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A 20th century pine kitchen dresser, fitted with a plate rack above nine drawers and a wine rack, height 202cm, width 85cm, depth 36cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Regency mahogany circular wine table, on scrolling tripod legs, height 68cm, diameter 47cm, together with a Regency rosewood polescreen, height 144cm (replaced foot).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Regency mahogany tip-top wine table, height 72cm, width 65cm, depth 47cm, together with a provincial softwood wine table, height 71cm, width 70cm, depth 55cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An 18th century provincial oak wine table, height 67cm, diameter 41cm, together with a George III mahogany wine table, height 70cm, width 41cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early George III and later mahogany tip-top wine table with a finely carved stem, height 72cm, diameter 45cm (later top and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III provincial mahogany tripod wine table, height 73cm, diameter 39cm, together with another similar table, height 70cm, diameter 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III mahogany and oak tripod wine table, height 72cm, diameter 51cm, together with a Regency mahogany wine table, height 58cm, diameter 45cm (alterations).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Five George III lead wine glasses: a pan topped bowl with mixed twist pair of spirals outside opaque gauze, 16 cm H; a pan topped bowl with etched fruit/vines on a corkscrew spiral stem, 15 cm H; an ogee bowl with 6-ply spiral band outside pair of spiral tapes, 14 cm; a multi spiral opaque twist lead wine glass with swelling knop and conical base, 16 cm H and another similar, 12 cm H, both without visible damage or repair (5)
18TH CENTURY MANUSCRIPT RECEIPT BOOK: collection of manuscript cookery receipts assembled by Elizabeth Watson of Rochester, dated 1768 to upper pastedown: circa 170pp neatly filled in a legible hand, containing over 200 recipes for all aspects of culinary activity including homemade wines, puddings, cakes, pickles, preparation of meats, etc: included are Bishop of London's pudding: smutted rabbits: quaking pudding: cold posset; flummery: gooseberry wine and much else. Contemporary vellum binding, named and dated 1772 on upper cover, worn and scuffed, a few outer leaves loose but contents generally sound, 8vo. (1)
A RARE ITALIAN PORPHYRY MODEL OF A WINE BARREL ON STAND IN THE MANNER OF BENEDETTO BOSCHETTI OR GIACOMO RAFFAELLI, MID-19TH CENTURY the barrel carved from Egyptian Imperial red porphyry with ribbed decoration and incised lines to simulate staved construction, with a gilt bronze stopper engraved with the Visconti family coat of arms, with a tap with a dolphin handle and a beast spout, the porphyry and gilt bronze stand with ram supports, engraved with an inscription 'Ioannes Card Visconti' and 'Milano Anno 1340' 32.4cm high,16.5cm wide, 46.5cm long Provenance Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Catalogue Note The term porphyry is from the Ancient Greek 'porphyra' meaning purple. In antiquity purple was the colour of royalty and combined with its hardness Egyptian porphyry became very much prized for monuments and building projects in Imperial Rome and thereafter. Giovanni Visconti (c.1290-1354) was an Italian Roman Catholic cardinal who was co-ruler of Milan and Pavia. The present lot is possibly a commemorative piece celebrating 500 years of the Visconti family in 1840. We would like to thank Dario Del Bufalo for his assistance and advice in cataloguing this lot.
A COLLECTION OF OLD SHEFFIELD AND ELECTROPLATED ITEMS comprising: a two-handled wine cooler of campana form with part-fluted decoration, a detachable rim and a liner with a later presentation inscription, together with a hot water pot, a mustard pot, five salt cellars, and four salvers (12) Provenance Edmund de Rothschild (1916-2009) The Trustees of Exbury House
A SOUTH GERMAN GILT COPPER TABLE CABINET PROBABLY AUGSBURG, LATE 16TH CENTURY with engraved and pierced scrolling leaf mounts and conforming engraved borders, the hinged top engraved with a scene of Adam and Eve beside the Tree of Knowledge in the Garden of Eden, with attendant animals, the underside engraved with a Biblical scene of God in Heaven, a rainbow to one side and an inebriated Noah lying on the ground, revealing an etched Moresque decorated interior above an arrangement of five drawers decorated in relief with panels of classical scenes of processions of chariots and figures, with two hinged doors decorated with maidens in landscape settings, one probably of Diana, revealing gilt copper lined compartments, on later sphinx supports 31.2cm high, 32.2cm wide, 23cm deep Provenance Alfred de Rothschild (1842-1918) the Billiard Room, Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House Literature Rothschild Archive, London, Manuscript: 000/174/C/3, Christie, Manson & Woods Probate Valuation of 'The Estate of Alfred C. de Rothschild, Esq. C.V.O. Deceased, Halton House Tring'. 1918. Listed as 'A copper gilt casket, with lifting top and small drawers below, engraved with Adam and Eve, emblematic friezes of Amorini, supported by Sphinx, German, 17th century, £40.0.0.' Catalogue Note Kabinettkaestchen, literally 'cabinet box', of this type were produced in a variety of metals and woods and where often given as gifts for significant events such as betrothals, weddings and baptisms. It is perhaps significant that the example being offered here and the other two referenced below each feature a scene of a baptism on the underside of the top cover. Given the detail of the decoration and the locks to the two small cabinets it is likely that they were meant primarily for the storage of precious objects such as jewellery as described in R. Baarsen, 17th-Century Cabinets, Rijksmuseum Dossiers, Zwolle, 2000. Although perhaps a little tenuous, it is possible to interpret the use of the scenes of Adam and Eve being tempted by the Serpent and Noah a little worse for wear after drinking a bit too much wine as warnings against being tempted to steal what was being stored within the cabinet. The scene of Adam and Eve is after a 16th century German woodcut by an artist referred to as ‘Master SHF’, a version of which is held at The Minneapolis Institute of Art. The engraved depiction of Adam and Eve is very much in the style of Virgil Solis who produced a series of illustrations for the Bible from 1560.Nuremburg and Augsburg were renowned for making small scale and highly decorative objects in a variety of metals and it is highly likely that the example offered here was made in a workshop in one of these two cities. Their history and production is discussed at length in G. Summlung, Kostbar und geheimnisvoll - Miniaturmöbel und Schatzkästchen.. For similar items see Christie's, From Roentgen to Faberge: A European Private Collection, 20th May 2015, lot 9 and The Rijksmuseum, Object Number NK-17523. The casket offered by Christies, as well as the Italian example being offered as part of the Exbury Collection lot 219, are both covered in velvet and it is possible that this example may also have had velvet laid around the scrolled decoration. For similar etched decoration see a 16th century close-helmet in the Wallace Collection attributed to Conrad Richter of Augsburg, inv. A188.
A PAIR OF GEORGE III IRISH SILVER WINE COASTERS DUBLIN, C.1770-80 maker's mark only 'I.C' for John Craig, of circular form, pierced and chased with birds, a Bacchus figure, trailing vines, scroll work and a tower, rope-work borders, turned wooden bases, engraved with a crest (2) 13.5cm diameter (2) Provenance Alfred de Rothschild (1842-1918) Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury HouseCatalogue NoteThe crest with a Bishop’s mitre is that of Newcome. William Newcome (1729-1800) was an Englishman and cleric of the Church of Ireland. Between 1766 and 1800 he was appointed to the Bishoprics of Dromore, Ossory, Waterford and Lismore and finally to the Primatial See of Armagh.
A PAIR OF GEORGE III SILVER WINE COASTERS maker's mark worn, London 1798, of circular form with reeded borders, on turned wooden bases (2) 13.4cm diameter Provenance Alfred de Rothschild (1842-1918) Halton House, Buckinghamshire Lionel de Rothschild (1882-1942) Edmund de Rothschild (1916-2009) The Trustees of Exbury House
AFTER CECIL ALDIN “Children Playing with Hoop” chromolithograph heightened, together with HALCYON WEIR “Polar Flight” study of a horse head in harness charcoal and chalks signed and dated 1972 lower left titled lower right, AFTER SIR JOSHUA REYNOLDS “Georgiana, Duchess of Devonshire”, black and white lithograph published by Colnagie & Agnews circa 1878 originally engraved by Samuel Cousins and A framed and glazed cover of music sheet booklet entitled “Ma vigne et ma mie” (My wine and my bread) numbered top left No. 2 published Enoch & Co, 27 Boulevard des Italiens, Paris
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166820 item(s)/page