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Click here to subscribePorzellangruppe, Rosenthal, 'Stürmende Bacchanten', um 1920, Entwurf Albert Caasmann 1912, Modellnummer K 190, polychrome Unterglasurbemalung, H.ca. 21 cm, am Sockel sign.Porcelain group, Rosenthal, 'Stürmende Bacchanten', around 1920, draft Albert Caasmann 1912, model number K 190, polychrome underglaze painting, H.ca. 21 cm, signed on the base
Zwei Porzellanfiguren, Rosenthal, Jugendstil, 'Hohe Schule', Entwurf Ferdinand Liebermann 1910, Putto auf einem Tukan reitend, Modellnr. 41, polychrome Unterglasurbemalung, Pinselsignatur Ferd. Liebermann, H.ca. 22.5 cm und 'Verliebt', Faun mit Schmetterling, ein Flügel und ein Ohr rest., Entwurf Himmelstoss, Modellnr. K 124, H.ca. 12.5 cmTwo porcelain figures, Rosenthal, Art Nouveau,'Hohe Schuhe', draft by Ferdinand Liebermann 1910, putto riding a toucan, model no. 41, polychrome underglaze painting, brush signature Ferd. Liebermann, H. ca. 22.5 cm and'Verliebt', faun with butterfly, one wing and one ear rest., draft by Himmelstoss, model no.K 124, H.ca. 12.5 cm
Drei Jugendstil-Porzellanfiguren von Musikanten, Rosenthal, um 1920 und 1923, Schäfer mit Dudelsack, Entwurf M.E. Beyrer 1913, Modellnr. K 194, ca. 17.5x17 cm, qualitätv. polychrome Bemalung, selten; Waldhornbläser (Ferdl Weiss), Modellnr. K 197, Entw. Himmelstoss 1913, H.ca. 19.5 cm; Karl Valentin mit Flöte und Dackel, Entw. Himmelstoss 1912, Modellnr. K 96, ein kleiner Finger fehlt u. Flöte rest., polychrome UnterglasurbemalungThree art nouveau porcelain figures of musicians, Rosenthal, around 1920 and 1923, shepherd with bagpipes, design by M.E. Beyrer 1913, model no. K 194, approx. 17.5x17 cm, quality v. polychrome painting, rare; French horn player (Ferdl Weiss), model no. K 197, draft Himmelstoss 1913, H.ca. 19.5cm; Karl Valentin with flute and dachshund, draft Himmelstoss 1912, model no. K 96, one little finger missing and flute restored, polychrome underglaze painting
Sehr große Porzellanbüste, Rosenthal Kunst-Abteilung, 'Der Schreck', Modell K74, vollplastische Halbbüste des jungen Fauns mit Panflöte, sich vor einem Hirschkäfer auf seiner Hand erschreckend, rückseitig signiert Ferd. Liebermann, H. ca. 40cmVery large porcelain bust, Rosenthal art department, 'Der Schreck', model K 74, fully plastic half-bust of the young faun with panpipes, frightened by a stag beetle on his hand, signed Ferd on the back. Liebermann, height ca. 40cm
Grosse Porzellanfigur 'Eros', Rosenthal, um 1910, Entwurf Richard, Aigner 1910, Modellnr. K 73, sich küssendes Liebespaar, polychrome Unterglasurbemalung, gelungenes zartes Inkarnat, Postament bez. Eros, H.ca. 33 cm, Sockel vorne mit Adam und Eva-ReliefLarge porcelain figurine 'Eros', Rosenthal, around 1910, designed by Richard, Aigner 1910, model no. K 73, lovers kissing, polychrome underglaze painting, delicate flesh tones, pedestal marked Eros, H.ca. 33 cm, base in front with Adam and Eve relief
Grosse Skulptur 'Liebesfrühling', Rosenthal, um 1920, Entw. Richard Aigner 1913, Modellnr. K 295, sich küssendes Liebespaar, nackter Jüngling beugt sich zum innigen Kuss über den auf einer Säule sitzenden Mädchenakt, zartes Inkarnat u. sparsame Unterglasurbemalung, 2. Wahl, H.ca. 38 cm, Sockel sign. Richard Aigner MünchenLarge sculpture 'Love Spring', Rosenthal, around 1920, designed by Richard Aigner in 1913, model no. K 295, lovers kissing, naked youth bends over the nude girl sitting on a column for an intimate kiss, delicate flesh tones and sparse underglaze painting, 2nd choice, H.ca. 28 cm, base signed. Richard Aigner Munich
Porzellanfigur 'Mephisto', Hutschenreuther, Marke nach 1970, polychrome Bemalung, Goldstaffage, H.ca. 24.5 cm, Entwurf K. Tutter, goldene ManufakturmarkePorcelain figure 'Mephisto', Hutschenreuther, brand after 1970, polychrome painting, gold decoration, H.ca. 24.5 cm, designed by K. Tutter, gold manufacturer's mark
A 14ct. gold and diamond ring, set central round cut diamond with row of five illusion set diamonds to either shoulder (gross weight 2.4g) size: UK K, together with a 9ct. yellow gold diamond solitaire ring, (gross weight 2.2g) size: UK T 1/2, and a 9ct. white gold, platinum and diamond three stone ring, illusion set (gross weight 1.4g) Size: UK N 1/2..(3)
Konvolut Fachbücher, Porzellan, 6-tlg., Bundesministerium für Wissenschaft und Forschung (Hrsg.), Meissner Porzellan von 1710 bis zur Gegenwart, MAK, Wien, 1983, K. Klemp/K. Weber, Fragile, die Tafel der Zaren und das Porzellan der Revolutionäre, Schnell & Steiner, 2008, Heremitage Amsterdam, Dining with the Tsars, o.J., S. Ducret, Porzellan der europäischen Manufakturen im 18. Jahrhundert, Rheingauer Verlagsgesellschaft, 1971, Katalog, Porzellanfigurenwerk Gräfenthal, Tierfiguren, o.J., Fritz Löffler, Der Zwinger zu Dresden, Staatliche Kunstsammlung Dresden, 1981, nicht kollationiert
Karl Plattner (1919, Mals, Südtirol - 1986, Mailand) Öl/Lw., baumbestandene Landschaft mit Gewässer, u.l. sign. "K. Plattner" u. dat. (19)63-64, verso auf Etikett bez. "Pattner/Wald", ca. 60x81cm, gerahmt (62,5x83,5cm), Krakelee im unteren Bereich Provenienz: norddeutsche Privatsammlung Karl Plattner war ein Südtiroler Maler und Freskant, er lernte bei Sebastian Fasal an der Akademie der bildenden Künste Wien die Freskomalerei. 1943 besuchte er für sechs Monate die Berliner Kunstakademie, nach dem Krieg setzte er 1946 seine Studien in Florenz und Mailand fort und ging 1949 nach Paris. 1963 bis 1978 lebte er in MailandTypisch für seine Malerei sind eine durchdachte Bildstruktur, klare Flächenbegrenzungen und eine Vorliebe für große chromatische Felder
WIKING 15-tlg Konvolut aus Fahrzeugsets und Bücher, bestehend aus 5 Packungen der Reihe "100 Jahre Daimler-Benz", die Sets: "750 J. Berlin", "50 J. W-Verkehrsmodelle" und Werbemodelle 1982/83, Straßenplan I und Gebäudebogen, je in Transportrolle, Zugehörigkeit von Inhalt und Verpackung nur oberflächlich geprüft, Pck. tlw. mit Alters- und Lagerspuren (Schaumstoff tlw. porös), dazu 2 Bücher von Biene, Ulrich: "Automodell-Faszination" und "Wiking-Welten" sowie von Wanner, H/Koch, K.: "Neuer Gelber Katalog 1996 &1999" und "Neue Modellauto-Farbkarte", alle Bücher noch eingeschweißt.| WIKING 15 pieces of vehicle sets and books, consisting of 5 packs from the "100 Years Daimler-Benz" series, the sets: "750 J. Berlin", "50 J. W-Verkehrsmodellen" and advertising models 1982/83, street plan I and building sheet, each in a transport roll, assignment of content and packaging only superficially checked, package partly with signs of age and storage (foam partly porous), plus 2 books by Biene, Ulrich: "Automodell-Faszination" and "Wiking-Welten" and by Wanner, H/Koch, K .: "New Yellow Catalog 1996 &1999" and "New Model Car Color Chart", all books still sealed.
WIKING/SIKU 11-tlg Bücher-Konvolut, bestehend aus Biene, Ulrich: 'Der Modell-Mythos Wiking' und 'Meine Wiking-Autos', 'Wiking-Welten' und 'Automodell-Faszination' sowie 4 x 'Der Gelbe Katalog, 1995, 1998-1999 und 2003 (mit Gebrauchsspuren) von Koch, K./Wanner, H. sowie neue Modellauto-Farbkarte, überwiegend guter Erhalt und original eingeschweißt. Dazu 'SIKU-Sammlerkatalog 2006' und 'Mikado-Sammler-Edition Band 1' von 2012, je mit min. Lagerspuren.| WIKING/SIKU 11 books, consisting of Biene, Ulrich: 'Der Modell-Mythos Wiking' and 'Meine Wiking-Autos', 'Wiking-Welten' and 'Automodell-Faszination' as well as 4 x 'The Yellow Catalogue, 1995, 1998-1999 and 2003 (with traces of use ) as well as a new model car color chart, mainly in good condition and originally shrink-wrapped. In addition, 'SIKU collector's catalog 2006' and 'Mikado collector's edition volume 1' from 2012, each with minimal traces of storage.
A group of three still life paintings, comprising K. M. Clasessen (1856-1928): a still life of fruit, oil on board, dated 1925, signed lower left corner, 41 by 53cm, framed, 53 by 65cm, Louise Kuypers (20th century) oil on canvas, still life of fruit and a copper kettle, signed lower right corner, 50 by 40cm, together with a 20th century still life of fruit with a glass and napkin, oil on board, signed GMT, dated 1971, 39.5 by 49.5cm, framed, 42.5 by 52.5cm. (3)
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Non-Objective Personaje". Medium: Gouache on paper. Date: Composed 1949. Dimensions: Image size: 13 1/2 x 9 in. (343 x 229 mm).Lot Note(s): Signed "Kena." Muyaes always signed his work "Kena," “S. Kena," "Silvestre Kena," or "Silvestre;" or, if initialed, "K." or "S.K.". Cream wove paper. Very good condition. Provenance: From the estate of Estela Ogazon Sanchez, wife of Jaled Muyaes. A Letter of Authenticity (LOA) from the Artist’s daughter, Karima Muyaes, accompanies this lot. Comment(s): A listed artist, Jaled Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, the noted Mexican painter and sculptor, rarely appear on the market. Born in Chile as Khaled Mujaes Morales, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great Chilean poet Pablo Neruda during Neruda's Mexico City years). His parents were David Suleiman Mujaes (Lebanese), and Emma Morales Gajardo (Chilean). Image copyright © The Estate of Jaled Muyaes. [23461-2-150]
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Non-Objective Composition #22". Medium: Color crayon drawing. Date: Composed 1948. Dimensions: Overall size: 11 15/16 x 8 7/8 in. (303 x 225 mm). Image size: 11 15/16 x 8 7/8 in. (303 x 225 mm).Lot Note(s): Initialed and dated in crayon, lower right. Comment(s): Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, a noted Mexican painter and sculptor, rarely appear on the market. Born in Chile, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great poet Pablo Neruda during Neruda's Mexico years). Image copyright © The Estate of Jaled Muyaes. [20216-0-300]
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Botellas con una copa". Medium: Color linocut. Date: Composed 1948. Dimensions: Overall size: 9 13/16 x 13 13/16 in. (249 x 351 mm). Image size: 9 7/16 x 9 1/2 in. (240 x 241 mm).Lot Note(s): Initialed "S.K." and dated in pencil, lower right. Probably not editioned. Muyaes rarely, if ever, editioned his prints. Watermarked Farbriao cream wove paper. Wide margins left and right; narrow margins top and bottom. Fine impression; printed with dark brown ink. A few light creases lower right; otherwise very good condition. Comment(s): Sr. Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." From the collection of Estela Ogazon. Image copyright © The Estate of Jaled Muyaes. [19777-2-225]
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Non-Objective Composition #06". Medium: Pen and ink on paper. Date: Composed 1949. Dimensions: Overall size: 8 7/8 x 13 9/16 in. (225 x 344 mm). Image size: 8 x 9 3/4 in. (203 x 248 mm).Lot Note(s): Signed "Kena '49," lower right. Comment(s): Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, a noted Mexican painter and sculptor, rarely appear on the market. Born in Chile, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great poet Pablo Neruda during Neruda's Mexico years). Image copyright © The Estate of Jaled Muyaes. [19241-0-125]
Artist: Jaled Muyaes (Chilean/Mexican, 1921 - 2007). Title: "Non-Objective Composition #18". Medium: Color crayon. Date: Composed 1948. Dimensions: Overall size: 12 x 8 7/8 in. (305 x 225 mm). Image size: 12 x 8 7/8 in. (305 x 225 mm).Lot Note(s): Initialed "S.K." in crayon, lower right; dated in crayon, lower left. A few very small tears at edges; otherwise very good condition. Comment(s): Muyaes signed his work "Kena," "S. Kena," "Silvestre Kena," "Silvestre," or, if initialed, "K." or "S.K." Works by Muyaes, a noted Mexican painter and sculptor, rarely appear on the market. Born in Chile, he moved to Mexico City as a young man and became an integral part of the intellectual circle there (e.g., he was intimately acquainted with the great poet Pablo Neruda during Neruda's Mexico years). Image copyright © The Estate of Jaled Muyaes. [19779-0-150]
Koppchen und UnterschaleFamilie Hammann, Wallendorf 1772-1829. - Gebrochener Stab: Gebäude in Landschaft - Porzellan, weiß, glasiert. Purpur (leicht unterschiedlich) bemalt. Unter der Glasur blaue W Marke. 1. Wahl. H. des K.: 4,5 cm, D. der Ut.: 13 cm. - Zustand: K. mit Chips am Standring - Ut. mit Sprung und vereinzelten Flugaschepunkten.
Savonette mit ViertelrepetitionMermod Frères, Geneve, Schweiz. Um 1875. 750/- Gelbgold, gestemp. Gewicht: 88,4 g. Drei-Deckel-Gold. In Deckeln teilw. gepunzt und num.: 18 K., BS, Gehäuse-Nr.: 42731. Auf der Platine sign.: Mermod Frères, Geneve. Auf dem Staubdeckel bez.: No. 42731, Ancre Droit Levees Visibles, Spirale Breguet, Mermod Frères, Geneve. Gehäuse-D. 4,8 cm. Die Uhr ist funktionstüchtig. Tragespuren und Haarrisse im Zifferblatt. Rechnung aus 1998 mit 3.500 DM liegt vor. Kronenaufzug und Sprungdeckel. Weißes Emailzifferblatt mit Goldzeigern und römischen Ziffern. Funktionen: Stunde, Minute und kleine Sekunde auf 6-Uhr. Die Firma Mermod wurde 1816 von Louis Mermod gegründet mit Fabrikation in Ste. Croix und die Uhren wurden verkauft in Genf.
Ludwig Philipp Strack1761 Haina, Hessen - 1836 Oldenburg - "Ansicht von Agrigent in Sicilien" - Lithografie/Papier. 39,5 x 50,2 cm (Passepartoutausschnitt). Bez. l. u.: Nach der Natur u. auf Stein gez. von Ludw Strack, r. u.: (...) von J. K. Stalling in Oldenburg, M. u.: Ansicht von Agrigent in Sicilien mit dem(sic!) Tempeln der Juno und der Concordia, nebst dem Fluss Akragas der sich ins Meer ergiesst. Unter Glas gerahmt. Ungeöffnet. Etw. gebräunt, leicht fleckig, Bezeichnung r. u. partiell ber. Ludwig Philipp Strack 1761 Haina, Hessen - 1836 Oldenburg - Süditalienische Landschaft - Lithografie/Papier. 32 x 51 cm (Passepartoutausschnitt). Mit Papierklebestreifen an Passepartout fixiert. Unter Glas gerahmt. Beschn., etwas gebräunt, minim. knickspurig.
6 unterschiedliche MokkatassenPorzellan, weiß, glasiert bzw. Bone China. Polychrom und Gold bemalt und dekoriert. Auf der Glasur rote (Limoges France Petit Main W - Royal Crown Derby, England 1877-1890) bzw. grüne Marke (PMR Bavaria und Jaeger Co, unter der Glasur und Nymphenburg Handmalerei auf der Glasur, Porzellanfabrik Marktredwitz Jäger & Co. -- Jacob Zeidler & Co, Selb auf Ot. - Ut. eingepresst: JZ & Co 1866-1879). Ungemarkt. Eingepresst: K (Ut. - Klösterle Böhmen 1839-1870) 1. Wahl. H. der Mot.: 5 bis 7 cm, D. der Ut.: 10,5 bis 11,5 cm. - Zustand: Ut. (Royal Crown Derby) mit Sprüngen.
Modern Guild of Hull Silversmiths silver spot hammered bowl of spherical form, hallmarked J & K R, Birmingham 1990, also marked with the three crowns mark of the Guild of Hull Silversmiths, H 7.5cm, approximate weight 4.32 ozt (134.6 grams)Abraham Barachin was the last Hull silversmith to use the Hull mark of three ducal coronets in around 1706. However in 1983 the Assay Offices of Great Britain and the City of Kingston upon Hull granted the Guild of Hull Silversmiths permission to use the City's Coat of Arms as an additional mark on pieces they produced. Condition Report:Generally in good overall condition, with some surface scratches and nicks, and a few small indentations.Hallmarks clear and legible.
Modern Guild of Hull Silversmiths silver repousse mask, hallmarked J & K R, Birmingham 1992, also marked with the three crowns mark of the Guild of Hull Silversmiths, H14cm, approximate weight 2.50 ozt (78 grams)Abraham Barachin was the last Hull silversmith to use the Hull mark of three ducal coronets in around 1706. However in 1983 the Assay Offices of Great Britain and the City of Kingston upon Hull granted the Guild of Hull Silversmiths permission to use the City's Coat of Arms as an additional mark on pieces they produced. Condition Report:Generally in good overall condition, some light wear including surface scratches and nicks.Hallmarks clear and legible.
Modern Guild of Hull Silversmiths silver ewer, of tapering cylindrical form with waisted neck and C handle, upon a circular foot with key fret border, hallmarked J & K R, Birmingham 1990, also marked with the three crowns mark of the Guild of Hull Silversmiths, H20cm, approximate weight 7.16 ozt (223 grams)Abraham Barachin was the last Hull silversmith to use the Hull mark of three ducal coronets in around 1706. However in 1983 the Assay Offices of Great Britain and the City of Kingston upon Hull granted the Guild of Hull Silversmiths permission to use the City's Coat of Arms as an additional mark on pieces they produced. Condition Report:Generally in good overall condition, some light wear including surface scratches and nicks. One small indentation towards upper part of body. Hallmarks clear and legible.
Informel - - Karl Otto Götz. (1914 Aachen - 2017 Wolfenacker/Westerwald). Figurinen. 1983. Mit 10 Lithographien. Je auf chamoisfarbenem Umdruckpapier. Blattmaße je 30 x 40 cm. Je signiert, betitelt, nummeriert und bezeichnet "Umdruck 1983". Je lose in original Mappe liegend. - Guter Zustand. Kontrastreiche Abzüge. Götz, 91 - 100. - Eines von 20 Exemplaren. - Grundlage für die Lithographien waren Zeichnungen, die K. O. Götz bereits 1946 angefertigt hatte. 1983 ließ er diese dann als Umdrucke bei Mandred Hügelow drucken (mit dem Blindstempel). Each on buff transfer paper. Each signed, titled, numbered and inscribed "Umdruck 1983". Each loose in original folder. - Good condition. High contrast prints. - One of 20 copies. - The basis for the lithographs were drawings K. O. Götz had already made in 1946. In 1983 he had them reprinted by Mürfeld Hüfeler (with the blind stamp).
Jahrhundertwende Lovis Corinth (1858 Tapiau - 1925 Zandvoort)Set aus zei Graphiken. Je S/W Lithographie auf Bütten. Blattmaße von 47 x 32 cm bis 56 x 38,5 cm. Jeweils signiert und im Druck betitelt. - Am Rand leicht gebräunt mit leichten Anschmutzungen im weißen Rand sowie ein Blatt mit vereinzelten Braunfleckchen (Motive nicht betroffen). Schwarz, 315. - Beide Graphiken stammen aus dem Zyklus "Das ABC in Bildern von Lovis Corinth." 2. Werk der "Neuen Bilderbücher", 1. Folge. Hersg. Berlin, Verlag Fritz Gurlitt. - Enthalten: - Buchstabe K. - Buchstabe V. Set of two prints. Each b/w lithograph on laid paper. Each signed and titled in print. - Lightly browned at margins with slight soiling in the white margin and one sheet with isolated brown spots (motifs not affected). - Both prints are from the cycle "Das ABC in Bildern von Lovis Corinth." 2nd work of the "Neue Bilderbücher", 1st series. Published in Berlin, Verlag Fritz Gurlitt. - Included: - Letter K. - Letter V.
Küppers, Otto (Bonn 1888 - 1986 Bonn, in Bonn tätiger Landschaftsmaler, Sohn des Bildhauers Albert K., studierte an der KA Düsseldorf),"Sonnige Winterlandschaft", Öl auf Leinwand, signiert links unten Otto Küppers, 75 x 116 cmProvenienz: direkt vom Künstler erhalten, seit Jahrzehnten in Familienbesitz
Kleiner Enghalskrug, Nürnberg, um 1760/1780, Fayence, grauweiß engobiert, Blaudekor mit Vögeln, Blüten und kreisförmigen Rosetten, gebauchtes Gefäß mit schräg gerippter Wandung auf Fuß, Zopfhenkel, am Boden umseitig blaue Marke K, Standring aus Zinn, Scharnierdeckel aus Zinn mit Besitzermonogramm H.A und Nürnberger Wappenmarke, 15.5 cm hoch, Brandfleck, Mündung restauriert
World War II FDC Signed by H. K Duke Munro Radar Operator, Titled The Dam Busters 617 Squadron Royal Air Force. 44th Anniversary of the Dams Raid. The Dams Raid 17TH May 1943. Post Mark Dam Busters Memorial 617 Woodhall Spa Lincs 17th May 1987. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £9.99
Stephen Archer & Simon Harries: Aston Martin Zagato; a signed leather-bound Special limited edition by Palawan Press,published by Palawan Press 1998, bound in navy blue Nubuck leather by The Wyvern Bindery, London, numbered 0020 of 175, a good copy of this rare and sought-after title, 408 numbered pages, an illustrative history of the car and it's racing successes, with many photographic illustrations by Richard Newton, signed to title page with dedication 'To a dear friend' by the authors, Harold Beach, and Ted Cutting, complete with four accompanying prints and a poster, all contained within a leather-covered presentation box applied with Zagato 'Z' plaque engraved with edition number 00420, some light marks to binding and library box. Footnotes:Lots 1 to 10 are properties from The Motoring Library and Estate of the Late Brian K. Joscelyne.Brian K. Joscelyne (1934-2020), a Surveyor by trade, had a keen interest in motoring and motor racing from an early age. Influenced by his father, Lewis Hamilton Joscelyne, who had bought him an Aston Martin 15/98 at aged 20 in 1954, he has been a long-standing member and contributor of the Aston Martin Owners Club. Brian raced, amongst other cars, a DB3 and a DB3S at AMOC and other events, during the 1960s and 1970s, winning the Arthur Bryant Trophy in 1960 and 1961, and also competed at Le Mans. Although Brian had accomplished many skills and much experience during his motoring life, including car mechanic, race team manager and owner, and amateur racing driver, his forte was motoring photography. Although not professionally trained, his high-level enthusiasm was evident in the quality of his images, taken at many competitive events and races from the 1950s to 1970s across the UK and Europe, his Pentax and Voigtlander cameras always at his side. Brian's photographic work has been very much admired and respected and has been reproduced in various motoring publications.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A signed Bell limited edition replica helmet for Mario Andretti,representing the full-face helmet worn in the 1994 Indy Car season driving for Newman Haas, alongside teammate Nigel Mansell, painted by Bell helmets in silver, red and blue design with sponsors logos for Texaco, Havoline and Mario Andretti's own 'Arrivederci' logo to either side, clear visor applied with K-Mart logo strip, signed on left side above visor in blue marker, slight fading to signature. For further information on this lot please visit Bonhams.com
'72 K', UK Vehicle Registration Number,held on DVLA V778 Retention Document, expires 31 08 2031. Footnotes:The K Series of numbers were issued by Liverpool Borough Licencing Authority, starting with K 1 on 1 January 1904, the reversal (showing numbers then K) was first issued in April 1960.For further information on this lot please visit Bonhams.com
K. Etzel, deutscher Kopist um 1900, Kopie nach Tizians 'Venus mit Cupido' (1550, Uffizien, Florenz), Öl/Holzplatte, links unten signiert u. bezeichnet, schmaler Rahmen, ca. 49x65 cmK. Etzel, German copyist around 1900, copy after Titian's #'Venus with Cupid#' (1550, Uffizi, Florence), oil/wood panel, signed lower left and inscribed, narrower frame, approx. 49x65cm
Klaus Fußmann, geb. 1938, Hella K. in Gelb, Farbaquatintaradierung von 1975, signiert und num. 36/90, 60 x 60 cm, unter Glas, Rahmen ca.79x69cm, dieser besch.Klaus Fussmann, born 1938, Hella K. in yellow,color aquatint etching from 1975, signed and num. 36/90, 60 x 60 cm, under glass, frame approx. 79x69cm, this damaged.
Box containing British E. Africa stamps from Kenya, Malawi, Uganda, mostly 1970's mint blocks and First Day Covers, K U T from 1935 part set - 10 shilling mint, 1937 Coronation Omnibus Set mint. Great Britain mint and used 1970's First Day Covers including Kenya 1960 set to 20 shilling, Seychelles, Uganda 1975 Surcharges.
After David Hockney OM, CH, RA (b.1937) "A Bigger Splash" Tate exhibition poster, together with two further posters after Hockney including "1st British International Print Biennale" and "Amnesty Internationa" (3) (all unframed)A Bigger Splash, 75cm by 50.5cmCovered in a layer of surface dirt. Creases throughout. Brown mark under the K of Hockney approx 1cm in size. Superficial surface scratches/marks in particular to the exposed white paper. More pronounced creases within the blue. 1st British International Print Biennale 76cm by 51cmTime staining to paper, especially to a patch to the right of centre of the tree trunk. Handling creases throughout and a significant crease below the image- above the text approximately 40cm horizontally. Edges slightly tatty with minor tear lower left edge and upper right edge.Amnesty International 73cm by 60cmSlight time staining to paper, especially to outer edges with the odd handling crease. Creases to the corners. Minor water stains to lower left of bottom edge.
Kasserolle. Meissen 1740. Porzellan, balusterförmig, mit überstehendem, abnehmbarem und als Schale verwendbarem Deckel, kurzer Ausguss und langer Griff, Wandung umlaufend unterglasurblau bemalt mit asiatischem Floraldekor, farbig überdekoriert, Ränder gold gesäumt, am Boden unterglasurblaue Schwertermarke mit Malerbuchstabe „K“ für Johann David Kretzschmar, H=10,7 cm, D=15 cm. (nicht sichtbar rest.)
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