Littleton, Harvey K. Vierteiliges Glasobjekt "Blue/Ruby Hyacinth implied movement" (Corning/New York 1922-2013 Spruce Pine) Vier unregelmäßg geschwungene, sich verjüngende Glasstäbe aus farblosem Glas mit violetten und blauen Einschmelzungen. Monogrammiert und dat. "HKL II - 1987 - 2". H. 53 - 69 cm. - Who's Who in Contemporary Glass Art, 1993, S. 326. Abb. Ausst.Kat. Littleton/Fujita, Glasmuseum Ebeltoft, Dänemark 1989, S. 75.Galerie Waldrich München / Privatsammlung Christiane Waldrich, Studioglas
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Rybácek, Karel Große Vase (Tschechien 1931-2006) Zylinderform. Farbloses Glas mit hellblauem Überfang und großen vegetabilen, geätzten Ornamenten in Schwarz mit wenig Rot. Am Fußrand sign. und dat. "K. Rybacek 1970". H. 36,6 cm.Design, Galerie Waldrich München / Privatsammlung Christiane Waldrich, Glasfachschule in Kamenický Senov, Glasvase, Studioglas Tschechien, tschechischer Glaskünstler, Vintage
Littleton, Harvey K. Form in Violett (Corning/New York 1922-2013 Spruce Pine) Farbloses Glas mit mehreren verschiedenfarbigen Überfangschichten in Weiß, Blau und Violett sowie mit orangefarbener Fadeneinschmelzung, frei geformt und geschliffen. Seitlich mit Widmung, sign. und dat. "1987". Ca. 15 x 8 x 7 cm, auf Sockel 5,5 x 10,5 x 6 cm. - Who's Who in Contemporary Glass Art, 1993, S. 326. Vgl. Ausst.Kat. Littleton/Fujita, Glasmuseum Ebeltoft, Dänemark 1989.amerikanischer Glaskünstler, Galerie Waldrich München / Privatsammlung Christiane Waldrich, Gründer der Studioglasbewegung, Studioglas, USA
Littleton, Harvey K. Descending Form (Corning/New York 1922-2013 Spruce Pine) Zweiteilig, ein großer Bogen und ein kleineres korrespondierendes Objekt. Farbloses Glas mit verschiedenfarbigen, längs verlaufenden, dünnen Überfangschichten in Blau, Violett und Orange, mit orangefarbenen Fäden, frei geformt und geschliffen. Beide seitlich sign. und dat. "H.K. Littleton 11-1988-3". Ca. 35,5 x 6 x 26 cm und 7,5 x 16 x 7 cm. - Who's Who in Contemporary Glass Art, 1993, S. 326. Vgl. Abb. Ausst.Kat. Littleton/Fujita, Glasmuseum Ebeltoft, Dänemark 1989, S. 60/61.amerikanischer Glaskünstler, Galerie Waldrich München / Privatsammlung Christiane Waldrich, USA
Oppel, Gustav Schlangentänzerin "Salambo" (Volkstedt 1891-um 1978 Berlin) Für Rosenthal, Kunstabteilung Stammwerk Selb, Entwurf 1927, Ausformung 1928. Porzellan mit farbiger Bemalung und Goldstaffage. Am Boden grünes Firmensignet, Modellnummer "K 956" und Malersignatur "Schneider". H. 26,5 cm.Fränkisches Porzellan, Porzellanfigur
Moser, Koloman Stängelglas "Meteor" (Wien 1868-1918 ebd.) E. Bakalowits & Söhne, Wien, E. 19. Jh. Über Scheibenfuß mit Stiel becherförmige Kuppa mit sog. Meteordekor. Farbloses Glas. H. 13,5 cm. - Lit. K. Warthorst: Gebrauchsglas 1898-1924, 2001, S. 77.Galerie Waldrich München / Privatsammlung Christiane Waldrich, Gebrauchsglas, Österreich, Trinkglas, Weinglas
A Victorian 18ct gold diamond double-row half hoop ring, set with old-cut diamonds, total diamond content approx 1ct, setting height 7.9mm, size K, 4.4gNo damage or repair, all stones present, diamonds relatively bright with a slight yellow tint and multiple internal inclusions, settings slightly worn on both sides of bridge, inside of shank hand engraved 18ct
A modern platinum diamond oval halo cluster ring, London 2014, set with oval and modern round brilliant-cut diamonds, principal diamond approx 0.28ct, total diamond content approx 0.59ct, setting height 9.6mm, size K, 3.5gNo damage or repairs, all stones present, diamonds bright and fiery, settings lightly worn, hallmarks rubbed, stamped 920
A modern 18ct gold diamond half eternity ring, channel set with modern round brilliant-cut diamonds, total diamond content approx 1ct, setting height 4.8mm, size K, 4.7gNo damage or repairs, all stones present, diamonds relatively bright and fiery, settings extremely lightly abraded, hallmarks clear, stamped 750
A late 20th century 9ct gold garnet half hoop ring, maker W&G, Birmingham 1977, set with oval mixed-cut garnets, setting height 6.1mm, size K, 2.7gNo damage or repairs, all stones present, garnets have abraded facet edges, settings quite worn mainly on back on shank, hallmarks clear, stamped 375
Silber Prunkschale mit Moosachatscheiben, Kreamer, Fritz (St. Johann/Saarbrücken 1892 - nach 1945), Handarbeit, runde Form, stehend auf drei Füßen, jeweils aus drei Kugeln, ein Fuß geklebt, Fahne mit sechs vernieteten Moosachatscheiben, dazwischen von zwei Seiten ausgearbeitete Eichenblätter, im Spiegel wohl das Goldschmiede oder Familienwappen, der Fa. Kreamer, rückseitig gestempelt Handziseliert, Handarbeit, Fr. Kreamer, Saar, Posthorn darin K, Firmenzeichen, nachträglich mit Minervakopf für 950 Silber, Durchmesser 34,5 cm, Gewicht 1118 g. 3626-002
Cartier Damenarmbanduhr, Tank, in 18-karätigem Gelbgold, Paris um 1990, rechteckiges Gelbgoldgehäuse, rückseitig bez. Cartier Paris, Tank Quartz, 18 k Swiss Made, Modellnr. 8810529712, Cartier Firmenstempel u. zwei Stempel mit Eulen, darin 75, Gehäuse L 30 mm, B 24 mm, weiß emailliertes Zifferblatt mit röm. Zahlen, bez. Swiss Made u. in der Sieben "Cartier", Gewicht 29 g, im Original-Etui. 3758-003
Bibliography.- K[erney] (M[ichael], translator & editor) The Spanish Letter of Columbus to Luis de Sant'Angel...dated 15 Feburary 1493 reprinted in facsimile...from the Unique Copy of the Original Edition (printed at Barcelona early in 1493) now in the possession of Bernard Quaritch, the translator's proof copy with his pencil signature and detailed manuscript corrections and amendments, illustrations, original roan-backed cloth, spine worn and defective, [cf.PMM 35], Bernard Quaritch, 1891.⁂ A facsimile of the famous 'Columbus Letter', the first printed account of the New World, which Christopher Columbus wrote to King Ferdinand and Queen Isabella to inform them of his discovery of land, although at the time he still thought it was part of the Indies. The letter was soon printed in Barcelona and the only known copy of this printed version was discovered in Spain in 1889, was bought by Bernard Quaritch from a French dealer in 1890 and sold by him in 1892 to the Lenox Library in New York (now part of the New York Public Library).Michael Kerney was the chief cataloguer at the antiquarian bookseller Bernard Quaritch and responsible for many of the firm's distinguished catalogues and productions. A natural linguist with an extensive knowledge of books and early manuscripts he taught himself Arabic, Persian and other eastern tongues to add to his Greek, Latin and various modern European languages.
Photography.- Friedlander (Lee) Recent Western Landscape 2008-2009, New York, 2010 § Levitt (Helen) Crosstown, limited edition, New York, 2001; Here and There, New York, 2003 § Gossage (John) Thirty Two Inch Ruler, Gottingen, 2010 § Marsalis (Wynton) & Frank Stewart. Sweet Swing Blues on the Road, signed by Marsalis on front free endpaper, New York & London, 1994 § Metzker (Ray K.) City Stills, Munich, 1999 § Himmel (Paul) Photographs, New York, [c.1999], all signed, all but the fifth by the photographer, photographic illustrations, some colour, original cloth or boards, the last five with dust-jackets; and 11 others, American photography and photographers, 4to & folio (18)
NO RESERVE [Hutcheson (Francis)] An Inquiry into the Original of our Ideas of Beauty and Virtue, third edition, engraved coat-of-arms at head of dedication, light offsetting, library stamp to title, bookplate to pastedown, hinge cracked, for J. & K. Knapton et al., 1729; An Essay on the Nature and Conduct of the Passions and Affections. With Illustrations on the Moral Sense, second edition, 1730, uniformly bound in contemporary calf, joints split but holding firm, rubbed; and a fourth edition of the first mentioned, 8vo (3)
Dickens (Charles) Bleak House, first edition in book form, frontispiece, additional pictorial title and 38 plates by Hablot K. Browne, lacking half-title, bookplate, foxing, some browning to plates, [Eckel pp.79-81; Smith I, 19], 1853; The Life and Adventures of Nicholas Nickleby, frontispiece, additional pictorial title and 38 plates by Phiz, bookplate, foxing, some browning to plates, 1839, later half morocco, rubbed; and 9 others by the same, 8vo (11)
Japan.- Takashima (Suteta) Illustrations of Japanese Life, 3 vol., 36 colour tinted photographic plates, some spotting, bound and stitched Japanese-style, original decorative wrappers, 2 vol. splitting along fore-edge, some creasing and the odd tear, Tokyo, K. Ogawa, 1903; and 3 others, v.s. (6)⁂ Three volumes from the series, the focus of these being: Customs and Ceremonies of Japan; Women, Children,Music & Priests; Women, Children, Pastimes and Customs.
Platinum Art Deco emerald cut blue zircon ring, with three milgrain set old cut diamonds either side, stamped platinum, zircon approx 1.90 caratCondition Report:Approx 3.45gm, size K-L, well presented ring, a couple of very very small nibbles to edges on not detrimental and visible under loop
VAUGHAN (Brian K.). The Last Man, Deluxe edition, complete in 5 volumes, colour comic-strip illustrations by Pia Guerra, cover artwork by J. G. Jones, a post-apocalyptic science fiction comic book series credited by Stephen King as The best graphic novel Ive ever read, uniform black boards, published by Vertigo, 2008-2011. 4to. (5) Condition Report: near fine conditions.
Marvel Chronicles - a pair of slipcased hardback books with art prints, published by Dorling Kindersley, includes, COWSILL (Alan) and Matthew K. Manning. Spider-Man Chronicle: Celebrating 50 Years of Web-Slinging, Introduction by Stan Lee, chronicles year by year, month by month, the history and development of Marvels favourite hero alongside real-world events, features original artwork by John Romita Sr., Todd McFarlane and others, debuts of Spider-Mans most dangerous villains, and key storylines, colour illustrations throughout, with two art prints loosely inserted in pocket at front, pictorial boards within a pictorial slipcase, published 2012; together with, Marvel Chronicle: A Year by Year History, features original artwork from early comics by Jack Kirby, Steve Ditko and others, with two art prints loosely inserted in pocket at rear, published 2012. 4to. (2Condition Report: near fine conditions.
NIELS ERIK FROM, A COLLECTION OF VINTAGE SILVER COLOURED FLOWER HEAD JEWELLERY Comprising a petal bracelet, the pierced shaped panels with line detail, stamped STERLING DENMARK N.E.FROM 925S, with circular polished clasp; together with two matching flower head brooches, stamped STERLING DENMARK 925S; with two double flowerhead rings, stamped FROM 925S Size/dimensions: bracelet 16.7cm long; brooches 5.6cm wide; finger sizes K and N Gross weight: 46 grams Together with: a trio of silver coloured flower head brooches, stamped N.E.FROM STERLING 925S DENMARK; together a pair of similar earrings, with beaded accents, stamped STERLING DENMARK N.E.FROM, screw fittings; with a flower head panel ring, stamped N.E.FROM STERLING 925S DENMARK Size/dimensions: brooches 3.9cm diameter; earrings 3.9cm long; finger size I1/2 Gross weight: 31.7 grams And a pair of silver coloured flower head brooches, the veined petals with a bead centre, stamped N.E.FROM STERLING 925S DENMARK; together with a pair of double flower head panel rings, stamped FROM 925S Size/dimensions: brooches 6.2cm diameter; rings finger sizes L and O Gross weight: 43 grams
A DIAMOND PANEL RING AND TWO FURTHER RINGS The lozenge shaped panel set with a central old cut diamond with eight cut diamonds at the cardinal points, the shank stamped 18ct; a 9 carat gold buckle ring, Birmingham 1983, with polished shank; and a 9 carat gold shaped band ring, London 1972 Size/dimensions: first finger size K 1/2; second X 1/2; third O 1/2 Gross weight: 10 grams Condition Report: First ring there is wear under the setting from the ring being worn with another. The diamonds are bright and lively. The other rings have wear commensurate with age and use. Condition Report Disclaimer
[Signed] Four works about Cornwall. A. K. Hamilton Jenkin. 'The Cornish Miner,' flat signed and inscribed by the author 'With affectionate regards, to Arthur Russell Who above all others understands why this book was written....,' first edition, original cloth, unclipped rebacked dj with tears and nibbles etc, some light spotting throughout, George Allen & Unwin, London, 1927; J. T. Blight. 'A Week at The Lands End,' signed by the Cornish historian Charles Henderson to verso of frontis, original cloth, illustrations, g to vg, Longman, Green, Longman, and Roberts, 1861; Ruth Manning-Sanders. 'The West of England,' flight signed by the author, lacks dj, original cloth, B. T. Batsford, London, 1949; John Bannister. 'A Glossary of Cornish Names,' flat signed 'Charles Henderson from R. Barclay 1927', first edition, 212 pages, original cloth with loose backstrip, J. R. Netherton, Lemon St, Truro, 1871. (4)
Cornish mines from underground. Seven illustrated works. J. C. Burrow and W. Thomas. 'Mongst Mines and Miners. being underground scenes by flash-light illustrations and explaining the methods of working in Cornish mines about 1895,' reprint, thin card wraps, some toning, D. Bradford Barton, Truro, 1965; P. R. Deakin, J. A. Buckley and K. T. Riekstins. 'South Crofty Underground', 'Wheal Jane Underground', 'South Crofty Old Workings' and 'Geevor Mine Underground', all pictorial thin card wraps, photographs in b+w and colour throughout, Penhellick Publications, Redruth, 1995-1999; With two others. (7)
Cornwall interest. Thirty three works. Mostly all produced locally with expert knowledge D. E. Hattam. 'Pumping Engines on the St. Agnes Mines,' a typecript treatise with illustrations, pp. 84, a record in some detail of the history of many pumping engines sourced from the 'Cornish Studies Library', Derek E. Hattam, Camborne, June 1993; Richard Cole. 'Wheal Henry, Poldice Valley, Cornwall,' a report for Cornwall Council, rin bound, pp. 48, many diagrams and maps, Cornwall Archaeological Unit, 2001; Justin Brooke. 'Stannery Tales. The Shady Side of Mining,' paperback, dedicated 'to A. K. Hamilton Jenkin who guided my steps', pp. 91, Twelvehead Press, Truro, 1980; With thirty limpbacks and booklets including mining histories and biographies. A good collection. (33)
The history of Cornwall and its people. Five works by various authors Thurstan C. Peter. 'The History of Glasney Collegiate Church, Cornwall,' first edition, original cloth, frontis and plates, original cloth, some spotting to endpapers, pp.175, vg, Camborne Printing and Stationary Co, 1903; H. O'Neill Hencken. 'The Archaeology of Cornwall and Scilly,' first edition, original cloth, nibbles and tears to unclipped dj, illustrations throughout, vg, Methuen & Co, London, 1932; Thomas Taylor. 'The Celtic Christianity of Cornwall. Divers Sketches and Studies,' original green cloth, spotting throughout, Longmans, Green and Co, London, 1916; A. K. Hamilton Jenkin. 'News form Cornwall. With a Memoir of William Jenkin,' first edition, original cloth, plates and frontis, Westaway Books, London, 1951; With a copy of 'Cornwall and its People' by Jenkin. (5)
[Signed] Jack Penhale (Raymond Harry) 'The Mine Under the Sea' First book edition, flat signed to title page, original card wraps, a small amount of spotting otherwise a vg copy, plates, J. H. Lake & Co, Falmouth, 1962; A. K. Hamilton Jenkin. 'The Cornish Miner,' third edition, original cloth, unclipped dj, a vg copy, George Allen & Unwin, London, 1962; Robert Hunt. 'Popular Romances of the West of England,' original decorative cloth, biggest defect is that the titlepage is debound, otherwise vg, Chatto & Windus, London, London, 1908; P. A. S. Pool. 'The History of the Town and Borough of Penzance,' first ediotion, original cloth, lacks dj, vg, published by the Corporation of Penzance, 1974; With one other work and two reprint Thomas Spargo 'The Mines of Cornwall'. (7)
Debden Presentation Folders, Graham E. A. Kentfield, £5 pair, first and special runs, 1999, serial numbers EA01 999940 and DL99 999940, also Merlyn K. Lowther, last and first £10 pair, Dickens and Darwin design, serial numbers LA80 999733 and AA01 999733, as issued (4 notes, 2 folders) EPM C142, C157 £100-£150

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137173 item(s)/page