI HENDRIX - LPs. Here's buster with this wicked collection of 6 very clean albums! Titles are Electric Ladyland (UK Polydor 'Two Record Set' 2657 012 from 1973 - records in stunning Ex+ or archive condition/Ex+ superb sleeve too showing very little wear), War Heroes (2302 020 original UK A1/B1 - Ex+ or archive record, once again in outstanding condition/Ex neat sleeve), Rainbow Bridge (K 44156 - Ex+/Ex), Band Of Gypsies (Track 2406 002 RE - Ex+/Ex), The Eternal Fire Of (SHM 732 - Ex+/Ex) and Experience (NR 5057 - Ex/VG+).
YES/GENESIS (AND RELATED) - LPs. Great split collection of 18 x original title LPs. Yes (and related) titles (x5) are S/T (original UK plum Atlantic 588190 A1/B1 'Produced By Paul Clay And Yes' - nice Ex record/solid VG a paper tear on the front), Tales From Topographic Oceans (K 80001), Going For The One (K 50379), Close To The Edge (K 50012 - Ex+/Ex) and Chris Squire - Fish Out Of Water (K 50203 complete with 2 posters!). Genesis (and related) titles are Wing & Wuthering (mad hatter CDS 4005), Duke, Invisible Touch, S/T (GEN LP 1 - Ex+ copy), Seconds Out, And Then There Were Three, (Gabriel) S/T (CDS 4013, 4019), So and 4, Phil Collins - Hello, I Must Be Going and Mike Rutherford - Smallcreep's Day. Condition is often clean Ex to Ex+ (records) and VG+ to Ex+ (sleeves).
HEAVY ROCK/METAL - LPs. Blistering collection of 27 x essential LPs often presented in ace condition! Titles are Alice Cooper - Billion Dollar Babies (UK original K 56013 - Ex/Ex with the bill) and School's Out (UK original K 56007 A1/B1- Ex+/VG+ small tear on the reverse right tab, no knickers), AC/DC - For Those About To Rock... (K 50851), Back In Black (K 50735) and Let There Be Rock, Motörhead - Ace Of Spades (BRON 531 A3/B3 - Ex+/VG+), Ozzy Osbourne - Bark At The Moon, Rush - Permanent Waves, Europe - The Final Countdown, Marillion - Misplaced Childhood, Clutching At Straws, The Thieving Magpie, Seasons End and FUgazi, Whitesnake - 1987, Saints & Sinners, Ready An' Willing, Slide It In, Trouble, Come An' Get It and LIve..... In The Heart Of The City Gillan - Future Shock, Glory Road and Double Trouble and Rainbow - Long Live Rock 'N' Roll, Down To Earth and Difficult To Cure. Condition is often Ex to Ex+ (records) and VG+ to Ex+ (sleeves).
CLASSIC ROCK - 45s. Essential grooves here with this collection of around 120 x 7". Expect classics from the likes of The Rolling Stones (inc. F 12104, 12331), Jeff Beck, ELO (HAR 5053), Free (inc. WIP 6082, 6129), Status Quo, The Marmalade, Yardbirds (For Your Love), Alice Cooper, George Harrison, Jimi Hendrix (2094-007 Angel), The Kinks (7N 15759), David Bowie (DM 123), Curved Air (K 16092), Focus, T Rex, Roxy Music, David Bowie (RCA 2352), Ringo Starr, Coldplay, Meat Loaf, Leo Sayer, Love Sculpture, Isaac Hayes, Mungo Jerry and Jethro Tull. Many records are in very neat Ex to Ex+ condition.
LED ZEPPELIN - I, II & III. Excellent run of early/original pressing LPs. Titles are III (1st UK 2401002 with Peter Grant credit, A5/B5 matrix - superb Ex record showing only a couple of extremely light and faint hairline markings/Ex a neat original UK 'working wheel' sleeve with a couple of light and minor creases), II (UK 588198 plum Atlantic, Livin' Lovin' Maid... and The Lemon song credits on cover and record, A2/B2 matrix - VG+ a few light surface markings/VG solid sleeve with some shelf/ringwear noted on the reverse) and I (French orange/green Atlantic RE No. 40031 - Ex/Ex UK K 40031 sleeve).
YES - UK LPs. Yes, Yes, Yes, Yes, here's a sharp selection of 4 x original pressing UK LPs. Titles are S/T (plum Atlantic A1/B1 original, 'Produced By Paul Clay & Yes' above spindle hole, Yessongs/Essex side 1 credits/Yessongs/Northern Songs credits side 2 - VG+ a few surface markings perhaps moreover noted on side 2/VG some creases and shelf wear noted, no insert), Time And A Word (plum Atlantic original 2400006 A1/B2 - VG with a few non-feelable scuff markings on side 2, elsewhere nice and clean/with insert/VG+ neat sleeve with some light foxing), The Yes Album (plum Atlantic 2400101 A1/B1 - VG+ just a couple of light surface marks/VG+ some shelf wear) and Close To The Edge (K 50012 A/B3 - Ex/Ex printed inner).
INDIE/NEW WAVE/ELECTRONIC/PUNK - LPs/12". Finely tuned collection of 44 x LPs/12". Artists/titles include The Smiths - S/T (UK original ROUGH 61 A2/B2 - Ex+/Ex in shrink, w/printed inner) and Panic, Ramones - S/T (Sire 9103-253 - Ex+/Ex with insert), The Heartbreakers - L.A.M.F (UK Track original 2409-218 - Ex+/Ex top copy), The Adverts - Crossing The Red Sea With The Adverts (BRl 201), Buzzcocks - Another Music In A Different Kitchen (UAG 30159 PORKY pressing) and Love Bites, Television - Marquee Moon (UK butterfly K 52046 A1/B2 original), The Clash - Give 'Em Enough Rope, MC5 - Kick Out The Jams (UK Elektra butterfly K 42027), Sex Pistols - Never Mind The Bollocks... (UK V 2086 A7/B5, 11 tracks listed on reverse), Magazine - Real Life, Kraftwerk (x6) inc. S?T (UK Vertigo Spaceship RE), Autobahn, The Man Machine and Tour De France, XTC - Drums And Wires (w/insert, no 7"), Go 2, White Music and Go+, Ultravox, New Order, Massive Attack, Happy Mondays, Ian Dury, REM, Primal Scream and Scritti Politti. Superb titles. Condition is often clean Ex to Ex+ with the majority held in protective plastic wallets - please note that these have been taped to the 'inside' of the opening edge; they can be removed though will likely leave a mark on the 'inside' of the sleeve.
FRANK ZAPPA - LPs. Inventive collection of 9 x original title LPs. Titles are 200 Motels (US original double UAS 9956 complete with booklet), Roxy & Elsewhere (UK K 69201), Weasels Ripped My Flesh (UK tan label RSLP 2028 A1/B1), Sheik Yerbouti (including UK remastered copy EN 5001 and UK 1979 original CBS 88339 w/printed inners), Jazz From Hell (EMC 3521), Just Another Band From L.A. (MS 2075), The Man From Utopia (CBS 25251 'Made In Holland') and Tinsel Town Rebellion (CBS 80516 promo stamped on back of sleeve). Condition is generally VG to Ex (sleeves) and VG+ to Ex (records).
THE GRATEFUL DEAD - LP COLLECTION. Ideal for any serious Dead Head, here's a fantastic back-catalogue of 28 x LPs (including solo projects). Titles include Steal Your Face (US original GD-LA620-J2/GD-104 - superb Ex+ records/Ex), Wake Of The Flood (including UK K 49301 and US GD-01, also UK UAD 60131/2), Live Dead (UK K 66002-1/2), Farewell To Winterland (3 x LP, private), Pop History Vol 13 (French double LP comp on Polydor), American Beauty (UK green Warner WS 1893), Blues For Allah (US), Historic Dead, Live Fillmore East, The Dead Come Alive, From The Mars Hotel, Built To Last, In The Dark, Dead Set, Shakedown Street, Anthem Of The Sun (W 46021 RE), Dylan & The Dead, Reckoning, (Garcia and related) - Hooteroll?, Acoustic Band, Run For The Roses, Cats Under The Stars and Garcia, Bob Weir - Heaven Help The Fool and Mickey Hart - Rolling Thunder (US original BS 2635). Condition is often very neat VG+ to Ex+.
NEIL YOUNG - LPs. Not so shaky collection of 22 x LPs from the extensive back-catalogue of Neil Young. Titles are Everybody Knows This Is Nowhere (UK orange labels RSLP 6349 A-1 *T/B-1 *T matrix endings - Ex/Ex original flipback design sleeve). On The Beach (US orange labels R 2180 w/printed inner), Landing On Water, American Stars 'N Bars (K 54088, x2 copies), Time Fades Away (K 54010), Rust Never Sleeps (K 54105 x2), Life (GHS 24154), Comes A Time, Zuma (K 54057 x2), Re.Ac.Tor (K 54116), Crazy Moon (PL 13054 x2), Hawks & Doves (K 54109 stickered track listing on sleeve), Freedom, Crazy Horse (REP 24 026), This Note's For You, Journey Through The Past, Trans and CSNY - 4 Way Street. Condition is generally VG+ to Ex+.

-
137173 item(s)/page