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Lot 193
1948 Australian "The Invincibles" Cricket Signed Team Sheet : Autographed by 15 players to include Don Bradman, S G Barnes, W A Brown, R Hamence, R N Harvey, I W Johnson, W A Johnston, S Loxton, C L McCool, K R Miller, A R Morris, D Ring R Saggers, D Tallon, E R H Toshack and Manager K O E Johnson overall condition centre folds and general creasing
Lot 371
PURCHASER MUST BE 18 YEARS OF AGE OR OVER A Weihrauch HW 80 K .22 Calibre Air Rifle, numbered 1622874, the beech stock with chequered semi pistol grip, raised cheekpiece to the left side of the stockset with a Hawke Sport HD 3-9X40 scope and sound moderator, with blue nylon slip. Good clean condition
Lot 107
*PETROVICHEV, PETR (1874–1947) Evening After the Rain, signed, further inscribed in Cyrillic “3500 rub”, titled and numbered “No. 9” on the reverse.Oil on canvas, laid on cardboard, 56.5 by 95 cm.Executed in 1908.Provenance: Collection of Yuly Nevzorov.Private collection, Europe.Authenticity certificate from the expert V. Petrov.Exhibited: VI vystavka kartin Soiuza russkikh khudozhnikov, Moscow, December 1908; St Petersburg, February 1909.Peredvizhniki (k 100-letiiu organizatsii TPKhV). Iz fondov MIITR i sobraniia moskovskogo kollektsionera Yu.V. Nevzorova, State Museum of Fine Arts of Tatarstan, Kazan, 1971–1972.Vystavka russkogo i zapadnoevropeiskogo iskusstva, State Art Museum, Novosibirsk, 1976.Vystavka russkogo i zapadnoevropejskogo iskusstva, Novosibirsk, Omsk, Barnaul, Novokuznetsk, 1976–1978.Vystavka russkogo, zapadnoevropeiskogo i drevnekitaiskogo iskusstva, Regional Historical Museum, Tomsk, 26 January–11 May 1979.Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo iskusstva, Volyn Regional Historical Museum, Lutsk, 1980.Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo discursive, Khudozhestvennyi muzei, Ivano-Frankovsk, 1981.Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo discursive, Lubensk Regional Historical Museum, Lubny, 1983.Literature: Exhibition catalogue, Illiustrirovannyi katalog vystavki kartin, 1909. Soiuz russkikh khudozhnikov, St Petersburg, 1909, listed.I. Kruglyi, Petr Ivanovich Petrovichev, Leningrad, Khudozhnik RSFSR, 1975, p. 52, mentioned in the text and dated 1909.Exhibition catalogue, Yu. Nevzorov (ed.), Vystavka russkogo i zapadnoevropeiskogo iskusstva. Katalog, Novosibirsk, Oblastnaia kartinnaia galereia, 1976, p. 36, listed.Exhibition catalogue, Vystavka russkogo, zapadnoevropeiskogo i drevnekitaiskogo iskusstva. Katalog, Tomsk, Oblastnoi kraevedcheskii muzei, 1979, p. 18, listed.Exhibition catalogue, Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo iskusstva. Katalog, Lutsk, Volynskii oblastnoi kraevedcheskii muzei, 1980, p. 23, listed.Exhibition catalogue, Yu. Nevzorov (ed.), Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo iskusstva. Katalog, Ivano-Frankovsk, Khudozhestvennyi muzei, 1981, p. 18, No. 124, listed.Exhibition catalogue, Vystavka russkogo, ukrainskogo, sovetskogo i zapadnoevropeiskogo iskusstva. Katalog, Lubny, Oblastnoi kraevedcheskii muzei, 1983, p. 13, No. 156, listed.V. Lapshin (ed.), Khudozhnik Petr Ivanovich Petrovichev, Moscow, Sovetskii khudozhnik, 1988, p. 83, listed under the year 1908.
Lot 152
NALBANDIAN, DMITRI (1906–1993) Lenin’s Speech in the House of the Unions, Moscow, signed with initials and dated 1951, also further signed, inscribed in Cyrillic “Eskiz k kartine”, titled and dated 1984 on the reverse.Oil on cardboard, 49.5 by 69.5 cm.Provenance: Private collection, UK.The present lot is a study for the eponymous painting presently in the collection of the Museum-Studio of the People’s Artist of the USSR D.A. Nalbandian, Moscow.
Lot 374
A Rare Pair of Imperial Porcelain Vases IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF ALEXANDER II (1855–1881) Height 31 cm (each). POA Of crater form, the bodies finely painted with garlands of flowers on mushroom coloured ground, the flared shaped rim and foot moulded with acanthus leaf ornament and gilded, the lower body with a knot braided gilt border on a cobalt blue ground, flanked by two square handles with ribbon-tied acorn garlands, on a raised circular foot, the reverse with green Imperial cyphers for Alexander II, one with incised initials “MD”. Provenance: Important private collection, Europe. The present pair of vases belongs to a group of objects made at the Imperial Porcelain Manufactory, which share a very particular form and flower decoration that distinguish it from other Imperial porcelain made during the reign of Alexander II. The squarish variation of the traditional campana form was modelled by August Spiess (1817–1904). For almost half a century starting from 1849, Spiess was the chief modeller at the Imperial Porcelain Manufactory, and his unique artistic vision and leadership was at the heart of the success of Russian porcelain during this period. He designed a variety of large vases, sculptures, candelabra and furniture which were mostly commissioned by the Emperor Alexander II and the Empress Maria Aleksandrovna. Examples of his oeuvre can be seen in the collections of the State Hermitage Museum, the Museum of the Imperial Porcelain Manufactory, St Petersburg, as well as in distinguished private collections around the world. Masterfully executed painted decoration of the vases can be attributed to a new generation of porcelain painters who came to prominence in the 1860s–1870s and gradually replaced the masters of the Nicholas I era. The Factory workshops were filled with young artists working in different genres, including the celebrated “flower painters” K. and F. Krasovsky, F. Lapshin, A. Morozov, A. Midin, G. Pishchulin and T. Spiridonov. During this period the focus was mainly on painting porcelain services, vases and plates, of which the present lot is a particularly fine example.
Lot 89
KOROVIN, KONSTANTIN (1861–1939) Spring in the Village, signed and dated 1920.Oil on canvas, 66 by 88 cm.Provenance: Russian Paintings, Sotheby’s London, 10 June 2008, lot 237.Acquired at the above sale by the present owner.Private collection, UK.Authenticity of the work has been confirmed by the expert V. Petrov.Exhibited: Possibly, Konstantin Korovin, Khudozhestvennyi salon K. Mikhailovoi, Moscow, December 1921–January 1922.Literature: Possibly, exhibition catalogue, Konstantin Korovin, Moscow, 1921, No. 53, listed as Vesna.Possibly, A. Kiselev (ed.), Konstantin Korovin. K 150-letiiu so dnia rozhdeniia, St Petersburg, Zolotoi vek, 2011, p. 92, No. 53, included in the list of works from the 1921–1922 exhibition under 1920.Konstantin Korovin painted Spring in the Village during his stay at the Ushakovs’ estate, in Ostrovno village of Vyshnevolotsky district of the Tver Governorate. The picturesque landscape and the warm welcome Korovin was given by the philosopher and religious thinker Boris Vysheslavtsev and his wife Natalia (who was to become the subject of a whole series of the master’s canvasses) marked a new and very special chapter in Korovin’s artistic life.The wooden terrace depicted in the painting offered here for auction often featured in the artist’s work and served as the background for numerous landscapes and portraits. The earth, barely free of snow and drenched in sunshine, the radiant blue of the sky and the general upbeat mood evident in the painting are all a reflection of Korovin’s exuberant nature; the joie de vivre that was so much a part of him, and his love for people and for his natural surroundings. The artist’s ebullient brush and the passion with which he records views of his native landscape resonate with the lines from his memoirs: “How lovely Russia is, what music there is in her image ... where there seems to be happiness”.It is safe to assume that this work was exhibited at the artist’s solo exhibition (catalogue No. 53, Spring) in the art salon of Klavdiia Mikhailova, in Bolshaia Dmitrovka, Moscow, which ran from December 1921 until January 1922.
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