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Lot 36
18CT GOLD PALE SAPPHIRE RING, the single stone measuring 10 x 10mms, ring size K, 4.1gms in Bisley H. Munt & Sons of Haverfordwest ring boxProvenance: private collection PembrokeshireComments: some wear to stone, gold shank show signs of soldering, hallmarked for Birmingham 1900 maker T.W.&Co. Condition Report:good clarity, stone pale, surface scratches
![OXENHAM, Elsie Jeanette [pseudonym of Elsie Jeanette DUNKERLEY (1880-1960)] - A Collection of 43 books. Please see the full d](https://cdn.globalauctionplatform.com/6edce4a1-3223-4a0c-83ea-b0c201165cd2/ac8d3831-5fb5-48ec-be56-b0c20118d331/468x382.jpg)
Lot 677
OXENHAM, Elsie Jeanette [pseudonym of Elsie Jeanette DUNKERLEY (1880-1960)] - A Collection of 43 books. Please see the full description below. (43)OXENHAM, Elsie Jeanette [pseudonym of Elsie Jeanette DUNKERLEY (1880-1960)] - A Collection of 43 books comprising: The Abbey Girls (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, dust-jacket with price of 2/6 unclipped, torn with some loss), The Girls of the Abbey School (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, original blue cloth decorated and lettered in black, without a dust-jacket), The Captain of the Fifth (London, W. & R. Chambers, April 1922, 8vo, 4 plates by Percy Tarrant, original tan pictorial cloth, without a dust-jacket, FIRST EDITION), The New Abbey Girls (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original cloth lettered and decorated in black, without a dust-jacket, the front free endpaper signed and dated 1935 by a previous owner), The Girl Who Wouldn't Make Friends (London, Thomas Nelson and Sons, [n.d.], 8vo, coloured plates by P. B. Hicklin, a few leaves detached, original pictorial cloth, without a dust-jacket, [?]FIRST EDITION), The Abbey Girls Go Back to School (London, Collins' Clear-Type Press, [n.d. but a reprint], coloured frontispiece, original orange cloth, without a dust-jacket), The New Abbey Girls (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, dust-jacket, price-clipped and torn with quite severe loss), The Abbey Girls Again (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, without a dust-jacket, the front free endpaper signed and dated January 1967 by a previous owner), The Abbey Girls in Town (London, Collins Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, without a dust-jacket, the front free endpaper signed and dated Nov. 1939 by a previous owner), The Abbey Girls Again (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, without a dust-jacket), Ven at Gregory's (London, W. & R. Chambers, Limited, [n.d. but ?1925], 8vo, 4 plates by Nina K. Brisley, original blue pictorial cloth, dust-jacket, the front free endpapers with signature and inscription by a previous owner dated 1955 and 1964, [?]FIRST EDITION), Queen of the Abbey Girls (London, Collins Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth, without a dust-jacket), The Troubles of Tazy (London, W. & R. Chambers, [n.d. but a reprint], 8vo, 4 plates by Percy Tarrant, original blue cloth lettered in gilt, without a dust--jacket, the front free endpaper signed and dated July 1951 by a previous owner), The Abbey Girls on Trial, London, Collins Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original orange cloth lettered in silver, inner hinges broken, without a dust-jacket), Girls of the Hamlet Club (London, W. & R. Chambers, "Latest reprint, April 1931", 8vo, coloured plates by Harold C. Earnshaw, original blue cloth lettered in dark blue, dust-jacket, the front free endpaper signed and dated February 1949 by a previous owner), Rosamund's Victory. A Romance of the Abbey Girls (London, George G. Harrap, 1933, 8vo, coloured frontispiece by Victor Cooley, original blue cloth lettered in black, without a dust-jacket, FIRST EDITION, the front free endpaper signed and dated January 1967 by a previous owner), Maidlin to the Rescue (London, W. & R. Chambers, "Original edition, September 1934", 8vo, 4 plates by Rene Cloke, original grey-blue cloth lettered in gilt, without a dust-jacket, the front free endpaper signed and dated 1966 by a previous owner), Maidlin Bears the Torch (London, The Girl's Own Paper Office, [n.d but probably a reprint], 8vo, coloured frontispiece, original sky-blue cloth lettered in gilt, without a dust-jacket, the front free endpaper signed and dated October 1965 by a previous owner), Jen of the Abbey School (London, Collins' Clear-Type Press, [n.d. but a reprint], 8vo, coloured frontispiece, original red cloth lettered in silver, dust-jacket with price of 2/6 unclipped, torn with some loss), Damaris at Dorothy's (London, The Sheldon Press, [1937], 8vo, coloured frontispiece by Bestall, original terracotta cloth lettered and decorated in black, without a dust-jacket, [?]FIRST EDITION, the front free endpaper signed and dated 1965 by a previous owner), Rosamund's Castle (London, The Girl's Own Paper Office, [n.d. but ?1938 or later], 8vo, coloured frontispiece, original salmon cloth lettered in gilt on upper cover and in grey on spine, dust-jacket, price-clipped, lacking a front free endpaper, the half title signed and dated 1967 by a previous owner, [?]FIRST EDITION), Patch and a Pawn (London, Frederick Warne & Co., Ltd, 1940, 8vo, coloured frontispiece, original salmon cloth lettered in black, dust-jacket with price of 6/- unclipped, FIRST EDITION), An Abbey Champion (London, Frederick Muller, 1946, 8vo, illustrations by Margaret Horder, original red cloth lettered in black, dust-jacket with price of 6/- unclipped, FIRST EDITION, the front free endpaper signed and dated December 1948 by a previous owner), Stowaways in the Abbey (London, Collins, "Reprinted 1948", 8vo, original dark blue cloth lettered in silver, dust-jacket with price of 4/- unclipped), The Secrets of Vairy (London, Frederick Muller Ltd, 1947, 8vo, frontispiece and illustrations by Margaret Horder, original green cloth, spine lettered in white, dust-jacket with price of 6s. unclipped, the front free endpaper signed and dated 1948 by a previous owner, FIRST EDITION), Robins in the Abbey (London, Collins, 1947, 8vo, 3 plates by Margaret Horder, original green cloth lettered in silver, dust-jacket with price of 3/6 unclipped, front free endpaper signed and dated 1947 by a previous owner, [?]FIRST EDITION), Jandy Mac Comes Back (London, Collins, "Reprinted 1948", 8vo, original blue cloth lettered in silver, dust-jacket, the front free endpaper signed and dated May 1946 by a previous owner), A Fiddler for the Abbey (London, Frederick Muller, [1948], 8vo, illustrations by Margaret Horder, original tan cloth, dust-jacket with price of 6/- unclipped, [?]FIRST EDITION, the front free endpaper signed and inscribed January 1949), Maid of the Abbey (London, Collins, "First printed in this edition 1949", 8vo, original blue cloth lettered in silver, dust-jacket with price of 3/6 unclipped, the front free endpaper signed and dated 1950 by a previous owner), Jen of the Abbey School (London, Collins, "First printed in this edition 1949", 8vo, original blue cloth lettered in silver, without a dust-jacket), Two Joans at the Abbey (London, Collins, "First Printed in this edition 1949", 8vo, original blue cloth lettered in silver, dust-jacket with price of 4/- unclipped, the front free endpaper signed and dated May 1949 by a previous owner), Guardians of the Abbey (London, Frederick Muller,1950, 8vo, illustrations by Margaret Horder, original red cloth lettered in dark blue, dust-jacket with price of 7s.6d. unclipped, FIRST EDITION, the front free endpaper signed and dated July 1951), Rosamund's Tuck-Shop. A School Story, London, Lutterworth Press, 1950, 8vo, coloured frontispiece, original blue cloth, spine lettered in dark blue, dust-jacket, the front free endpaper signed and dated 1951 by a previous owner, "New Edition"), Schoolgirl Jen at the Abbey (London, Collins, [n.d. but ?1950 or later], 8vo, coloured frontispiece by Frank Varty (detached), original green pictorial cloth, spine lettered in dark green, dust-jacket with...
!["FOUGASSE" [i.e. Cyril Kenneth BIRD (1887-1965), artist]. Drawing the Line Somewhere, London, 1937, 8vo, original buckram, FI](https://cdn.globalauctionplatform.com/6edce4a1-3223-4a0c-83ea-b0c201165cd2/cc59ef14-947a-4e9d-9cfa-b0c20118d8b2/468x382.jpg)
Lot 635
"FOUGASSE" [i.e. Cyril Kenneth BIRD (1887-1965), artist]. Drawing the Line Somewhere, London, 1937, 8vo, original buckram, FIRST EDITION, PRESENTATION COPY, with an original pencil and watercolour drawing signed "Fougasse". And another. (2)"FOUGASSE" [i.e. Cyril Kenneth BIRD (1887-1965), artist]. Drawing the Line Somewhere. London: Methuen & Co. Ltd., 1937. 8vo (186 x 120mm). Half title, illustrations by "Fougasse". Original yellow pictorial buckram lettered in dark blue, pale blue endpapers (spine a little discoloured, some light staining, without the dust-jacket). FIRST EDITION, PRESENTATION COPY, inscribed on the half title "Jane Portal, with [?]lots of author's compliments," with an original pencil and watercolour drawing of a man with an umbrella standing at a bus stop, signed, "Fougasse." With the same artist's Family Group (London, 1944, 8vo, original yellow buckram, FIRST EDITION, PRESENTATION COPY, the half title inscribed in blue ink, "Jane, A Happy Christmas from us both, M. H. & K. B.", with an original sketch in blue ink of two birds, and further signed by the artist on the upper cover. "Fougasse", editor of "Punch" magazine between 1949 and 1953, is perhaps best remembered for his Second World War posters, most notably "Careless Talk Costs Lives". He also designed many posters for the London Underground. (2)Provenance: The Late Lady Williams of Elvel (1929-2023) See Bellmans website article for further details
Lot 105
ALLAN RAMSAY (SCOTTISH 1713-1784) HALF-LENGTH PORTRAIT OF GEORGE III IN RED COAT WITH THE STAR AND RIBBON OF THE GARTER Oil on canvas, and a companion, a pair, Queen Charlotte Wearing a Scarlet Dress Dimensions:76cm x 63.5cm (30in x 25in) Provenance:Provenance: Miss K. JonesA. Ackermann & Son, ChicagoMalcolm Innes Gallery, Edinburgh 1981Private Collection, ScotlandExhibited: Musée Masséna, Nice, Les Anglais dans le Comte de Nice, 1934, no. 339 (lent by Jones)Literature: Alastair Smart, Allan Ramsay: A Complete Catalogue of his Paintings, Yale University Press, 1999, pp.90, 121, 86b and 193b Note: Allan Ramsay played an instrumental role in establishing a national identity for British art. His precise and sensitive portraiture earned him widespread acclaim, aided by his prodigious intellectualism and social flair which ingratiated him with an elite stratum of patrons; amongst his friends he counted David Hume, Adam Smith, Samuel Johnson and James Boswell (Dr Johnson reflected that there was no man ‘in whose conversation there is more instruction, more information, and more elegance, than in Ramsay’s’). His ascension to Principal Painter to the King in 1767 promoted him amongst a prestigious cohort which included Anthony van Dyck, Peter Lely, Joshua Reynolds and Thomas Lawrence. In this capacity, and under the prolific patronage of George III, Ramsay’s royal portraiture established an iconography that would define the monarch’s reign across the world for generations to come. The most pivotal commission of his career came from the 3rd Earl of Bute in 1757, who employed Ramsay to execute a full-length portrait of the Earl’s pupil George, the Prince of Wales (later King George III). The resulting likeness was deemed so satisfactory that George, in turn, commissioned a portrait of his teacher. Ramsay thus established a fruitful relationship with George, who would prove one of the most enthusiastic patrons of the arts since Charles I. Upon George’s 1761 Coronation he engaged Ramsay’s services as ‘One of his Majesty’s Painters in Ordinary’, his first charge being to produce a pair of resplendent full-length Coronation portraits of the King and Queen. The Lord Chamberlain’s Office required numerous copies of these paintings to be distributed to Ambassadors and Governors of the Old World and the New, a task that would occupy Ramsay and his studio assistants for the rest of his life. In around 1761-2 Ramsay recorded working on smaller pendant portraits showing King George and Queen Charlotte of Mecklenburg-Strelitz in profile ‘for the coinage’. George is presented in dignified regal splendour: he wears the star and ribbon of the Garter, and tucks his hand into his jacket causing its golden embroidery to glimmer in the light. Queen Charlotte is equally refined, draped all in lace with pearls affixed at her throat with a cream ribbon. Newly arrived from Germany, she rests her arm on the second volume of David Hume’s 1757 History of Britain, as if an assurance to her subjects of her preparedness for the British crown. The principal versions of these portraits were commissioned by the Earl of Bute at around the time he became Prime Minister, and further versions are rare, with only three listed in Alistair Smart’s catalogue of Ramsay’s works.
Lot 237
A Sèvres porcelain dark-blue-ground two-handled écuelle, cover and stand, 1763, blue interlaced L mark enclosing date letter K, painter’s mark N for François-Joseph Aloncle, the ground with gilt caillouté ornament, each piece reserved with two panels finely painted with exotic birds in landscapes, the écuelle with interlaced foliate handles, the domed cover with a gilt-berried myrtle branch finial, the écuelle - 19.5cm wide, the stand - 26.3cm wideProvenance: Christie’s, London, 28 June 1993, lot 19. Footnotes: Note: François-Joseph Aloncle was a painter of birds, animals and landscapes who was active at Sèvres from 1758 to 1781.
Lot 1582
Große Skulptur eines Luohan mit Kind und Tieren. Elfenbein, 2.791 g. Vollplastisch geschnitzt. China, um 1900. H. 35,8 cm. Beigegeben: Geschnitzter Holzsockel. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-607 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU.
Lot 1583
Pinselbecher. Elfenbein. Umlaufende Reliefschnitzerei mit Figuren und Pagoden in Landschaft. Sockel (mit Haarrissen) auf geschnitzten Holzsockel montiert. Canton, China, um 1900/Anf. 20. Jh. H. 10 bzw. 15,8 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-608 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1584
Pinselbecher. Elfenbein, 247 g. Schauseite mit Darstellung einer Geisha im Relief und Landschaftsdekor mit zwei Fabeltieren, teils dunkel geschwärzt. Sockel mit kurzen Trockenrissen. Auf Lacksockel (best.) montiert. Japan, 19. Jh. H. 13,5 bzw. 19,5 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-609 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1585
Feine Schmuckschatulle. Hartholzkorpus mit vier feinen Einlagen aus Bronze mit kupferbrauner Patina. Reich ziseliert und fein dekoriert in Silber, Gold, Kupfer und Shibuichi Takazogan. Aufwendiger Bronzegriff, teils vergoldet. Front mit Tür, innen mit Lackarbeit und drei Schüben, die Front aus Elfenbein mit Bronzegriffen. Altersspuren. Japan, Meiji-Periode, 19. Jh. 15x 12x 15 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-610 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1586
Okimono. Boot mit vier Figuren und Ladung. Elfenbein, geschnitzt. Japan, Meiji-Periode, Ende 19. Jh. L. 22 cm. Auf Holzsockel montiert. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-611 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1588
Visitenkartenetui. Elfenbein, 85 g. Aufwendig geschnitztes Dekor mit Drachen zwischen Wolken, Boxen mit Schnitzerei im Tiefrelief von Figuren in Landschaft. Kanton, China, 19. Jh. 10,7x 6,7 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-613 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1589
Okimono. Sitzender Mann beim Friseur. Elfenbein, 127 g. Vollplastisch geschnitzt, teils dunkel eingefärbt. Boden mit roter Künstler-Siegelmarke. Japan, Meiji-Periode, Ende 19. Jh. H. 13,3 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-620 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1590
Okimono. Stehender Mann mit Hut und Pfeife. Elfenbein, 136 g. Vollplastisch geschnitzt, teils dunkel eingefärbt. Boden mit roter kalligraphischer Marke. Japan, Meiji-Periode, Ende 19. Jh. H. 13,3 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-619 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 1592
Okimono. Stehender Mann mit Kalebasse und Kleinkind. Elfenbein, 210 g. Vollplastisch geschnitzt. Ohne Bodenmarke. Japan, Meiji-Periode, Ende 19. Jh. H. 12,8 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-618 vom 07.11.2023 Köln. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 230
Seltene Schale, KPM Berlin für Hofjuwelier Werner. Flach kugelig gebaucht mit Rocaillenrelief und blau glasierter Wandung. Schulter und kurzer, zylindrischer Hals mit teils durchbrochen gearbeiteter, teils floral reliefierter 800/000 Silbermontage (Rand l. gedellt), gem. H.J. Werner, Berlin. Unterglasurblaue Szeptermarke und Schriftzug J.H. Werner Berlin. Berlin, mit Jahresbuchstabe K für 1910. 1. Wahl. D. 19 cm.
Lot 784
Elfenbein-Schirmgriff. Umlaufend vollflächig mit Rosenranken in halbplastischer Reliefschnitzerei. Ende 19. Jh. L. 22,8 cm. Beigegeben: CITES-Bescheinigung (Vermarktungsfreigabe für EU) Nr. DE-K-231107-616. Bitte beachten Sie die Einfuhrbestimmungen Ihres Landes. Verkauf und Versand nur innerhalb der EU. This item is not legal to sell in the UK.
Lot 809
Liebermann, Ferdinand (1883 Judenbach - München 1941) "Zwei Freunde". Nackter Knabe mit Tambourin, Rücken an Rücken mit jungem Bär. Porzellan. Bunt bemalt. Auf naturalistischem Sockel rückseitig sign. Entwurf aus dem Jahr 1913. Ohne Modell-Nr. (eigentlich K. 321). Stempelmarke Rosenthal, 1910-1920. 1. Wahl. 12x 18,5x 10 cm.
Lot 156
The Genuine Gemstone Company Ltd; A 9ct Gold Harlequin Dress Ring, multi claw set stones, between crossover style shoulders (finger size O), A 9ct Gold Cruzeiro Rubellite and Diamond cluster ring, of flower head design, claw set throughout, between plain shoulders (finger size K) (total weight 4.5 grams) (2).* Including Certificates of Authenticity.
Lot 148
DIAMOND SINGLE-STONE RINGThe brilliant-cut diamond, weighing 11.69 carats, issuing from a reeded band of polished finish, ring size JFootnotes:Accompanied by a report from the GIA stating that the diamond is K colour, VS2 clarity. Report number 2231112233, dated 1st November 2023.Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 118
PEARL AND DIAMOND RING,The 10.2mm pearl, within a brilliant-cut diamond surround, issuing a fringe of fine-link chain swags and tassels with single-cut diamond terminals, pearl untested, ring size K½Footnotes:Please note, this lot has VAT at the prevailing rate on both the Hammer Price and Buyer's Premium. Additional duty of 2% will apply to the VAT. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 56
BULGARI: COLOURED DIAMOND AND DIAMOND 'TROMBINO' RINGThe step-cut Fancy Yellow diamond, weighing 4.80 carats, between graduated baguette-cut diamond shoulders, in a bombé mount, pavé-set with brilliant-cut diamonds, signed Bulgari, numbered C2060, remaining diamonds approximately 3.30 carats total, ring size K½Footnotes:Accompanied by a report from GIA stating that the diamond is natural Fancy Yellow colour, VVS2 clarity. Report number 2231038260, dated 9th August 2023.For further information on this lot please visit Bonhams.com
Lot 24
DAVID WEBB: RUBY, ENAMEL AND DIAMOND-SET PANDA RINGWith cabochon ruby and brilliant-cut diamond cap and red enamel eyes, playing with a brilliant-cut diamond loop, decorated with black and white enamel, signed Webb, ring size KFootnotes:The first of David Webb's animal designs appeared in 1957, with Elizabeth Taylor famously buying his 'Dragon' bracelet. The immediate success of the piece lead to the release of further animal themed jewels, including a Zebra bracelet designed in 1963. Throughout the decades, Webb continued to delight with his menagerie of bejewelled animal interpretations, both figurative and mythical, and his 'Kingdom' collection is still in production today. For further information on this lot please visit Bonhams.com
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137173 item(s)/page