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Lot 126
Gill, Eric (1882-1940) Procreant Hymn by E. Powys Mathers Waltham Saint Lawrence: Golden Cockerel Press, 1926. 4to, original cream cloth, top edge gilt, others uncut, 5 copper-engraved plates by Eric Gill, dust jacket (with short closed tear to head) [Chanticleer 37; Evan Gill 277]Note: Note: First edition, one of 175 numbered copies, this copy inscribed by Gill for Father John O'Connor, the inspiration for G. K. Chesterton's Father Brown ('The Rev J. O'Connor from Gill, June 1926') on the front free endpaper, and including a suite of four engraved proofs of alternative designs, each initialled by Eric Gill in pencil and numbered 6/25. A laid-in advertisement slip states that 'three alternative designs have been engraved for this book'. Similarly Evan Gill's bibliography states that there were three alternative designs only, namely for 'God sending' (Skelton, P364), 'Earth inviting' (P365), and 'Earth wrestling' (P366). These are all included in the present set, together with an alternative design for 'Earth receiving' (P367). This was 'the first book of the press illustrated by Eric Gill with line engravings in copper' (Chanticleer).Provenance: Property of an English collector.
Lot 128
Gill, Eric (1882-1940) Collection of signed or inscribed copies The Devil's Devices or Control versus Service. By Douglas Pepler, with Woodcuts by Eric Gill. Hammersmith: Hampshire House Workshops, 1915. First edition, one of 200 'proof' copies signed by Gill and Pepler, 8vo, original cloth-backed printed epaper boards, publisher's slip tipped to front pastedown ('I have been grieved to learn ...'), bookplate of Augustus Theodore Bartholomew (1882-1933), Cambridge librarian, covers slightly rubbed [Evan Gill 259: 'This is no. 1 of S. Dominic's Press publications];Cottage Economy by William Cobbet. With an Introduction by G. K. Chesterton. Hammersmith: published by Douglas Pepler at the Hampshire House Workshops, 1916. First edition, 8vo, original cloth-backed printed paper boards, wood-engraved diagram by Gill, inscribed by Eric Gill 'to Mrs. Louisa Bourne, from E & E Gill, Hopkins Crank, Ditchling, Sunday March 3, 1918' on front free endpaper, wood-engraved bookplate of one Basil Truscott Hargrave [Evan Gill 313: 'This is no. 3 of S. Dominic's Press publications'];The Tragedy of Hamlet, Prince of Denmark, by William Shakespeare. With Engravings by Eric Gill and an Introduction by Gilbert Murray. [New York:] printed by Hague and Gill, High Wycombe, for member of The Limited Editions Club, 1933. 2 copies, each one of 1500 signed by Gill, 8vo, original pigskin, original card slipcases, one from the library of Eric Gill's daughter Petra Helen Gill (1906-1999), with her bookplate (designed by Gill), spine of the other copy slightly dry;Handworkers' Pamphlets No. 4. Art and Manufacture. London: Fanfare Press, 1929. First edition, one of 60 copies signed by Eric Gill ('Eric G'), single unsigned gathering of 8 leaves, white paper wrappers, a few spots to rear wrappers [Evan Gill 21];Uncle Dottery. A Christmas Story by T. F. Powys. With two wood-engravings by Eric Gill. Bristol: Douglas Cleverdon, 1930. First edition, one of 200 copies signed by Powys, 8vo, original black quarter cloth [Evan Gill 394]Note: Provenance: Property of an English collector.
Lot 18
Travel 19th-century works on various regions Hooker, William Jackson. Journal of a Tour in Iceland, in the Summer of 1809. London: Longman, Hurst, Rees, Orme, and Brown, 1813. Second edition ('with additions'), 2 volumes, 8vo (20.8 x 13cm), contemporary cloth, [8] cvi 369, [2] 391 [15] pp., half-titles, hand-coloured engraved frontispiece, 4 engraved plates (2 folding), 3 engraved maps (2 folding; one printed in bistre), letterpress table (facing volume 2 p. 238), inscribed 'To Mrs Dennistoun, with the most respectful compliments of the author, 1826' on half-title of volume 1, spotting and offsetting;Campbell, Walter. The Old Forest Ranger; or, Wild Sports of India on the Neilgherry Hills, in the Jungles and on the Plains. London: How and Parsons, 1842. First edition, 8vo, original quarter morocco, 8 tinted lithographic plates including frontispiece and additional vignette title-page, tissue-guards, spine worn, tips bumped and showing through, spotting to endpapers and a few plates, quires I-K working loose [not in Abbey];and 6 others (not fully collated): John Matheson, England to Delhi, 1870 (first edition, 4to, original red cloth, inscribed 'James M. Hall Esqr, with the author's compliments', front inner hinge cracked; James Young Simpson, Side-Lights on Siberia: Some Account of the Great Siberian Railroad, the Prisons and Exile System, 1898 (first edition, 8vo, original green cloth); George Milne Rae, The Syrian Church in India, 1892 (first edition, 8vo, original red cloth); Daniel Bruun, The Cave Dwellers of Southern Tunisia, 1898 (first edition in English, 8vo, original brown cloth); Sir William Andrew, Euphrates Valley Route to India, 1882 (second edition, large 8vo, original orange cloth)
Lot 240
Greece 14 large folio volumes Orlandou, Anastasius K. Η ΑΡΧΙΤΕΚΤΟΝΙΚΗ ΤΟΥ ΠΑΡΘΕΝΩΝΟΣ Α ΠΙΝΑΚΕΣ. 1976. Large oblong folio, plates, original wrappers bound in, original green cloth; Fougeres, Gustave. l'Acropole d'Athénes, Le Parthenon. First and Second Series. Paris, 1910. 2 volumes, folio, plates loose as issued in red cloth-backed printed boards; Papadapoulos, S.A. Liberated Greece and the Morea Scientific Expedition, The Peythier Album in the Stephen Vagliano Collection. Athens, 1971. Oblong folio, original cloth, dustwrapper;Aroza, G. & Cie. Les Frieses du Parthénon par Phidias. Paris, 1868. Folio, photographic plates mounted on card, loose as issued but without case or box, some spotting to margins and half-title;Mitchell, Lucy M. Selections from Ancient Sculpture, representing thirty-six masterpieces of Antiquity. New York, 1883. Folio, 20 plates, loose as issued in half cloth folder, some spotting, binding worn and marked, upper cover detached; Cavvadias, P. and G. Kawerau. Die Ausgrabung der Akropolis. Athens, '1907' [? later], folio, plates and plans, some coloured, original wrappers;Cavvadias, P. and G. Kawerau. Die Ausgrabung der Akropolis. Athens, '1906' [? later], folio, plates and plans, some coloured, original wrappers bound in, red cloth; Rechberg, Carl von. Das Griechenland-Album des Grafen Carl von Rechberg 1804-1805. Zurich, 1974. Oblong folio, coloured plates, original cloth-backed boards, boards slightly marked;Bowie, Theodore and Diether Thimme. The Carrey Drawings of the Parthenon Sculptures. Bloomington: Indiana University Press, 1971. Oblong folio, plates, original cloth; Sayer, Robert. Ruins of Athens. 1969, [facsimile of 1759 edition], folio, original green cloth;City of Athens Museum. 10 views of Athens, reproductions, loose in card folder, [c.1980]; and a similar folder with only 7 plates; and another; sold not subject to returnNote: Provenance: From the library of the late William St Clair, FBA, FRSL.
![[Book of Common Prayer, in Latin verse] Liturgica sacra ... deducta a Rand[olph] Gilpin [London?: no publisher], 1657. 8vo (1](https://cdn.globalauctionplatform.com/3c24d1d9-bd7d-4906-af55-aef3010948a3/4baa9bc9-95a4-444b-ad0d-af0200edd76f/468x382.jpg)
Lot 45
[Book of Common Prayer, in Latin verse] Liturgica sacra ... deducta a Rand[olph] Gilpin [London?: no publisher], 1657. 8vo (14 x 8.5cm), contemporary speckled calf, rebacked, blind panels to sides, title-page and blanks repaired, ownership inscription 'E libris Gulielmi Burlington' to title-page [ESTC R504668];Lord's Prayer; polyglot. Oratio Dominica. [In Greek:] Polyglottos, polymorphos. Nimirum, plus centum linguis, versionibus, aut characteribus reddite et expressa. Editio novissima, speciminibus variis quam priores, comitatior. London: Dan. Brown, Chr. Bateman, and W. Innys, 1713. 4to, disbound, specimens of the Lord's Prayer in numerous languages throughout the text, engraved and typographic, 5 engraved plates (showing: Lord's Prayer in various Middle Eastern languages; the Phoenician and Siculo-Punic alphabets; the Ottoman Turkish alphabet; a pronunciation guide for various Semitic languages; and 'Analysis Orationis Dominicae', comprising a grammatical analysis of the Lord's Prayer in Middle Eastern languages), plates re-guarded, spotting, half-title discarded, title-page repaired to no loss of text, B4 with marginal excision and tear costing text on verso, similar excision to C3 (no text apparently lacking), final leaf repaired just touching a few letters [ESTC T119927];[Church of England]. The Church of England-Man's Private Devotions: being a Collection of Prayers out of the Common-Prayer Book ... by the Author of The Week's Preparation to the Sacrament [part 2: The Holy-Days: or, the Feasts and Fasts, as they are observed in the Church of England]. London: for T. Longman, and C. Hitch, 1749. 2 parts in 1 volume, 12mo, contemporary sprinkled sheep, pp. [4] 57 [8] 40, engraved frontispiece, front joint cracked;and 8 others (these not collated): Thomas Secker, Eight Charges delivered to the Clergy of the Dioceses of Oxford and Canterbury, 1799, fifth edition, Sylloge confessionum sub tempus reformandae ecclesia editarum, 1804, Edward Stillingfleet, Origines sacrae, 1797, new edition, 2 volumes, these 3 works all in fine contemporary tan calf prize-bindings with 'Mr Hulme's exhibition, Mr. Parker, Braz. Coll [i.e. Brasenose College, Oxford], 1805' gilt to front boards; John Gregory, The Works, 1671, 4to, contemporary calf, engraved title vignette, frequent Hebrew types; Joseph White, Sermons preached before the University of Oxford, 1792, fourth edition, contemporary sprinkled calf; Breviarum Suessionense ... pars Hiemalis, 1742, contemporary straight-grain blue morocco, gilt edges; and 2 similar Note: Note: The first work (Liturgica Sacra) is a rendering of the Book of Common Prayer produced at a time when the BCP had been proscribed by the Commonwealth. There were two issues, both dated 1657; this issue contains an extra final gathering (K) with errata and additional text, and ESTC traces two copies only, at Eton (the author's alma mater, to whom the work is dedicated) and Edinburgh. ESTC does not call for any plates in this edition of the Oratio Dominica and it has not been established how many are required for a complete copy. The third work (The Church of England-Man's Private Devotions) was first published in 1696; this edition is untraced.
Lot 60
Attributed to Charles George Hood Kinnear (1830-1894) Album of salt prints from calotype negatives, c.1846-8 containing 120 photographic salt prints from calotype negatives, pasted onto rectos only of thick paper leaves, photograph dimensions mainly approx. 15.5 x 11.5cm or similar (leaf dimensions 27 x 22cm), many with bevelled corners, a few arch-topped or in octagonal, oval or circular form, with pencilled captions, dates and foliation, prints towards rear within brown ink frames, the album retaining two initial blanks, one with partial list of subjects, one with ownership inscription reading in part 'Letham Grange, Arbroath, the photographs comprising: 32 portraits of sitters of various social classes, including 'a poacher', 'a smith', various other tradesmen or farmhands (e.g. a man seated with horse tack, a man holding a trowel, and a man holding a log and axe), and smartly-dressed figures, several named, including 'R. Rutherford', 'Dr Burt, 'Capt Maitland R.N.', 'J. G. Murray' (this figure holding a shotgun), Robert Murray (2 portraits), 'An A.R.S.A.' (identified in list at front as J[ohn] C[rawford] Brown [Scottish painter, 1805-1867]), a young woman in a patterned dress (2 portraits), a young boy with a riding crop, a boy seen through a gate in a garden wall, and a man in top-hat posing in stone Gibbs-surround doorway; studies including a still life of game; 2 smaller prints on one mount, respectively titled 'Lacock Abbey, Wilts, from a Talbotype;' and 'Shakespeare's house from a Talbotype'; 14 prints not from life (i.e. from prints or paintings); and numerous views of Kinloch House and its grounds and outbuildings, Collessie (village in Fife), Kames House (Berwickshire), Cunnoquhie House, Falkland Palace, Inchrye Abbey, and Edinburgh (Scott Monument, St George's Church, St John's Chapel, High School, Pitt statue, gaol, and similar); together with 4 photogenic drawings of tree-leaves or grasses (these not from negatives, and in addition to the 120 mentioned). Contemporary fine-diaper cloth album, gilt-lettered 'Calotypes' on front cover, rebacked and recornered, endpapers renewed with bookplate (containing arms of the Kinnear family) reimposed to front pastedown, a few mounts stained from adhesive, a few prints with pencilled embellishments in some cases adding architectural detail, final 11 leaves detached but remaining conjugate, lacunae in foliation indicating a few leaves excised.The album is sold with an extensive collection of related material, including:1. 4 additional photograph albums:a & b) Two albums respectively containing 60 and 25 albumen prints mainly of architecture in Scotland and Northumberland, 1890 & 1892, all approx. 15 x 20cm, mounted rectos only on stiff card, and including Drygrange House and Compstone House, both designed by Kinnear's architectural firm Peddie & Kinnear (with captions to that effect, i.e. 'Drygrange House - C.G.H.K. fecit'; 'Compstone House, Kirkcudbright, C.G.H.K. fecit'), and a few family portraits and non-architectural views, pencilled captions to mounts (in a similar hand to those in the calotype album);c) Album of 52 albumen prints, 1887, including Oxford colleges, Scottish houses including Drygrange (see above), jubilee celebrations at Kinloch, a portrait Wellwood Herries Maxwell of Munches House (Liberal politician, 1817-1900; Kinnear's wife was Jessie Jane Maxwell), outdoor scenes including three figures on a wooded path (one figure identified in a later hand as 'C. M. K.', i.e. Kinnear's son Charles Maxwell), and similar, all approx. 15 x 20cm or slightly smaller, pencilled captions throughout (in a similar hand to the preceding items);d) Album of approx. 60 silver gelatin prints, c.1902, mainly Scottish views and family scenes, including the Maxwell family at Munches House, puffins on Handa Island, etc.2) Album of architectural sketches, signed and dated C. G. H. Kinnear, Genoa, 1854, approx. 30 leaves + blanks, annotated pencil sketches on rectos and versos, including studies of architectural detail (tracery, mouldings, doorways, elevations, etc.) in both Genoa and Pisa;3) Charles George Hood Kinnear's diploma of election as associate of the Royal Scottish Academy, 1893, lithographic document on vellum, signed by Queen Victoria ('Victoria R');4) A large volume of Kinnear family documents and letters, 18th-20th century, approx. 200 in total, including letters from Charles's brother John Boyd Kinnear (1828-1920), Liberal politician, letter to John Boyd Kinnear from John Bright, various deeds (including sasines, on vellum), bonds, contracts, inventories, album of 15 watercolour views in France and Ireland, 1920s, scrap albums belonging to Elizabeth Anne Kinnear including a menu inscribed by ornithologist Peter Scott (1909-1989), and similarNote: Note:A highly important and newly discovered album by a pioneer of photography, dating from within a few years of Fox Talbot's invention of the calotype method and its introduction to Scotland in 1841 by Sir David Brewster.Charles George Hood Kinnear was born in 1830 at Kinloch House, near Collessie, Fife, into a wealthy banking family. In 1849 he was articled to Edinburgh architects William Burn and David Bryce. It is suggested in the Dictionary of Scottish Architects that he may have learnt photography from Bryce, though the dates in this album indicate that his photographic experiments pre-date their known professional association.Kinnear became a founding member of the Photographic Society of Scotland in 1856, and in the same year entered into partnership with Edinburgh architect John Dick Peddie. In 1857 he went on an architectural and photographic tour of northern France using a new form of camera with a conical bellows which 'set the pattern for nearly all subsequent cameras' (Schaaf & Taylor). His final public exhibition of photographs was in 1864, after which his architectural work absorbed most of his efforts; the firm of Peddie & Kinnear had become hugely successful, securing major commissions for private houses, public buildings and churches throughout Scotland which remain major landmarks to this day, including Edinburgh's Cockburn Street, and the hydropathics at Dunblane, Craiglockhart and Callander. He was elected associate of the Royal Scottish Academy in 1893, and died suddenly at his offices in Edinburgh in 1894.A full list of the contents of the main album in this lot is available on request. Lot 57 in the sale, the Kinnear family autograph album, contains letters to C. G. H. Kinnear from various figures including Fox Talbot.Further reading: Schaaf & Taylor, Impressed by Light: British Photographs from Paper Negatives, 1840-1860 (2007), p. 338.Provenance: Inherited by the vendor from Elizabeth Hay (née Kinnear, 1924-2017), descendant of C. G. H. Kinnear.
Lot 79
Rowling, J. K. (1965-) Deluxe set of the Harry Potter books, inscribed in each volume comprising: Harry Potter and the Philosopher's Stone; Chamber of Secrets; Prisoner of Azkaban; Goblet of Fire; Order of the Phoenix; Half-Blood Prince. London: Bloomsbury, [2005]. 6 volumes, 8vo, original cloth, with pictorial onlays to front covers, all edges gilt, housed in original blue cloth slipcase Note: Note: Deluxe set, inscribed by J. K. Rowling on the half-title of each volume for Harrison Cockburn, newborn son of her daughter's teacher at George Heriot's School in Edinburgh, the inspiration for Hogwarts, with an autograph letter from Rowling to Cockburn's father presenting the set (signed 'Jo and Neil Murray' and written on two sides of a single sheet of her personal stationery incorporating a facsimile signature and embossed gilt owl vignette, in envelope addressed by Rowling to 'Mr Cockburn'). The inscription in The Philosopher's Stone reads 'Welcome to the world, Harrison! With best wishes, J K Rowling', that in the Half-Blood Prince 'To Harrison Cockburn, This Book was born the same year as you! J K Rowling x' (dated Edinburgh 2005); the remaining inscriptions are variously addressed to Harrison or Harry and all are signed 'J K Rowling'. All published: The Deathly Hallows did not appear until 2007. The Half-Blood Prince is a first deluxe edition.
Lot 80
Rowling, J. K. (1965-) Harry Potter and the Goblet of Fire, signed by the author London: Bloomsbury, 2000. First edition, first impression, 8vo, original pictorial boards, dust jacket, signed by the author on the dedication page, spine-ends very slightly bumped, text-block toned, dust jacket with very light rumpling along top and bottom edges [Errington A9(a)]Note: Provenance: According to the vendor's recollection, signed at the time of publication at the Assembly Rooms, George Street, Edinburgh; admission to the signing was by a 'golden ticket' inserted at random into a limited number of copies made available for sale with trade booksellers.
Lot 81
Rowling, J. K. (1965-) Harry Potter and the Chamber of Secrets, inscribed by the author London: Bloomsbury, 1998. First edition, fifth impression, case-bound issue, original pictorial boards, dust jacket, inscribed by the author 'to Matthew and David, best wishes J K Rowling' on the front free endpaper, text-block toned, extremities slightly bumped, minor creasing and delamination along top and bottom edges of dust jacket
Lot 82
Rowling, J. K. (1965-) Harry Potter and the Chamber of Secrets, signed by cast members London: Bloomsbury, 1998. First edition, thirtieth impression, 8vo, original pictorial wrappers, signed on the inside front wrapper and half-title, by Rupert Grint (in gold ink), James and Oliver Phelps, and Jason Isaacs, who respectively played Ron Weasley, Fred and George Weasley and Lucius Malfoy in the Harry Potter films
![[Rowling, J. K.] Robert Galbraith The Cuckoo's Calling, uncorrected proof copy London: Sphere, 2013. 8vo, original pictorial](https://cdn.globalauctionplatform.com/3c24d1d9-bd7d-4906-af55-aef3010948a3/142be469-f3b6-49d3-8e8b-af1000965908/468x382.jpg)
Lot 145
A group of diecast buses, 1:76 scale, The Western Greyhound, Exclusive First Editions Western National, Exclusive First Editions Leyland Olympian Coach, Daimler DMS bus, Daimler DMS one door, Bristol VR3, Leyland Olympian Coach, Original Omnibus ROE trolley bus for Doncaster, Corgi Anniversary Bristol Lodekka FS5G Lincolnshire Road Car, Great British Buses, Western National Bristol K, Exclusive First Edition Bristol BR Series 3, Bristol K6A, Bristol FLF Lodekka, and others, boxed. (1 tray)
Lot 1267
Early Anglo-Saxon Period, Sceatta, Secondary series K, type 32a, draped and diademed bust left with large eye gazing heavenward and hand cupping cross, rev. lion-headed serpent left, with long tongue, 0.74g/9h (SCBI Abramson –; Abramson 39.30; N 89; S 803C). Very fine, well-centred, rare £200-£260
![Victoria (1837-1901), Penny, 1876h, dies Lm (Gouby K; Bamford 96; F 89 [8+K]; BMC 1708; S 3955). Clash-marks below chin, extr](https://cdn.globalauctionplatform.com/f9a41299-74b6-484c-b5d7-aeb000adb952/0e78aa83-3a47-43cb-880d-af0400cb6850/468x382.jpg)
Lot 188
A white gold sapphire and diamond cluster ring,an oval mixed cut sapphire, claw set, to a surround of brilliant cut diamonds, grain and claw set in a high collet, to chenier shoulders and a 'D' shape shank, tested as approximately 18ct gold, head approximately 13 x 12mm, 5.09g.Finger size KCondition ReportSapphire abraded, with facet junction wear.One diamond with surface reaching inclusions.Claws to sapphire worn, claws to diamonds very worn and require retipping.Rhodium plating worn, would benefit from replating.Solder join at base of shank.Marks/scratches to mount.
Lot 190
A platinum sapphire and diamond ring,a central square step cut sapphire, approximately 4mm, 'V' claw set, to a trefoil of brilliant cut diamonds claw set on either side, to tapered shoulders and a plain shank, Sheffield 1996, 5.67g.Finger size K½Condition ReportSapphire abraded with facet junction wear and showing surface reaching inclusions.Surface reaching inclusions to outermost diamonds.Solder join visible to base of shank.Marks/scratches to mount.
Lot 213
A 9ct gold amethyst and diamond three stone ring, an oval mixed cut amethyst, with an eight cut diamond grain set to an illusion collet at each side, to open shoulders and a plain shank, Birmingham 1992, 1.44g.Finger size KCondition ReportMaker's mark GJ.Some scratches/abrasions to the amethyst.Some porosity to mount.Surface marks/scratches to mount.
Lot 258
Three 9ct gold rings, comprising a 9ct gold topaz and diamond ring, London import mark 1989, a 9ct gold diamond full eternity ring with illusion set diamonds, Sheffield, and a 9ct white gold sapphire and synthetic spinel full eternity ring, London, 6.89g total (3)Finger size Q, K, N½Condition ReportMaker's Mark white gold eternity ring S&S, topaz ring maker's mark worn.The gemstones in the white gold eternity ring are all abraded.Surface marks/scratches to mounts.
Lot 303
Two pairs of gold hoop earrings, comprising a pair of 9ct gold twisted wire earrings with wire fittings, London 1975, 24mm diameter, and a pair of plain hollow hoop earrings, tested as approximately 9ct gold, 23mm diameter,together with a gold twisted wire ring,tested as approximately 9ct gold, 5.18g total (5)Finger size KCondition ReportSurface marks/scratches.
Lot 325
A collection of gold jewellery,comprising a 9ct gold machine engraved wedding band, 6mm wide, London 1977, a 9ct gold 'S' wire ring, approximately 5mm wide, London 1984, a gold twisted wire band, tested as approximately 9ct gold, a gold turquoise cabochon ring, claw set, marked as 14ct, tested as approximately 14ct gold, a single stone paste ring, marked as 14ct gold, tested as approximately 14ct gold, a 9ct gold ring with an articulated link clasp, London 1977, a 9ct gold 'G' initial charm, London 1976, and a gold 'A' initial charm, tested as approximately 9ct gold (8)9ct gold - 7.64g total, 14ct gold - 4.16g totalFinger size L, J, I, K½, L, JCondition ReportMaker's marks B&N, CCN C&T.Single stone paste ring gallery wire misshapen and setting dirty, would benefit from a clean.Turquoise ring finger size approximate because shank is oval and requires reshaping. Turquoise is possibly stabilised or synthetic turquoise. One claw very bent.Twisted wire ring slightly misshapen.Marks/scratches.Articulated clasp ring, clasp out of shape.
Lot 330
A collection of jewellery,comprising a sterling silver curb link charm bracelet, London 1975, suspending a quantity of charms to include an articulated teddy bear and a hinged enamelled lobster pot, all charms tested as approximately silver, a silver heart ring, a silver dyed green agate and marcasite ring, tested as approximately sterling silver, a white metal marcasite and faux pearl brooch (4)Finger size K¾, K½Silver approximately 105.91g totalCondition ReportMaker's mark charm bracelet and clasp LC.Some tarnish.Marks/scratches to surfaces.Minor facet junction wear to amethyst charm.Solder join visible to dyed green agate ring.
Lot 342
A 9ct gold cornelian signet ring, by Charles Green and Sons,an oval tablet cut cornelian, rub set, to patterned shoulders and a plain shank, London 1973, 3.82g.Finger size K¼Condition ReportMaker's mark CG&S.Gold worn, mark/scratches and dirt to surface.Cornelian worn, marks/scratches to surface.
Lot 346
Two 9ct gold initial signet rings,both with initials JB to tapering textured shanks, London 1994 and 1979, 8.86g total (2)Finger size L½, approximately K¼Condition ReportDirty, would benefit from being cleaned.Marks/scratches.Ring no 2 with irregular hammered texture slightly out of shape, sizing is approximate.
Lot 347
Two 9ct gold rings,a 9ct gold initial signet ring with a sans serif capital 'JB', with irregular textured hammered bands to shoulders and shank, London 1985, and a 9ct gold onyx signet ring, by Charles Green and Sons, a square onyx tablet, to plain flat section tapered shoulders and a 'D' shape shank, Sheffield 1977, 6.36g total (2)Finger size K, K½Condition ReportMaker's mark CG&S.Marks/scratches.Solder join at bottom of onyx ring.JB ring thin at bottom of shank.
Lot 35
A 9ct gold single stone smoky quartz ring, a triangular step cut smoky quartz, approximately 18mm, claw set to tapered shoulders and a 'D' section shank, London 1965, 7.49g.Finger size KCondition ReportStone slightly loose in setting, but still appears secure.Sizing join visible at base of shank.Surface marks/scratches to mount.
Lot 355
A gold half sovereign ring,a George V half sovereign, dated 1914, spectacle set to a 9ct gold ring mount, with pierced floral shoulders and a plain shank, Sheffield 1976, 21mm diameter, 10.37g.Finger size K½Condition ReportMaker's mark PLBShank oval in shape, finger size is approximate.Dirty, would benefit from being cleaned.Marks scratches to mount.
Lot 370
A 9ct gold St. Christopher key ring,a St. Christopher with a plain stepped surround, to a trace link chain with a triangular ring with a machine engraved barrel to the screw catch, 13.09gCondition ReportSt. Christopher and the keyring fitting bear different hallmarks. A marriage of parts.St, Christopher hallmarked London 1977, Maker's mark S&K.Keyring fitting hallmarked Birmingham 1976, Maker's mark SJR.Marks/scratches.
Lot 65
An 18ct gold three stone diamond ring, three brilliant cut diamonds in high white gold illusion settings, to chenier shoulders and a plain tapered shank, Birmingham 1973, 4.00g.Finger size K¼Condition ReportMaker's mark HS.Collets dirty underneath, would benefit from cleaning.Minor surface marks/scratches to gold.
Lot 86
An 18ct white gold single stone diamond ring, a round brilliant cut diamond, 5.31 x 5.37mm x 3.15mm, claw set, to tapered chenier shoulders and a plain shank, London 1974, 2.55g.Finger size K½Condition ReportShank snapped clean through at base, possibly at solder join.Wear to sides of under bezel and gallery.Marks/scratches to mount.Some tarnish.Some claws worn.Setting dirty, would benefit from being cleaned.Rhodium plating worn.
Lot 89
A platinum princess cut diamond ring, by Fred Ullmann,a princess cut diamond, claw set, to shoulders grain set with brilliant cut diamonds, and a flat section shank, London 2005, 4.10g.Finger size K¾Condition ReportSurface marks/scratches to mount.Solder join visible at base of shank.Maker's mark FEU.Princess cut diamond measures approximately 4.22-4.27 x 2.87mm, estimated as approximately 0.43ct.Assessed as approximately:Colour H-IClarity VS1-VS2
Lot 2
Jim Kay, Harry Potter Book Illustrator, 10x8 Signed Photograph of the cover of the J. K Ro9wling book- Harry Potter and the Goblet of Fire. Jim Kay (born 4 April 1974) is a British illustrator and printmaker from Northamptonshire, England, who won the Kate Greenaway Medal in 2012 for his illustrations for the book A Monster Calls by Patrick Ness. He was selected personally by J. K. Rowling to present colour illustrations of every title in the Harry Potter series. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 85
WW2 Arthur Bomber Harris signed Air Force Cross cover, A4 size signed additionally by MRAF D Boyle, Sqn Ldr Bugge, ACM K Williamson, Grp Cpt W Randle, Grp Capt D Emmerson. From DM Medals series of covers. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 441
Emerald and diamond three stone ring in 18ct gold, size K, gross weight approx. 3.7g; also a garnet three stone ring in unmarked yellow gold, size Q, 5.4g; a multi gem set diamond dress ring in 18ct gold, size M, 6.2g; an amethyst dress ring in unmarked yellow gold, size O, 5.1g; and a cultured pearl and sapphire cluster ring in 9ct gold, size L, 4.5g (5)
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137173 item(s)/page