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Lot 14
A collection of silver to include: Two pairs of 19th Century fiddle pattern sauce ladles, Newcastle, 2 x Thomas Wheatley, 1832 & 2 x Christian Ker Reid, 1871; a Victorian silver fiddle pattern cheese scoop, by George Adams, London, 1867; a pair of modern bottle coaster, Sheffield, 2001; a silver miniature wine goblet, marks rubbed; a Georgian style silver plate wine funnel and a boxed set of twelve Albany pattern teaspoons and sugar nips (1 bag) weighable silver 6.94 ozt (216 grams)
Lot 204
AN EXTENSIVE SUITE OF ROYAL BRIERLEY 'FUSCHIA' GLASSWARE comprising: five wine glasses 19cm high; six wine glasses 17.5cm high; six wine glasses 16cm high; six brandy balloons 12.5cm high; six Champagne flutes 17cm high; six tumblers 10.5cm high; six sherry glasses 13.5cm high; six liqueur glasses 11cm high; a decanter and stopper 21cm high and a water jug
![[RED WINE]. HENRY'S DRIVE, SHIRAZ, 2005 six bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/70d34d62-4a44-4279-93d1-ab1500b803f9/468x382.jpg)
![[RED WINE]. HENRY'S DRIVE, SHIRAZ, 2005 five bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/f74c7743-dcc8-4394-8292-ab1500b812db/468x382.jpg)
![[RED WINE]. CHARMES DE KIRWAN, MARGAUX, 2014 two bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/76ee0c0b-af0a-4cb7-a2b2-ab14010fd9ce/468x382.jpg)
![[RED WINE]. FAUSTINO I, GRAN RESERVA RIOJA, 2001 three bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/2c67a877-7170-47a6-bc85-ab140158839a/468x382.jpg)
![[RED WINE]. FAUSTINO I, GRAN RESERVA RIOJA, 2001 three bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/e96326d1-ad9e-495e-9af7-ab14010fdb70/468x382.jpg)
![[RED WINE]. CHATEAU DE SANTE GEMME, HAUT-MEDOC, 2013 six bottles.](https://cdn.globalauctionplatform.com/98ef9d3b-a17c-4607-897e-ab0400c5d657/9e82ede7-10bf-4e3b-adad-ab140158892a/468x382.jpg)
Lot 94
Simon Drew signed hard-back book The Wisdom of Wine. Signed on the title page by the author. In good condition, Published in 2014. 48 pages. Book is mainly illustrations, as Simon Drew works mainly in pen and ink, making fiendishly inventive drawings of everyday objects, birds and animals embellished with devious rhymes and word play. This lot is sold on behalf of the Michael Sobell Hospice. Est.
Lot 16
CAMPBELL-ORDE FAMILY OF ARGYLLSHIREThe remaining estate and personal papers of the Campbell-Orde family of Kilmory House, Argyllshire, dating from the mid-eighteenth to the early twentieth centuries, an extensive collection loose and in bundles, contained in seven tin trunks, comprising:(i) Collection of family correspondence, notes and personal papers including a small quantity of correspondence to Peter Campbell relating to the family's estates in Jamaica c.1800, group of letters labelled 'from Jane, Lady Orde, first wife of Sir John Orde regarding Kilmory', correspondence between Sir John Powlett Orde, 2nd Bt. and his son John William Powlett Orde of the Royal 42nd Highlanders, Bermuda and Prince Edward Island, bundles of student notes dated 1818, several bundles of loose recipes ('Mildew Prevented in Cotton Canvas', 'Mr Souths mixture for Cholera 1855'), family trees and geneaology, various notebooks ('wine notes 1798')(ii) Financial and estate papers, including account books ('Lady Bolton's 1807' and 'Old accounts of Miss Caroline Campbell'), house book 1821, coachman's book dated 1842 ('Comb & brush... sponge & leather... harness & blacking...'), bundles of household receipts dating from 1740's onwards, bank books, share certificates, bundles of bonds dating from the 1750's; with legal papers regarding land and property, marriage settlements and wills dating from mid-18th century onwards, bundles of indentures (including an indenture signed by John Orde and Eliza Campbell, 1820), conveyance for the Holland Plantation, Jamaica, copy of the will of Admiral Sir John Orde; ground plans of Kilmory House, plans for estate cottages and a loch, inventories ('Property of John Yorke Esq, Feb. 1813'), bundles of late 19th century crofters' deeds, letters and agents accounts (iii) Papers of Sir Arthur John Campbell-Orde, 4th Bt., relating to his service in the 2nd Battalion The Queen's Own Cameron Highlanders, the Lovat Scouts Imperial Yeomanry and the South Argyll Volunteers, with various maps and papers relating to the Boer War and the First World War; with four military commissions signed by Queen Victoria, dated 1842, 1848, 1891 and 1903(iv) Quantity of printed and other ephemera including newspapers, Eton College list 1842, advertisements, auction catalogues, local maps etc.
Lot 170
RECIPE BOOKRecipe book, bearing the ownership inscription of the first owner and principal compiler, Susanna Hoo ('Susanna Hoo/ Her Booke/ Feb 16th 1653'), containing her recipes 'To make Cleare Cakes', 'To make rough red marmalade of quinces', 'To make syrrup of violets', 'To make Penies', 'To mak Lemon Cakees' ('Take of the finest double refined sugar beaten fine and served through a tiffenie, to a poringer full of sugar...),'The Lady Darcyes choyce receipt of the liquorish Cakes ','To make gellie of hartshorne','To preserve Cherries', 'To Preserve Aprecockes green', 'To make mince Pyes','To make neats tonge Pyes','To make almon puddings', 'To make good black puddings', 'To make Rice puddings', 'To make a pudding in a dish', 'To make a marrow pudding', 'To make a Coller of Beefee', 'To make sauce for old duckes', 'For young duckes', 'To make Pig sauce', 'Another sauce for a Pig', 'A receipt of my Mothers Cheescake' ('...Let your oven be well heated set up the lid a while till the black breth be gone down then put in your cheescakes shut up your oven lid and when they are well risen and colored a little brown they are baked enough...'), 'To make Good plume Cake', 'To make Short cakes', 'To make an excellent Sullybub', 'To make snow', 'To make Good Plaine Cake', 'To make snow Creame', 'To make Rasbery Creame', 'To make Tumballs', 'A good receipt to make mackerons', 'To make Rasberry wine', 'To Pickle Coucombors' ('...Take, 600, of the smalest Coucombers geather them in the heat of the day, so that there may be no Deue upon them, and put them into a Brine of water and salt, for 12 hours then take them out gently with your hand, that you may not bruis the prickles...'); with reversed at the end medical recipes by Susannah Hoo for ailments such as the plague, rickets, wens, insomnia, headaches, agues, toothache, bruises, jaundice, the king's evil, and the like, the first leaf of the reversed section also bearing her ownership inscription ('Susanna Hoo. oweth [sic] this booke'); with entries added to both sections in later hands for recipes such as 'My father Eytons receipt to make Gosbury wine', probably by Susanna's children or their stepmother, c.70 pages, of which c.40 are cookery recipes, earlier pages unstitched and coming loose, contemporary dark brown calf, small 4to, 16 February 1653[/4]This lot is subject to the following lot symbols: •
Lot 20
Circle of Michael Dahl (Swedish 1659-1743) Portrait of Mrs Rebecca Curson née Clark and her son John Curson from Kirby Hall Oil on canvas Bears inscription to stretcher verso 127 x 102cm (50 x 40 in.) Provenance: Meysey Thompson family, previously of Kirby Hall Thence by descent The mother and son depicted in the present lot are distantly related to the Curzon of Kedleston family through George Curzon, younger brother of John Curzon of Kedleston who inherited the family title. George Curzon of Kedleston (b.c1560) to Francis and Eleanor Curzon of Kedleston. Without the benefit of the title, his son Francis (1580-1658) divided from Kedleston circa 1610 and settled in Mursley, Buckinghamshire. Francis Curzon's second son was Samuel Curson (b. 1625) who married Elizabeth Stevens in the parish in 1648. It is at this point that the Curzon name changes spelling to Curson. Their son Samuel II (1659-1709) moved to St Dunstans in London and became a successful Inn Keeper. Samuel II married in 1682 and his eldest son, Samuel III was the husband of the female sitter in this portrait. In 1707, Samuel Curson III (b.1684-d.) married Rebecca Clark in St. Dunstans in the West Church. After they were wedded the couple moved to Aldgate and Samuel became a successful wine merchant in London. The couple later moved to Chelmsford where Rebecca is recorded in 1753 as buried in St. Matthew's church. Little is known about Rebecca Curson née Clark but it can be assumed that she was a lady of some standing to have married the wealthy Samuel Curson III. It is likely that this portrait was created during their time in Aldgate as a celebration of the couples' first born son John Curson, later John Curson, Esquire of Ipswich. The headdress and finery worn by the little boy was common practice in portraiture of the period in order to show off wealth and denote that he is the successor to the family dynasty. Like his father, John Curson, grew up to become a wine merchant and was the main beneficiary of not only his father's will but also his uncle, Richard Curson of Richmond. As a result, he owned numerous properties in Essex and London. Curson married twice but died without a successor in Blandford Dorset in 1793. Upon Curson's death, his brother Richard who had settle in America in 1759 was the main beneficiary of John Curson's wealth. The surviving female Curson line are still represented by the prominent Curzon Hoffman & Poultney families in the USA. Following the death of Richard's son Samuel, the two surviving sisters, Elizabeth Rebecca Becker Curson & Ellin Moale Curson worked to reclaim part of the will left in England upon the death of their uncle John Curson (the child sitter) and were successful in their claim to numerous London properties and funds.This painting was directly purchased from the Meysey Thompson family previously of Kirby Hall in Yorkshire. John Curzon's niece Mary Spence married Henry Thompson who was heir to the Thompson's of Kirby Hall. Unfortunately, the title became extinct in the early 20th century following the death of Henry Meysey Thompson and the family seat at Kirby Hall was demolished. The painting would have been sited at Kirby Hall from the death of John Curson until its eventual demise. Thereafter, the painting has been in family hands.
Lot 316
A 'George III' oak occasional table, rounded rectangular top, ring turned column, triform base, scroll feet, 70cm high; A Louis XVI design mahogany occasional table, moulded eliptical top, tapered fluted cylindrical legs, shaped X-stretcher, 83cm wide; An Edwardian inspired two tier jardiniere stand; a George III style wine table, of small proportions; a similar occasional table; ; an early 20th century mahogany folding cake stand, with Persian style three brass mounted tiers
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