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Lot 175
THREE KRIS HEATON ART GLASS PAPERWEIGHTS, of circular pebble design with applied sterling silver dragonflies and butterfly, together with a Kris Heaton toadstool / mushroom paperweight with applied gecko, all inscribed to the base 'K Heaton', various dates, with applied Neo Art glass labels (4)Provenance: private collection Swansea, consigned via our Carmarthen Office
Lot 2
ASSORTED GOLD JEWELLERY comprising 9ct gold garnet textured ring, 9ct gold woven/plaited design ring (size K), 9ct gold diamond chip ring and pair of 9ct gold sapphire and diamond simulant earrings, 13.2gms grossProvenance: private collection Rhondda Cynon Taf, consigned via our Cardiff Office
Lot 306
DOCTOR WHO - A Doctor Who TARDIS (24x13x14cm approx) with dozens of trading cards plus EAGLEMOSS die-cast figures including K-9, 1 (The Pandorica Opens), 2 (Davros), 3 (Cyber Controller), 4 (Weeping Angel), 6 (Silurian Warrior), 6 (Dalek), 7 (Sontaran General), 8 (School Reunion), 9 (Ice Warrior),Approx 11 pieces
Lot 450
IMPRESSIVE DIAMOND SOLITAIRE RING,the round brilliant cut diamond of approximately 3.01 carats, flanked by tapered baguette cut diamonds, marked 18CT, size K, 8.2gYellow tint to the stone.Very minor inclusions visible under magnification. All claws intact. Stone secure. No chips or damage to the stone.
Lot 484
SAPPHIRE AND DIAMOND THREE STONE RING,the oval sapphire flanked by two round brilliant cut diamonds totalling approximately 0.60 carats, marked 18CT, size K, 2.4gChips and abrasions to the sapphire. Yellow tint to the diamonds. One stone with noticeable black and white inclusions. The other slightly clearer. All claws intact. Some noticeable redone and mismatched in colour. Stones secure.
Lot 513
SAPPHIRE AND DIAMOND RING,set with a central round brilliant cut diamond of approximately 0.30 carats, within a double halo of sapphires and diamonds, in distinctly marked, size K, 4.8gWorn condition. Chips and abrasions to the stones. Diamonds dark in colour. Large inclusion to the centre stone. All stones intact.
Lot 2042
18ct white gold diamond and ruby pear shaped cluster ring, central rose cut pear shaped diamond of approx 0.50 carat, with calibre cut ruby surround and two rows of round brilliant cut diamonds, with diamond set shoulders, stamped 750, total diamond weight approx 1.05 carat Condition Report:Approx 6.85gm, size K-L, overall head = 18mm x max width of 14mm, well presented ring in very good condition
Lot 2068
Gold milgrain set five stone graduating old cut diamond ring, stamped 18ct Plat, rose gold single stone amethyst ring and a gold ssapphire and diamond ring, both stamped or hallmarked 9ctCondition Report:18ct approx 1.6gm, 9ct approx 2.8gm, five stone diamond size K-L, sapphire ring size Q, amethyst ring size P
Lot 440
A total of six Bank of England 10 shillings and £1 banknotes, cashiers as follows: K O Peppiatt 1934-49 blue £1 note prefix: E74E, L K O'Brien 1955-62 green £1 note pre-fix: E71L and 10 shillings note pre-fix: E58Y, J S Fforde 1966-70 10 shillings note pre-fix: D27N, D H F Somerset 1980-88 green £1 note, prefix: C511 - Condition: EF
Lot 407
A miscellaneous lot of coinage & tokens pre-decimal and decimal including copper/bronze: farthings though pennies silver content coins and cupro-nickel: threepences through crowns 1889, 1906 LXIV approx 85 grams, silver content, some world coins and medallions plus (1) 10 shillings banknote cashier L K O'Brien, 1955-62 pre-fix: C932 - Condition: Poor - VF
Lot 199
A George IV sampler, central section reads: "Soon as your judgment waxed strong/And can distinguish right and wrong/Think it no ra?k to read in youth/The testament of sacred truth"; with alphabet, numbers 1 to 29, decorative motifs include: Deer, trees, rampant lions, trees, animals, figures, signed Mary Seeley Aged 11 Years and dated 1825, 41.5 x 32cm, mounted on canvas and framed together with a George III Religious silk work, depicting two figures, him standing with a spade at his feet, her seated beneath a tree, signed M.A. Hickman and dated 1819, approx 39cm x 29cm, framed (2) Further details: discolouration to George IV sampler: The silk work as a vertical tear above his head approx 8cm, some minor staining
Lot 299
A Geo V Bank of England 'White' £5, E79 004436, 2nd December 1944, cashier Peppiatt, Elizabeth II, 39 uncirculated Series C portrait issue £1 bank notes, some consecutive, HS76 479741 - 743, HU24 422775 - 777, HX79 573604 - 606, HU24 422775 - 777, pairs of consecutive runs and individual notes, all J B Page, and further Series C portrait issue £1 notes in circulated condition, various grades, to include, 4 x L K O'Brien, 2 x Hallam, 6 x J S Fforde, 3 x 10 shillings and 3 x £5A private London collector.
Lot 274
Francesco Solimena, 1657 Canale di Serino – 1747 Barra di Napoli, zug.RUHE AUF DER FLUCHT NACH ÄGYPTEN Öl auf Leinwand. 99 x 135,5 cm. In plastisch verziertem und vergoldetem Rahmen.Der Künstler lässt keine Zweideutigkeiten zu, wenn er uns hier die Flucht nach Ägypten zeigt: Auf einem Sockel ganz rechts, der zudem als Repoussoir dient, ruht eine nach links blickende Sphinx und wird von einer Palme überragt. Davor Maria in den von ihr typischen Farben auf ihrem Schoß das blonde Jesuskind, vor der Figurengruppe zwei geflügelte Putti, deren blonde Haare mit den dahinterliegenden Sonnenblumen korrespondieren. Die linke Bildhälfte wird von allerlei Hausrat eingenommen, der von der Heiligen Familie mitgenommen worden ist, daneben ein Rind, ein Esel und ein Huhn. Dahinter, sich abzeichnend vor einem Hügel mit Häusern, sitzt Joseph.Neben Luca Giordano (1632/34-1705), von dem er sich stark beeinflussen ließ, gilt er als einer der führenden Vertreter der neapolitanischen Malerei seiner Zeit. Da Neapel etliche Jahre aufgrund des Spanischen Erbfolgekriegs an das österreichische Habsburg ging, erhielt Solimena auch zahlreiche Aufträge aus Wien (z.B. Hochaltarbild der Kapelle im Schloss Belvedere) und beeinflusste so auch die österreichischen Barock-Maler wie Daniel Gran (um 1694-1757) oder Paul Troger (1698-1762).Anmerkung: Von dem hier angebotenen Gemälde existiert ein Kupferstich mit seitenverkehrter Wiedergabe des Themas (siehe Vergleichsabbildung) von 1724 durch Bernard Baron.Vergleichsliteratur: K. Berger, A picture by Sebastien Bourdon, in: The Register of the Museum of Art of the University of Kansas, Juni 1951, Nr. 1, Abb. 1, als Sebastien Bourdon. P. Rosenberg, Quelques tableaux inédits du dix-septième siècle français, Art de France : revue annuelle de l‘art ancien et moderne, Paris, IV, 1964, S. 299, als zugeschrieben an Giuseppe Bartolomeo Chiari. B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge 1972, p. 52, als Giuseppe Bartolomeo Chiari. A.M. Clark, Studies in Roman eighteenth-century painting, Washington, D.C. 1981, S. 8, n. 5, als Sebastiano Conca. N. Spinosa, Pittura napoletana del Settecento, Neapel, 1988, S. 185, Nr. 13. G. Finaldi and M. Kitson et al., Discovering the Italian Baroque: The Denis Mahon Collection, London 1997, S. 160, Nr. 76. S. Carotenuto, Francesco Solimena: Dall‘attività giovanile agli anni della maturità (1674-1710), Rom, 2015, S. 169-70, under no. A27, Abb. A27.3.Literatur:N. Spinosa, Francesco Solimena (1657-1747) e le Arti a Napoli, Rom 2018, S. 247, Abb. 76d. (1321981) (13)Francesco Solimena, 1657 Canale di Serino - 1747 Barra di Napoli, attr.REST ON THE FLIGHT INTO EGYPT Oil on canvas.99 x 135.5 cm.Comparative literature: K. Berger, A picture by Sebastien Bourdon, in: The Register of the Museum of Art of the University of Kansas, June 1951, no. 1, ill. 1, as Sebastien Bourdon. P. Rosenberg, Quelques tableaux inédits du dix-septième siècle français, Art de France: revue annuelle de l’art ancien et moderne, Paris, IV, 1964, p. 299, as attributed to Giuseppe Bartolomeo Chiari. B. Fredericksen and F. Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge 1972, p. 52, as Giuseppe Bartolomeo Chiari. A.M. Clark, Studies in Roman eighteenth-century painting, Washington, D.C. 1981, p. 8, no. 5, as Sebastiano Conca. N. Spinosa, Pittura napoletana del Settecento, Neapel 1988, p. 185, no. 13. G. Finaldi and M. Kitson et al., Discovering the Italian Baroque: The Denis Mahon Collection, London 1997, p. 160, no. 76. S. Carotenuto, Francesco Solimena: Dall’attività giovanile agli anni della maturità (1674-1710), Rome 2015, p. 169-70, under no. A27, ill. A27.3.Literature:N. Spinosa, Francesco Solimena (1657-1747) e le Arti a Napoli, Rom 2018, S. 247, Abb. 76d.
Lot 042
Three 18ct yellow gold rings to include a cluster style ring set with a sapphire, approx. 0.25 carats and surrounded by small diamonds, 2.73gm, size J 1/2, a wishbone ring set with tiny round cut diamonds, 1.82gm, size K and a band set centrally with three round brilliant cut diamonds, 2.41gm, size N, (3).
Lot 130
An 18ct yellow gold flower design ring set with six oval cut sapphires, total weight approx. 0.90 carats, with one central round brilliant cut diamond, approx. 0.16 carats and six small round brilliant cut diamonds set around the outer edge, total weight approx. 0.03 carats, (all stones measured within the restrictions of their settings), 4.53gm, size J 1/2 to K.
Lot 161
A mixed lot to include a pair of 9ct yellow gold paste stone hoop earrings, 3.00gm, a 9ct yellow gold ring set with three paste stones, 3.67gm, size O, a yellow & white gold eight stone diamond ring, (no hallmarks & not tested), 2.20gm, size O 1/2, an 18ct yellow & white gold single stone diamond ring, 2.05gm, size K and an 18ct yellow & white gold multi-stone diamond cluster style ring, 2.00gm, size L, (5).
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137169 item(s)/page