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A RUBY AND DIAMOND CLUSTER RING, composed of a central oval-shaped ruby weighing approx. 2.80cts within a four-claw setting and a brilliant, single and marquise-cut diamond surround, diamonds approx. 1.50cts total, ring size K¾Condition Report: Ruby: heavily included observed with naked eyeDiamonds: approx. 1.50cts total, estimated colour H/I, estimated clarity VS/SIWhite metal unmarked and untested - probably goldNormal signs of wear, overall in good condition
A PAIR OF DIAMOND EARCLIPS CIRCA 1960, of foliate design set with old brilliant and single-cut diamonds, mounted in 18K gold, diamonds approx. 0.90ct total, length 2.7cmCondition Report: For non pierced earsDiamonds: estimated colour J/K, estimated clarity SIStamped 18KNormal signs of wear, overall in good conditionTotal gross weight approx. 18.9g
AN AQUAMARINE AND DIAMOND CLUSTER RING, composed of a central rectangular-cut aquamarine within a surround of old single and cushion-cut diamonds, mounted in gold, diamonds approximately 0.60ct total, ring size K½Condition Report: Aquamarine: good transparency, light tone.Diamonds: unable to assess colour due to yellow mount, estimated clarity VS-SIMinor signs of wear, overall in good conditionTotal gross weight approx. 5.2g
Circle of Sir Anthony van Dyck (Flemish 1599-1641)Charles I on horsebackOil on canvas139 x 107.5cm (54½ x 42¼ in.)Provenance:Richard Cosway, 20 Stratford Place, Oxford Street, LondonSale, Mr George Stanley 'A Catalogue of the Pictures of Richard Cosway, Esq. R.A.', 17-19 May 1821, lot 105, 150 gns.The collection of Mr EmmersonSale, Phillips, 15-16 June 1832, lot 131 (£64)The collection of The Blackett Family of Matfen HallLiterature: J. Smith, A Catalogue Raisonne of the works of the most eminent Dutch Flemish and French Painters, vol. III, 1831, page 104, no. 366. Matfen inventory, no.8 The Walpole Society, Vol. LXVI, 2004, p.202 The Cosway Inventory of 1820This depiction of King Charles I is one of the most celebrated and well-known images of him. He was a fine horseman and the symbolism of his pose perhaps suggests he was a ruler who can tame a powerful animal and control the passion and disorder in his kingdom (K. Sharpe, Politics and Ideas in Early Stuart England, London, 1989, pp.44-7). It relates to Sir Anthony van Dyck's Charles I on Horseback with M. de St Antoine in The Royal Collection which is dated 1633. It was painted on a monumental scale (142 x 102 in.) and hung at the end of the Gallery at St James's Palace, a position for which it was probably designed. It has been suggested that our picture may have once been of a similar scale and reduced because the outer parts of the composition were unresolved. The scale of the figure of Charles corresponds directly to that in the autograph version and the idea of it being a fragment is further supported by it not being a standard size. A more typical 50 x 40 in. canvas would suggest that it is a later replica. The modelling of the horse and figure is well resolved whereas the plain background may be either an unfinished ground layer waiting to be painted or possibly a layer of blue (spelt) used in the seventeenth century that tended to deteriorate. The reason why the full-size picture was abandoned are not known, but it would have been a very substantial commission with a limited number of houses or institutions able to accommodate a picture on such a scale. The onset of the Civil War in 1642 may well have also been a contributing factor. None-the-less it is a fascinating insight into 17th Century Royal portraiture. The picture was formerly in the collection of Richard Cosway, the leading portrait painter of the Regency period, who in 1785, was appointed Principal Painter to the Princes of Wales. Together will his wife Maria they were very close to the Prince, and he was a frequent visitor at Maria's glittering salons and concerts. Condition Report: The canvas has been lined and is on a later stretcher which is providing good support. Under UV light there are scattered spots and lines of restoration, these are mostly in background areas and to the edges, and some finer work to the figure, including the face. This is all well executed however and not apparent to the naked eye. Condition Report Disclaimer
Samuel John Stump RA (British, 1780-1860)A portrait miniature of a lady in a wooded landscape, wrapped in a tiger skin. Watercolour on ivory (ivory cracked), gilded composition frame, together with a further seventeen small works comprising: four portrait miniatures, all depicting ladies, circa 1790-1830, three of which painted on ivory, the other oil on metal; two late 19th century portrait miniatures painted on ivory; two early 20th century portrait miniatures painted on ivorine; a study of Archangel Gabriel in oil on metal and inscribed, Quis ut Deus; a pencil study of a female head in a verre églomisé mount; two pencil and watercolour studies, one of a lady, circa 1800 and one of two young children, 19th century; a hunting scene signed Fred K. Hancock, watercolour on paper; three prints, one of which printed on glass and depicting Elizabeth I after an oil portrait from circa 1585-1590 by an unknown artist in the National Portrait Gallery (inventory no. NPG 2471); and one wax cameo profile by Peter Bates. Various formats and sizes, title miniature: rectangular, 14mm (9/16in) high (18)This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A First World War Belgian Coast D.S.M. group of five medals to Leading Telegraphist Alexander McKintosh Cowie, Royal Navy: Distinguished Service Medal, George V (J. 18622. A. M.CK. COWIE, LDG TEL "EREBUS" BELGIAN COAST. 1, JULY - 11, NOV. 1918), slightly irregular chamfer to edge, terminal date numerals run together, good very fine and attractively toned; 1914-15 Star (J. 18622, A. MCK. COWIE, TEL., R.N.), very fine; British War and Victory Medals (J 18622 A. MC K. COWIE. L. TEL. R.N.), some discolouration, otherwise very fine or better; Russia: Medal of St George for Bravery, 3rd Class, a modern replacement copy, nearly extremely fine; the first four mounted for wearing. [5] Offered together with the recipient's personal journal of the war for 1916, a mounted group of five dress miniature medals, ribbon bars, a presentation copy of the D.S.M. recommendation, photographs including the recipient, and a small collection of other ephemera. D.S.M. LG: 15/02/1919, "for services in monitors off the Belgian Coast.." Alexander Cowie was born 21st January 1897 at Cambuslang police station in Lanarkshire, the son of a police sergeant. He joined the Royal Navy in 1912 as Boy 2nd Class, and at the start of the First World War he was serving in the armoured cruiser H.M.S. Roxburgh as Boy Telegrapher. He served in various ships in home waters, including the boom defence vessel H.M.S. Flying Fish, and the coastal monitor H.M.S. Erebus. During the final stages of the war Erebus bombarded enemy positions n support of the troops advancing along the coast, and Cowie was awarded the D.S.M. in recognition of the highly effecting and vital role that he played in this. In the recommendation Vice-Admiral Keyes states that "I consider that it was due to Cowie's ability and work, and the good gunnery of the ship that the Infantry during the last offensive on the coast were able to advance in the Sector allocated to the "Erebus" with very few casualties" The extant volume of Cowie's journal covers 1916, during which year he volunteered for service ashore, manning W/T posts for communication with the fleet. He describes various instances of close combat with the opposing German forces. In other entries, he shares the broad insight that his job as wireless operator afforded him, with many references to naval actions and lesser incidents, both in home waters and globally.
Karl Heffner (German, 1849-1925)A river landscape with a sailing barge by a village at dusksigned 'K Heffner' l.r., oil on panel22.5 x 28cmCondition report: The painting is executed in oil on a small wooden panel. The panel is formed from a single board with the woodgrain running horizontally. The paint layers are in a good, stable condition overall. There is a small loss in the lower right quadrant and in the lower left corner is an area of disruption to the paint layer which appears to have been retouched. The varnish is even, glossy and slightly yellowed.
A good collection of 1960s to 1980s FDCs including illustrated (K. Tovey, Stuart, Wessex) and commemorative including Shakespeare 1964 Souvenir FDC stamp album by Stanley Gibbons, London Assurance QEII Coronation, assortment of World Cup covers with postmarks, Commonwealth Games Edinburgh, London International Stamp Exhibition 1960, 1977 Silver Wedding and Royal Visit in dedicated album, together with New Zealand sheet stamps with margin gum, penny reds and bantams assorted with good postmarks, post and pre 1973 block GB stamps, castle high value definitives, loose used worldwide stamps in two boxes.*Sold for the 100% benefit of St. Teresa's Hospice by arrangement of The Darlington Rotary Club*
An American 0 Gauge Train Collector's Association Special 4-8-4 Steam Locomotive and Tender by K-Lines, ref K3685-2000 TCA GS-4, for 3-rail operation with AC power supply, in 'TCA' black/orange as class GS-4 No 2001, issued in that year to mark the TCA's 40th anniversary, with Lionel Railsounds and instruction sheet, E, appears unused, box VG-E, in original mailing sleeve
American 0 Gauge Coaching Stock by Lionel and K-line, a set of 4 Lionel 13" cars in Milwaukee Road orange livery, comprising two 'City of Minneapolis' cars, one 'City of Tacoma', and one baggage car, together with five K-line Pullman streamliners in PRR red/silver including Dining car and 'Washington View' beaver-tail observation, all with interior lights, VG-E, boxes VG (9)
Lionel and K-line 0 Gauge 3-rail Locomotives and Stock, a Lionel Bo-Bo diesel switcher in Minneapolis & St Louis red/white livery as No.8866, F-G, a boxed K-line 4-6-2 steam loco and tender in 'Erie' black with yellow lining No. 3005, G-VG, a Lionel UK-market GWR 'Albert Hall' loco only VG (appears little-used but lacks tender, in non-original box), together with three older Lionel gondola wagons and a 6457 caboose to suit the diesel loco, all G (7)
A Bockholt Gauge 1 two-rail K Bay Sts B D VIII class 0-6-2 Tank Locomotive, built by Krauss for the K.Bay.Sts.B. and finished in lined green/black as No.1920 'Hallthurm', the model being Bockholt reference 411, production no 16, with operating lights front and rear, VG-E, slight discolouring to left-side nameplate, in original wooden box, box VG, label detached (inside)
A Gauge 1 Finescale K Bay Sts B 2-4-0 Tank Locomotive by Gerard of Austria, of etched-brass construction finished in Bayern yellow-lined green/black as builders No.8733, with detachable cab roof to reveal intricate interior detailing, VG-E, slight damages to corners of cab roof, in original box, box G-VG, appears to be production no 34
Hornby Margate OO Gauge A4 Steam Locomotives and Tenders, a boxed group of six streamline examples, R2037 Beatties Special Edition limited edition with certificate 735/1000 Woodcock 60029 in blue BR livery, R286 Wild Swan 60021 in BR green livery, a renamed examples 60003 Andrew K McKosh BR green livery in Wild Swan box, R376 Limited Edition Gadwell 4469 in LNER blue with certificate 1150/1500, R372 Seagull 4902 in LNER blue livery and R309 Mallard 60022 in BR green livery, F-E, boxes F-G, (6)
Three rings, a 9 carat yellow gold signet ring set with an oval faceted garnet and four synthetic white stones set into the shoulders, ring size N, 6.3g, a Diamonique cubic zirconia dress ring, the 8mm brilliant cut stone claw set in a 14 carat yellow gold mount ring size P, gross weight 6.9g, a 9 carat yellow and white gold sapphire and synthetic white stone cluster ring size K, 1.6g, three earrings for pierced ears.
Victorian Children's Books Froggy Folk by G H E, colour title and plates, half title, cloth backed boards, pictorial cover, early ownership signature dated Christmas 1902, London: Grant Richards [1902] and seven others by Florence K Upton, Walter Crane, Thomas Crane, Madelaine Hall, A M Lockyer, J G Sowerby (and Frank Wright Bourdillon) and R Andre (8) All apparently complete and in fair condition with some stains but internally good, sold waf
Dean & Son, Publisher - The Funny Story Book New Series with Many Funny Coloured Engravings, subtitles, A Dog's Dinner Party, The Prince and his Three Gifts, The Three Useful Giants, The Mouse & her Sons, The Cats' Party, The Little Pig's Ramble from Home, The Little Pig's Tale, The Donkey's Party and Feast, The Seven Wonderful Brothers, full page engravings in fresh contemporary colour, one folding, adverse at end, original stamped maroon cloth gilt [c1856] and W Edwards Staite - Fables for Children Young and Old in Humorous Verse, second edition with additions, hand coloured title and plates after T K Jones, original cloth, London: E Churton 1847 (2)
A bound folio entitled 'Some Japanese Flowers' - K Ogawa - Tokyo - late 19th century CONDITION REPORTBy our judgement, condition of lot is good and appears complete.37 plates.Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
A bracelet, 500/1000 platinum, set with 23 baguette cut diamonds weighing approximately 4.60 ct. and 23 brilliant cut ones with the approximate weight of 4.80 ct., with H~K colour and VVS-P1 quality, Portuguese, signs of use, Pereira & Machado Ldª (reg. 1952)’s maker’s mark, Lisbon mark (1938-1984), Dim. - 15,5 cm; Peso - 15,5 g.

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137169 item(s)/page