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Lot 1053
Two 9ct yellow gold rings, comprising an example set with a single blue stone, size K, and a pierced ring, size J, combined approx. 1.9g, also a fine 18ct yellow gold ring set with two blue stones, size L (shank misshapen) and an 18ct yellow gold ring set with seven tiny diamonds in a flowerhead mount, size K, combined approx. 3.5g (4).Condition Report: - The fine ring is stamped
Lot 1027a
An 18ct gold ring set with three baguette cut diamonds in white gold claw setting, marked '750', size K, approx. 3.4g.Condition Report: Overall OK condition, band has light surface scratches. Diamonds have inclusion visible through loop. Stone size is an approximation as measured with a board rather than vernier calliper and is approx .52 carat total.
Lot 1110
A group of silver and white metal jewellery, comprising a 9ct yellow gold and silver ring set with a pale blue stone surrounded by marcasite, size K, approx. 4.2g, a rose quartz cabochon ring, size Q, a ring set with a purple stone, size S, a ring set with marcasite and green guilloché enamel, size P, a ring set with a large purple stone, size I, a tiger's eye pendant/brooch in 925, length 4.5cm, a tiger's eye pear-shaped pendant, length 4.5cm, a pair if 925 silver teardrop-shaped earrings and a 925 silver and moss agate bar brooch.Condition Report: - The first ring is stamped '9CT & Silver', but rubbed. The rose quartz ring, purple stone and enamelled ring stamped 'Silver'. The ring with the large purple stone stamped 'Sterling'. The two pendants stamped 'Silver'. The brooch and earrings all marked '925'. Combined approx. 1.34ozt (excluding the 9ct and silver ring).
Lot 59
A diamond and 18ct white gold drop pendant and earring suite, the pendant comprising an articulated bar with three graduated old cut diamonds, the largest measuring approx 1 carat, approx total diamond weight approx 1.75carats, assessed clarity VS - SI assessed colour I - J, pendant length approx 30mm, unmarked, gold reverse with white metal claw settings, suspended from an 18ct gold chain, length approx 44cm, total gross weight approx 4.7gms, together with a matching pair of earrings, largest diamond weighing approx 0.6ct, total estimated diamond weight of each earing approx 1.1carats, assessed clarities VS - SI assessed colours J - K hook fittings, length approx 36mm, unmarked testing as 18ct white gold, total gross weight approx 4gms Further details: stones present and intact, some wear/abrasions to girdles, wear commensurate with age
Lot 29
Fabergé: an early 20th century Russian silver-gilt, cloisonné and en plain enamel cigarette case by Fabergé, probably by work master Feodor Rückert, of rectangular shape with rounded corners, polychrome cloisonné enamel throughout with stylised floral pattern in multicolours of greens, blues, purple, brown and white, the hinged front cover with en plein enamel image, after Mikhail Ivanovich Avilov's (1882-1954) painting of 1913, Tsarevich Ivan Ivanovich on a walk (the son of Ivan the Terrible), the hinged rear cover centring a sapphire cabochon thumb-piece, hinge opening to reveal gilt interior, both covers hallmarked 88 standard for Moscow 1908-1917, K. Fabergé in Cyrillic with Imperial Warrant, and presentation inscription dating to 1915, dimensions approx. 11.2cm long x 8.7cm wide, portrait part approx. 4.5cm wide x 5.2cm longest point, total weight approx. 268.7 grams (8.6ozt). Condition: generally very good for age, with some scratches to enamel to very small parts but generally good; some tarnishing and wear to inside rims / borders and gilding; tarnishing to exterior border where there is no enamel; Note: engraved presentation inscription in Cyrillic "Dear Gennynog Zmaloevych Gorneman, In memory of the 10th anniversary from the kindness of the staff of the Russian State, General Electricity Company, January 1, 1915", or something very similar (using translate). ***Selling On Behalf of The Wildlife Trusts Charity***
Lot 19
Kathleen Emily Temple-Bird (British 1879 - 1962) Regent's Canal from 22 Blomfield Road signed 'K. Temple-Bird' (lower right) watercolour 23 x 31 cm, framed and glazed 46.5 x 52 cmand six other views of London, all watercolours, two framed Qty: 13 Provenance: By family descentExhibited: 1945 - The Forum Club 1946 - St Ives Society of Artists 1951 - Royal Society of British Artists 1953 - Ridley Art Club 1954 - Camden Hill Group 1954 - Society of Women ArtistsFootnote: Click the following link for further details on this lot - London paintings Briefing Notes.docx. With thanks to the artist's family for providing these notes.Biography: Kathleen Temple-Bird was an artist, teacher and believer in Women’s suffrage. Having been brought up in Ipswich, she trained at the Slade School of Art before travelling to France and Italy. She later travelled alone across Canada, becoming Head of Art at Havergal College, Toronto. She married in 1911 and settled in London, where she exhibited the majority of her paintings, but moved to St Ives for the duration of the Second World War. Further details on the artist are available at the following website - Kathleen Temple-Bird Artist
Lot 1437
Große Mädchenpuppe - Schildkröt für Kämmer & Reinhardt um 1908 Zelluloid-Kurbelkopf. Geöffneter Mund. Schlafaugen. Mohairperücke. Gliedergelenkkörper (Finger rep., Beingummi gelöst). H. 70 cm. Kopfmarke: K(Stern)R, 406, 70, (o. Schildkröte, diese möglicherweise auf der Kopfkrone unter der Perücke). (61309)
Lot 1440
Zwei Charakterbabys gleichen Typs nach 1909 a) Kämmer & Reinhardt, Waltershausen. Das sogenannte "Kaiserbaby". Biskuitkurbelkopf mit modeliertem und gemaltem Haar. Offengeschlossener Mund. Gemalte Augen. Babykörper mit beweglichen Armen und Beinen (erg.). H. ca. 28 cm. Kopfmarke: 28, K(Stern)R, 100. b) Charakterbaby Fritz Bierschenk, Sonneberg. Biskuitkurbelkopf mit modeliertem und gemaltem Haar. Offengeschlossener Mund. Gemalte Augen. Sitzbabykörper mit beweglichen Armen und Beinen (erg.). H. ca. 33 cm. Kopfmarke: "F1B", Germany (61309)
Lot 1442
Charakterbaby-Mädchen - Kämmer & Reinhardt, 122 nach 1912 Biskuitkurbelkopf. Geöffneter Mund mit Wackelzunge und zwei oberen Zähnen. Schlafaugen. Mohairperücke. Sitzbabykörper aus Komposition mit beweglichen Armen und Beinen. H. ca. 42 cm. Kopfmarke: K(STERN)R, Simon & Halbig, 122, 42. (61309)
Lot 489
Amberg, AdolphBraut als Europa auf dem Stier KPM Berlin, um 1910 Sparsam farbig und mit Gold bemalt, am Schmuck und an der Wellenstütze Emailpunkte. H. 40,8 cm (kl. Brandrisse). Aus dem Tafelaufsatz "Hochzeitszug". Modelljahr 1909. Modellnr. 9366. 1. Wahl. Blaue Szeptermarke. Malereimarke. Malersignet. Jahresbuchstabe K. Eine gleich bemalte Figur im Bröhan-Museum, Berlin, siehe: Bestandskartalog Slg. Bröhan II/2 (1977), Nr. 198. (61233)
Lot 772
Konvolut Kaffeelöffel und Kuchengabeln 6 Kuchengabeln (wohl "SGS", Görlitzer Silberwarenfabrik). 6 versch. Kaffeelöffel, versch. Firmen. Alle Feingehalt 800. Ges.-Gew. ca. 250 g. 5 Kaffeelöffel mit Monogramm "M", Feingehalt 700 (11 Lot). 4 Kaffeelöffel m. Monogramm "K" von Jul. Frey, Feingehalt 800. Ges.- Gew. ca. 125 g. Dazu: 1 Gabel mit Rosengriff, Feingehalt 800; Buttermesser von 1910/11 (Birmingham), Feingehalt 800. Ges.-Gew. ca. 32 g. Und: 2 kleine versilberte Löffel. (61259)
Lot 230
Laurens Craen, um 1620 – 1665/71 MiddelburgSTILLLEBEN MIT RÖMER- UND STANGENGLAS, UMGEBEN VON CITRUSFRÜCHTEN UND RAUCHUTENSILIENÖl auf Leinwand.63 x 71 cm.Das Gemälde, war mehrfach in bedeutenden Sammlungen und Ausstellungen vertreten, sowie in den jeweiligen Katalogen abgebildet. Die hellfarbigen Zitronen, die tönerne Glutschale und die Meerschaumpfeife treten leuchtend aus dem dunklen Grund auf. Die Gläser, um die sich ein Weinlaub-Zweig schlingt, treten im Dunkel des Hintergrundes zurück, was der Gesamterscheinung des Bildes einen geheimnisvollen Charakter verleiht. Der Glanz von Glas und Metallplatte in meisterlicher Malerei. Von besonderem Interesse ist das Tabak-Wickelpapier links im Bild, auf dem fein geschriebener Text zu erkennen ist „R ./ Taback / I. / H.“ (Schriftbild vergleichbar mit einem Brief von Craen an Constantijn Huygens 1648, Kgl. Bibliothek, KA 42 aa, nr. 95). Das bekannte Oevre des Malers ist nicht allzu groß. Nicolaas R. A. Vroom nannte 1980 lediglich sechs Gemälde (s. Lit.). Dagegen berichtet Sam Segal von etwa zwanzig Bildern. Laurens Craen ist für 1649 in Middelburg tätig nachgewiesen, wo er für den Hof in Den Haag wirkte. Sein Frühwerk ab der 1540-er Jahre zeigt den Einfluss von Jan Davidsz. de Heem (1606-1984). Es wird angenommen, dass Johannes Borman (tätig um 1658) als Schüler Craens Einflüsse übernommen hat.Provenienz:Wohl: R. H. Ward, London, 1932.Wohl: D. A. Hoogendijk & Co., Amsterdam, 1932. A.S. Drey, London, München, NY, 1932, (nach Doku. RKD). Gallery Mortimer Brandt, New York (nach Doku. Frick-Collection).S. Hartveld, N. Y. (wie vorig).Von da erworben von S. u. Mary van Berg, NY, 1947 (Doku. Frick-Collection).Privatsammlungen Schweiz (Ausstell. 1980).Sotheby´s London, 30. 11. 1983, Lot 83 (als Hubert van Ravensteyn).Schwarz Fine Paintings Philadelphia 2002 (nach Doku. RKD).Lawrence Steigrad Fine Arts, N. Y. 2007 - 2009.Literatur: Nicolaas R.A. Vroom, De Schilders van het Monochrome Banketje, Amsterdam 1945, S.122, Nr. 107, abgebildet S/W Seite 123 (als von Laurens Craen).Mary Van Berg, The van Berg Collection of Paintings, NY 1947, S. 48 (als von Laurens Craen) mit S/W Abb.Niclaas R.A. Vroom, A Modest Message as intimated by the painters of the Monochrome Banketje, Interbook International B.V., Schiedam 1980, Band I, S. 241, Nr. 199, Abb. 326, abgebildet S/W S. 242, Abb. 326, Band II, S. 44, Nr. 199, Abb. 326 (als von Laurens Craen).Sam Segal, Still-lifes by Middleburg painters, Laurens Craen in: Masters of Middleburg, Kunsthandel K. & V. Waterman B.V., Amsterdam 1984, S. 83, fn. 1 (als von Laurens Craen).Ausstellungen: Wohl: Zeeldzame meesters uit de 17e eeuw, Kunsthandel Hoogendijk, Amsterdam 15. Juni - 16. Juli 1932, Katalognr. 19. (als von Laurens Craen, signiert oben rechts) (nach R. A. Vroom, 1980, op. cit. infra).Mortimer Brandt Gallery, New York 22. Nov.-Dez. 1941. (nach Dok. Frick Collection).An Exhibition of Three Centuries of Flower and Still-life Painting, Marshall Spink Ltd., London19. Nov. - 28. Jan 1981, Nr. 18. (als von Hubert van Ravesteyn).Portraits and Other Recent Acquisitions, Lawrence Steigrad Fine Arts, New York 2008, Nr. 12 (als von Laurens Crean). (14318611)Laurens Craen,ca. 1620 – 1665/71 MiddelburgSTILL LIFE WITH ROEMER AND STANGENGLAS SURROUNDED BY CITRUS FRUIT AND SMOKING ACCESSORIES Oil on canvas.63 x 71 cm.The painting has been represented several times in important collections and exhibitions, as well as in the respective catalogs. Of particular interest is the tobacco wrapping paper on the left of the painting, on which the finely written text “R ./ Taback / I. / H.” can be seen (typeface comparable to a letter from Craen to Constantijn Huygens 1648, Royal Library, KA 42 aa, no. 95). The painter’s known oeuvre is not very large. In 1980, Nicolaas R. A. Vroom only named six paintings (see Lit.). By contrast, Sam Segal lists around twenty paintings.Provenance:Probably R. H. Ward, London, 1932.Probably D. A. Hoogendijk & Co., Amsterdam, 1932. A.S. Drey, London, Munich, NY, 1932, corresponding with RKD.Gallery Mortimer Brandt, New York (Documented Frick-Collection).S. Hartveld, N. Y. (as before).Acquired from there by S. u. Mary van Berg, NY, 1947 (Documented Frick-Collection).Private collection, Switzerland (exhibition 1980).Sotheby’s London, 30 November 1983, lot 83 (there listed as Hubert van Ravensteyn).Schwarz Fine Paintings Philadelphia 2002 (RKD).Lawrence Steigrad Fine Arts, N. Y. 2007 – 2009.Literature: Nicolaas R.A. Vroom, De Schilders van het Monochrome Banketje, Amsterdam 1945,p. 122, no. 107, with monochrome ill. p. 123 (as by Laurens Craen).Mary van Berg, The van Berg Collection of Paintings, NY 1947, p. 48 (as by Craen) with monochrome ill.Nicolaas R. A. Vroom, A Modest Message as Intimated by the Painters of the ‘Monochrome Banketje’, Schiedam 1980, vol. I, p. 241, no. 199. fig. 326, with monochrome ill. p. 242, fig. 326, vol. II, p. 44, no. 199, fig. 326 (as by Laurens Craen).Sam Segal, Still-lifes by Middleburg painters, Laurens Craen, in: Masters of Middleburg, Kunsthandel K. & V. Waterman B.V., Amsterdam 1984, p. 83, fn. 1 (as by Laurens Craen).Exhibitions: Probably Amsterdam, Kunsthandel Hoogendijk, Zeeldzame meesters uit de 17e eeuw, 15.06.-16.07.1932, cat. no. 19 (as by Laurens Craen, signed top right) (after R. A. Vroom, 1980, op. cit. infra).New York, Mortimer Brandt Gallery, 22 nov.-20 dec 1941 (after doc. Frick Collection).London, Marshall Spink Ltd., 19 November – 28 January 1981. (as Hubert van Ravesteyn).New York, Lawrence Steigrad Fine Arts, Portraits and Other Recent Acquisitions, 2007 – 2009, no 12 (as Laurens Craen).
Lot 582
Grosse Diamant-Solitär-OhrringeGewicht: ca. 6.6 g. Platin rhodiniert.Um 1930.Beigegeben zwei Expertisen von DPL mit der Nummer SB 714 und SB 715 vom Januar 2025.Prächtige Solitär-Ohrringe besetzt mit großen modernisierten Altschliffdiamanten, 5,05 ct N/O/VS1 und 5,14 ct N/O/VVS, jeweils mit leichter Fluoreszenz, und zwei kleinen Altschliffdiamanten, zus. ca. 0,2 ct K-M/SI-P2. Verschlagene Wiener Punzen. Hängebrisur mit Gegenclip. (1430441) (16)Large diamond solitaire earringsWeight: ca. 6.6 g. ca. 1930.Accompanied by two expert reports from DPL nos. SB 714 and SB 715 dated January 2025. Magnificent solitaire earrings set with large modernized old cut diamonds, 5.05 ct N/O/VS1 and 5.14 ct N/O/VVS, each with slight fluorescence, and two small old cut diamonds, totalling ca. 0.2 ct K-M/SI-P2. Delicate Viennese hallmarks. Lever back closures.
Lot 256
K. Kawai baby grand model GM-10K piano, serial number F019546, ca. 2007-2008. With a Pianodisc iQ Intelligent Player system, model 8000-0009, serial number 10070318. With a piano bench with sheet music storage under the seat.(Bench) height: 18 1/2 in x width: 30 in x depth: 14 in. (Piano, closed) height: 39 1/2 in x width: 58 1/2 in x depth: 59 in.Condition: There are no major visible breaks or losses to the piano. All keys and strings are intact. Light wear along the surfaces including minute and faint scratches. There is a small loss to the finish along the upper right of the pedals and a loss to one of the rubber pads along the top surface of the piano, where the foremost panel folds backwards. The piano bench is stable. Some wear to the piano bench including a few scratches to the seat and some chips along the extreme edges.
Lot 475
Group of four pocket watches including:One Hamilton pocket watch in open face gold filled case with white dial with Arabic numerals and sub-seconds dial. Serial 516775. Back case inside marked Hamilton Watch Co. 10k gold filled K 376552.One Rockford pocket watch in open face case with white dial with Arabic numerals and sub-seconds dial. Serial 779430. Back case inside marked Illinois Watch Case Co. Hercules 1858686.One open face pocket watch in silver plated case with white dial with Arabic numerals and sub-seconds dial. Back case inside marked 0800 EP 6409. One South Bend pocket watch in silverode case with white dial with Arabic numerals and sub-seconds dial. Serial number 410599. Back case inside marked silverode 917899.Diameter ranges from 50.50 mm to 62.20 mm. Gross weight: 561.20 g.Condition: South Bend and Hamilton running, not tested for time. All with wear to cases and the unbranded watch with losses to the dial.
![Pellar (Hans) Eight original book illustrations for 'Der verliebte Flamingo' [together with] a published copy of the first ed](https://cdn.globalauctionplatform.com/a7a0508f-9494-44bb-be56-b29900e88a89/1552fdfc-3a8c-4018-b06c-b29900eb7795/468x382.jpg)
Lot 200
Pellar (Hans) Eight original book illustrations for 'Der verliebte Flamingo' [together with] a published copy of the first edition of the book, pencil, watercolour wash, some gold heightening, each signed in pencil and dated between 1919 and 1922, on card, various sizes between 145 x 295 mm (5 3/4 x 11 1/2 in) and 270 x 280 mm (10 1/2 x 11 in), each laid onto mounts with "cobweb" tissue guards, loose, circa 1919 to 1922; Der verliebte Flamingo, introduction by Max Krell, first edition, one of 150 copies, 10 hand-coloured plates, original wrappers, the front cover printed with a design in blue and gold, 1923, all housed together in near-contemporary pink velvet drop-back box with grey velvet inlay all decorated in gilt and central painted circular vellum disk (some light staining and fading to box, some splitting to joints and head and foot, contained within marbelled card drop-back box and modern pink velvet drop-back box with upper cover in imitation of the published work, large 4to.*** A beautiful collection of original drawings for Pellar's privately published erotic masterpiece. The Austrian artist Hanns Pellar, renowned for his unique Art Nouveau aesthetic, gained recognition for his use of graceful lines, intricate decorative motifs, and a frequent focus on mythological and allegorical themes. In 1911, he was invited by the Grand Duke of Hessen to join the Künstlerkolonie in Darmstadt, where he primarily focused on portraiture, earning acclaim among a select group of art connoisseurs. Pellar’s works often depicted high-society women adorned in lavish attire, celebrated for their vivid creativity and radiant quality. His contributions to art were deeply rooted in the Jugendstil movement, which flourished in Austria and Germany during the late 19th and early 20th centuries. This movement mirrored artistic trends elsewhere in Europe, including the Arts and Crafts movement in Britain and the Art Nouveau styles prominent in France and Belgium.
![[Le Fanu (Joseph Sheridan)] Ghost Stories and Tales of Mystery, first edition, half-title and title in red and blue, frontisp](https://cdn.globalauctionplatform.com/a7a0508f-9494-44bb-be56-b29900e88a89/4f89c593-f0f1-4cf1-857e-b29900e9bc6f/468x382.jpg)
Lot 35
[Le Fanu (Joseph Sheridan)] Ghost Stories and Tales of Mystery, first edition, half-title and title in red and blue, frontispiece and 3 engraved plates by Hablot K. Browne, faint offsetting, some light damp-staining and cockling, some light marking and toning, ink ownership stamps to endpaper and frontispiece recto, 19th century red half morocco, neatly and sympathetically rebacked, preserving original gilt backstrip, slight wear to top edge, covers a little rubbed, g.e., preserved in custom half morocco drop-back box replicating binding, [Sadleir 1376; Tymn 2-60; Wolff 4013], small 8vo, Dublin, James McGlashan, 1851.*** Le Fanu's scarce first collection of ghost stories. A noted influence on a number of later writers of supernatural fiction, most notably M.R. James.
Lot 211
A diamond cluster ring, the step-cut diamond, weighing approximately 1.70 carats, within a surround of brilliant-cut diamonds, mounted in platinum, UK hallmark, remaining diamond weight approximately 0.35 carat, ring size M. £2,000-£3,000 --- Condition Report The principal diamond assessed (loose) by the department as estimated K colour and VS clarity. Gross weight 8.2gm.
Lot 240
A coloured diamond ring by Hirsch, the central diamond of pink tint, weighing 0.70 carat, between two trapezoid-cut diamonds, mounted in 18ct gold, shank signed ‘HIRSCH’, remaining total diamond weight 0.70 carat, ring size K. £3,000-£5,000 --- Accompanied by a report from GCS stating that the diamond is a natural Fancy Light Purplish Pink colour and SI2 clarity. Report number 5785-0015 dated 16 October 2024. Accompanied by a report from Hirsch stating the diamond is a natural Fancy Light Purplish Pink colour and SI1 clarity. Report number AH13756. Report undated but supplied with an Insurance valuation dated 11 February 2005.
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