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Lot 4056
Three Alice Cooper UK 7 inch DEMO vinyl records: Schools Out released on Warners K 16188 in 1972, Teenage Lament issued on Warners K 16345 in 1973 & Hello Hurray issued on Warners K 16248 in 1973 (3).Condition Report: the former two both appear only lightly played & very good condition, the later with several light marks but plays fine.
Lot 520100
Stieborsky, Georg Willy, (Wien 1881 - 1966 Wien), An Heiligabend, Mutter mit Kindern unterm Weihnachtsbaum, Öl/Lwd., unt re. signiert und datiert (19)27, 50 x 48 cm, originaler Rahmen, Gesamtgröße 65,5 x 63,5 cm, Lit. Heinrich Fuchs: Die österreichischen Maler. 1881-1900, Wien 1977, K 109. 3178-012
Lot 440090
Zuse, Konrad (Deutsch-Wilmersdorf 1910 - 1995 Hünfeld), Stadtansicht mit Brücke, Offsetdruck, nach einer Kreidezeichnung aus dem Jahre 1965, dieser im Druck mit seinem Pseudonym Kuno See sign., unt. der Darstellung sign. K. Zuse, 29 x 19 cm (Passepartoutausschnitt), auf Rückseite Angabe zu Werk u. Künstler, dat. 1988, im dekorativem profiliertern Holzrahmen unt. Glas ger., Gesamtgröße: 55 x 45 cm, 2980 - 0017
Lot 22
An Italian late 17th century pietra paesina and marble inset walnut, bone, ebony and ebonised cabineton a later English walnut standInset with eight assorted pietra paesina plaques and eight assorted marble plaques, the architectural facade composed of a central arched tablet flanked by Tuscan pilasters surmounted with a triangular pediment, the frieze with four arched chequer-inlaid aedicules, comprising a central door enclosing a theatrical stage interior with a chequered floor and a door to the rear, flanked by six short panelled drawers above one long multiple panelled drawer, on lappet clasped tapering legs, the mounts of a much later date, the cabinet: 96cm wide x 40cm deep x 48cm high; including the stand: 105cm wide x 43cm deep x 126cm high, (41in wide x 16 1/2in deep x 49 1/2in high)Footnotes:A comparable Italian cabinet to the present lot, sold Christie's, London, 17 November 2020, The Collector, lot 573. Another related Italian 17th century pietra paesina inset model sold Sotheby's, Milan, 13 June 2016, A Milanese Cabinet Collection, lot 22.Pietra paesina, which is a rare form of Albarese limestone, has its origins in the Apennine mountains near Florence. It is remarkable for being described as a 'pictorial stone' due to the impressions of landscapes or seascapes seemingly captured within the core of the rock itself. As a result of this impressive quality, paesina has also historically been referred to by a number of names, and these include: 'ruin marble', 'landscape stone', 'ruiniform limestone' and even 'Florentine marble'.The 'landscapes' are only revealed, in cross-section, after this specific type of limestone has been split open. Once chosen, only the finest quality stones are then sliced to make tablets for polishing. The main colouring therein is largely only affected to the peripheries of these cross-section segments, since the most drastic alterations rarely reach the innermost realms of the rock. This means that the expansive appearance of the predominantly bluish-grey colours perfectly conjures up images of skies or large expanses of water.Although this 'ruiniform limestone' has been discovered in various locations outside Italy, it is generally acknowledged that the examples sourced from the Florentine region are the most attractive. These true Apennine samples somehow miraculously convey the typical colours and shapes of Tuscany, with all its beautiful canyons, stormy seas and rivers, picturesque villages, mysterious islands and mountains.During the Mesozoic epoch, sedimentary rock was created by sediments rising to the surface from the sea beds following the collision of the African and European Plates. This in turn led to the formation of a mountain range between Spain and Turkey. The enormous pressure generated by movement of the earth's crust resulted in the splintering of this limestone. Thereafter such fractures were permeated with manganese hydroxide and iron, followed by water. Later on these broken areas were then sealed off due to the depositing of calcite crystals. Although a much debated topic, it is widely held that this event happened approximately 50 million years ago, at some point in the Eocene-Palaeocene era.In the 'modern age' the marvel that is paesina stone was first revealed in the 16th century and from that time onwards it has been greatly sought after, as well as highly prized, by collectors. Across Renaissance Europe this 'landscape stone' was especially revered among members of the various Royal courts. It was inlaid into furniture or inset into some architectural elements of opulent interiors, whilst on occasion some chose to collect and display the stone in the form of individual plaques.Among the wealthy, powerful and often noble families who first favoured this 'ruin marble', arguably the most important early devotees were the Medici, and in particular Ferdinando I de' Medici. Indeed in 1588 Ferdinando established, in Florence, the hugely significant Opificio delle Pietre Dure whose central aims were to uncover more semiprecious stones and make stunning works of art and luxury objects through their ingenious manipulation of them. Paesina was always extremely well regarded among these stones for its combination of rarity and natural pictorial properties.It is in fact probable that this peculiar limestone, with its easily identifiable fundamental characteristics, is even indirectly referenced in Agostino del Riccio's 1597 Istoria dell Pietre which in one passage notes: '... in the Arno river many rocks and stones that today can be sawn and polished revealing many fantasies and jests made by Mother Nature... 'Largely because of the influential nature of the elite Medici family, both the fame and appeal of this 'Florentine marble' spread rapidly throughout Europe, where its uniqueness was treasured by the most fashionable and affluent patrons.However another person who played an active part in disseminating an informed adoration of pietra paesina was Philipp Hainhofer (1578-1647). Although he was officially a diplomat with access to most European noble and Royal courts of his day, notably the German-born Hainhofer was a highly cultured and distinctly cultivated individual who was also an itinerant collector, researcher and lover of art and the arts. Whilst visiting Florence, Hainhofer evidently admired the distinctive stone sufficiently enough to subsequently found a business centred upon it with his brother, who already resided there. They acquired the 'ruiniform marble' both in its rough block guise or already inlaid into furniture, and then they shipped it back to their home city of Augsburg. It is not difficult to appreciate how this enterprise flourished as it did when one understands that among Hainhofer's closest acquaintances were major historical figures such as Henri IV of France, King Gustavus Adolphus of Sweden and Duke Wilhelm IV of Bavaria.Some of the finest examples of antique pietra paesina can be viewed in Florentine museums such as the 'Opificio delle Pietre Dure' and Galleria Palatina, Florence. Some fine work of this kind exists on the walls of the old Pharmacy, in Santa Maria Novella. Also, an exceptional marble table inlaid with paesina, the central section of which is the very rare 'Terra Bruciata of Rimaggio', is housed in the Medicean Quartieri Monumentali of the Palazzo Vecchio. This table was commissioned on behalf of Eleonora of Toledo, the wife of Cosimo I de' Medici, and it was made specifically for the rooms reserved for her. See K. Patowary, 'Pietra Paesina: Stones that Resemble Ruined Landscape', 5 September 2016; M. Riccardo - Cubitt, The Art of the Cabinet, p. 191, fig. 367 & p. 192, fig. 51; 'Paesina Stone of Florence', 2017This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
![Dickens (Charles) [The Works], 24 vol. including box with original woodblock, 'The Nonesuch Dickens', edited by Arthur Waugh](https://cdn.globalauctionplatform.com/5269b360-7d35-4fd1-844e-aebc010805cc/7a3da965-ef08-41b5-aa6b-aebc010cd0dd/468x382.jpg)
Lot 120
Dickens (Charles) [The Works], 24 vol. including box with original woodblock, 'The Nonesuch Dickens', edited by Arthur Waugh, Hugh Walpole and others, one of 877 sets, woodcut illustrations, original variously-coloured buckram by Leighton Straker, gilt-stamped black morocco spine labels, t.e.g., very lightly sunned spines, original steel plate with mounted engraving and publisher's signed letter of authenticity loose in box bound as the rest of the set, [Dreyfus 108], Nonesuch Press, 1937-38; and a copy of the accompanying Dickensiana, 8vo (25)⁂ The steel plate is "The dying Clown" by H. K. Browne ('Phiz') from Pickwick Papers.
![Cicero (Marcus Tullius) Tulli De officis amicitia & senectute. Paradoxa eiusdem, collation: [1-4], A-N8 O4 P-Z8 AA-GG8 HH](https://cdn.globalauctionplatform.com/5269b360-7d35-4fd1-844e-aebc010805cc/84e5eb81-321e-4779-b1c6-aebc010c05fc/468x382.jpg)
Lot 2
Cicero (Marcus Tullius) Tulli De officis amicitia & senectute. Paradoxa eiusdem, collation: [1-4], A-N8 O4 P-Z8 AA-GG8 HH II6, Roman type, title with woodcut of John the Baptist signed 'B.M.', 5 ff. marking new book or text with repeated woodcut composite historiated border with mermen bearing blank shield at foot, numerous woodcut vignettes in text, woodcut decorative initials, final f. blank, sig. I misbound after K, some marginal worming, mostly in sigs. E-H, occasionally just touching the odd letter of a printed side-note or of text, those ff. with historiated border trimmed at outer margin to just within border, some spotting and staining, lightly browned, antique style calf, spine in compartments and with red leather label, modern board slip-case, little worn, but holding firm, small folio (285 x 190mm.), [Venice], [Joannes Tacuinus, de Tridino], [20th February, 1506]. ⁂ A rare copy at auction of this handsomely illustrated edition. Indeed, this copy seemingly the last to be offered (1980). Literature: Essling 9; Sander 1966; EDIT 16 CNCE 12166.
Lot 52
Bible, English. The Most Sacred Bible, Whiche is the holy scripture, conteyning the old and new testament, translated...by Rychard Taverner, printed in black letter, preliminaries single column, text double column, lacking 2 preliminary ff. and blank leaf 3N4 at end of OT, otherwise complete, titles within woodcut architectural borders, OT trimmed to edge of border, mounted on 19th century paper with some surface abrasion causing slight loss, and loose, woodcut initials, several preliminary leaves badly torn, frayed and creased, first c.60 leaves and a few at end with 19th century guards/repairs to inner margins and sometimes elsewhere with some loss to side-notes, other tears to various leaves throughout, some leaves, especially near beginning trimmed at upper edge affecting headline, some staining, particularly at beginning and end, a few early ink annotations, mostly to verso of final leaf with some partially obscured by later paper repair, signature A (first 6 leaves of Genesis misbound after signature B, NT without signature K as in all known copies, 19th century vellum, gilt, black leather spine labels lettered in gilt, one slightly chipped, a little soiled and stained, front cover starting to bow, [Herbert 45], folio (271 x 190mm.), Prynted...by John Bydell, for Thomas Barthlet, 1539.⁂ An almost complete copy of the first edition of Taverner's Bible, a revision of Matthew's Bible of 1537. Despite the poor condition of the preliminary leaves, they are probably for the most part reparable and the vast majority of the text is in generally good condition."Richard Taverner (1505?-1575), the author of this revision, was born in Brisley in Norfolk about 1505. He was a scholar of both Cambridge and Oxford and received his Master's degree of Cambridge in 1530. He had high repute for his Greek scholarship, and was at this time Clerk of the King's Signets, and in the employ of Thomas Cromwell. He lost his position under Queen Mary but under Queen Elizabeth I was appointed High Sheriff of Oxfordshire. In his corrections of the text, Taverner aims at compression and vividness. He substitutes in many places a Saxon for a Latin word, as spokesman for advocate; and does not hesitate to coin words, as mercystock (1 John i.2). Many marginal notes are omitted, and some new comments added. Taverner's work exercised practically no influence on later revisions (Westcott, History, p. 219), although he introduced parable, passover and a few other terms still in use. There are many peculiarities in the spelling - e.g. peax for peace, hable for able, etc." (Herbert).Only four copies have appeared at auction since 1988 and all have been substantially less complete than this.
Lot 293
32x Great British Buses by Atlas Editions. Including; London Transport Routemaster. Ribble Burlingham Seagull. Midland Red West Leyland Lynx. Metropolitan Feltham Tram. Hull Corp Weymann Trolleybus. St. Helens AEC Regent. Leyland PD£ Queen Mary. West Riding Bedford VAL/PLaxton. Western National Bristol K. Southdown Bristol Lodekka FS, etc. All boxed, some with wear, some sealed as new. Contents VGC-Mint. £60-90
Lot 308
18 OOC/EFE. 3x Leyland PD3 Queen Mary, 2x London Country and Southdown NBC. 2x Guy Arab Utility, Southdown and Maidstone. Daimler CW Utility, Chester. Bristol K Utility, Chatham. Park Royal Trolleybus, Hastings. Bristol K/ECW, Premier Travel. Leyland PD3, Stockport. Roe Trolleybus, Tees-Side. Bristol L5G, Eastern Counties. An AEC Q Single Deck Bus, LT. Bristol LG5 Lincolnshire etc. Plus an EFE Plaxton Pointer Dart, Brighton & Hove. All boxed, minor wear. Contents VGC-Mint. £70-90
Lot 316
A quantity of Scalextric. Including 5x racing cars including; 2x Ford GT40, 2x March Ford 240 and a Lotus. Trackside Accessory Pack (HP/2). Owner's Stand and Racing Pit kit (K/702). Penlty Cards, etc. 2x Boxed Hand Throttles (A265) plus other controllers. Start/Finish Banner. Pit Stop and Crew. Autostart. Trackside figures. Buildings. Fences. Boxed track sections, etc. Some items boxed. Generally QGC-VGC. £70-100
Lot 365
18 Corgi Classics. 3x Guy Arab, London Transport, Maidstone and Yorkshire Woollen District. A Bristol K Utility Bus, Cardiff. 4x Bedford OB Coaches, 2 Edinburgh and 2 Grey Green. Foden Flatbed, Scottish & Newcastle. ERF Flatbed, Flowers. 4x AEC Regent Buses, PMT, Oxford, Rochdale and Liverpool. 2x Morris 1000, a van, Maidstone, 2x pick-up, Morris Motors Fire Brigade and London Brick. Plus a Saloon, Bristol Omnibus. All boxed, minor wear. Vehicles VGC-Mint. £70-90
Lot 163
Bravo Delta model Bristol Bulldog Mk.IIA K-2227 on stand (the same type airplane flown by Pilot Officer Bader when he crashed 14 December 1931), 31cm (nose to tail) x 44cm (wingspan)Dust and dirt build up from storage, minor knocks and light scratching to the extremetiespropeller slightly loose
Lot 1116
A group of seven rings, including two diamond five-stone rings, the smaller stamped 15ct; an 9ct gold and emerald five-stone ring, British hallmarks; a sapphire and diamond five-stone ring, stamped 18ct; a sapphire seven-stone ring; an 18ct gold wedding band set with three diamonds in star borders, British hallmarks; and an 18 carat ring of scroll design set with small cushion-shaped diamonds, British hallmarks, sizes K-O, total weight 21.9 grams
Lot 1590
A diamond and enamel ring, circa 1700, centring on a table-cut diamond in a cut-down collet setting, the shoulders similarly set with trios of rose- and table-cut diamonds, the closed-back setting of the central stone and the shoulders accented with green enamel, the shoulders with additional fleur-de-lis motifs, to a fine band engraved with panels, size K
Lot 1646
A late Victorian sapphire and diamond cluster ring, the cushion-shaped sapphire weighs 7.56cts and is set within a surround of old cushion-shaped diamonds in yellow gold, total approximate diamond weight 1.80cts size K Accompanied by SSEF report no. 122729, dated 17th May 2022, stating that the sapphire is of Kashmir origin, with no indications of heat treatment.
Lot 194
An 18ct gold sapphire and diamond cluster ring, size K, gross weight approx 6.2gms; an 18ct gold and platinum ring, set with three diamond chips, size J gross weight approx 2.5gms; an Edwardian sapphire and diamond 18ct gold ring, size Q1/2, gross weight approx 2.3gmsFurther information: good condition, wear and tear commensurate with age, stones and settings intact. The Edwardian ring there is evidence of glue to the top and underside
Lot 206
An Edwardian diamond cluster ring, set with Old-cut diamonds (clarity approx I1-I3), unmarked yellow metal assessed as approx 18ct, size K, gross weight approx 2.6gms; together with a diamond nevette shape ring, size N, gross weight approx 2gms, unmarked yellow metal assessed as approx 18ct gold (2)Further information: good condition, wear and tear commensurate with age, stones and settings intact
Lot 212
Lois Maxwell signed James Bond Miss Moneypenny 10x8 colour photo. Lois Ruth Maxwell (born Lois Ruth Hooker; 14 February 1927 - 29 September 2007) was a Canadian actress, best known for her portrayal of Miss Moneypenny in the fourteen Eon-produced James Bond films (1962-1985). She was the first actress to play the part. The films in which she played Miss Moneypenny were Dr. No (1962), From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), On Her Majesty's Secret Service (1969), Diamonds Are Forever (1971), Live and Let Die (1973), The Man with the Golden Gun (1974), The Spy Who Loved Me (1977), Moonraker (1979), For Your Eyes Only (1981), Octopussy (1983), and A View to a Kill (1985). She did not appear in the 1967 adaptations of Casino Royale, nor in the 1983 remake of Thunderball, Never Say Never Again, as the production was not Eon's, though she did, as a similar character, in the spoof O. K. Connery. Good condition Est.
Lot 442
5 verschiedene kleine Kellen- u. Streulöffel, u.a. Hamburg, Kopenhagen u. Husum, Ende 18./19. u. frühes 20. Jh.Silber, Gesamtgewicht ca. 146 g; 1 Kellenlöffel im Louis-Seize-Stil mit filigran gearbeitetem, schleifenbekrönten Griff, Meistermarke "FNT" von Friedrich Nikolaus Topf (nachweisbar 1784-1821), Husum, verso gestichelt gravierte datierte Widmung von 1810; 1 Kelle in Spatenform mit Palmettenrelief, Kopenhagen 1838, Wardein-Meistermarke v. Christian Olsen Møller (1831-40), ungedeuteter Meistermarke "IIB" u. Monatsmarke "Steinbock", verso datierte Monogrammgravur "F.K.P T.S. 1880"; 1 Streu-Kelle, Hamburg, ca. 1816-28, Meistermarke v. Joh. Friedrich August Noack (nachweisbar 1816-47; 1 kleine Biedermeier-Kelle mit innen vergoldeter Laffe und Muschelpalmette am Griffende, 19. Jh., ungedeutete Meistermarke "NF", monogrammiert "K."; 1 kleine Kelle mit am Griffende reliefiertem Schwalbenvogelmotiv über Schilf, Kopenhagen 1902, Meistermarke "A.F" im Oval v. Adolf P. Falck (nachweisbar 1841-1902); Längen ca. 14,8 - 18 cm.
Lot 453
Empire-Einzelleuchter, George Friedrich Fournier, Berlin, 1821-32.Silber, ca. 428 g; auf quadratischer Basis Rundsockel und Balusterschaft mit abschließender Leuchtertülle; teils reliefierte Bordüren in Blatt- und Palmettenformen sowie partiell fein gerillt; minimale altersübliche Gebrauchsspuren (Balusterschaft mit Druckstelle), Höhe 31 cm; am Sockelrand mehrfach punziert: Tremolierstrich, Berliner Stadt-Beschaumarke mit Buchstabenzusatz "K" für datierte Werke v. J.C.S. Kessner zwischen 1821 u. 1850; 2. Zeichenmeister-Beschauzeichen "A." im Medaillon für datierte Werke von B.G.F. Andreack zwischen 1821 u. 1841; Meistermarke "F." im Rechteck für George Friedrich Fournier (nachweisbar zwischen 1805 u. 1832).
Lot 115
Art Deco Ring mit Altschliff-Diamanten, zus. ca. 0,7 ct, um 1925.Platin. Gesamtgewicht ca. 5,3 g. Rechteckige, rahmenförmige Ringmitte mit halbbogenförmiger Ober- und Unterseite. Mittig gefasster Altschliff-Diamant ca. 0,45 ct. Farbe: I-J. Reinheit: VSI. Umrahmt von 20 kleinen Altschliff-Diamanten, zusammen ca. 0,25 ct. Farbe: G-K. Reinheit: meist SI-VSI. Ein Brillant nachgefasst.Maße der Ringmitte ca. 13,1 x 16,1 mm. Ringgröße 55,5.
Lot 95
Massiver, hochwertiger Armreifen mit 13 Brillanten, zus. ca. 2,8 ct, 80- er Jahre.585/- Weißgold. Gesamtgewicht ca. 28,9 g. Oval. Auf der Schauseite im getreppten Halbbogen 13 gefasste Brillanten, jeweils in einzelnen Fassungen. Mittlerer Brillant ca. 0,50 ct. Farbe J-K. Reinheit VSI+. Seitlich jeweils 6 Brillanten, zusammen ca. 2,3 ct. Farbe: G-J. Reinheit: VSI+. Schlichter Ansatzreif mit abgeschrägten Kanten. Verdecktes Kastenschloss mit seitlichen Sicherheitsachten. Seitlich bogenförmig, durchbrochener Garder. Maße der Reifmitte ca. 9,1 x 61,8 mm.Reifinnenmaß ca. 5,9 x 5,2 cm.
Lot 454
Paar große Empire-Leuchter, Berlin, 1821-41.Silber, Gesamtgewicht ca. 980 g; über quadratischer Basis jeweils geschweift profilierte ansteigende Rundsockel mit reich gegliederten Balusterschäften und Leuchtertüllen über federartig reliefierten und geschweiften Tropfschalenmedaillons; teils fein gerillt und mit verschiedenen Ornament-Reliefbordüren; an einer Sockelkante eingerissen, Sockelränder etwas gedellt; Höhe 32,5 cm; an den Sockelrändern mehrfach punziert: Tremolierstriche, Berliner Stadt-Beschaumarken mit Buchstabenzusatz "K" für datierte Werke v. J.C.S. Kessner zwischen 1821 u. 1850; 2. Zeichenmeister-Beschauzeichen "A." im Medaillon für datierte Werke von B.G.F. Andreack zwischen 1821 u. 1841; eingeprägte Meister-Monogramm-Marke "W.G."; an einer anderen Sockelseite jeweils eingravierte Monogrammierung "W.B.".
Lot 404
Große Zuckerschale (George III.), Alice & George Burrows, London, 1805.925/-Silber, ca. 355 g, innen vergoldet; leicht gebauchte (konvexe) Quaderform auf Kugelfüßen mit seitlichen J-Henkeln, außen umlaufend schmal gerillt profilierte Mündung, die Langseiten konkav gebogt, die Schmalseiten mit den Henkelansätzen konvex gebogt; Wandung im oberen Bereich umlaufend 2-fach profiliert gegliedert; eine Schmalseitenwandung kaum sichtbar unterhalb des Henkelansatzes minimal eingedellt; Maße 10 x 20,5 x 10,2 cm; Silberstempel mit Londoner Stadtmarke, Jahresbuchstabe "K", Steuermarke König Geporgs III. und Meistermarke von Alice & George Burrows (II).
Lot 726
Martyn, Karol K., zugeschrieben, 20. Jh.Abstrakte Komposition. Acryl auf Hartfaser, verso in Blei Name der Künstlerin auf dem Rahmen. Holzrahmen, 58 x 49,5 cm (Ra) Abstrakte Komposition in Form eines Baumes oder auch Menschen, der die Hände über dem Kopf hält. Bild stark verschmutzt. Martyn, Karol K. Abstract composition, acrylic on hardboard, verso in lead name of the artist on the frame. Wooden frame, 58 x 49,5 cm (Ra) Abstract composition in the form of a tree or also a human being holding his hands above his head. Heavily soiled.
Lot 164
Marx, A. Tätig um 1920Bildnis des bayrischen Oberjägers Leo Dorn (1835 Oberstdorf-1915 Bad Hindelang). 1920. Öl auf Pappe, am unt. Rand sign. und dat., verso ausführl. bez.: "Adlerjäger/ Leibjäger S(einer). K(önigl.). H(oheit) Prinzregent Luitpold von Bayern". Starke Erhaltungsmängel. Gerahmt. Ra. 85 x 70 cm Portrait of the bavarian eagle hunter Leo Dorn, 1920, oil/ cardboard, signed, dated, enscribed at reverse. Lacks of condition. Frame. 85 x 70 cm
Lot 548
Dahmen, Karl Fred. 1917 Stolberg - 1981 Preinersdorf (Chiemsee)O.T. 1980. Radierung/ Farbradierung mit Prägung, auf Büttenkarton, sign., dat., als Künstlerexemplar bez. "e.a.", num. "10/ XII". 17,5 x 13,8 cm (Pl), hinter Glas mit Pp. gerahmt. Ra. 49,5 x 38 cm K. F. Dahmen: untitled, 1980, etching, signed, dated, marked artist's proof, numbered copy 10/ XII. Framed with glass. 49,5 x 38 cm
Lot 1047
A group of jewellery and a lady's wristwatch,: including a pair of imitation pearl earrings, stamped 'SILVER', length ca. 2.3cms; a banded agate and marcasite ring, ring size K; a shell cameo brooch depicting a lady in profile, length ca. 3cm; a silver bracelet with five charms, length ca. 18.5cm, total weight ca. 31.5gms, a marcasite ring, ring size N1/2, and a lady's wristwatch the case of 9ct gold, the bracelet of gilt metal.
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