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Lot 498
Rowling (J. K.) - Harry Potter and the Deathly Hallows, 1st Edn, 2007, signed by the author in blue ink, with hologram sticker to the title page dated 21/07/07, Publ. Bloomsbury, with dust jacket, together with a letter signed by J. K. Rowling dated 20th June 2008 in which she writes that she is enclosing a signed book to help with fundraising.
Lot 255
An Egyptian limestone relief fragment with hieroglyphs New Kingdom, circa 1550-1069 B.C.22cm x 16cmFootnotes:Provenance:Collected by Pamela Molesworth (1919-2018), who was in Egypt with her father, Lieutenant Colonel William Earle Molesworth, and working as a Red Cross nurse, in 1938-1939 (recorded in a family photo album); and thence by descent to the present owner.The fragment is part of a register carved in sunken relief with part of a quail chick, the alphabetic hieroglyph 'w'; a basket, 'k'; and folded cloth, 's', possibly reading sk.w: 'See me'.For further information on this lot please visit Bonhams.com
Lot 325
25 reference books on Antiquities, and 25 Antike Kunst journals Comprising: Leeds, ET., Corpus of early Anglo-Saxon great square headed brooches, Oxford, 1949; De Kersauson, K., Catalogue des portraits romains, tome I, Musee du Louvre, 1986; Treasures of Tutankhamun, British Museum, 1972; Cahn, HA., Ceramique de grande grece, La collection de fragments Herbert Cahn; Megow, WR., Kameen von Augustus bis Alexander Severus, Berlin, 1987; Ancient Art to Post Impressionism; Masterpieces from the Ny Carlsberg Glyptotek, Royal Academy, exhibition catalogue, 2004; Friedman, F., Gifts of the Nile: Ancient Egyptian Faience, 1998; Von saldern et al., Glaser der antike, Sammlung Erwin Oppenlander, Hamburg, 1974; Gubel E et al., Van Nijl tot schelde: Du nil a l'escaut, exhibition catalogue, Brussels, 1991; K. Weizmann (ed.), Age of Spirituality, 1978; Greek Vases from the Hirschmann collection (x2); Manifattura di signa Terre Cotte Artistiche e decorative; Toilet articles from Ancient Egypt, Brooklyn Museum, 1943; Keris, Power and Identity, Kuala Lumpur, 2022; Carter M., Arts of the Hellenized East, London, 2015; Robertson, M., The Art of Vase Painting in Classical Athens, Cambridge, 1992; Gunter A., A Collectors Journey: Charles Lang Freer and Egypt, Washington DC, 2002; Aldred, C., Akhenaten and Nefertiti, New York, 1973; The George Ortiz Collection, RA, London 1994; Catalogue of an exhibition of ancient Egyptian art, Burlington Fine Arts Club 1922; Catalogue of the Egyptian Antiquities, Cook collection, Doughty House, 1924; Froehner, W., Collection de Bearn, 4th volume, Paris, 1912; A catalogue of Egyptian art in the possession of FG Hilton Price, vol I, 1897; A catalogue of Egyptian art in the possession of FG Hilton Price, vol II, 1908; TOGETHER WITH Antike Kunst, issues 1973.1, 1973.2, 1974.1, 1974.2, 1975.1, 1975.2 1976.1, 1976.2, 1977.1, 1977.2, 1978.1 1978.2, 1979.1, 1979.2, 1980.1, 1980.2, 1981, 1982.1, 1982.2, 1983.1, 1983.2, 1984.1, 1984.2, 1985.1, 1985.2 (50)For further information on this lot please visit Bonhams.com
Lot 120
9CT GEM & DIAMOND SET THREE STONE RINGS One claw set with three round brilliant cut diamonds, estimated to total 0.33 carats, with quality assessed in the setting as F-G colour, I1 clarity, ring size N 1/2. One with oval bezel set ruby flanked by one single cut diamond and a white sapphire, ring size O 1/2. One with a white gold illusion set sapphire and senaille cut diamonds, ring size K. (one diamond is chipped). Total weight 5.0 grams.
Lot 247
CIGARETTE CARDS - GODFREY PHILLIPS, 'FOOTBALLERS', VARIOUS, CIRCA 1922-23 K size, arranged by team, including those of Clapton Orient; Exeter City; Wolverhampton Wanderers; Arsenal; Coventry City; Tottenham Hotspur; Sheffield Wednesday; Oldham Athletic; Millwall Athletic; Bristol Rovers; and Norwich City interest, (137; album and loose).
Lot 84
VINTAGE GOLD PLATED & SILVER BANGLES To include a 'Wonder Woman' style, 4cm wide cuff bangle, star grain set with red, green and blue paste stones, stamped Americ G*K. Weight 76.1 grams. Also an Eastern, intiricate filigree silver bangle, centrally set with purple paste stone. Weight 35.4 grams.
Lot 156
An Arts & Crafts high-purity gold gem set ring. Claw set with an oval cabochon white and pink sapphire, seed pearls, two oval cut peridot and two green paste stones, in a naturalistic leaf scroll design, carved shank, size K 1/2, 5.3g.The amethyst has a tiny side chip small scratches. The moonstone has a tiny surface flake chip. One of the dark green paste stones appears to be glued in at four of the claws. The metal is good.
Lot 288
Autographed Editions including Foster, Jeanne Robert, 1923, Rock Flower, signed and inscribed to Augustus John, from the author, Frances Chesterton (cf. G K Chesterton) illustration 1910 Frances from FC (or GC) 1910, Wagenkneckt, Edward, 1949, Murder by Gaslight, signed and inscribed to Walter de la Mare from the author, and Chesterton, Frances, How Far to Bethlehem, London: Sheed and Ward, with a hand writted verse to the back of the title page in the hand of the author and signed FC (4)
Lot 76
English Banknotes, a black vinyl album containing a collection of 98 mint unused English Bank Notes from 1926 to the Present day, including P.Mahon £5 white E 336/40013 5 th oct 1926and £1 and 10/- note B S Cattern £1 x2 and 10/- x2,K O Peppiatt £5 white k27 009610 30/6/52, 5x£1 ,2x£1 blue ,2x10/-Brown, DS Beale£5 White B90A 070165 21-1-1956,10/- x 2 ,£1 x2, L K O BRIEN ,White £5 ,B90A 070165 21-1-1956,10/- x3,£1 x4,£5x2,1, Hollom 10/- x2 ,£1x4 ,£5 x2,£10x2, J S Fforde 10/- x 2 ,£1 x2, £20x2,,£5x1,page£1x6,£5x2,£10x4,£5x4,£20x3, DHF Somerset £1x2,£5x2,£10x2,£50x2,4x£20, G M Gill £5x 2,£1 x2,£20x2,Kentfield, 4x£20,2x£10,£1 x2, No cashier £20x2,10/-x2,Bailey£20x2,Cleland 2x10/- , 98 notes in all, all fresh mint unused
Lot 671
A Continental porcelain plate, circa 1820, circular form, painted witha lady seated on mossy bank, with rose basket and staff, within a gilt lobed panelled border with stylised flower heads on a turquiose ground, painted crossed LL mark to reverse with musical notes and date letter K, 24cm diameter
Lot 377
Ten diecast model vehicles by Matchbox, Corgi to include King-Size K-10 Pipe Truck (damage to box), 1-75 series #28 Mack Dump Truck, red body, Corgi James Bonds Aston Martin DB5 (unboxed although card box Top Secret Documents present along with operating instructions and one baddie), playworn and better.
Lot 110
Bear: An unmarked, early to mid 20th century plush teddy bear, no manufacturers label, height approx. 25". Together with a large bisque head doll, Armand Marseille, marked to head 'A.M Germany 351/10.K', open and close eyes, open mouth, appears generally good, height approx. 25". Please assess photographs. (2)
Lot 4
AN EXCEPTIONALLY RARE 1908 PRE-BRITISH LIONS ‘ANGLO-WELSH’ RUGBY UNION JERSEY ISSUED FOR NEW ZEALAND & AUSTRALIA TOURThe red and white hooped cotton jersey to represent Wales and England, with white collars, three buttons, interior label for George Lewin & Co, London, inscribed ‘RK’ for Neath forward R K ‘Bob’ GreenProvenance: believed to be the earliest ‘British Lions’ jersey to be auctioned. Likely acquired by Charles Meyrick Pritchard (1882 – 1916) directly from Anglo-Welsh player Bob Green, after a subsequent Neath v Newport match. By this time Pritchard must have been known as a jersey collector. Preserved with other important jerseys, caps and photographs by Charlie Pritchard which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium.The 1908 British Isles tour to New Zealand and Australia was the seventh tour by a British Isles team and the fourth to New Zealand and Australia. The tour is often referred to as the ‘Anglo-Welsh Tour’ as only English and Welsh players were selected due to the Irish and Scottish Rugby Unions not participating in a puritanical protest around The All Blacks’s vague flirtations with professionalism. As they saw it, the sport was creeping away from amateurism with payments for subsistence, travel costs and expenses on tours. There was an attitude in Scotland that rugby was for the middle-classes where players ought to be paying their way.It is an interesting side note from a Welsh perspective that the deep-rooted rivalry between Wales and England, still very much in existence today, is fuelled by class differences; the grass roots of Welsh rugby being concentrated in the working-class areas of the south Wales valleys, while the English grass roots dependent on the playing fields of public schools. However, it can be argued that in the 1900s, it was Scottish rugby with the biggest frown over Wales’s adoption of rugby union amongst the working classes.1908 was only three years after The Original All Blacks's seminal tour of Europe, but it was although the Anglo-Welsh team had learnt nothing from their slick practices. The contrasts were stark, and the Irish and Scottish Unions should certainly have had no fears that the 1908 British tour was moving towards professionalism - it was as amateurish as any tour before or after. The hastily assembled team was picked solely from public-school educated gentlemen, and it was although the emergence of rugby union as a sport for the Welsh working classes had never happened. The team was so unfit that on arrival in New Zealand the NZRU were so appalled they appointed a prominent athletics coach, Tom Leslie, to be their trainer at £3 a week. But because the Anglo-Welsh would have nothing to do with anyone in rugby being paid and so they didn’t use Leslie’s services.Led by Arthur 'Boxer' Harding and managed by George Harnett, the tour took in 26 matches, 9 in Australia and 17 in New Zealand. Of the 26 games, 23 were against club or invitational teams and three were test matches against the All Blacks. The Lions lost two and drew one match against the All Blacks.The tour was not received well in Wales, as the Welsh players selected were chosen exclusively from those players from a well-educated and professional-class background. The selection was in fact addressed by the Welsh Rugby Union who stated that when a British Isles team was mooted for a South Africa tour in 1910, that the players should be chosen '...irrespective of the social position of the players.’
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