Karl Weber, BlumenstilllebenBuschnelken, Königskerze, rote Pfingstrosen, violette Dahlien und orange Lilien in bauchiger Vase, vor lichtem Grund, pastose Malerei mit breitem Pinselduktus, partiell unter Einbeziehung der Farbigkeit der ungrundierten Leinwand, um 1960, links unten signiert "K. Weber", rückseitig auf der Leinwand bezeichnet und im Falz datiert "Hilde Uhde 1953", auf dem Keilrahmen sekundäres Etikett "Karl Weber - Schweizer Maler, geb. 1899 Zürich - 1878", etwas reinigungsbedürftig, gerahmt, Falzmaße ca. 60 x 50 cm. Künstlerinfo: eigentlich Karl Adolf Weber, schweizerischer Maler, Zeichner, Bühnenbildner und Landschaftsarchitekt (1899 Zürich bis 1978 Zürich), zunächst Schüler der Kunstgewerbeschule Zürich, Abbruch der Ausbildung auf Grund des Todes des Vaters 1914, danach Ausbildung als Kunstgärtner und Dekorateur in Vulpera, später Gärtner in Adliswil, 1927 Umzug nach Zürich, 1927-32 Inhaber einer Gärtnerei und eines Blumengeschäfts, als Maler Autodidakt, 1932 Aufgabe der Gärtnerei und freischaffend als Maler, unternahm 1932-39 Studienreisen nach Holland (Amsterdam und Haarlem), später nach Belgien, Deutschland (Lüneburger Heide, Hannover), Italien (Rom), England (London) und Frankreich (Bretagne, Burgund), 1934 Konkurs des Blumengeschäfts, 1938 Umzug nach Herrliberg und 1939 nach Feldbach-Hombrechtikon, 1942 Rückkehr nach Zürich, 1942 als Bühnenmaler am Schauspielhaus Zürich, 1944-46 in Genf, unterhält in den 1960er Jahren ein Zweitatelier am Lützelsee, tätig in Zürich, Quelle: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", "Künstlerlexikon der Schweiz XX. Jh." und Sikart.
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Junge mit SegelbootBub mit Holzschuhen, neben einem Modellschiff auf einer Bank sitzend und vergnügt zum Betrachter blickend, gering pastose Malerei, Öl auf Leinwand und Hartfaserplatte, auf dem Segel des Bootes monogrammiert und datiert "K. K. 1921", rückseitig Kunsthandlungsetikett Ludwigshafen, gerahmt, Falzmaße ca. 65,5 x 55,5 cm.
Fünfflammiger Leuchter Bruno Paul attr.um 1907, Ausführung wohl K. M. Seifert Dresden für Vereinigte Werkstätten für Kunst im Handwerk in München, ungemarkt, geritztes Datum 27.05.12 mit Nummer 4523, Messing gegossen, schlichter ansteigender Rundfuß mit Rillendekor am Schaft, bewegliche Leuchterarme, schraubbare Tüllen, normale Gebrauchsspuren, H 35 cm, B 45 cm. Literatur: Kunstgewerbemuseum Dresden, Inv.-Nr. 50 815; DK VIII, Juni 1905, S. 367; DKuD 19, 1906/07, S. 101; Ziffer (Hrsg.), Bruno Paul, Deutsche Raumkunst und Architektur zwischen Jugendstil und Moderne, München 1992, S. 68, S. 87; Deutsches Museum für Kunst in Handel und Gewerbe, Katalog: Das Schöne und der Alltag, 1909-19, Krefeld 1997, S. 161, ME 75; Staatliche Kunstsammlungen Dresden, Kunstgewerbemuseum, Jugendstil in Dresden - Aufbruch in die Moderne, Dresden 1999, S. 332, Nr. 405.
Kerzenleuchter Richard RiemerschmidEntwurf München 1897/98, Ausführung K. M. Seifert Dresden für die Vereinigten Werkstätten, Messing gegossen und ziseliert, gedreht-gerippter breiter Scheibenfuß mit aufgeschraubtem, langen, vegetabil verziertem Schaft, die Tülle als Knospe gestaltet, Gebrauchs- und Altersspuren, H 38 cm. Quelle: Jugendstil in Dresden, Edition Minerva, Ausstellung 1999, S. 130, Nr. 400.
Rosenthal "Stürmende Bacchanten"Entwurf Albert Caasmann 1912, grüne Stempelmarke mit Zusatz Selb-Bavaria um 1920, geprägte Modellnummer K.190. sowie Entwerfersignatur, naturalistische Ausformung in Porzellan mit pastelltoniger Unterglasurbemalung, auf nierenförmigem Sockel ein von zwei halbnackten Bacchantinnen gestützter Bacchus in dynamischer Vorwärtsbewegung, sehr guter Zustand, H 20,5 cm.
Rosenthal "Schildkrötenpost" Entwurf Ferdinand Liebermann 1913, grüne Stempelmarke mit Zusatz Selb-Bavaria um 1920, geprägte Modellnummer K.320., Prägenummer 18, Pinselzeichen und Entwerfersignatur, Porzellan, naturalistische Ausformung und pastelltonige Unterglasurbemalung, auf einer Schildkröte sitzend junger nackter Bacchant beim Panflötenspiel, sehr guter Zustand, H 10,5 cm.
Rosenthal Schildkröte mit Putto und Faun Entwurf Wilhelm von Heider um 1920, grüne Rosenmarke mit Zusatz Bavaria 1921/22, geprägte Modellnummer 246, geprägter Buchstabe K und Entwerfersignatur, Porzellan, naturalistische Ausformung und pastelltonige Unterglasurbemalung, über gewölbtem Ovalsockel mit floralem Relief auf Schildkröte Rücken an Rücken sitzender Putto und junger Faun beim Panflötenspiel, sehr guter Zustand, Rarität, H 12,5 cm.
Rosenthal "Spielkameraden"Entwurf Albert Caasmann 1914, grüne Stempelmarke mit Zusatz Kunst-Abteilung um 1915, geprägte Modellnummer K355, gepinselter Buchstabe K und Entwerfersignatur, naturalistische Ausformung und pastelltonige Unterglasurbemalung, auf flacher Ovalplinthe stehender Putto beim Kuscheln mit einem Lamm, sehr guter Zustand, H 12 cm.
Rosenthal "Zwei Freunde"Entwurf Ferdinand Liebermann 1913, grüne Stempelmarke mit Zusatz Kunst-Abteilung Selb-Bavaria und Kriegsmarke 1914-1915, geprägte Modellnummer K.321. sowie Entwerfersignatur, naturalistische Ausformung und pastelltonige Unterglasurbemalung, auf ovalem Grassockel Rücken an Rücken sitzend junger Bär und Putto mit Tamburin in der Hand, sehr guter Zustand, H 11,5 cm.
Rosenthal "Lausige Geschichte"Entwurf Ferdinand Liebermann, grüne Stempelmarke mit Zusatz Selb-Bavaria um 1920, geprägte Modellnummer K.62/1, gepinseltes Zeichen und Entwerfersignatur, naturalistische Ausformung und pastelltonige Unterglasurbemalung, auf profiliertem Rundsockel sitzender Putto mit ihm lausenden Affen auf dem erhobenen Arm, sehr guter Zustand, H 17 cm.
Paar Schrezheimer FayencekrügeEnde 18. Jh., Malermarken A bzw. K, rötlicher Scherben weiß glasiert und mit bunten Scharffeuerfarben bemalt, konische Formen mit übergreifenden Zinndeckeln, Streifendekor, einer mit Stern, dieser mit graviertem Besitzermonogramm W, ehemaliger Henkel durch Zinn ergänzt, kleine Glasurabplatzer und einer haarrissig, H max. 23,5 cm. Quelle: Graesse, Porzellan und Fayence, Klinkhardt und Biermann, 1986, S. 162/163.
Prof. Karl Otto Götz, Ohne Titelschwungvolle, dynamische Komposition, Lithographie, unter der Darstellung in Blei rechts signiert und datiert "K. O. Götz (19)87" sowie links nummeriert "25/100", in der rechten unteren Blattecke Prägestempel, sehr gut erhaltenes Exemplar, hinter Glas gerahmt, Darstellungsmaße ca. 49,5 x 65,5 cm, Blattmaße ca. 60 x 80 cm. Künstlerinfo: dt. Maler und Graphiker der informellen Kunst (1914 Aachen bis 2017 Niederbreitbach), ab 1924 Beschäftigung mit der Malerei, ab 1930 Entstehung abstrakter Bilder, zu Zeiten des Nationalsozialismus Mal- und Ausstellungsverbot, Militärdienst im 2. Weltkrieg, um 1949 endgültige Ablösung von der gegenständlichen Kunst und Beitritt zur Gruppe COBRA, 1952 Änderung seiner künstlerischen Handschrift, 1948-53 Herausgeber der Zeitschrift Meta, 1959 Teilnahme an der documenta II in Kassel, 1959-79 Professor an der Kunstakademie in Düsseldorf, 1997 Gründung der K. O. Götz und Rissa-Stiftung, 2007 Verleihung des Bundesverdienstkreuzes I. Klasse, 2010 Verleihung der Ehrendoktorwürde der Kunstakademie Münster, Quelle: Wikipedia und Internet.
Taschenuhr Gold mit DiebstahlsicherungSchweiz, um 1900, gestempelt 585, Herstellermarke NRF im Dreieck, auf dem goldenen Staubdeckel gravierte Verkäuferangabe: E. A. Vogler & Cie. Hamburg, Außendeckel mit großem ligierten Besitzermonogramm, Werk mit Ankergang, makelloses Emailziffernblatt mit kleiner Sekunde, fest montierte Diebstahlsicherung ebenfalls aus 14 K Gold, funktionstüchtig, Z 2, im Etui, D 52 mm, G ca. 96 g.
Puzzlespiel "Lerne spielend französisch!"Ein Lotto, als hervorragendes Hilfsmittel ..., Ausgabe I für Anfänger, um 1900, Herstellerangabe K. H. St. sowie Gesetzlich geschützt, zehn Papptafeln mit montierten, farbig lithografierten Kinderszenen und je acht herausnehmbaren Feldern mit innen liegendem Satz in dt. und frz. Sprache, dazu Blechschälchen und Spielgeldmünzen, in Originalkarton mit montiertem Anleitungsblatt, Karton lädiert, sonst minimale Alters- und Gebrauchsspuren, Tafeln nachträglich handschriftlich nummeriert, Maße Karton 38 x 26,5 x 3 cm.
Prachtvoller Ring mit Diamant von ca. 3 ct2. Hälfte 20. Jh., Gelbgold gestempelt 18 K = 750/1000, ca. 21 mm hoher, teils durchbrochen gearbeiteter Ringkopf, besetzt mit einem als Trillion geschliffenen gelben Diamanten mit zwei Kerben auf der Rückseite und einem Gewicht von schätzungsweise 3 ct, gefasst in einer Zargenfassung, umgeben von einem Band aus Rubincarrees in Kanalfassung sowie einem Band aus Brillanten, bekrönt wird der Ringkopf von einer mit Brillanten besetzten Schleife, leichte Tragespuren, RW 18 mm, G ca. 5,1 g.
A green jardiniere stand of baluster form decorated with birds amongst foliage, a white glazed urn, a Wedgwood Queensware tazza, hardstone trinkets, a wooden cherub candlestick, commemorative coins, commemorative cups by H&K Tunstall, Paragon etc Condition Report: Not available for this lot
WW2 Royal Navy HMS Nelson “Malta Convoys” Long Service Medal Group, consisting of 1939-45 star, Atlantic star, Africa star, 1939-45 War medal and George VI Naval Long Service Good Conduct medal “K. 63799 E. E. SHEARMAN. L.STO. H.M.S NELSON”. The medals are accompanied by a selection of black and white photographs, many with hand annotations on the reverses, many taken on board HMS Nelson during the Malta convoys. Edward Emanuel Shearman was awarded his naval Long Service medal whilst serving on HMS Nelson, in April 1939. It would appear that he continued to serve on the ship during the war and its time during the Malta convoys. HMS Nelson was almost sunk on one of the convoys. Woodman’s History of the Malta Convoys gives the following details about the incident, “This intense action lasted less than half an hour, then there was a brief respite until a second wave of about seven Fiat BR20s was seen approaching very low from the east at 13.27. These divided, coming in on the starboard bow and starboard beam of the convoy, three of them penetrating the barrage to attack Nelson. Captain Troubridge swung the battleship to comb the anticipated torpedo tracks as one Italian aeroplane flew down Nelson’s starboard side, to be cut into three pieces by pom-pom shells. But another Italian aeroplane let her torpedo go right ahead, at 400 yards distance. ‘The chances of a hit seemed remote,’ Somerville later wrote to Cunningham, ‘until the bloody bubbles appeared about 120 yards ahead ... coming stright for us. Possibly helm hard over keeping her swinging to starboard might have let us take it on the bulge but I doubt it. Anyhow there was always the danger of a hit right aft which would have been far worse.’ The aircraft flew low over Nelson, only to be shot down by the combined fire of the ships astern. The battleship had been hit on the port bow and her speed rapidly dropped to 18 knots as water poured into her forward hull and she settled by the head. The full extent of the damage was not of course known until later, but it proved serious.” Following another attack by some SM79s, and now with 3500 tons of water in her damaged hull, HMS Nelson was escorted back to Gibraltar by three destroyers. By the summer of 1942, HMS Nelson was ready to return to the Malta run as flagship of Vice-Admiral Syfret’s Force Z, a role that saw her participating in the famous “Pedestal” operation. The convoy sailed from Scotland, reaching the Straits of Gibraltar on 10 August 1942, at which stage the enemy’s attention became constant, the U-Boats’ first victim being the aircraft carrier Eagle, and between then and the conclusion of the convoy, the Naval escort lost two cruisers and one destroyer sunk, in addition to many other ships sustaining considerable damage, another aircraft carrier and cruiser among them; of the 14 merchantmen, nine were sunk and three others severely damaged, many of these, of course, as a result of enemy air attacks. The main Naval escort, including the Nelson, could not be risked beyond the Skerki Channel, but covered 950 miles of the total distance of 1150 miles to Malta from Gibraltar, and throughout Syfret’s flagship put up constant and spectacular anti-aircraft barrages amidst frequent near misses that rocked her mighty keel.
Royal Marines WW2 & Malaya Campaign / Long Service Medal Group of Nine, consisting of 1939-45 star, Atlantic star with France and Germany bar, Africa star, Burma star, Italy star, 1939-45 War medal, George VI Naval General Service medal 1915-62 with single clasp Malaya “PO/X 2128 J K FINNING SGT RM”, George VI 1937 Coronation medal and Elizabeth II Naval Long Service Good Conduct medal “PO/X 2128 J K FINNING CLR SGT R.M”. Medals are swing mounted for wear.
Indian General Service Medal 1854-95 Kings Royal Rifle Corps, Mentioned in Despatches for Service in Boer War, medal with single clasp Samana 1891, awarded to “5339 Pte E Kinsella 1st Bn K. R. Rif. C”. Medal named in the correct script style. Medal remains in generally good condition. Thomas Kinsella was born in County Wicklow, Ireland. He attested for the Kings Royal Rifle Corps on 20th July 1889. He served in India from 21st February 1891 until 12th December 1899. He took part in the Miranzai Expedition on the North West Frontier in 1891 and the Isazai Expedition, resulting in the awarded of the Indian General Service medal with clasp Samana 1891. He was also part of the Chitral Relief Force, which earnt him the Indian General Service medal 1895-1902 with clasp Relief of Chitral. On 13th December 1899 he was sent to South Africa to take part in the Boer War, he was awarded the Queens South Africa medal with six clasps. Whilst serving in the Boer War, he was mentioned in despatches, London Gazette 10th September 1901.
Unusual Third Reich Reichskommissariat Norwegen Cloth Arm Badge, an unusual piece of embroidered insignia being a Wehrmacht style eagle with R K beside the wreathed swastika and “NORWEGEN” below, all on a orange backing cloth with a machine embroidered border. The eagle feathers are picked out in brown thread. Believed to have been worn by members of the civilian occupation regime set up by the Third Reich for German occupied Norway from 1940-1945.
British WW1 Royal Naval Fleet Reserve Long Service Medal Group of Four, Served on HMS Chester at the Battle of Jutland, Same Ship as John “Jack” Cornwall, Who Was Awarded the Victoria Cross for his actions on the ship during the battle, the group consists of 1914-15 star “K 14807 A E KEMP STO 1 R.N”, British War and Victory medals “K 14807 A E KEMP ACT L STO R.N”, Royal Fleet Reserve Long Service Good Conduct medal “K14807 (CH B 18621) A E KEMP L STO R.F.R” and people of Chester’s medal presented to the crew of HMS Chester when the ship was commissioned, this medal is engraved to the top bar “A E KEMP” and the reverse has “HORNS REEF MAY 31ST 1916”. The medals are mounted for wear. Albert Edward Kemp was born on 16th November 1893 in Paddington, London. His service papers list his occupation as a printers assistant. He attested for the Royal Navy on 13th May 1912. He trained on various ships before joining HMS Chester on 2nd May 1916. He was present on board during the Battle of Jutland on 31st May / 1st June 1916. During the battle, HMS Chester served as part of the 3rd battle cruiser squadron. She was hit by 17 150mm shells and suffered 29 men killed and 49 wounded; many of the wounded lost legs because the open backed gun-shields did not reach the deck and give adequate protection. Amongst the gun crew fatalities was 16-year-old John 'Jack' Cornwell who received the Victoria Cross for his dedication to duty though mortally injured. The Imperial War Museum, London, has one of the guns from HMS Chester on display. Kemp continued to serve with the Royal Navy, joining the Royal Fleet Reserve in 1922.
A Cased Pair Of 20-Bore Flintlock Duelling Pistols By Wogdon & Barton Of London, Circa 1800With swamped rebrowned twist octagonal barrels (some old pitting) each with silver fore-sight, signed in gold along the top flat, and with refreshed Irish registration mark 'L-K 1565' and 'L-K 1566' respectively beyond, a gold line and band of engraved beadwork at the rear of each breech, gold-lined touch-holes, tangs each with back-sight and engraved with Britannia shields, drums and foliage, flat bevelled detented locks each signed in an oval supported by crossed palms, engraved with a starburst behind the gold-lined pan and with a martial trophy on the stepped-tail, engraved safety-catch (the other replaced) and cocks (one repaired), border engraved steels, and rollers, figured half-stocks each with dark horn fore-end cap and swelling flat-sided butt, trigger-guards each with pineapple finial and decorated with a martial trophy on the border engraved bow, set triggers, and original ramrods, one with worm and threaded powder-measure (dented), the other with horn tip: in reproduction lined and fitted wooden case, the interior of the lid with hand-drawn 'trade' label, London proof mark and Wogdon's barrelsmith's mark 25.2 cm. barrels Footnotes:Robert Wogdon and John Barton were in partnership at 14 Haymarket, London between 1794 and 1803. For further information and for a very similar pair of pistols see John O'Sullivan & De Witt Bailey, Robert Wogdon, Wogdon & Barton, John Barton London Gunmakers 1764-1819, 2019, pp. 32-37 and 186-187For further information on this lot please visit Bonhams.com
Retro music ? Cassettes and CD?s ? Cassettes Including Queen ? The Game - OC 264-63 923 (Foil sleave); A Day At The Races - OC 262-98 485; Queen II ? TC EMA 767; Fame ? TC-FA 3040; Hot Space - 14C 262 64773; Queen A Night At The Opera - TC-EMTC 103; Led Zeppelin ? Untitled - K 450008; Pink Floyd ? Wish You Were Here - TC-SHVL 814; Emerson, Lake and Palmer ? Trilogy ? K443505; Tarkus ? K443504; Emerson, Lake and Palmer ? K443503; David Bowie ? Aladdin Sane ? NK 83890; City Boy ? Young Men Gone West - 7138 090; Book Early ? 7231 018; Dinner t The Ritz ? 7138 080; City Boy ? 7138 073; Wishbone Ash ? Argus ? MCGC 3510; New England - TC-MCG 3523; No Smoke Without Fire ? TC MCG 3528; Pilgrimage - MCLC 1762; Front Page News ? TC MCG 3524; Others Including Santana; Def Leppard; Yes; Etc, Cd?s Including Bob Marley; Bob Dylan; Lou Reed; Oasis Etc (Qty)
An impressive selection of Polish medals and military insignia spanning two World Wars formerly the property of K Szmidla including First War - 1921 period - Polish Virtuti Militari Cross 5th Class No. 3720 (minus ring suspension); Silesian Cross of Bravery; Silesian Cross of Valour and Merit; unofficial Polish Bravery Cross engraved K.S. 1920; enamelled suspended shield badge named to the 115th Polish Lancers 1920-21 and engraved "Szmidla Kourimierz Ulan"; suspended pennant engraved with initials and dated "1/7/1920"; Polish Vistula 1920 pin badge; Polish 1919-1920 pin badge; two Polish 100th Anniversary 1917 patriotic badges; a miniature 1918-1928 Anniversary of Independance medal; miniature Polish War medal 1918-1921; Polish First Light Horse Regiment enamelled Star badges, 1920s period Polish cap badges and other insignia Early Second War Period - Polish plated steel cap badge marked "DSP"; 1940 Swiss Bronze Red Cross badge; 1930s enamelled Polish army sports badge; two marksman's badges; Polish silver and enamelled "U 25" badge; various Swiss Red Cross related badges and insignia and a selection of miniature Polish Airborne "Lopp" pin badges, etc, together with various postal cards mainly dated 1940 relating to the Red Cross in Switzerland, various photographs of soldiers and invalids, etc Second War Period A selection of 8th Army cloth patches, Poland titles, 3rd Carpathian Rifle Divison patch and others, Polish 2nd Corps badge, pair of Combined Operations arm badges, Polish cap badges, original Second War Polish red beret with insignia and various other regalia, etc, together with a Polish commemorative magazine 1920-1939, Polish map, single volume "The Unknown Revolution 1917-1921"; Varsovia 1944" volume and other publications, etc
A rare First War Officer's cuff rank uniform and medals, formerly the property of Captain R W White, 21st Canadian Infantry Battalion/Royal Flying Corps:- First War Khaki Officer's cuff-rank tunic by Hobson & Sons London together with trousers by Bell Jardiniere of Paris, the jacket with 21st Canada Infantry Battalion collars, early Observer's half-wing brevette, two silver wound strips, four blue arm chevrons, brass Canadian buttons and medal ribbons, the fourth ribbon unattributed and thought to be either for the Allied Victory Medal or the ribbon that accompanied the Pembroke Civic Medallion, the tunic name "Capt. R.W. White 98/92". Sold together with a 1914/15 Star trio (Capt.R.W.White 21st Canadian Infantry); Canadian Memorial Cross named "Capt.R.W.White" with original condolence card, Pembroke bronze Civic Medallion inscribed "Lt.R.W.White"; bronze Life Saving Medallion "R.W.White June 1914" in original box; brown envelope from Robert Simpson Stores Toronto containing six padded Officer's pips, brass buttons, etc together with a copy of Captain White's full service record in excess of 50 pages, extensive personal history research of over 27 pages and various copies of photographs and reference material used in the personal history. Captain R W White 21st Battalion Canadian Infantry Machine Gun Officer posted to the 4th Brigade Machine Gun Company 14th December 1915. In the late Spring of 1916 he transferred to The Royal Flying Corps qualifying as an Observer in July 1916; his aircraft piloted by Lt. S. Alder RFC was shot down on the 25th January 1917 by Oberleutenant K H Von Griffenhagen who flew with Baron Von Richtoffen and spent the remaining period of the War as a prisoner of war being repatriated on the 30th November 1918
A gold jade ring, with a marquise cabochon jadeite jade, claw set, to tapered shoulders and a 'D' section shank, tested as approximately 9ct gold, 2.32g.Finger size KCondition report: Minor surface marks/scratches to mount.Solder join visible at base of shank.The jade measures approximately 10.39 x 7.30 x 2.21mm.
A gold two row diamond set half eternity ring, with two rows of graduated brilliant cut diamonds, channel set to the slightly tapered head, to a plain shank, marked k18, tested as approximately 18ct gold, head 7.1mm wide at widest point, 4.23g.Finger size KCondition report: Diamonds and underneath of setting very dirty.Surface marks/scratches to gold.
Paul Mak (St. Petersburg 1891-1967 Brüssel) - Frauenakt mit Pfauenfedern, datiert 1949 Aquarell und Gouache-Zeichnung auf Papier. Rechts unten signiert und datiert "Mak 1949". In Passepartout und vergoldetem Holzrahmen, hinter Glas. Bildmaße 27 x 14 cm. Rahmenmaße (kleine Fehlstellen) 38,5 x 24,5 cm. Gute malerische Qualität. Unten rechts und oben links einige Risse. Rückseitig Zeitungsartikel über den Maler. Paul Mak (Pavel Petrovich Ivanov), bekannter russischer Maler und Karikaturist, studierte im Atelier von K. F. Yuon in Moskau. Unter dem Pseudonym Paul Mak 1920 - 1921 arbeitete er als Bühnenbildner im Theater der Revolutions-Satire in Moskau. Nach seiner Auswanderung im Jahr 1922 war Mak über 20 Jahre lang Hofmaler des Schahs von Iran. Ab Mitte der 1930er Jahre lebte der Künstler in Belgien. Nach dem Zweiten Weltkrieg regelmäßige Ausstellungen in Brüssel und anderen belgischen Städten. 1958 erhielt er für seine im iranischen Pavillon ausgestellten Werke die Goldmedaille der Brüsseler Friedensgesellschaft. Zustand: IIICondition Report:russian, Russia, russie, russe, MoscowPaul Mak (St. Petersburg 1891-1967 Brussels) - a nude with peacock feathers, dated 1949 Watercolour and gouache drawing on paper. Signed and dated "Mak 1949" on the lower right. In a mount and gilt wooden frame, behind glass. Dimensions of painting 27 x 14 cm. Dimensions of frame (minor flaws) 38.5 x 24.5 cm. Painting of good quality. Several tears on the lower right and upper left. On the reverse newspaper article on the painter.Paul Mak (Pavel Petrovich Ivanov), well-known Russian painter and caricaturist, studied in the studio of K. F. Yuon in Moscow. Between 1920 and 1921 he worked as a stage designer at the Theatre of Revolutionary Satire in Moscow under the pseudonym Paul Mak. After emigrating in 1922, Mak was court painter to the Shah of Iran for more than twenty years. From the mid-1930s onwards, the artist lived in Belgium. After World War II, he had regular exhibitions in Brussels and other Belgian cities. In 1958, he was awarded the gold medal of the Brussels Peace Society for his paintings exhibited at the Iranian pavilion.Condition: IIICondition Report:russian, Russia, russie, russe, Moscow
Bronzebüste des Kaisers Lucius Verus Büste des Lucius Aurelius Verus (Kaiser 161 - 169 n. Chr.) nach römischem Vorbild. Schwarz patinierte Bronze auf rundem Messingsockel. Sehr dekorativ! Gesamthöhe 25 cm. Vgl. etwa das Portrait des Lucius Verus im Louvre (MR 550/Ma 1170). Vgl. K. de Kersauson, Catalogue des portraits romains, II, Paris 1996, Nr. 122, S. 272.Zustand: II +A bronze bust of emperor Lucius Verus Bust of Lucius Aurelius Verus (Emperor 161 - 169 A.D.) after a Roman model. Black patinated bronze on a round brass base. Very decorative! Total height 25 cm. Cf. for example the portrait of Lucius Verus in the Louvre (MR 550/Ma 1170).Cf. K. de Kersauson, Catalogue des portraits romains, II, Paris 1996, no. 122, p. 272. Condition: II +
Geschnitzte Buchsbaum-Skulptur des Hl. Georg, deutsch, 19. Jhdt. Einteilig und vollplastisch aus Buchsbaum geschnitzte Figur des Hl. Georg auf einem Pferd mit Schwert und Schild. Zu seinen Füßen der von einer Lanze durchbohrte Drache. Auf der vorderen Plinthe legiertes Schnitzermonogramm "P K" und umlaufene Silberfassung am Rand. Höhe 19,7 cm.Zustand: IIA German carved wood sculpture of St. Georg, 19th century One-piece boxwood figure of Saint George on horseback with sword and shield. At his feet the dragon slain by a spear. On the front side of the base the alloyed carver's monogram "P K" and silver trim around the edge. Height 19.7 cm.Condition: II
A DIAMOND 'TRINITY' RING, BY CARTIERDesigned as three interlocking bands, one pavé-set with brilliant-cut diamonds throughout, one in black ceramic and one in plain polished platinum, mounted in 18K gold, platinum and ceramic, signed Cartier, numbered, maker's mark, with Cartier case, ring size approx. K½ (51) Condition Report: Minor signs of wear, overall in good conditionRetail price on Cartier website: Ôé¼6,250
A SAPPHIRE AND DIAMOND DRESS RINGThe central oval-shaped sapphire weighing approximately 3.27cts within a four-claw setting, between shield-shaped diamond shoulders, mounted in 18K gold, diamonds approximately 0.50ct total, ring size N ½Accompanied by a jewellery certificate stating that the sapphire weighing 3.27cts is natural with some thermal enhancement. Certificate no, 01029250116012, Dubai, dated January 25th 2016Condition Report: Sapphire: blue hue, medium to dark tone, good transparency couple of minor pits visible under 10x magnificationDiamonds: approx. 0.50ct, estimated colour I/J, one J/K, estimated clarity one VS and one SI1Normal signs of wear, overall in good condition
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