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Fifty five pieces of Waterford crystal Kenmare pattern, (1968 discontinued in 2017), including eight red wine glasses, eight hock glasses, six white wine glasses, nine liquor glasses 5", eight liquor glasses 51/2", two sherry glasses, six whisky tumblers and eight port glasses, unboxed. (*cr)Condition ReportMinor chips to the rim of three red wine glasses.
19th Century English glass, including six amber ribbed wine glasses circa 1820, peacock blue wine glass circa 1840, amethyst wine glass circa 1800, amethyst finger bowl, two Stourbridge Victorian glasses circa 1855, yellow wine decanter and stopper circa 1820, green oil bottle circa 1780-90, light amber finger bowl circa 1830, various other glasses circa 1820, set of six double lipped wine glass coolers possibly made in Stourbridge circa 1820, together with a blue Whitefriars candlestick.
Continental porcelain four branch candelabra. The figurative stems modelled as a floral encrusted tree trunk surrounded by three putti imbibed with wine, approx 34 cms, blue underglaze mark. Condition Report Small area of loss to petal, another repair to a petal and a loss to the tip of one finger.
Five 19th century and later wine glasses including an example with bell shaped bowl on a double knop air twist stem, height 17cm, an example with ogee shaped bowl with etched decoration, etc (5).Condition Report: Hobnail cut example with large chips to footrim. Example with bell shaped bowl with tiny fleabite to footrim, smaller hobnail cut example with chipping to footrim, largest glass with chip to footrim.
A 19th century wine glass with fluted bell shaped bowl and opaque stem on conical foot, height 14cm, and two further wine glasses including a 19th century opaque air twist stem example. Condition Report: Taller example with fluted bowl large slither chip and smaller chips to foot rim. second example with fluted bowl with possible rub to foot rim. smaller example with rough foot rim and tiny flea bites.
A collection of Georgian and later glassware including two Georgian rummers, amethyst coloured hyacinth bulb holders, etc.Condition Report: Light base wear and scratches throughout. Georgian rummer with fleabite, ameyst glass with chip to footrim. One wine glass with fluted bowl with chip to foot rim. Wine glass with small chip to foot rim.
AUTOGRAPHS A collection of mounted photograph and signature combos, including Boris Karloff as Frankenstein, George Clooney and Quentin Tarantino in From Dusk Till Dawn, David Carradine and Keye Luke in Kung Fu, Peter Sallis, Bill Owen and Brian Wilde in Last of the Summer Wine (with certificate of authenticity from BD Autographs) etc. Note: authenticity cannot be guaranteed. Condition Report:Available upon request
A pair of 1970s hallmarked silver rimmed wine coasters with a cased set of six 800 silver tea spoons. The wine coasters each having a hardwood base with silver pierced rim. Hallmarked for London, 1970. Makers mark CSR Ltd. The cased set of tea spoons marked 800. Combined weight approx 483.9g. Measures approx 12.5cm diameter (coaster) / 11cm (length of spoon).
A Regency (circa 1820) mahogany wine cooler. Of sarcophagus shape with brass laurel wreath ring handles to the sides, raised on four lion's paw feet with casters. The locking lid (key present) opening on a brass saw-tooth ratchet stay to reveal a metal lined interior with brass draining plug. H 51cm, W 63cm, D 46cm.
A GEORGE II/III EIGHT-DAY LONGCASE CLOCK MOVEMENT AND DIALTHE ARCH WITH A SIGNTURE BOSS ENGRAVED FOR THOMAS PEIRCE, BRISTOL, MID 18th CENTURYThe five pillar rack and bell striking movement with anchor escapement for regulation by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and herringbone border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes beyond the minute track, with scroll-pierced blued-steel hands and twin bird and urn cast spandrels to angles, the arch centred with a silvered boss engraved Thomas, Peirce, Bristol within a concentric foliate band and moulded brass bezel flanked by dolphin and foliate scroll cast mounts, (no lines or pulleys).43cm (17ins) high, 30.5cm (12ins) wide excluding the loose seatboard, 15cm (6ins) deep including crutch. Thomas Pierce is recorded in Moore, A.J. CLOCKMAKERS OF BRISTOL 1650-1900 as the second clockmaker with this name who worked in Bristol 1732-93. He was apprenticed to Joseph Smith in 1732 and first worked from 48 Wine Street 1739-45 and then 57 Corn Street from 1761. The arch of the dial of the present lot shows evidence of originally been designed with apertures for a 'rocking-eye' automaton; these are now mostly filled and concealed behind the signature boss signed for Thomas Pierce. Whether this was executed as a 'rethink' by Pierce at the time of making, or a modification undertaken at a later date, is not known.
A circa mid to late 19th Century manuscript cookery receipt book, 25 pages of m/s cookery recipe entries, including lemon pudding, Bath buns, Canterbury pudding, Manchester pudding, Colts foot wine, peppermint cordial etc, plus a circa late 19th/early 20th Century m/s cookery receipt book, 64 pages of m/s entries, some remedies and domestic receipts at end, plus a 19th Century m/s book of notes, m/s cover title "To America and Back, notes by the way, with thoughts about the Country and People", 96 pages of m/s entries, c.1869, + 1 other 19th Century m/s book (4)
Four silver escutheon wine labels, comprising: one by John Harvey I, London circa 1740 (maker and standard only, entered this mark 7th February 1738), engraved MOUNTAIN within fruiting vine, 5.5cm (2 1/4in) wide; two similar, unmarked, engraved MADEIRA and CLARET; one plain, unmarked, engraved WHITE WINE beneath a crest; together with a shaped rectangular label by Alfred Godfrey, London 1903, pierced MARSALA (5)
Six silver wine labels, comprising: canted-rectangular with a vacant shield above by Thomas Phipps & Edward Robinson, London 1793, engraved PORT, 4.5cm (1 3/4in) long; canted-rectangular engraved with shells by William Knight II, London 1828, engraved MADEIRA; canted-rectangular by Elizabeth Morley, London 1796, engraved MADEIRA; canted-rectangular by John Reily, London 1808, engraved HOCK; canted-rectangular, unmarked, engraved BRANDY; kidney shape for a noggin by Hukin & Heath, London 1906, engraved Whiskey; together with an old Sheffield plate example, engraved GIN (7)
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