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Click here to subscribeA 9ct gold signet style ring, star gypsy set with a circular cut diamond, Birmingham 1975, ring size approx K, another 9ct gold signet style ring and a gold and amethyst single stone ring, detailed '9ct', total weight 6.9g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A late Victorian 18ct gold, ruby and diamond ring, mounted with three cushion cut rubies alternating with two cushion cut diamonds, each in a lozenge shaped setting, Birmingham 1891, weight 2.5g, ring size approx K.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
HERBERT ROSE BARRAUD (1845-1896), Men and Women of the Day, published 1888-1893, bound in six volumes in full leather, with full page carbon prints mounted on board and accompanying biographies, ex libris Eric Quayle, some pencil inscriptions; vol I, 45 carbon prints, vol II, approx 47 carbon prints includes H Rider Haggard, William Powell Frith, Henry Morton Stanley, actors including Charles Wyndham, Julia Neilson, John Hare, Winifred Emery; vol III, approx. 45 prints includes William Holman Hunt, Walter Crane, Annie Besant (photograph present but detached), suffragette Margaret Dilke, actors, singers etc.; vol IV 47 prints includes Cardinal Newman, John Ruskin, Joseph Chamberlain, Ellen Terry, Herbert Spencer, Lady Randolph Churchill, Robert Browning, W G Grace, Alfred, Lord Tennyson, Sir Charles Halle, Thomas Hardy; vol V approx 44 prints, including Arthur Conan Doyle, female actors and singers, society beauties; vol VI, 46 prints, including J M Barrie, Jerome K Jerome scientists Reverend William Henry Dallinger, Lord Kelvin etc., photographs typically 24cm x 18.5cm, mounted on card pages 35.5cm x 24.5cm. Provenance: Bonhams 04/04/2005, The Library of the late Eric Quayle (part 2) lot 586; Quayle pencil note in vol I reveals he obtained the 6 vols from the Salvation Army in 1966.
A Mixed Selection of Photographic Accessories a good quantity of accessories including a SMC Pentax-M f/1.7 50mm lens, a Sigma Zoom-K II f/4.5 70-210mm lens, an Auto Miranda f/3.5 13.5cm lens, an Original Benser Zip Bag small soft leather camera pouch, a set of Vivitar AT-4 Canon FL-FD automatic extension tubes, a Stitz QS/UP monopod, a Rowi table clamp camera support, flash brackets (3), exposure meters (6), a Minerva Tissot stopwatch, a Rollei E19BC electronic flashgun, a bag of cable releases, a bag of lens caps and other items
AN EARLY 20TH CENTURY YELLOW GOLD ENAMEL SWEETHEART RING, the rectangular-shape enamel panel reading Hope together with a young bird and pink flowers, to the split shoulders, grooves sides and plain polished band, ring unmarked, approximate ring size K, approximate gross weight 4.2 grams (condition report: overall condition very good, enamel in good condition, minor light scratches in keeping with age)
AN EARLY 20TH CENTURY PEARL RING, the pearl measuring approximately 10.2mm by 8.9mm (depth 8.8mm), pearl untested, within a ten claw setting to the split shoulders and plain polished band, ring with accompanying box, inner silk lining reads Jimmy Wong Jewellery, P.O. BOX NO. 6378 Kowloon Hong Kong, approximate ring size K, ring stamped 0220, approximate, pearl untested, gross weight 5.4 grams (Condition Report: overall condition very good, pearl untested)
A diamond three stone ring, the central round old cut diamond weighing approximately 0.50 carats (4.8mm W x 3.4mm D) with a further round old cut diamond to each side, each weighing approximately 0.40 - 0.45 carats, claw set in white metal to tapering shoulders and plain polished yellow gold coloured shank (unmarked), ring size K, weight 2.9gmsThere is a chip to the edge of the central diamond, just beneath one of the claws (this can be seen around the bottom left claw in the first image). All diamonds show minor nibbling and wear to the girdles, and general scratching and wear throughout, but no other chips, cracks or losses. Claws show varying degrees of wear, and appear to have been retipped, but are largely in good order and stones are secure. Shank in good order, no major thinning, splitting, resizing or repair, general scratching and wear commensurate with age and use only. Central diamond diamond is approximately SI2, the other diamond to the shoulder is SI1. One of the shoulder stones has an approximate clarity of I. Please note - colour grading may be impacted due to settings. All stones show minor draw of colour when viewed face up, when viewed from side the approximate colour is G/H/I - these have been assessed in setting.
A Victorian pearl and diamond floral ring, comprising a central old cut diamond weighing approximately 0.25 carats (4.1mm W x 2.7mm D) with a six petal surround set with half-pearls, head 12.2mm wide, continuing to a plain polished shank, stamped '18ct', ring size K 1/2, weight 4.4gmsCR; The central diamond in good order, no major cracks, chips or losses, general scratching and wear commensurate with age and use only - some cleaning may be required. All pearls are present, and none show any major cracks, chips or losses, however all show minor to moderate abrasion to the surface commensurate with age and use. Petals are in good order, all showing general scratching and wear, no major thinning or splitting. There are signs of possible solder repair underneath the head (see pictures). Shank shows general scratching and wear, but no major thinning, splitting or repair. See pictures for illustration. Central diamond in good order - no obvious draw of colour, white and sparkly when viewed face up. No obvious inclusions in the stone visible under 10x.
A 9ct gold curb link bracelet, approximately 20cm long, with a heart-shaped padlock fastener, marked for 'S&K', London 1966, 2.6cm x 1.7cm, suspending a spring-ring loop marked '9C' and a gold coloured florally engraved loop, gross weight 64.5gmsCR; Bracelet approximately 20cm long.Links in good order - some minor thinning around contact points, some minor denting, general scratching and wear commensurate with age and use, but no splitting or repair. Clasp in good order, showing general scratching and wear, and some light denting, but no splitting or repair or major thinning. Clasp is in working order. Attached floral link shows stretching and misshaping, general scratching and wear. The spring ring has lost it's catch, and cannot be opened. Spring ring shows some thinning/splitting, denting and general scratching and wear.
A Charlotte Rhead Bursley Ware jug or ewer, 1930s, decorated with tube lined pattern number TL76, printed and painted marks to base, 24.5cm high, with a similar Charlotte Rhead Bursley Ware jug decorated in pattern number TL14, printed and painted marks to base, 24cm high, a Buchan stoneware jug, 31cm high, and an H & K Tunstall jug, 21.5cm high (4)
Signed ' K. Masek' bottom right, oil on canvas28 x 28 in. (71.1 x 71.1cm)ProvenancePrivate Collection, FloridaThe unlined canvas in overall fair to good condition. The canvas is slightly dusty and would benefit from a clean. Heavy craquelure throughout, creating ridge formations with a few small areas where paint is lifting slightly (mostly at center right). With a pinhole at upper center, just above the sitter's hair, in the background. Minor abrasions at the right of the bottom outer edge, due to frame rubbing. Examination under UV light does not reveal major inpainting apart from a series of minuscule inpainting flakes (pinpoint size) on the girl's forehead.Frame: 34 1/2 x 34 1/2 in.To view additional images, or to receive any information, please email Raphael Chatroux at rchatroux@freemansauction.com.
Signed 'Frits Thaulow.' (underlined) bottom left, oil on canvas32 x 39 1/2 in. (81.3 x 100.3cm)Please note this Lot will be on view in New York City at the National Arts Club (15 Gramercy Pk S) the week of January 23. To make an appointment, please contact Raphael Chatroux at rchatroux@freemansauction.comProvenanceCollection of Mr. and Mrs. Edmund Lyon, Buffalo, New York (acquired in Paris cira 1924)By descent to Mr. and Mrs. Francis K. Remington, Rochester, New York, circa 1938.By descent to Mr. and Mrs. William Moore Dietel, New York, New York and Flint Hill, Virginia, since 1995.NoteBorn in Oslo in 1847, Frits Thaulow found modest success as a painter of marine and coastal subjects under the tutelage of C.F. Sørensen at the Academy of Fine Arts in Copenhagen. Following a short tenure in the studio of Hans-Fredrik Gude in Karlsruhe, Germany, Thaulow committed—in large part, for the remainder of his career—to painting landscapes, first in his native Norway and, subsequently, across northern and northwestern France.Thaulow’s views of the 1880s and 90s reveal a selective commingling of styles then au courant, from French academic Realism to Naturalism—in the manner of artists Léon Augustin Lhermitte and Jules Bastien-Lepage, whose paintings he would have encountered in Paris the previous decade—to Impressionism. A close friend of Monet and brother-in-law of Paul Gauguin (who, by the late 1870s was still painting in an impressionistic mode), he cultivated an approach that exploited the strengths of each movement. Retaining the compositional structure of mid-century Realism, Thaulow explored the relationship between humans and nature à la Naturalism, while embracing the Impressionist preoccupation with color, light, and atmosphere. His carefully studied depictions of canals, riverbanks, and rural hamlets—the bulk of his output across the final two decades of his life—best reflect this synthesis.Settling in France in 1892, Thaulow executed a spate of characteristic and critically-acclaimed canvases, mostly in and around the villages of Montreuil-sur-Mer (1892–94), Dieppe (1894–98), where he maintained a studio, Quimperle in Brittany (1901) and Beaulieu-sur-Dordogne (1903). The present work likely dates to this fertile period. From an elevated and downward-looking perspective, viewers are transported canal-side. Sharply foreshortened under a cobalt-and-cloud-filled sky, water gently eddies into the middleground of the composition. Flanked by trees and a series of barns and outbuildings on either side, the canal dominates the composition. Figures and a horse-drawn cart are all but enveloped by the landscape—an acknowledgement, perhaps, of the waterway’s importance to the life and livelihood of the village. Hallmarks of Thaulow’s mature style—staccato brushwork, mirror-like reflections, and an intuitive juxtaposition of light and shadow–recommend the scene.To request a condition report, or for any additional information, please email Raphael Chatroux at rchatroux@freemansauction.com.
A RUBY AND DIAMOND RING, the three oval-shaped rubies accented with single-cut diamonds, mounted in 14K gold, Italian registry mark, ring size K½Condition Report: Rubies: of pinkish-red hue, medium tone, well matchedStamped 585 for 14K gold with Italian registry mark inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 4.1g
A sapphire and diamond three stone ring, the central circular sapphire flanked by a diamond to each side, the sapphire 7.3mm diameter, total diamond weight approximately 0.5ct, claw set to an unhallmarked white metal shank, size K/L approximately 2.9g CONDITION REPORT: The diamonds are both included. One has a small flat chip to surface near tip of a claw. Although not great clarity they appear bright and white.The sapphire is natural, has two scratches across centre and feels secure in its setting. It is 4mm deep.I cannot see any inclusions in the sapphire, it is a little on the dark side.In the images there is something yellow in the setting, this was dirt and has now been cleaned away - the ring was a late entry to the sale.
A diamond three-stone ring, the central stone of approximately 1.5ct, the flanking diamonds of approximately 0.7ct each, claw set to a yellow gold band with engraved shoulders, size O, approximately 4.1g/see illustration CONDITION REPORT: Clarity VS2-SI1. Small nibbles to girdles. Bright and lively stones, difficult to assess colour due to yellow metal. (Very approximately K?) Resizing to base of hoop. Overall good condition.
Three Victorian 18ct gold diamond and gemstone dress rings (3)Diamond five stone ring- hallmarked 18ct, Birmingham, date letter obscured/illegible, circa 1900, ring size K½, weighs approximately 3.35 gramssapphire and diamond ring- not hallmarked but the shank is stamped 18ct, ring size L. Wear commensurate with age/sapphires scratched, weighs approximately 2.39 gramsruby and diamond ring- missing a ruby, not hallmarked, tests as approximately 18ct, circa 1900. Size P. Weighs approximately 3.56 grams
Diamond eternity ring with a half hoop of brilliant cut and baguette cut diamonds in 18ct white gold setting, Birmingham 2006. Ring size K½.Good condition commensurate with age. Diamonds are all clean bright well-matched stones, the setting is in good condition and clear hallmarks. Weighs approximately 2.6 grams
Late Victorian diamond five stone ring with five graduated old cut diamonds in carved gold setting on 18ct gold shank, estimated total diamond weight approximately 0.50cts, ring size K½.Good condition. The side of the setting/gallery is worn commensurate with age and having been worn with a wedding ring. The claws/setting seems secure. The profile of the shank is slightly distorted. The diamonds are fairly lively stones, slightly grey and have inclusions. Weighs approximately 2.1 grams.
W & A K Johnston, The Unrivalled Atlas of Mordern Geography for Schools and Families, Thirty Four Maps with Index to Twenty Thousand names contained in the Atlas, 1888, together with a J.Gibson map, A Map of the New Government of East and West Florida, c1763 and a Thomas Moule Map of Durham (3)
Thirty European Cup Competition Programmes 1960s / 70s, eight Tottenham Game Programmes 1961/62 S C Feijenoord, Gornik Zabrze, Dukla, Benfica, 1963 O F K Belgrade x 2, F C Sloven, Manchester Utd, five Arsenal Programmes 1954 Spartak, 1969/70 Sporting Club De Portugal, Ajax, Amsterdam, Anderlecht 1971/72 Benfica, five Chelsea ties 1957 Sparta, C D S A Moscow, 1959 Atletico Bilbao, 1966 Milan A C, Barcelona, six Wolves Programmes 1954 Honved, 1955 Moscow Dynamo, 1958 Schalke, 1959 ASK Vorwaerts, Red Star Belgrade, 1960 Barcelona, two West Ham 1965 Final TSV Munchen 1860, 1966 Borussia Dortmund, 1962 Ipswich V Milan, Rangers V Sparta AC, Liverpool V Dortmund Final 1966, plus two further Final Programmes 1963 Benfica V Milan AC and Eintracht V Real Madrid 1960 all good condition but with some writing for team changes and scorers used for reporting by Jim Connolly
Silk Cigarette Card Issues, various examples, contained in modern photograph sleeves, postcard size examples, Godfrey Phillips BDV Great War Leaders and Celebrities (22), Old Masters (10), Flags (28) includes two Flags of the Allies, Regimental Colours (7), Beauties (1), Irish Patriots (2), various medium size and K size issues, Godfrey Philips BDV and others, National Flags, Colonial flags, Regimental Emblems, Clan Tartans, Pilot & Signal Flags, Great War Leaders & Celebrities, Arms of Countries, Ceramic Art (90), F-VG, (160+)
Corgi - Matchbox - Lledo - Solido - A collection of 13 x boxed Fire Engine models including limited edition Corgi Mack CF Aerial Ladder number 2137 of 4000 produced # 52103, Matchbox Super Kings Dodge Monaco Fire Chief car # K-67 and similar others. The models appear Mint, the boxes are mostly Good. (This does not constitute a guarantee)
° ° Dickens, Charles - Master Humphrey’s Clock, 1st edition in book form, 3 vols, 8vo, later quarter calf with marbled boards, renewed end papers, illustrated by George Cattermole and Halbot K. Browne (‘’Phiz’’), front page of part 16 bound in at front of vol.1, Chapman and Hall, London, 1840-41
° ° Dickens, Charles - Dealings with the Firm of Dombey and Son. ‘’Dombey and Son’’, 1st edition in book form, with all 1st state errors, 8vo, half calf, with marbled boards, illustrated by Halbot K. Browne (‘’Phiz’’), with frontis, added title and 38 plates, some with light foxing, back board detached, Bradbury and Evans, London, 1848
° ° Dickens, Charles - The Posthumous Papers of the Pickwick Club. ‘’Pickwick Papers’’, 1st edition in book form, with mixed 1st state points, stab holes present, 8vo, half calf with marbled boards by Rivière & Son, with frontis, added title and 41 plates, illustrated by Buss (plates opp. p. 69 and p.74), Seymour and Halbot K. Browne (‘’Phiz’’), some light foxing, Chapman and Hall, London, 1837
° ° Dickens, Charles - The Posthumous Papers of the Pickwick Club. ‘’Pickwick Papers’’, 1st edition in book form, with mixed 1st state points, 8vo, half calf with cloth boards, illustrated by Seymour and Halbot K. Browne (‘’Phiz’’), with 43 plates, with toning and foxing, small split to front lower spine, Chapman and Hall, London, 1837
A 9CT GOLD DIAMOND DRESS RING AND A SIGNET RING, the first a wide openwork lattice detailed ring, set with single cut diamonds in a white metal mount, with a yellow gold milgrain edge, leading onto a polished yellow gold band, approximate ring head width 14.0mm tapering down to the band, hallmarked 9ct Sheffield, ring size K 1/2, approximate gross weight 4.5 grams, together with a small signet ring, depicting George and the Dragon, open work shoulders leading onto a thin band, unmarked, ring size G 1/2, approximate gross weight 1.0 grams (condition report: would benefit from a gentle clean, diamonds intact, the signet ring has a slightly misshapen shank)
A LARGE DRESS RING, PASTE SET CLUSTER RING AND A PAIR OF EARRINGS, the first ring set with an oval cut purple paste, collet set within a rose metal mount, polished tapering shank, unmarked, ring size I, approximate gross weight 7.3 grams, the second ring of a flower shape, set with blue and colourless pastes, in a white metal mount, pinched shoulders leading onto a polished yellow metal band, stamped 9ct, ring size K 1/2, approximate gross weight 3.1 grams, together with a pair of yellow metal and imitation pearl stud earrings, post and scroll backs stamped 375, approximate gross weight 1.2 grams (condition report: the first large ring appears to have been resized at some point, slight discoloration in places, the paste set cluster has a damaged blue paste)
A MODERN WHITE METAL DIAMOND SINGLE STONE RING, set with a round brilliant cut diamond, eight claw set, to the plain polished band, estimated diamond weight 0.20ct, assessed colour K-L, assessed clarity I1 (chip to diamond), ring stamped W.18, approximate ring size L, approximate gross weight 2.5 grams (condition report: overall condition very good, diamond bright and lively, the diamond has a noticeable chip to the girdle edge)
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