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Lot 521
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include alpine watercolours signed E. Zill and K Vogt, a set of 'Practical Zoological Illustrations - Vertebrates' by S Lockyer and D. R. Crofts, published by Macmillan in 1937, two Marc Chagall stained glass windows postcards produce 1962 for the Hadassah - Hebrew University, historic copies of the Times newspaper, large decorative still life print of flowers approximate size 108cm x 77cm including frame, Ken Law 'New York Bridges' print on board, together with other assorted prints etc
Lot 79
TWO PANDORA BRACELETS AND OTHER ITEMS, to include a boxed pink cord bracelet fitted with a signed 'Pandora ' clasp, a boxed navy cord bracelet fitted with a signed 'Pandora' barrel clasp, two 'Pandora' bags, a white metal flower band ring stamped 'S925 ALE', ring size J, a rope twist ring stamped 925 'Thomas Sabo', ring size I, a rose metal openwork heart band, unmarked, ring size K, a paste set Swarovski '21' charm stamped 925, an amethyst set pendant, stamped S925 ALE, together with a small silver double photo frame, hallmarked London, a yellow metal onyx signet ring stamped 22ct on sil, ring size V, a silver skull ring hallmarked Birmingham, ring size X, a white metal St. Christopher pendant stamped 'Silver' suspended from a fine box link chain with spring clasp stamped 925, a white metal brooch inscribed 'Innsbruck' suspending charms, unmarked,
Lot 135
A MODERN SINGLE STONE DIAMOND RING, round brilliant cut diamond, estimated carat weight 1.50ct, colour assessed as K, clarity assessed as VS2, in an eight claw setting, pinched shoulders leading onto a polished band, stamped 18ct, ring size M, approximate gross weight 3.4 grams (condition report: nice bright lively diamond in good condition, secure in the setting, overall condition very good)
Lot 286
Kurt Mühlenhaupt (1921 Klein Ziescht - Zehdenick 2006) Ohne Titel (Hochzeit). 1967.Öl auf Leinwand.Am unteren Bildrand monogrammiert und datiert: K M, 69 sowie verso auf dem Keilrahmen mit Bleistift signiert und datiert: Curt Mühlenhaupt, 67.35,2 x 25,3 cm.Im Künstlerrahmen: 46 x 35,8 cm.Provenienz:Privatsammlung, Berlin. Angaben zum Künstler:Er wurde als Kreuzberger Milieu-Maler bekannt und gehörte zu der 1972 gegründeten Gruppe der Berliner Malerpoeten, einer Gemeinschaft von malenden Schriftstellern.
Lot 63
GERMANY. SAXONY. Johann Georg I. Silver 1 taler, 1645 CR. Good very fine. Reference: KM 425; Dav. 7601; C/K 156, Schnee 818Diameter: 45 mm.Weight: 28.99 g.Composition: Silver.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
Lot 21
Assorted decorative 'Women Drivers' automobilia,including a photo album with veteran motoring scene on front cover, a J K Freymeyer lithographed printed tin tray, a pair of motoring photographs in a frame, a bon-bon box and a pewter desk piece/inkwell 6 1/2 inches long. (5)Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 837
Royal Enfield Bullet motorcycle. 2003. 500cc Frame no. ME3ABBSB53C000500Engine no. 3BFS50500G5 speed bike with electric start. 13177 miles recorded. MOT expired March 2023. Front hydraulic disc and right hand gear change conversions, front screen, uprated switchgear, K&N filter, free flow silencer and matching carb jetting to release more power and stop better. Uprated rear shock absorbers and spare rear rack. Starts and runs well. C/w folder of history. Reg. GX53 AXP. V5 and keys
Lot 62
A large diamond set cocktail ring, the white shank and tapered shoulders to a high, wire under bezel - a central cluster enclosed in curved outer bands set with 24 diamonds - old cut, old European cut and brilliant cut - claw and grain set - total diamond weight approx 3.46ct - assessed mounted and collectively as colour I to K, clarity SI1 to P2 - mount stamped 18ct - weight approx 7.9 grams - ring size T - diamonds lively
Lot 63
A five stone diamond set half hoop ring, the white shank (possibly platinum) and chenier shoulders to five old cut diamonds in double claw settings - diamonds estimated as 0.43ct, 0.60ct, 1.00ct, 0.74ct and 0.50ct - assessed mounted and collectively as colour I to K, clarity P1/P2 - weight approx 4.6 grams - ring size U - diamonds bright
Lot 569
Wagner von, Clementine (1844 Linz - 1919), Pastell, Halbportrait einer alten Dame imSeitenprofil, sign., dat. 1906 und ortsbezeichnet München, i.R. 62cm x 44cm, Clementine von Wagner studierte an der Abteilung für Textilindustrie in der k. k. Kunstgewerbe - Schule in Wien unter Josef von Stork und Oskar Beyer. Später widmete sie sich der Malerei und lernte bei Frithjof Smith in München und später in Weimar. Anschließend ließ sich Wagner wieder in Wien nieder und war vorwiegend als Portraitist in Pastell und Öl tätig. 1892 beteiligte sie sich an der Jahresausstellung im Künstlerhaus sowie an der Ausstellung im Münchner Glaspalast, Lit.: Wöhrer, Claudia - Kunst des 19. Jahrhunderts
Lot 1
A RARE IVORY NETSUKE OF A WINGED DRAGON-FISH (MAKATSUGYO)Unsigned Japan, 17th-18th century, Edo period (1615-1868)Published: Sagemonoya (2022) A Selection of Netsuke & Sagemono from the Collection of Georgina & Gabor Wilhelm, p. 45, no. 66.Powerfully carved, facing ahead with open mouth, the tail curled beneath and the wings drawn into the sides for compactness, the large himotoshi through the mouth and the underside. The ivory bearing a rich, smooth, deep honey-brown patina.LENGTH 7.3 cmCondition: Good condition, appealingly worn, expected age cracks, minor losses and chips which have smoothened over time. The netsuke re-purposed as a small handle, likely over 100 years ago.Provenance: The Gabor Wilhelm Collection, Paris.Literature comparison: Compare three similar examples illustrated in Joly, Henri L. (1966) The W. L. Behrens Collection, Part 1, Netsuke, pl. XXVI, no. 1449 (in stag antler), and pl. XXVII, nos. 1524 and 1525 (in ivory).Auction comparison:Compare a closely related ivory netsuke of a dragon-fish, with similar sinuous body, expression, and scales, exhibiting less wear but otherwise near-identical, formerly in the Meinertzhagen and Winkworth collections, at Sotheby's, The Carlo Monzino Collection of Netsuke, Inro and Lacquer, 21 June 1995, London, no. 148 (sold for 43,300 GBP).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511129-K). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 107
SARI: A FINE WOOD NETSUKE OF A SNAIL EMERGING FROM ITS SHELLBy Sari, signed Sari 左里Japan, Iwashiro, early 19th century, Edo period (1615-1868)Beautifully and naturalistically carved as a decidedly fat snail (katatsumuri) emerging from its shell with its feelers and labial tentacles folded back and resting on the shell for compactness. The ridged and spiraling shell is carved with incredible detail and the rough texture of the body is achieved through a multitude of finely etched strokes. The foot is visible on the underside, forming a curling lump with natural himotoshi going through under it. The use of staining and some gold lacquer is sublime. The edge of the shell signed SARI.LENGTH 4 cmCondition: Excellent condition with only very minor wear.Literature comparison: Compare a closely related wood netsuke of a snail by Sari illustrated in Davey, Neil K. (1982) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 257 and p. 269 (in color), no. 794.Museum comparison: Compare a closely related wood netsuke of a snail by Sari, formerly in the Trumpf collection and now in the Linden Museum Stuttgart, inventory number OA 19210.Auction comparison: Compare a closely related wood netsuke of a snail by Sari at Bonhams, Fine Japanese Art, 6 November 2014, London, lot 66 (sold for 4,000 GBP), and another at Galerie Zacke, Fine Netsuke & Sagemono, 29 October 2021, Vienna, lot 123 (sold for 7,584 EUR).
Lot 114
RANSEN: A FINE WOOD NETSUKE OF A DRUNKEN TANUKI HARA NO TSUZUMIBy Ransen, signed Ransen 蘭川Japan, Kyoto, first half of 19th century, Edo period (1615-1868)The jovial badger sitting on an emptied sake bottle (tokkuri), one paw resting on its bushy tail, forming the cord attachment, and drumming on its bloated belly, raising its head, the mouth slightly opened with visible teeth, as if about to let out a drunken howl. The eyes are inlaid dark horn and the fur is finely incised. Signed underneath the sake bottle RANSEN – a pupil of the Hogen Rantei of Kyoto.HEIGHT 3.7 cmCondition: Very good condition with only very minor surface wear.The tanuki possesses magical powers and can change forms, sometimes into Buddhist monks; they are jovial, but also dangerous, as they have been known to suffocate hunters with their enormous scrotums. The act of drumming on the belly, according to legend, was used by tanuki to beguile travelers and hunters to lead them astray. However, it has also been said that tanuki would get together just for fun, drumming on their bellies under the moonlight, perhaps even with some sake involved.Literature comparison:Compare to a closely related wood netsuke of a belly drumming tanuki without the sake bottle, by Ransen, illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 90, no. 248. Auction comparison:Compare to an ivory netsuke of a belly drumming tanuki with the sake bottle, by Rantei, sold at Sotheby's, The Carlo Monzino Collection of Netsuke, Inro and Lacquer, 21 June 1995, London, lot 335 (sold for 3,220 GBP).
Lot 143
SHIGEYOSHI: AN INLAID DARK WOOD NETSUKE OF KIYOHIMEBy Shigeyoshi, signed Shigeyoshi 重敬 to 刀Japan, 19th century, Edo period (1615-1868)Finely carved to depict the enraged witch Kiyohime, her inlaid face well detailed, her monstrous serpentine body coiled around the bell of Dojo-ji temple, inside which the priest Anchin is hiding, his face visible through a hole to one side. The handle of the bell can be turned to alternate between the two expressions of Anchin, one showing a pale, frightened expression and the other burnt-red from fire. The underside with large himotoshi and the signature SHIGEYOSHI.LENGTH 3.6 cmCondition: Very good condition with minor wear and traces of use.Provenance: German private collection.The present netsuke is mentioned in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 521, artist no. 2382: “One recorded. Wood. Figure of Kiyohime. Early”.Kiyohime is a character in the story of Anchin and Kiyohime. In this story, she fell in love with a Buddhist monk named Anchin, but after her interest in the monk was rejected, she chased after him and transformed into a serpent in a rage, before killing him in a bell where he had hidden in the Dojo-ji temple. The story originally appeared in two collections of setsuwa (tales), Dainihonkoku hokekyo kenki (c. 1040) and Konjaku Monogatarishu (c. 1120).Auction comparison: Compare a related inlaid ebony netsuke by Tanaka Minko depicting the same subject at Galerie Zacke, Fine Netsuke, Sagemono & Okimono, 24 November 2018, Vienna, lot 70 (sold for 8,469 EUR).
Lot 151
ISSAN: A WOOD NETSUKE OF TWO TOADS ON A WALNUTBy Ryusansai Issan, signed Issan 一山 with a kakihanJapan, Iwashiro Province, c. 1840, Edo period (1615-1868)Exquisitely carved as two toads clambering over each other atop a half-walnut shell, their bodies well detailed and eyes inlaid with dark horn, although the lower toad has one eye closed as his companion has one front leg placed over it. The rough texture of the walnut shell and smoothly polished skin of the toads creates a fine contrast which is further enhanced by the dark stain to the low points. One of the upper toad's hind legs forms a possible 'natural' cord attachment. The underside of the walnut shell with a central, horizontally pierced himotoshi and the signature ISSAN with a kakihan. LENGTH 3.8 cmCondition: Very good condition, attractively worn, few tiny nicks. Provenance: A noted private collection, USA.Ryusansai Issan was a contemporary of Hidari Issan and always worked in wood. Here, however, the similarities between the two end. Ruysansai made naturalistic animals in a life-like style, not always compact but certainly always functional. The features of his creatures are carefully detailed and the eyes are inlaid. See Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 260.Literature comparison: Compare a related wood netsuke of a toad on a sandal by Ryusansai Issan, illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 261, no. 806. Compare a related wood netsuke of a mole cricket on a walnut by Ryusansai Issan, illustrated in Galerie Zacke (1984) Netsuke und Inro, no. 6.Museum comparison: Compare a related wood netsuke of a frog on a straw hat by Issan, in the Metropolitan Museum of Art, accession number 91.1.1000.13% VAT will be added to the hammer price additional to the buyer's premium – only for buyers within the EU.
Lot 153
SEIMIN: A FINE WOOD NETSUKE OF A FROGS ON A LOTUS LEAFBy Seimin, signed Seimin 晴民Japan, Iwashiro Province, mid-19th century, Edo period (1615-1868)A well-carved and beautifully worn wood netsuke, depicting four frogs of varying size, dynamically arranged on a furled lotus leaf, two of them tying a sandal rope in the center, perhaps preparing for some tug of war action. The underside with the curved stem serving as the cord attachment and the signature SEIMIN within a mother-of-pearl tablet. The artist is best known for his depictions of frogs and is therefore also referred to as 'Kaeru Seimin'. While many unsigned works are attributed to him, signed examples are rather scarce. The wear and overall boldness of the carving indicate an early work by this master.LENGTH 4 cmCondition: Very good condition with minor wear. A small crack to the side of the lotus leaf by one of the frog's trailing legs.Literature comparison:Compare to a closely related ivory netsuke of frogs on a lotus leaf, by Seimin, illustrated in Davey, Neil K. (1974) Netsuke: A comprehensive study based on the M.T. Hindson Collection, p. 262, no. 812.
Lot 156
A RARE IVORY NETSUKE OF A COILED SNAKEUnsignedJapan, 18th century, Edo period (1615-1868)Published: Sagemonoya (2022), The Gabor and Georgina Wilhelm Collection, p. 63, no. 99.A pleasingly tactile and compact ivory netsuke of a snake (hebi) coiling around itself, with finely incised scales, its head resting on top, its gaze fixed in front, the eyes inlaid in dark horn, and ready to strike. Natural himotoshi. The ivory bearing a superb, honey-yellow patina.LENGTH 3.8 cmCondition: Very good condition with typical old wear. Beautiful patina.Provenance: The Gabor Wilhelm Collection, Paris.Auction comparison:Compare to a closely related ivory netsuke of a snake, likely by the same hand, at Bonhams, The Julius & Arlette Katchen Collection of Fine Netsuke Part I, 8 November 2016, London, lot 77 (sold for 5,000 GBP).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207509859-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 185
MINKOKU: A FINE IVORY NETSUKE OF YAMA-UBA AND KINTAROBy Shuyusai Minkoku (Minkoku III), signed Minkoku 民谷Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Published: Sagemonoya (2022), The Gabor and Georgina Wilhelm Collection, p. 42, no. 61.The mountain witch Yama-uba depicted here in a youthful manner, wearing a loosely fitted leaf cloak, opening at the chest, supporting Kintaro on her back, while the strong boy pulls on her hair, causing her visible discomfort, the other hand pulling on the leg of a minutely carved baby boar which tries to escape Kintoki's clutches. The details are masterfully carved, particularly the expressions are lifelike and animated. Large himotoshi through the back, the signature located on the hem of the robe within a rectangular reserve MINKOKU.HEIGHT 5.5 cmCondition: Excellent condition with minor expected wear.Provenance: The Gabor Wilhelm Collection, Paris.Kintaro (also known as the "Golden Boy") is a folk hero from Japanese folklore. A child of superhuman strength, he was raised by Yama-uba on Mount Ashigara. Later he became a loyal follower of Minamoto no Yorimitsu under the new name Sakata no Kintoki. In his youth he was known to wrestle various animals from the mountain and was reputed to be able to lift a baby boar as an infant.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511178-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 186
IKKOSAI: AN IMPORTANT AND LARGE IVORY NETSUKE OF IDATEN CAPTURING AN ONIBy Ikkosai Toun, signed Ikkosai 一光齋Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Published: International Netsuke Society Journal (Spring 2019) Vol. 39, no. 3, p. 21, fig. 5.Sagemonoya (2022), The Gabor and Georgina Wilhelm Collection, p. 36, no. 52.A remarkably powerful and superbly carved, tall ivory netsuke of Idaten, protector of monasteries and monks, dressed in full Tang Chinese armor, carrying a sheathed sword on his back, capturing the oni shoshitsuki who has stolen a Buddhist reliquary containing one of Buddha's teeth, the protective deity grabbing the oni's mouth and forcefully removing the stolen tooth. The lightly stained ivory is carved with incredible detail – note the finely incised beard of Idaten and the hair of the oni, the various incised patterns to the armor, and the billowing celestial scarves which move seamlessly around the composition. The signature is located within an oval reserve IKKOSAI between the two himotoshi.HEIGHT 8.8 cmCondition: Excellent condition with minor surface wear and only very few natural age cracks. Fine patina.Provenance: The Gabor Wilhelm Collection, Paris.This carver Ikkosai, who also used the art name Toun, was likely a direct pupil of Ikkosai Saito Itaro, who also treated this rare subject. Considering the quality and size, the present netsuke has to be regarded as the figural masterpiece of this school. Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511105-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
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137173 item(s)/page