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Lot 341
J. K. ROWLING SIGNED POEM ENTITLED "In Response to The Terrible Wait or Lament of a Busy Author". This was sent to the owner in response to a letter asking when the next Harry Potter book would be published. It starts "Dear Adam" and has a P.S. comment about newspapers. It is signed J K Rowling and printed underneath (just 36). It comes with the original envelope which has Edinburgh postmark 10 Aug 2001.
Lot 340
J. K. ROWLING SIGNED FIRST EDITION "HARRY POTTER AND THE GOBLET OF FIRE" WITH 'GOLDEN TICKET'. First edition of this book published by Bloomsbury in 2000 and signed by J. K. Rowling on dedication page. Comes with the much sought after 'Golden Ticket' which invited the holder to the book signing at Kidderminster Station on the Severn Valley Railway on Saturday 8th July."ConditionReport:Excellent condition with two identical dustjackets. Small crease on base of spine which appears to be done in manufacture. No other defects."Golden ticket has small hole in left hand side, otherwise excellent."
Lot 6064
A collection of AC/DC LPs and singles to include AC/DC 3-album Box Set (60149) consisting of Powerage (ATL 50483), High Voltage (ATL 50257) and Dirty Deeds Done Dirt Cheap (ATL 50323) complete with poster and EP - generally Excellent in Very Good Plus presentation box; High Voltage (K50257) in unlaminated sleeve with A1/B3 Matrix - Very Good to Very Good Plus including sleeve and Dirty Deeds Done Dirt Cheap (K 50323) Very Good in Good Plus to Very Good sleeve (some wear to spine) plus Guns for Hire shaped single (A9774P) - Very Good to Very Good Plus. (4)
Lot 6019
A collection of Progressive Rock LPs and 7" Singles to include (1) Camel - Moonmadness (TXS-R 115); (2) Gryphon - Gryphon (TRA 262, Textured Sleeve); (3) Gentle Giant - Octopus (6360 080); (4) Todd Rundgren - Something/Anything? (K 65501); (5) Goblin - Suspiria (EMC 3222); (6) Man - Be Good To Yourself At Least Once A Day (UAG 29417), To also include x37 more LP's with x11 "7 Singles, All conditions vary from Good to Very Good with Fair to Good Plus Sleeves. (54)
Lot 6180
Rock and Pop LPs from The Beatles, Fleetwood Mac, Eagles, Simon and Garfunkel and associated artists to include The Beatles, Sgt Peppers Lonely Hearts Club Band (PCS 7027) and Help! (PCS 3071)PCS 3071) - both with black/silver Parlophone labels; Wings Greatest (PCTC 256); Fleetwood Mac, Rumours (K 56344) with Burbank labels; Eagles, Hotel California (K 53051);Simon and Garfunkel, Bridge Over Troubled Water (S 63699) and Simon and Garfunkel's Greatest Hits (S 69003); Paul Simon, Paul Simon (S 69007); Art Garfunkel, Breakaway (S 86002) together with Bob Dylan, Street Legal (S CBS 86067); Santana, Greatest Hits (S 69081) and The Early Animals with Eric Burdon (SPC-33030) - US pressing. Conditions are generally mainly Very Good Plus (although a couple are only Very Good) in Very Good to Very Good Plus sleeves. (12)
Lot 6007
A collection of UK Beatles and related artist LPs and Boxsets (all with original printed inner sleeves and inserts unless stated) to include (1) The Beatles/The White Album - PCS 7067 (picture inserts missing); (2) Rubber Soul - PCS 3075; (3) SGT. Peppers Lonely Hearts Club Band - PCS 7027; (4) Rock 'n' Roll Music - PCS 7191; (5) Imagine - PAS 10004; (6) Double Fantasy - K 99131; (7) The Concert For Bangladesh - STCX 3385. Conditions are generally Very Good to Excellent in Very Good to Excellent sleeves. (7)
Lot 6179
Rock LPs by Jimi Hendrix, T.Rex, Queen, Led Zeppelin and Pink Floyd and others to include Jimi Hendrix, The Cry of Love (2302-023); The Jimi Hendrix Experience, Electric Ladyland Part 2(ST 33); T.Rex, Futuristic Dragon (27 134) - 1976 German pressing; T.Rex, The Best Of (85 074 IT) - German release - Very Good including sleeve; Queen, Sheer Heart Attack (EMC 3061) and A Night At The Opera (EMTC 103) with diecut pictorial inner sleeve; Led Zeppelin, Led Zeppelin I (K 40031) with green/orange labels and Pink Floyd, The Dark Side of The Moon (SHVL 804). Conditions are generally Very Good Plus including sleeves unless otherwise stated (although some do have small labels to sleeve). (8)
Lot 6140
A collection of The Rolling Stones LPs to include (1) The Rolling Stones (1973 UK Mono Repress, Decca LK 4605); (2) No. 2 (1965 UK Mono Press, Decca LK 4661, 'K/T S' Above Label Matrix); (3) Out Of Our Heads (1982 German Reissue Press, Decca - 6.21428); (4) Big Hits [High Tide And Green Grass] (1971 UK Stereo Repress, Decca - TXS 101, Indicator Hole on back of sleeve, Gatefold) All conditions vary from Good Plus to Very Good Plus with generally Very Good sleeves. (4)
Lot 6086
A collection of David Bowie and related LPs to include (1) Young Americans (1975 UK Press, RCA Victor - RS 1006, MainMan Label, Stereo Labels); (2) Space Oddity (1972 UK Reissue Press, RCA Victor - LSP-4813, Includes Poster Insert); (3) Scary Monsters (1980 UK Press, RCA - BOW LP 2 / PL 13647, Includes Lyric Sheet Insert); (4) Lodger (1979 Canadian Press, RCA Victor - AQL1-3254, Printed Inner Sleeve, Gatefold); (5) Rare Interview/Lets Talk (1983 Denmark Unofficial Press, Picture Disk); (6) An Evening With David Bowie (1978 US Promo Press, RCA - DJL1-3016); (7) ChangesOneBowie (1976 UK Press, RCA - RS 1055, Orange Label, Hyper Sticker on front of sleeve); (8) ChangesTwoBowie (1981 UK Press, RCA -BOWLP 3); (9) Another Face (1981 UK Press, Decca TAB 17); (10) The Best Of Bowie (1980 Scandinavian Press, K-Tel - NE 4119); (11) Cat People [OST] (1982 German Press, MCA Records - 204 634); (12) David Live (Disc One Missing), All conditions vary from Good Plus to Very Good Plus in Good to Very Good Plus. (12)
Lot 6006
A collection of The Who and Related Vinyl Records and 7" Singles to include (1) Quadrophenia, 1973 UK First Issue Stereo, Track Record - 2657 013, Gatefold sleeve with 44-page booklet attached to gatefold; (2) Live At Leeds, 1970 UK First Edition Black Lettering, Stereo, Track Record - 2406 001, Gatefold Sleeve, Original inserts, (3) Who's Next, Matrix Side A - 2408102 A//1 1 1 5 MG 12888 Matrix Side B - 2408102 B//2 420 1 1 7, (4) Who Are You, Matrix A Side BIGGLES WHOD5004 A//2 ST 1 3 Matrix Side B - WHOD5004 B//2 ST 1 3, (5) Face Dances, 1981 UK Press Stereo, Polydor - WHOD 5037, 24" x 24" Poster, (6) Empty Glass, 1980 UK Press Stereo, ATCO Records - K 50699, Printed Inner Sleeve, (7) Ride A Rock Horse, 1975 UK, Polydor - 2442-135, (8) Collection of Singles to include You Better You Bet, Magic Bus, I'm A Boy and others. All Record conditions from Very Good to Excellent, Sleeve conditions from Very Good to Excellent. (8)
Lot 6177
Rock LPs from The Rolling Stones, Rod Stewart and related artists to include The Rolling Stones, Big Hits (High Tide and Green Grass); Ron Wood, I've Got My Own Album To Do - complete with insert; Rod Stewart & Steampacket (SPB04063) - US issue; Faces, 2 Originals of Faces (K 66027) featuring The First Step and Long Player; Rod Stewart, Every Picture Tells A Story (6338 063); A Night on The Town (RVLP1); Never A Dull Moment (SRM-1-646) - US issue with gatefold sleeve; Blondes Have More Fun (RVLP8); Patti Smith Group, Radio Ethiopia (SPARTY 1001) - black labels with blue Arista logo, complete insert; Set Them Free 12" Single. Conditions are generally Very Good to Very Good Plus including sleeves. (10)
Lot 6218
Rock and Pop LPs to include Fleetwood Mac, Tusk (K 66088) - 1979 UK double album with 4 x inner pictorial sleeves - Very Good Plus to Excellent in Very Good Plus sleeve; Eagles, Their Greatest Hits 1971-1975 (K 53017) - 1976 UK compilation LP - Very Good in Good Plus to Very Good embossed sleeve; Simon and Garfunkel, Bridge Over Troubled Water (S 63699) - Very Good Plus in Very Good sleeve (label to sleeve); Paul Simon, There Goes Rhymin' Simon (S 69035) - Very Good to Very Good Plus in Very Good gatefold sleeve; Art Garfunkel, Watermark (S CBS 86054) - with inner lyric sleeve - Very Good Plus including sleeve and The Kinks, Lazy Sunny Afternoon (MAL 716) - 1967 UK Mono pressing - generally Very Good in Very Good laminated Garrod & Lofthouse flip back sleeve. (6)
Lot 6063
A collection of Kiss and Alice Cooper LPs to include Kiss, Kiss (639 057); Dressed to Kill (6399 059); Love Gun (639 063); Alive II (6685 043) (split to top edges of sleeve); Music From The Elder (6302 163) - all generally Very Good Plus in Very Good to Very Good Plus sleeves and Alive! (CBC 4012) which is Very Good to Very Good Plus in Poor sleeve. Alice Cooper albums include Love It To Death (K 46177); Special Forces (K 56927); Welcome To My Nightmare (SD 19157) (still sealed); Flush The Fashion (K 56805); Greatest Hits (KBS 3107); Greatest Hits (K 56043); From The Inside (K 56577) - conditions are Very Good Plus to Excellent in generally Very Good Plus sleeves plus German issue Alice Cooper, School Days (WB 66021) which is only Poor in Poor sleeve. (14)
Lot 6079
A collection of Pop and Rock 7" Singles to include (1) Thunderclap Newman - (Polydor - 604031, with cover insert); (2) Nostromo - Alien (BRO 80, White Label); (3) Leroy Hutson (Warner Bros. Records - K 16536); (4) Jimmy Radcliffe - Long After Tonight (Musicor Records - MU-1042, US Promo Press); (5) Shirley Ellis - Soul Time (CBS - CBS 7463); other artists to include Elton John, Dion, Al Green, Jimmy James, Curtis May Field and others. All conditions vary from Good Plus to Very Good Plus, All are in generic sleeves. (13)
Lot 6136
A collection of John Lennon, John Lennon & Yoko Ono, John Lennon / Plastic Ono Band LPs and 12" Singles to include (1) John Lennon / Plastic Ono Band (1970 UK Press, Apple Records - PCS 7124); (2) Imagine (1981 German Press, 12" Maxi Single, Apple Records - 1C 052-04940 YZ); (3) Imagine (1980 UK Press, Apple Records - PAS 10004, No Barcode on rear sleeve, plain white inner sleeve and no inserts); (4) Some Time In New York City (1972 UK Press, Apple Records - PCS 7161); (5) Rock 'N' Roll (1975 UK Press, Apple Records - PCS 7169); (6) Double Fantasy (1980 UK Press, Geffen Records - K 99131); (7) Milk And Honey (1984 UK Press, Polydor - POHL 5, Gatefold); (8) Gimme Some Truth. (2020 World Press, Universal Music Group International - 0602435001869); All conditions vary from Good Plus to Very Good Plus with Very Good to Very Good Plus sleeves. (8)
Lot 6095
AC/DC, For Those About to Rock Signed 12" single (K 11721). 12" single from Australian rockers AC/DC is a 1982 UK pressing with black/gold Atlantic label, matrix K1171 T A1/KT11721 T B1. Vinyl condition is generally Very Good Plus in Very Good sleeve (does have small tear to one back corner). Sleeve has been signed by Brian Johnson, Angus Young and Malcolm Young.
Lot 6075
A collection of Fleetwood Mac, Electric Light Orchestra and related artists LP's to include (1) Bare Trees (K 44181, Repress); (2) 2 Originals Of Fleetwood Mac (REP 64 035, German Press); (3) Balance Of Power (EPC 26467); (4) ELO 2 (SHVL 806, Misprint); other titles to include, Tusk, Fleetwood Mac Greatest Hits, Discovery, Face The Music, No Answer, The Light Shines On including other titles (Some titles have duplicates) All conditions vary from Good to Very Good Plus with Very Good to Very Good Plus Sleeves. (23)
Lot 6001
A collection of Led Zeppelin Vinyl Records to include (1) Led Zeppelin II (1969 UK 2nd Press Stereo, Atlantic - 588198 Red/Maroon Labels, THANKYOU misprint, Gatefold sleeve), (2) Led Zeppelin III (1970 UK 1st Press Stereo, Atlantic - 2401002 Red/Maroon Labels, Full Laminated Gatefold Sleeve With Working Wheel), (3) Led Zeppelin IIII (1976 UK Press Stereo, Atlantic - K 50008 Green/Orange Labels, Misty Mountain TOP Misprint, Small "v" under "Made In The UK", Gatefold Sleeve), (4) Physical Graffiti (1975 UK 1st Press Stereo, Swan Song - SSK 894000, Within Die Cut Sleeve with two Printed Inner Sleeves and Printed Insert), Conditions of all Vinyl's are Very Good Plus to Excellent and Sleeve Conditions are Very Good to Excellent. (4)
Lot 6139
A collection of The Rolling Stones LPs to include (1) The Rolling Stones (1964 UK Mono Press, Decca - LK 4605, B2V, Only "Printed In England" on back of sleeve); (2) No. 2 (1965 UK Mono Press, Decca LK 4661, 'K/T S' Above Label Matrix); (3) Out Of Our Heads (1970 UK Stereo Repress, Decca - SKL 4733); (4) Big Hits High [Tide And Green Grass] (1969 UK Stereo Reissue Press, Decca - TXl 101, Unboxed Label); All conditions vary from Good to Very Good with generally Good Plus sleeves. (4)
Lot 120
A diamond and platinum cluster ring comprising a pear shaped old cut diamond to the centre weighing approx 1.30carat, assessed colour J/K, assessed clarity SI1, within a border of graduated old European cut diamonds, and one single cut diamond, surround total diamond weight approx 0.80ct, assessed colour G-I, assessed clarities SI1-I1, claw set throughout, setting approx 11 x 13mm, size Q, total gross weight approx 4gms Further details: good all stones present some nibble/chip to girdle, some minor wear and tear to metal commensurate with age
Lot 290
A Royal Worcester two handled vase and cover, shape no 2362, ovoid from painted with fallen fruit to include pear, peach, apples, blackberries, berries, signed by K McGee, the handles with classical female mask terminals, acanthus borders, on raised socle with plinth, all gilt heightened, the detachable cover with bud finial, stamped black factory mark, painted shape no 2363, gilders initials, approx 22cm high (1)
Lot 115
A pair of early 20th century diamond and platinum drop earrings, each comprising a single rub over set, milled border old cut diamond to the top, diamond approx 0.15ct, assessed clarities I1, assessed colour H/I, to a knife edge bar suspending an eight claw set old European cut diamond, one diamond weighing approx 1.31carats, the other approx 1.38carats, assessed colours K/L assessed clarities VS2/SI, length approx 20mm, screw post and scroll, unmarked assessed as platinum, total gross weight approx 3.5gms Further details: good all stones intact, slight abrasions to girdles, slight wear and tera commensurate with age
Lot 116
A diamond and 18ct gold three stone ring, comprising three old European cut diamonds, the principal stone weighing approx 1.57carats, the two outer stones each approx 1.02carats, assessed colours K-M, assessed clarities VS2-SI1, total combined diamond weight approx 3.60carats, claw set to a scrolled mount, size Q, total gross weight approx 4.7gms Further details: good all stones present, slight abrasion to girdles, otherwise good, some slight wear and tear to mount
Lot 103
A diamond solitaire 9ct gold ring, comprising an old cushion cut diamond, weighing approx 1.70carats, assessed colour J/K assessed clarity VS2, eight claw setting, to a 9ct rose gold tapered shoulders, size P, total gross weight approx 2.4gms Further details: good stone with slight chip/nibbles to girdle, minor wear to shank commensurate with age
Lot 101
A diamond and platinum dress ring, comprising a central rub over set radiant cut diamond weighing approx. 1.05carats, assessed colour I/J, assessed clarity SI1, overlaid to a triple band grain set with round cut diamonds, width approx 6mm, size just under K, total gross weight approx. 9.8gms Further details: good- one small diamond missing to shoulder, others present and intact, minor wear and tear only
Lot 394
Eric Ravilious (1903-1942)A scene from Twelfth Night, Shakespeare (William) published by The Golden Cockerel Press, 1921wood engraving, 11.5 x 14cm signed in pencil by artist and numbered 8 to reverse, unframedProvenance: gifted by the artist to K S Cook ARCA whilst he was a student at Royal College of Art London thence by descent
Lot 391
Eric Ravilious (1903-1942)wood engraving image of a Train and Biplane (9.5 x 13cm) signed in pencil by artist and numbered 7 to reverse, unframedThis image was used to illustrate a headpiece from The Hansom Cab and the Pigeons, Stong (L A G)., 1935 Provenance: gifted by the artist to K S Cook ARCA whilst he was a student at Royal College of Art London thence by descent
Lot 66
After Pablo Picasso (1881 - 1973) 'Paysage de Dinard', Picasso Estate Collection limited edition colour lithograph, signed and numbered in pencil 'Collection Marina Picasso, 41/500', with blind stamps 'A Limited Edition After A Work By Pablo Picasso' & 'Dtamerin' printed verso in English & French 'Limited edition re-creation of an oil on canvas entitled "Paysage de Dinard" by Pablo Picasso created 1922, Approved by the heirs of Pablo Picasso' and '© Mrs. Marilyn K Nathan, 1982', on Arches paper, with certificate of authenticity, Image approximately 43cm x 52.3cm, Overall 55.4cm x 75cmA private estate.
Lot 528
Fritz Koenig,1924 Würzburg – 2017 GanslbergBRONZE-MODELL ZUM „RUFZEICHEN“Gesamthöhe: 33 cm. Sockel Breite: 9,8 cm. Sockel Tiefe: 9,8 cm.Im Guß am oberen Sockelrand monogrammiert „F K“, Ed. 1/6.Bronze, vereinzelt leicht berieben.Die original Skulptur steht im Skulpturenmuseum im Hofberg, Landshut, und hat die Größe von ca. 264 cm.Anmerkung:Viele seiner Werke sind in Außenbereichen in München und anderen Städten zu finden, so „Große Biga“ in der Außenanlage der Alten Pinakothek, „Flora III“ im Kabinettsgarten der Münchner Residenz und die „Große Kugelkaryatide N.Y.“, jetzt im Liberty Park in New York. (1351053) (18)Fritz Koenig, 1924 Würzburg – 2017 GanslbergBRONZE MODEL FOR “RUFZEICHEN”Total height: 33 cm. Base width: 9.8 cm. Depth: 9.8 cm.Monogrammed within cast at top edge of base: “F K”, ltd. ed. 1/6.
Lot 294
Klaes Molenaer, um 1630 Haarlem – um 1676 ebendaWINTERLICHER MARKTTAG VOR DER STADTÖl auf Holz.46 x 67 cm.Rechts unten signiert „K. Molenaer“.In profiliertem Holzrahmen.Eine Stadt mit Kirchturm und einer dahinterliegenden hügeligen Düne mit Rundturm sowie links sichtbarem offenem Meer mit anlandenden Schiffen und mehreren Figurengruppen, die offensichtlich den Fischern Ware abgekauft haben. Der Maler war Bruder von Jan Miense Molenaer (1609/10-1668) und Bartholomeus Molenaer (um 1610/28-1650) und wurde 1651 Mitglied der Haarlemer Sankt Lukas-Gilde. Der Maler war bekannt für seine Winterszenen, aber auch für seine ländlichen Motive und humorigen Genreszenen. Werke seiner Hand befinden sich in der Alten Pinakothek München, im Wallraf-Richartz-Museum in Köln sowie im Von der Heydt-Museum in Wuppertal. (1352081) (1) (13))
Lot 1220
Fritz Koenig1924 Würzburg – 2017BRONZE-HALBKUGEL MIT RELIEFDurchmesser: 6,5 cm.Im Guß am oberen Rand monogrammiert „F K“.Anmerkung:Der Künstler war einer der international bedeutendsten deutschen Bildhauer des 20. Jahrhunderts. Seine bekannteste Arbeit ist die „Große Kugelkaryatide N.Y.“, die zwischen den Türmen des World Trade Centers in New York stand. Zahlreiche seiner Arbeiten befinden sich heute im von ihm eigens konzipierten Koenigmuseum in Landshut. (1351051) (18))
Lot 135
Joseph van Bredael,1688 Antwerpen – 1739 ParisDORFGRACHT MIT BOOTENÖl auf Eichenholz.24,5 x 34,9 cm.Um 1720. Verso zwei rote alte Lacksiegel.Ungerahmt.Beigegeben eine Expertise von Dr. Klaus Ertz, Lingen, 22. Oktober 2012, mit entsprechenden Vergleichsbeispielen, in Kopie.Ein Grachtweiher im Vordergrund zieht mittig zwischen Häusergruppen nach hinten, zwischen den vorderen Gebäuden eine Verbindungsbrücke. Die Betrachtung aus der Kavaliersperspektive bietet einen Blick auf zahlreiche verschachtelte Gebäude, höhere Stadthäuser im mittleren Hintergrund, eng gereiht, sowie einer kleinen Kirche mit Dachreiter links, umgeben von weiteren, zum Teil im Licht stehenden Häusern. Beleuchtet wird die Szenerie durch die hinter Wolken und der Baumkrone links nachmittaglich niedergehende Sonne. Von besonderem Reiz ist der Erzählerfleiß des Malers, der durch zahlreiche Staffagefiguren, sowohl in den Booten als auch an und zwischen den Gebäuden, die Landschaftsdarstellung bereichert hat. Selbst im fernen Hintergrund sind Figuren zu entdecken, die das Leben des niederländischen 18. Jahrhunderts dokumentierten.Josef Bredael entstammte einer Malerfamilie als Sohn des Joris (1661-um 1706), und Enkel des Pieter van Bredael (1629-1719). Seine Mutter war die Tochter des Abraham van Diepenbeeck (1596-1675). Berichten zufolge ging er 1725 nach Paris, wo er für Sammler Kopien fertigte, Mitglied der Königlichen Akademie wurde und lebenslang blieb. In sämtlichen seiner Bilder besticht vor allem die miniaturhafte Wiedergabe des Genres.Literatur:Vgl. Klaus Ertz, Josef van Bredael, Die Gemälde mit kritischem Oeuvrekatalog, Lingen 2006.Vgl. Hanns Floerke, Studien zur niederländischen Kunst- und Kulturgeschichte. Die Formen des Kunsthandels, das Atelier und die Sammler vom 15.-18. Jh., München/ Leipizig 1905. (1351451) (11)Josef van Bredael,1688 Antwerp – 1739 ParisVILLAGE GRACHT WITH BOATSOil on oak panel.24.5 x 34.9 cm.ca. 1720.Accompanied by an expert’s report by Dr Klaus Ertz, Lingen, 22 October 2012 with respective comparative examples, in copy.Literature:cf. K. Ertz, Josef van Bredael, Die Gemälde mit kritischem Oeuvrekatalog, Lingen 2006.cf. H. Floerke, Studien zur niederländischen Kunst- und Kulturgeschichte. Die Formen des Kunsthandels, das Atelier und die Sammler vom 15.-18. Jh., Munich/ Leipzig 1905.
Lot 257
Marten van Cleve d. Ä.,1527 Antwerpen – 1581 ebenda, zug. BESUCH BEI DER AMMEÖl auf Holz. Parkettiert.77,4, x 155,3 cm.Verso mit alten Etiketten „Le Cadre, 29, Rue des Deux Eglises, Bruxelles“, Etikett der Galerie Louis Manteau, Brüssel, sowie eine schwarze Nummerierung „3974“.In mit floralen Ranken dekoriertem Rahmen.Ein Innenraum, der sein Licht durch mehrere geöffnete Fenster empfängt, ist gefüllt mit zahlreichen Figuren und Tieren, unter denen Kinder eine besondere Stellung annehmen, ist es doch ein Ammenhaus, das der Künstler dargestellt hat. Der direkte Kontakt mit dem Kind, die Reinigung nach dem Toilettengang links oder auch umgekehrt die Nahrungszufuhr sind ebenso dargestellt wie rechts ein Mann, der einem schon größeren Kind Geld zusteckt und somit den karitativen Vorbildcharakter des moralisch konnotierten Gemäldes unterstreicht. Ein Gemälde von gleichen Proportionen und gleicher Darstellung (69,5 x 114,5 cm) war 2002 bei der Galerie de Jonckheere in Paris zu sehen und wird von Dr. Klaus Ertz in die 1570er-Jahre datiert, sodass wir auch die Entstehung des hier angebotenen Gemäldes in dieser Zeit annehmen.Studierte unter Frans Floris (um 1516-1570) und entdeckte zunächst seine Vorliebe für die Landschaftsmalerei. Durch seinen Bruder Heinrich veranlasst, widmete er sich aber alsbald fast ausschließlich der figürlichen Malerei. Seine meist vielfigurigen Genrebilder werden oft nur vordergründig als teilweise humorige Szenen verstanden, hinter denen sich jedoch nicht selten ein tieferer allegorischer oder gesellschaftskritischer Sinn verbirgt. 1551 wurde er Mitglied der Antwerpener Lukasgilde.Provenienz:Galerie Louis Manteau, Brüssel. Anmerkung:Gut vergleichbar ist eine etwas sparsamere Version im Städel Museum, Frankfurt am Main, Inv.Nr 1931. Weitere Versionen mit weniger Figuren und unterschiedlichen Zuschreibungen befinden sich unter anderem im Philadelphia Museum of Arts.Literatur:Vgl. Klaus Ertz, Christa Nitze-Ertz, Marten van Cleve (1524-1581). Kritischer Katalog der Gemälde und Zeichnungen, Lingen, 2014, S. 188, Nr. 115. (1351861) (13) (†)Marten van Cleve the Elder, 1527 Antwerp – 1581 ibid., attributedA VISIT TO THE WET NURSE Oil on panel. Parquetted.77.4 x 155.3 cm.A painting with the same subject and proportions (69.5 x 114.5 cm) was exhibited at Galerie de Jonckheere in Paris in 2002 and was dated to the 1570s by Dr Klaus Ertz, so it can be assumed that the present painting was created during the same period.Literature:cf. K. Ertz, C. Nitze-Ertz, Marten van Cleve, Lingen 2014, p. 188, no. 115.
Lot 416
Kasparus Karsen, 1810 Amsterdam – 1896 BiberichANSICHT ÜBER PASSAU AN DER DONAU UND AM INNÖl auf Leinwand.56,5 x 100 cm.Rechts von der Mitte in Rot signiert. Verso bezeichnet „La vie de Passau situé sur le Danube et sur l'Inn K. Karsen a Amsterdam“.In bronziertem, ornamental verziertem Rahmen.Provenienz: Deutscher Privatbesitz.Anmerkung:Kasparus Karsen lernte bei seinem Onkel, dem Stadt- und Landschaftsmaler George Pieter Westenberg (1791-1873) und hernach an der Akademie, etwa bei dem Maler Hendrick Gerrit ten Kate (1803-1856). Er war auf Stadt- und Flussansichten spezialisiert, meist waren dies jedoch keine typografischen Ansichten, sondern Fantasiebilder mit Cappriccios. Er bereiste die Bretagne, den Rhein und die Donau und gelangte bis nach Wien. Neben den Städten finden sich auch Brücken und Kaie mit Segelbooten in seinen Werken wiedeAusstellung: Vermutlich ausgestellt in Koninklijke Academie van Beeldende Kunsten, Tonstelling van Srilda en andere Werken van levende Kunstenas, Amsterdam. Ab 02.09.1858, Katalognr. 237 als „Passau an der Donau“. (13507113) (13)Kasparus Karsen,1810 Amsterdam – 1896 BiberichVIEW ACROSS PASSAU ON THE DANUBE AND THE INNOil on canvas.56.5 x 100 cm.Signed in red at centre right. Titled “La vie de Passau situé sur le Danube et sur l'Inn K. Karsen a Amsterdam” on the reverse.Provenance: German private collection. Exhibitions: Probably exhibited at Koninklijke Academie van Beeldende Kunsten, Tonstelling van Srilda en other works by levende Kunstena, Amsterdam. From 2 September 1858, catalogue no. 237 as “Passau on the Danube”.
Lot 90
dating: Mid 19th Century provenance: Belgium, Smoothbore, round barrel with octagonal breech (bore needs cleaning), 17.5 mm cal. at the nozzle, provided with foresight and clutch for the bayonet, marked at the base with the Liegi test bench and with crowned 'Y', crowned 'A' and 'D' in a circle. Tang with fixed rear sight. Working backward spring lock; lock-plate marked 'E. MONSEUR A LIEGE' and crowned 'B' mark. Working mechanism. Three-quarter stock of light wood stamped 'MONSEUR A LIEGE'. Iron mounts with crowned 'B' and 'D' marks in a circle. Iron ramrod. The screw of the butt plate marked with a dot (most probably of Pontifical use). Socket bayonet with marks 'K', '1' and 'S' under star; length: 52.8 cm. See the articles 'I Mazzocchi e l'Armeria Pontificia' and 'Belle da Abbordare'by Carlo de Vita and Alfredo Bartocci respectively, published on Diana Armi. These articles describe the peculiar procedure of marking weapons used in the Papal States. length 115,3 cm.
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137173 item(s)/page