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Lot 115
VAN CLEEF & ARPELS: WHITE CORAL AND DIAMOND RING AND EARRING SUITE, CIRCA 1970Each mounted with carved fluted white coral, centrally set with a cluster of brilliant-cut diamonds each signed VCA, numbered, French assay mark, earrings 3.5cm, ring size K, maker's suede pouchFootnotes:For a comparable example of carved white coral jewellery by the same maker, see Possémé, E., 'Van Cleef & Arpels, The Art of High Jewelry', Les Arts Decoratifs, 2012, p.211.This lot will be subject to USA Fish and Wildlife regulations if it is to be imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 116
DIAMOND DRESS RING, CIRCA 1950The old brilliant-cut diamond, weighing 2.21 carats, in a fluted bombé mount, accented by similarly-cut diamonds, ring size KThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 117
DIAMOND AND COLOURED DIAMOND RING, 2010The three brilliant-cut diamonds of pink tint, weighing 0.24 carat, 0.21 carat and 0.20 carat, accented by similarly-cut colourless diamonds, mounted in 18 carat white gold, colourless diamonds approximately 1.20 carats total, London hallmark, ring size approx. K (sizing beads)Footnotes:Accompanied by a report from GIA stating that the diamond weighing 0.24 carat is Fancy Vivid Purplish Pink colour, I3 clarity, report number 2221599691, dated 26th August 2022.Accompanied by a report from GIA stating that the diamond weighing 0.21 carat is Fancy Intense Purplish Pink colour, SI1 clarity, report number 2225599696, dated 26th August 2022.Accompanied by a report from GIA stating that the diamond weighing 0.20 carat is Fancy Intense Purplish Pink colour, SI1 clarity, report number 2225599686, dated 26th August 2022.For further information on this lot please visit Bonhams.com
Lot 142
MONTURE CARTIER: DIAMOND TOI-ET-MOI RINGThe brilliant-cut diamonds weighing 1.98 and 1.73 carats, issuing from bombé crossover shoulders, pavé-set with brilliant and single-cut diamonds, signed Monture Cartier, numbered R8707, maker's mark, French assay mark, ring size K½, fitted case by CartierThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 146
VAN CLEEF & ARPELS: FANCY-COLOURED DIAMOND RINGThe old cushion-shaped diamond, weighing 8.43 carats, between baguette-cut shoulder diamonds, signed VCA, numbered 2.434 CS, maker's mark for Charles Profilet, French assay mark, ring size KFootnotes:Accompanied by a certificate from GIA stating that the cushion-shaped diamond is Fancy Light brownish greenish yellow colour, SI2 clarity. Report number 6223592347 dated 23rd August 2022.For further information on this lot please visit Bonhams.com
Lot 156
DIAMOND CLUSTER RINGThe Ashoka-cut diamond, weighing 5.02 carats, within a halo of brilliant-cut diamonds, the band set throughout with brilliant-cut diamonds, maker's mark, numbered, ring size KFootnotes:Accompanied by a copy of a report from GIA stating that the diamond is D colour SI2 clarity. Report number 14438987 dated 2nd June 2005.Please note, this report is over five years old and may require updating.The Ashoka-cut lends its name, and was inspired by, the original Ashoka Diamond - a 41.37 carat, D colour, Flawless diamond - from the highly coveted Golconda mine in India. This original diamond was named after Ashoka the Great, who ruled in India during the 3rd Century BC. Ashoka the Great was known initially for his bloodthirsty military conquests, but legend has it after surveying the death and destruction his army had caused in capturing the region of Kalinga, his feeling of remorse was so severe he transformed his ways, becoming a pacifist and promoting the spread of Buddhism - believing the true path of enlightenment could only be achieved through tranquillity, hence the naming of the original diamond.Based on the Ashoka Diamond, New York diamantaire, William Goldberg, developed and patented the Ashoka-cut in 2000, and Boodles are the only British jeweller to offer Ashoka-cut diamonds in their collection. The Ashoka-cut displays an additional five facets to the 57 facets of brilliant-cuts, requiring the rough diamond to be larger and longer than average, and it is known for its typically larger 'spread', enabling the polished diamond to appear larger when viewed face-up.For further information on this lot please visit Bonhams.com
Lot 161
SAPPHIRE AND DIAMOND RING, CIRCA 1930The oval-cut sapphire, weighing 10.83 carats, between bifurcated shoulders set with old brilliant and single-cut diamonds, accented by calibré-cut sapphires, ring size KFootnotes:Provenance: From an Important French Aristocratic Family.Accompanied by a report from SSEF stating that the sapphire is of Sri Lankan origin with no indications of heating. Report number 120687, dated 3rd February 2022.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 17
EMERALD AND DIAMOND HALF HOOP RING, LATE 19TH CENTURYAlternately-set with two step-cut emeralds and three cushion-shaped diamonds, graduating in size towards the centre, the pierced gallery and shoulders with scroll engraved decoration, diamonds approximately 0.40, 0.45 and 0.90 carats, ring size KFor further information on this lot please visit Bonhams.com
Lot 27
SAPPHIRE AND DIAMOND CLUSTER RING, LATE 19TH CENTURYThe cushion-shaped sapphire, weighing 1.45 carats, within a surround of cushion-shaped diamonds, ring size K½Footnotes:Accompanied by a report from SSEF stating that the sapphire is of Kashmir origin, with no indications of heat treatment. Report number 121102 dated 24th February 2022.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 33
EMERALD AND DIAMOND RINGThe step-cut emerald between shoulders set with pairs of baguette-cut diamonds, mounted in white gold, Birmingham hallmark, size KFootnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the emerald is found to be of Columbian origin, with negligible clarity enhancement. Report number 22252, dated 16th October 2022.For further information on this lot please visit Bonhams.com
Lot 45
SPINEL AND DIAMOND RINGThe cushion-shaped pink spinel, weighing 3.77 carats, between step-cut diamonds and graduating brilliant-cut diamond-set shoulders, ring size KFootnotes:Accompanied by a report from GCS stating that the spinel is of Burmese origin with no indications of heat treatment. Report number 5782-2527 dated 25th July 2022.For further information on this lot please visit Bonhams.com
Lot 72
DIAMOND SINGLE-STONE RINGThe brilliant-cut diamond, weighing 3.23 carats, in a platinum setting, London hallmark, ring size LFootnotes:Accompanied by a report from GIA stating that the diamond is K colour, VVS2 clarity. Report number 2171204598, dated 15th June 2015.For further information on this lot please visit Bonhams.com
Lot 96
DIAMOND RING, CIRCA 1950The cushion-shaped diamond, weighing approximately 3.18 carats, within an architectural and geometric surround set with single-cut diamonds, size KThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 299
Pilgrim Press.- Dod (John) A plaine and familiar exposition of the tenne commandements. With a methodicall short catechisme, containing briefly all the principall grounds of Christian religion, title and woodcut ornament within woodcut typographic border (small tear/hole to the typographic border on the title-page), woodcut heads-pieces and decorative initials, upper corner of last f. repaired, lower margin of A3&4 stained, last 2 ff. stained, occasional spotting, recased in old vellum, small 4to, [Leiden], [William Brewster], 1617.⁂ The origins of the Pilgrim Press. Rare first edition of one of the most influential primers of Puritan religious beliefs, printed by William Brewster, who three years later would lead a band of English religious 'separatists' to America on the Mayflower. Published during Brewster's Dutch exile, the work is important in the history of the Pilgrims prior to their emigration to America. Persecuted for their religious beliefs in England, the community took refuge at Leiden, where Brewster began printing books with Thomas Brewer in a workshop in Kosteeg in 1617. Among their first productions were English and Dutch editions of Dod and Cleaver's Exposition of the tenne commandements, a cornerstone of Puritan piety, which had first been printed in London in 1603. At the behest of the English government the press was disbanded and the type conviscated in 1619, just as the community was preparing to depart for America. Brewster was forced into hiding before joining the rest of the group aboard the Mayflower in 1620. They arrived at Plymouth in November, 1620. Brewster assumed the role of spiritual leader and acted as preacher for the colony until his death in 1644. Copies of this work were taken to America by the Pilgrims, and the book was therefore among the first ones to arrive in the New World. William Brewster himself owned three copies (noted in Harris & Jones), and according to Briggs other copies are listed in the inventories of Samuel Fuller (the Pilgrims' physician and Deacon of the Plymouth church), Godbert Godbertson and Governor William Bradford. The work is exceedingly rare at auction. Aside from this copy only we can trace only a Dutch translation, sold 22nd March, 1921 for $280. Literature: STC 6973; R. Harris - S. K. Jones, The Pilgrim Press: A Bibliographical & Historical Memorial of the Books Printed at Leyden by the Pilgrim Fathers, Cambridge 1922 (reprint R. Breugelmans, Nieuwkoop 1987), no. 3; R. T. Briggs, "Books of the Pilgrims as Recorded in their Inventories and Preserved in Pilgrim Hall", Old-Time New England 61 (1970-71), pp. 41-46; R. Breugelmans, "The Pilgrim Press: A Press That Did Not Print (Leiden 1616/17 - 1619)", Quaerendo 39 (2009), pp. 34-44.
Lot 410
Lindley (Ernest K.) Franklin D. Roosevelt. A Career in Progressive Democracy, initialled presentation inscription from Sara Delano Roosevelt to her brother Frederic A. Delano to front free endpaper, portrait Christmas card initialled by FDR and his wife Eleanor tipped-in beneath, photograph of Hyde Park with inscription from Eleanor Roosevelt "love and every good wish to you both from Hyde Park" tipped-in to half-title, T.L.s. from Frederic A. Delano to his niece Laura loosely inserted, dated September 10th 1932, light toning to first and last few leaves, occasional marginal annotation in pencil, bookplate of Frederic A. Delano, original cloth, a few light marks, spine sunned, dust-jacket, some dust-soiling, chipped at extremities, short closed tear to lower panel, 8vo, Indianapolis, 1931.⁂ In the typed letter to his niece, Delano discusses FDR's candidacy for President: "his election to that office brings the greatest honor that has ever come to our family...It appears to me likely that he will be elected, though the fight against him is especially strong in New York, Massachusetts and New Jersey...I feel that he is a man I am proud to own as a relative".
![Proust (Marcel) Remembrance of Things Past [A La Recherche Du Temps Perdu], 7 parts in 11 vol., first English editions, trans](https://cdn.globalauctionplatform.com/38b6ec3e-ae82-4ea4-b95a-af4300f97c6d/ec66df41-bef5-4e46-8670-af43011848ee/468x382.jpg)
Lot 421
Proust (Marcel) Remembrance of Things Past [A La Recherche Du Temps Perdu], 7 parts in 11 vol., first English editions, translated by C. K. Scott Moncrieff, some spotting or browning to endpapers and first few pp., some contemporary ink ownership inscriptions to front free endpapers, original cloth, occasional page carelessly opened, some with faded spines, The Sweet Cheat Gone with small portion of soiling to lower cover, The Swann's Way with rubbing to joints and fraying to spine ends, Cities of the Plain in fine condition in ?original slip-case and vol.2 with original glassine dust-jacket, 8vo, 1922-30.⁂ Rare full set of Proust's magnum opus of French literature. Scarce in this condition.
Lot 462
A Turkish .800 silver cased full hunter key wind pocket watch by Billodes. The 35mm white enamel dial signed K. SERKISOFF & CO CONSTANTINOPLE, Turkish numeral hour markers and subsidiary seconds dial, signed lever movement, engine turned case, diameter 50mm, together with a white metal Figaro Albert watch chain, length 32cm.Winds and runs.
Lot 10
A VINTAGE 18CT GOLD PLATINUM DIAMOND AND SAPPHIRE DRESS RING The ring set with a central step cut sapphire on a platinum bed with diamond accents, shank marked 18 CT & PT, ring size K 1/2, weight 2.2g, sapphire measurement approx. 4 X 2 mm Condition Report : The shank slight warp to the shape Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 6122
Heilmayer, Karl -- Vollmond über der Lagune von Venedig.Öl auf Holz, parkettiert. 21,5 x 33,2 cm. Signiert und datiert unten rechts "K. Heilmajer. 1884". Verso mit einem geprägten Papiersiegel der Münchener Farben- und Malutensilienfabrik Bayerle und Jürges. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6111
Deutsch -- 1846. Alpenlandschaft mit See.Öl auf Leinwand. 30,1 x 29,8 cm. Unten rechts unleserlich bezeichnet und datiert "K... 1846" (in die nasse Farbe geritzt). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 6190
Boehme, Karl Theodor -- Steinige Bucht bei Taormina.Öl auf Leinwand, auf Platte aufgezogen. 41,8 x 51,5 cm. Signiert unten links "K. Boehme" und monogrammiert, datiert und bezeichnet unten rechts "Taormina [19]05 / K.B. 10/12".Das silbrige Licht der winterlichen Morgensonne leuchtet auf den Schaumkronen und Wolken und modelliert plastisch die rund geschliffenen Steine im Vordergrund. Karl Theodor Boehme war an der Akademie Karlsruhe Schüler Gustav Schönlebers. Auf seinen Reisen nach Rügen, Bornholm, Norwegen und Frankreich sammelte er erste Eindrücke für sein bevorzugtes Motiv, die Küste. Boehme verbrachte mehrere Jahre auf Capri und feierte insbesondere mit seinen Küstendarstellungen Italiens große Erfolge. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Lot 4
K-Guy (British b. 1968) Love / Hate, 2008 (Silver Edition) 3 Colour screen print on hand painted acrylic paint background on 300gsm ribbed craft paper Signed, dated and numbered 9/50 in pencil Framed and glazed 74 x 41 cm (29 x 16 in) K-Guy is a visual artist who lives and works in the epicentre of the street art scene, London. The artist is best known for his sharp analyses and off-the-mark responses to what goes on around him, politicians, religious leaders, fast food outlets and entire economic systems have all been examined in K-Guy’s work. His controversial and quirky works in the streets of London have received worldwide media attention several times, for example with his installation ‘In Loving Memory to the Boom Economy', which was created in front of The Bank of England and depicted the burial of the flourishing economy. Another example is his mural ‘Primate Pontificate’ as a reaction of the Pope’s visit to London. Renowned works from the artist include his collaboration with the Prodigy on a limited edition print which sold out instantly and his iconic best sellers ‘Coke Moss’, ‘Naomi Campbell’s, ‘Pepsi Cara and Linda EVANGELISTa’.
Lot 49
James Cauty (British b. 1956) Suicide Bunny 2 Giclee print Unsigned, numbered 29/321 with stamp Framed and glazed 41 x 30 cm (16.5 x 12 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.
Lot 65
James Cauty (British b. 1956) 5-11 A / B / C & Final Edition, 2005-06 Four giclee prints Each signed and numbered 2/150 in black pen Accompanied with certificate of authenticity Each framed and glazed Each 64 x 59 cm (25 x 59 in) Comes with the original triptych of Hanged, Drawn & Quarter Pop edition prints, also signed and numbered 2/150. Each 33 x 31 cm (13 x 12.5 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.
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