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Lot 37
A group of 19th century drinking glasses comprising: a rummer with cup-shaped bowl, with thumb-cut band on a cylindrical stem and circular foot: a similar rummer (chip to rim) with thumb-cut band on a waisted faceted stem; a rummer with flared bucket bowl and panel-cut band, on a knopped stem; a large flute, the rim with an etched and foliate-cut band, on a faceted tapering stem; and a pair of wine glasses, each with cup bowl and thumb-cut band on a waisted faceted stem. (6). First 17cm
Lot 2500
LONDON großer Weinkühler, 925 Silber, 1911. HOLLAND ALDWINCKLE&SLATER, große Schale auf eingezogenem Rundstand, mit Weinrebendekor, ein Paar Volutenhenkel mit Rocaillen- und Traubendekor, Innenvergoldung, H. ca. 32cm, D. ca. 34,5. Gedellt, Vergoldung berieben, Alters- und Gebrauchsspuren. LONDON large wine cooler, 925 silver, 1911. HOLLAND ALDWINCKLE&SLATER, large bowl on an indented circular stand, with vine decoration, a pair of volute handles with rocaille and grape decoration, gilt interior, h. approx. 32cm, d. approx. 34.5. Dented, gilding rubbed, signs of age and use. Gewicht 4763g Legierung 925/000
Lot 253
Two Edwardian mahogany occasional tables, comprising a circular form coffee table with ball and claw feet, 62 by 51cm high, and a wine table with turned support and tripod base, 40 by 56.5cm high, together with a twin brass handled Victorian tray, with marquetry inlaid shell to its top, 56 by 35.5 by 5cm high. (3)
Lot 43
A group of seven glass decanters, comprising a simple, heavy rectangular whisky decanter, 12 by 7.5 by 25cm high, a pair of wine decanters with etched foliate decoration, possibly French, 28cm high, two similarly cut decanters, 27cm high, and a small fluted glass decagonal quarter size decanter, 16cm high, all with stoppers. (7)
Lot 53
A collection of clear glass drinking glasses, mostly Victorian and later, including trumpet shaped and flute shaped bowls, wine and ale glasses, three with air twist stems, the largest with flower and swag engraved rim, and cut pontil, 9 by 17.5cm high, others with engraved and cut decoration to the bowls, some with cut pontils, smallest 10cm high. (19)
Lot 122
Paul Storr, a George III silver gilt wine cooler and cover, Rundell Bridge and Rundell, London 1809, twin handled Campana urn form, cast and embossed with a central group of horses in low relief, between beaded guilloche and egg and dart borders, the handles fluted and modelled as bearded masks, the beaded and petal moulded socle above a splayed foot with berry and ribbon laurel wreath to the border, the reverse with cast roundel and inscription for Newcastle Upon Tyne Stewards 1817, the shallow ogee lid with central rosette chased with honeysuckle and lapped ring, the finial in the form of a wrythen fluted flower seed with everted petals, 38cm high, 119.6ozt
Lot 578
A Delft probably French Nevers blue and white manganese cistern or wine cooler, of oval bombe form, painted on one side with Oriental figures, one holding a parasol in a Chinoiserie scene, the other side with three horseman and a horse in a riverside landscape, within a border of scrolls and foliage, applied rope twist handles and lions paw feet, circa late 18th or early 19th century, 49cm long
Lot 324
A GUAN-TYPE GLAZED WATERPOT, TAIBAI ZUN, LATER QING TO REPUBLICChina, c. 1850-1949. Of classic form with rounded sides rising to a short and slightly flaring neck, covered overall in a pale gray ‘orange skin’ glaze with delicate crackles, the foot rim unglazed revealing the dark body. The recessed base with an apocryphal blue enameled six-character seal mark da Qing Qianlong nianzhi.Provenance: Millon, Drouot, Paris, 23 March 2007. French private collection, acquired from the above. A copy of the original invoice accompanies this lot.Condition: Excellent condition with minor wear and firing irregularities, the color of the russet crackles faded in some areas.Weight: 429.3 gDimensions: Height 9 cm, Base diameter 11.6 cmWaterpots of this form are known as Taibai zun, after the Tang dynasty poet Li Bai (also named Li Taibai, 701-762) who is often depicted leaning against a large wine vat of this shape. They are also known as jichao zun because their shape resembles that of a basketwork chicken coop that is woven with a small opening at the top through which the chicks are fed. Beehive waterpots of this shape are well-known with peachbloom glazes, but those covered in other monochrome glazes were produced in smaller numbers.清末民初仿官窯太白尊中國, 約1850-1949年。太白尊小口微撇，圓唇，短頸，半球狀腹。灰白色橘皮釉開片，圈足未上釉露出深色胎。底足青花六字“大清乾隆年制”款。來源：巴黎Millon, Drouot, 2007年3月 23日。法國私人收藏，購於上述拍賣行，隨附原始發票副本。 品相：狀況極佳，有輕微磨損和燒製不規則現象，赤褐色裂紋在某些區域褪色。 重量： 429.3 克 尺寸：高 9 厘米, 底足 直徑11.6 厘米
Lot 436
A GILT BRONZE WINE VESSEL, BIANHU, HAN DYNASTYChina, 206 BC to AD 220. The flattened oval body raised on a spreading rectangular foot and incised on each broad side with four deer-like mythical beasts around a central cross-shaped ruyi symbol, the narrow sides incised with geometric designs interrupted by a pair of taotie mask and loose ring handles, the waisted neck incised with a band of stiff leaves.Provenance: Austrian private collection. Galerie Zacke, 3 June 2004. Dr. Mons Fischer, acquired from the above. A seasoned private collector of modern and contemporary art, Dr. Mons Fischer has also acquired fine Chinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria. A copy of the original receipt from Galerie Zacke and an expertise written and signed by Mag. Ludwig Widauer, ruling out recent manufacture of this piece, accompany this lot.Condition: Good condition, commensurate with age, extensive wear, soiling, malachite-green encrustations, scratches, minuscule nicks here and there.Weight: 487.2 gDimensions: Height 13.2 cm, Width 14.2 cmThe bianhu was an innovation of the Eastern Zhou, introduced around 400 BC, with production continuing into the Han dynasty.Literature comparison: A related but larger gilt bianhu is illustrated by C. Deydier, The Art of the Warring States and Han Periods, London, 1991, pp. 86-7, no. 25, while a smaller version, no. 19, has a similar incised decoration. Another bianhu of similar shape, without cover, and with a plain body that may be gilt, is illustrated in Chugoku Sengoku jidai no bijutsu (The Art of the Warring States Period), Osaka Municipal Museum of Fine Art, 1991, p. 55, no. 49.Auction result comparison: Compare with a related but larger gilt bronze bianhu at Christie’s New York in Fine Chinese Ceramics, Jades and Works of Art on 19 September 2007, lot 214, sold for USD 37,000.漢代鎏金扁壺中國, 公元前206 至公元 220年。扁圓形，直筒頸，口外撇。肩部有對稱的銜環，底為長方形足。扁壺每面各有鹿般神獸圖案，中心如意交錯紋。頸部仿古葉狀蟬紋。 來源：奧地利私人收藏。維也納 Zacke藝廊, 2004年6月3日。 Mons Fischer博士購於上述藝廊。Mons Fischer博士是一位經驗豐富的現代和當代藝術私人收藏家，從1980年代開始收藏中國藝術品，最終成爲奧地利中國藝術品重要收藏之一。隨附Zacke 藝廊發票副本以及Ludwig Wildauer 先生寫的相關説明。 圖片：Dr. Mons Fischer 和他的妻子 品相：狀況良好，與年齡相稱，廣泛磨損，污跡，銅綠結殼，划痕，到處都是微小的缺口。 重量： 487.2 克 尺寸：高13.2 厘米, 寬 14.2 厘米 拍賣結果比較：一件相近但更大且鎏金扁壺見紐約佳士得Fine Chinese Ceramics, Jades and Works of Art 拍場2007年9月19日 lot 214, 售價USD 37,000.
Lot 543
A LACQUERED BAMBOO RETICULATED BRUSH POT, BITONG, MID-QINGChina, 18th century. Masterfully carved around the exterior in varying levels of relief depicting a scene from the Lanting Xu, 'Orchid Pavilion Preface', enclosing a multitude of scholars engaged in leisurely pursuits along a stream within a mountainous landscape with pavilions amid craggy rockwork and dense clusters of pine trees.Provenance: French private collection. Condition: Good condition with old wear, natural age cracks, chips, losses, old fillings. The fine patina grown to a warm honey-golden color.Weight: 849.5 gDimensions: Height 18 cmThe present lot took its inspiration from the very well-known preface Lanting Xu (Preface to the Orchid Pavilion) composed by the most celebrated Chinese calligrapher, Wang Xizhi (c. 303-361), regarded as 'the Sage of Calligraphy'. The scene illustrated on the brush pot took place in the ninth year of the Yonghe reign, of the Eastern Jin dynasty, when forty-two scholars were invited to the Orchid Pavilion (Lanting), near Shanyin, Zhejiang province, for the Spring Purification Festival. Scholars were required to take part in a poetry competition and a drinking contest with wine cups flowing down a winding creek. Those who failed to come up with a poem would have to drink in forfeit.Lanting Xu was one of the most celebrated works of literature and had a profound influence on later generations. Literati thereafter copied this canonical preface onto stone and ink-rubbings, table screens, ink cakes, and many other scholarly objects, see for example a 'Lanting Gathering' ink-rubbing compilation dated to the late Ming dynasty (1592), illustrated by G. Tsang and H. Moss, Art from the Scholar's Studio, Hong Kong, 2011, pp.66-69, pl.28. This highly favored subject matter was also used as a decoration on Imperial works of art made of various materials including jade, porcelain, lacquer and bamboo. The impact continued into the Qing dynasty where the Qianlong emperor, who was known for his admiration for Wang Xizhi's talent, also commissioned to build a Floating Cup Pavilion, Liubei Ting, in the Pavilion of the Purification Ceremony, Xishang Ting in the Forbidden City. See N. Berliner, The Emperor's Private Paradise: Treasures from the Forbidden City, New Haven and London, 2010, pp. 96-97.The present brush pot exemplifies the lively craftsmanship during the early to mid-Qing dynasty, demonstrating a high level of vibrant and crisp carving skills with a naturalistic rendering of pine trees, rockwork and flowing water.Auction result comparison: Compare with a related bamboo brush pot depicting the same subject, at Bonhams Hong Kong in Fine Chinese Ceramics and Works of Art on 2 June 2016, lot 25, sold for HKD 237,500.清代中期竹雕筆筒 中國，十八世紀。雕刻生動形象，浮雕上描繪蘭亭集會場景，許多學者沿著崎山路散步，清談，山中可見岩石和松樹包圍的亭子，山間小溪。 來源：法國私人收藏 品相：狀況良好，有舊磨損，自然老化裂紋，磕損，舊填料。 溫暖的蜜金色包漿。 重量：849.5 克 尺寸：高18 厘米 拍賣結果比較：比較一個主題相似的竹製筆筒，於2016年6月2日在香港邦瀚斯Fine Chinese Ceramics and Works of Art拍場，拍號25，成交價HKD 237,500。
Lot 666
‘ZHONG KUI’, BY AN ANONYMOUS ARTIST, DATED 1924Ink and watercolors on paper. Depicting Zhong Kui blissfully asleep, resting on a large jar spilling its likely intoxicating contents on the ground, a ritual wine vessel (jue) beside him as well.Inscriptions: Inscribed “As the demons are fleeing from him, the Imperial scholar is happy and cheerful.” Dated “Autumn of Jiazi”, corresponding to 1924. Two seals. Signature of an unknown artist.Provenance: French private collection. Condition: Good condition with minor wear, areas of browning to the background, foxing, soiling, laid down on cardboard and matted.Dimensions: Image size 41 x 50.5 cmAuction result comparison: Compare with a painting by Fan Zeng at Sotheby’s Hong Kong, with the same subject, in Fine Chinese Paintings on 2 October 2018, lot 1378, sold for HKD 325,000.《鍾馗醉後造像》，甲子年，或爲 1924 紙本設色。鍾馗醉酒圖，筆法生動，畫意十分精彩。身側還放著一個爵。題字：魍魎遠遁逃/進士樂陶陶/甲子年金秋時節以潑墨/供為鍾馗醉後造像/嶺南廣藝作並拜。應爲1924。兩枚鈴印。 來源：法國私人收藏 品相：狀況良好，略有磨損，紙的顔色變深，起皺，污跡，裝裱在硬紙板，無光澤。 尺寸：畫面41 x 50.5 厘米 拍賣結果比較：一幅主題相同但來自范曾的作品，售于香港蘇富比 Fine Chinese Paintings 拍場2018年10月2 日, lot 1378, 售價：HKD 325,000.
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166771 item(s)/page