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Lot 1093
Wine - Causse Marines Dencon, (4 bottles); H3 Horse Heaven Hills Chardonnay 2013, (4 bottles); Terre Nobili 2015, (4 bottles). (12 bottles)Wines from the same vendor, not specifically known how they’re been stored, other than a few years in a warehouse, unknown whether laid down but were not when collected.
Lot 10
Olivia Sterling If it comforts you, then do so 2, 2023 Acrylic and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About In her paintings, Olivia Sterling presents the viewer with scenes of daily life that subtly critique attitudes towards race, class, gender and social status. While her typically closely cropped and vividly coloured canvases - teeming with arms, legs and half-eaten food - may seem playful at first sight, they do in fact tackle subjects that are anything but. Education MA Painting, Royal College Arts BA Fine Art, University of Derby Select Exhibitions/Awards Graduating with an MA in painting from the Royal College of Art, Olivia has exhibited at Guts Gallery (London, 2022), Meyever Riegger (2022) NEVVEN (Gothenburg, 2022), CCA Goldsmiths (London, 2021), Cob Gallery (London, 2021), Galerie Droste (Paris, 2021), Blank Projects (Cape Town, 2020), White Cube (Online, 2020) Sterling lives and works in London, United Kingdom. Gallery Representation Guts Gallery Statement about AOAP Submitted Artwork The series "If it comforts you, then do so" takes its name from the book "The Master and Margarita" spoken by the master. The series shows red wine staining unknown party guests as they slosh about. I wanted to emulate being at a party and the stages or motions of drinking that are often involved. From melancholic to chaotic, as the wine pours, different things are lost and gained. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 11
Olivia Sterling If it comforts you, then do so 3, 2023 Acrylic and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About In her paintings, Olivia Sterling presents the viewer with scenes of daily life that subtly critique attitudes towards race, class, gender and social status. While her typically closely cropped and vividly coloured canvases - teeming with arms, legs and half-eaten food - may seem playful at first sight, they do in fact tackle subjects that are anything but. Education MA Painting, Royal College Arts BA Fine Art, University of Derby Select Exhibitions/Awards Graduating with an MA in painting from the Royal College of Art, Olivia has exhibited at Guts Gallery (London, 2022), Meyever Riegger (2022) NEVVEN (Gothenburg, 2022), CCA Goldsmiths (London, 2021), Cob Gallery (London, 2021), Galerie Droste (Paris, 2021), Blank Projects (Cape Town, 2020), White Cube (Online, 2020) Sterling lives and works in London, United Kingdom. Gallery Representation Guts Gallery Statement about AOAP Submitted Artwork The series "If it comforts you, then do so" takes its name from the book "The Master and Margarita" spoken by the master. The series shows red wine staining unknown party guests as they slosh about. I wanted to emulate being at a party and the stages or motions of drinking that are often involved. From melancholic to chaotic, as the wine pours, different things are lost and gained. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 12
Olivia Sterling If it comforts you, then do so 4 Acrylic and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About In her paintings, Olivia Sterling presents the viewer with scenes of daily life that subtly critique attitudes towards race, class, gender and social status. While her typically closely cropped and vividly coloured canvases - teeming with arms, legs and half-eaten food - may seem playful at first sight, they do in fact tackle subjects that are anything but. Education MA Painting, Royal College Arts BA Fine Art, University of Derby Select Exhibitions/Awards Graduating with an MA in painting from the Royal College of Art, Olivia has exhibited at Guts Gallery (London, 2022), Meyever Riegger (2022) NEVVEN (Gothenburg, 2022), CCA Goldsmiths (London, 2021), Cob Gallery (London, 2021), Galerie Droste (Paris, 2021), Blank Projects (Cape Town, 2020), White Cube (Online, 2020) Sterling lives and works in London, United Kingdom. Gallery Representation Guts Gallery Statement about AOAP Submitted Artwork The series "If it comforts you, then do so" takes its name from the book "The Master and Margarita" spoken by the master. The series shows red wine staining unknown party guests as they slosh about. I wanted to emulate being at a party and the stages or motions of drinking that are often involved. From melancholic to chaotic, as the wine pours, different things are lost and gained. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 121
Matthew Eguavoen Sadiq Acrylic on cartridge paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Imuetiyan Eguavoen (b.1988, Edo State) lives and works in the city of Lagos, Nigeria. Matthew Eguavoen is a contemporary artist with a singular style. Far more expressive than the traditional portrait, the Lagos-based artist uses color and composition to raise questions about gender, race and history, particularly linked to Nigeria and Africa. In his portraits, Matthew uses a combination of oil paint, acrylic paint, charcoal, and graphite pencils to document stories that encompass the emotions and demeanor of his muse to the viewer of his work. He depicts the vulnerability and openness associated with expressing the feelings of love, as well as the apprehension of protecting one's self from heart break and ulterior motives. His work addresses the lack of awareness on mental health, especially depression. Due to the stigma associated with mental health, conversations about depression are not often had, hence information, and resources required to deal with depression are sparse and the effect of societal pressures and timelines seton youths to achieve certain goals by a specific age (marriage, financial goals, family responsibilities). Eguavoen, wants to give voice to the impact of Slavery in Africa and its people. The extinction of African traditional values and the growing sensation of religion in Africa, importation of western moral and cultural values. He attended the University of Port Harcourt, where he obtained a Bachelors in Science for Civil Engineering and Structures. In his final year at the university, Matthew decided to pursue his passion for creating art through self-study, where he continued his artistic development. Matthew didn't start painting till he was 25 years. Matthew ́s works are featured in collections across West Africa, USA, Europe, and North America. Education Bachelor in Civil Engineering, The University of Port Harcourt, Nigeria Select Exhibitions/Awards SOLO SHOWS 2022 23. PM/AM, London. Egbé Okpá. Afikaris, Paris. GROUP SHOWS 2023 Color Coded. BODE Gallery, Berlin 2022 Voyage. Nothing At All art space, Hong Kong. Shout Plenty. Presented by African Artists' Foundation in collaboration with Alliance Française, Ikoyi. Classique! Afikaris, Paris. Smiling & Suffering Together (With Onguene Tassi). Out of Africa Gallery, Barcelona. What Now? PM/AM, London. 2021 It's Not Only a Portrait. Galería Badr El Jundi, Marbella, Málaga. 40 under 40. WHATIFTHEWORLD X Krone. A collaboration with BMW Young Collectors Co., an initiative of FNB Art Joburg, at Twee Jonge Gezellen wine estate Tulbagh. I No Be Gentleman (At All O). ADA, Accra. MUSEUM SHOW 2023 AFRICA SUPERNOVA, KUNSTHAL KADE MUSEUM, Schulting Art Collection, Netherlands 2022 The New African Portraiture, Shariat Collection, Kunsthalle Krems Museum, Austria Gallery Representation I do not have a representation at the moment; however, I do actively collaborate with these three (3) Galleries; PM/AM Gallery, London Afikaris Gallery, Paris Badr El Jundi Gallery, Madrid. Statement about AOAP Submitted Artwork 1. Womanhood "In a world where gender roles are constantly in flux and in one that increasingly understands gender and biological sex as two distinct realms, I often find myself wondering about the nature of womanhood. What does it mean to be a woman? We no longer make sense of what it means to be a woman through a set of physical characteristics or personality traits, nor through fixed societal roles. But if being a woman is not determined by these dimensions, is there some other element that is shared by all women?" 2. More like family This piece was created to acknowledge people in my life who have supported and nourished me mentally and emotionally, most especially in my career, and have continually my back one without asking for their act of kindness to be repaid. 3. Sadiq Sadiq is a Social Media friend whom I respect because of how he has continually lived his life without being confined to societal standards. He has continued to be expressional, most especially with issue in relation to gender, and i have used this piece to represent that part of him. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 122
Matthew Eguavoen Womanhood Acrylic on cartridge paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Imuetiyan Eguavoen (b.1988, Edo State) lives and works in the city of Lagos, Nigeria. Matthew Eguavoen is a contemporary artist with a singular style. Far more expressive than the traditional portrait, the Lagos-based artist uses color and composition to raise questions about gender, race and history, particularly linked to Nigeria and Africa. In his portraits, Matthew uses a combination of oil paint, acrylic paint, charcoal, and graphite pencils to document stories that encompass the emotions and demeanor of his muse to the viewer of his work. He depicts the vulnerability and openness associated with expressing the feelings of love, as well as the apprehension of protecting one's self from heart break and ulterior motives. His work addresses the lack of awareness on mental health, especially depression. Due to the stigma associated with mental health, conversations about depression are not often had, hence information, and resources required to deal with depression are sparse and the effect of societal pressures and timelines seton youths to achieve certain goals by a specific age (marriage, financial goals, family responsibilities). Eguavoen, wants to give voice to the impact of Slavery in Africa and its people. The extinction of African traditional values and the growing sensation of religion in Africa, importation of western moral and cultural values. He attended the University of Port Harcourt, where he obtained a Bachelors in Science for Civil Engineering and Structures. In his final year at the university, Matthew decided to pursue his passion for creating art through self-study, where he continued his artistic development. Matthew didn't start painting till he was 25 years. Matthew ́s works are featured in collections across West Africa, USA, Europe, and North America. Education Bachelor in Civil Engineering, The University of Port Harcourt, Nigeria Select Exhibitions/Awards SOLO SHOWS 2022 23. PM/AM, London. Egbé Okpá. Afikaris, Paris. GROUP SHOWS 2023 Color Coded. BODE Gallery, Berlin 2022 Voyage. Nothing At All art space, Hong Kong. Shout Plenty. Presented by African Artists' Foundation in collaboration with Alliance Française, Ikoyi. Classique! Afikaris, Paris. Smiling & Suffering Together (With Onguene Tassi). Out of Africa Gallery, Barcelona. What Now? PM/AM, London. 2021 It's Not Only a Portrait. Galería Badr El Jundi, Marbella, Málaga. 40 under 40. WHATIFTHEWORLD X Krone. A collaboration with BMW Young Collectors Co., an initiative of FNB Art Joburg, at Twee Jonge Gezellen wine estate Tulbagh. I No Be Gentleman (At All O). ADA, Accra. MUSEUM SHOW 2023 AFRICA SUPERNOVA, KUNSTHAL KADE MUSEUM, Schulting Art Collection, Netherlands 2022 The New African Portraiture, Shariat Collection, Kunsthalle Krems Museum, Austria Gallery Representation I do not have a representation at the moment; however, I do actively collaborate with these three (3) Galleries; PM/AM Gallery, London Afikaris Gallery, Paris Badr El Jundi Gallery, Madrid. Statement about AOAP Submitted Artwork 1. Womanhood "In a world where gender roles are constantly in flux and in one that increasingly understands gender and biological sex as two distinct realms, I often find myself wondering about the nature of womanhood. What does it mean to be a woman? We no longer make sense of what it means to be a woman through a set of physical characteristics or personality traits, nor through fixed societal roles. But if being a woman is not determined by these dimensions, is there some other element that is shared by all women?" 2. More like family This piece was created to acknowledge people in my life who have supported and nourished me mentally and emotionally, most especially in my career, and have continually my back one without asking for their act of kindness to be repaid. 3. Sadiq Sadiq is a Social Media friend whom I respect because of how he has continually lived his life without being confined to societal standards. He has continued to be expressional, most especially with issue in relation to gender, and i have used this piece to represent that part of him. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 123
Matthew Eguavoen More Like Family Acrylic on cartridge paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Matthew Imuetiyan Eguavoen (b.1988, Edo State) lives and works in the city of Lagos, Nigeria. Matthew Eguavoen is a contemporary artist with a singular style. Far more expressive than the traditional portrait, the Lagos-based artist uses color and composition to raise questions about gender, race and history, particularly linked to Nigeria and Africa. In his portraits, Matthew uses a combination of oil paint, acrylic paint, charcoal, and graphite pencils to document stories that encompass the emotions and demeanor of his muse to the viewer of his work. He depicts the vulnerability and openness associated with expressing the feelings of love, as well as the apprehension of protecting one's self from heart break and ulterior motives. His work addresses the lack of awareness on mental health, especially depression. Due to the stigma associated with mental health, conversations about depression are not often had, hence information, and resources required to deal with depression are sparse and the effect of societal pressures and timelines seton youths to achieve certain goals by a specific age (marriage, financial goals, family responsibilities). Eguavoen, wants to give voice to the impact of Slavery in Africa and its people. The extinction of African traditional values and the growing sensation of religion in Africa, importation of western moral and cultural values. He attended the University of Port Harcourt, where he obtained a Bachelors in Science for Civil Engineering and Structures. In his final year at the university, Matthew decided to pursue his passion for creating art through self-study, where he continued his artistic development. Matthew didn't start painting till he was 25 years. Matthew ́s works are featured in collections across West Africa, USA, Europe, and North America. Education Bachelor in Civil Engineering, The University of Port Harcourt, Nigeria Select Exhibitions/Awards SOLO SHOWS 2022 23. PM/AM, London. Egbé Okpá. Afikaris, Paris. GROUP SHOWS 2023 Color Coded. BODE Gallery, Berlin 2022 Voyage. Nothing At All art space, Hong Kong. Shout Plenty. Presented by African Artists' Foundation in collaboration with Alliance Française, Ikoyi. Classique! Afikaris, Paris. Smiling & Suffering Together (With Onguene Tassi). Out of Africa Gallery, Barcelona. What Now? PM/AM, London. 2021 It's Not Only a Portrait. Galería Badr El Jundi, Marbella, Málaga. 40 under 40. WHATIFTHEWORLD X Krone. A collaboration with BMW Young Collectors Co., an initiative of FNB Art Joburg, at Twee Jonge Gezellen wine estate Tulbagh. I No Be Gentleman (At All O). ADA, Accra. MUSEUM SHOW 2023 AFRICA SUPERNOVA, KUNSTHAL KADE MUSEUM, Schulting Art Collection, Netherlands 2022 The New African Portraiture, Shariat Collection, Kunsthalle Krems Museum, Austria Gallery Representation I do not have a representation at the moment; however, I do actively collaborate with these three (3) Galleries; PM/AM Gallery, London Afikaris Gallery, Paris Badr El Jundi Gallery, Madrid. Statement about AOAP Submitted Artwork 1. Womanhood "In a world where gender roles are constantly in flux and in one that increasingly understands gender and biological sex as two distinct realms, I often find myself wondering about the nature of womanhood. What does it mean to be a woman? We no longer make sense of what it means to be a woman through a set of physical characteristics or personality traits, nor through fixed societal roles. But if being a woman is not determined by these dimensions, is there some other element that is shared by all women?" 2. More like family This piece was created to acknowledge people in my life who have supported and nourished me mentally and emotionally, most especially in my career, and have continually my back one without asking for their act of kindness to be repaid. 3. Sadiq Sadiq is a Social Media friend whom I respect because of how he has continually lived his life without being confined to societal standards. He has continued to be expressional, most especially with issue in relation to gender, and i have used this piece to represent that part of him. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 9
Olivia Sterling If it comforts you, then do so 1, 2023 Acrylic and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Ell Pennick About In her paintings, Olivia Sterling presents the viewer with scenes of daily life that subtly critique attitudes towards race, class, gender and social status. While her typically closely cropped and vividly coloured canvases - teeming with arms, legs and half-eaten food - may seem playful at first sight, they do in fact tackle subjects that are anything but. Education MA Painting, Royal College Arts BA Fine Art, University of Derby Select Exhibitions/Awards Graduating with an MA in painting from the Royal College of Art, Olivia has exhibited at Guts Gallery (London, 2022), Meyever Riegger (2022) NEVVEN (Gothenburg, 2022), CCA Goldsmiths (London, 2021), Cob Gallery (London, 2021), Galerie Droste (Paris, 2021), Blank Projects (Cape Town, 2020), White Cube (Online, 2020) Sterling lives and works in London, United Kingdom. Gallery Representation Guts Gallery Statement about AOAP Submitted Artwork The series "If it comforts you, then do so" takes its name from the book "The Master and Margarita" spoken by the master. The series shows red wine staining unknown party guests as they slosh about. I wanted to emulate being at a party and the stages or motions of drinking that are often involved. From melancholic to chaotic, as the wine pours, different things are lost and gained. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Lot 3
Mixed Lot Good Mature Claret 12 bottles Mixed Lot Good Mature Claret – all bottles in this Lot have been extremely well cellared with fill levels of all at b/n or above - comprising: 1 bottle Wine Society A.C. Pauillac from Domaines Baron de Rothschild 2003, 1 bottle Chateau La Rose Perganson Cru Bourgeois Haut Medoc 2004, 1 bottle Chateau du Perier Cru Bourgeois Medoc 2000, 1 bottle Chateau de Lisse St Emilion Grand Cru 2009, 1 bottle Chateau La Fleur Montagne St Emilion 2003, 1 bottle Chateau Chapelle Labory Fronsac 2015, 1 bottle Chateau Les Grands Marechaux Cotes de Blaye Bordeaux 2004, 1 bottle Chateau Les Grands Marechaux Cotes de Blaye Bordeaux 2015, 1 bottle Chateau Castegens La Croix Cotes de Castillon 2006, 1 bottle Chateau Mugron Bordeaux Superieur 2007, 1 bottle Chateau Les Vallees Bordeaux 2009, 1 bottle Chevaux Des Girondins Bordeaux 1999.Wilson55 can help with delivery! Click on the shipping tab for more details.
Lot 9
Mixed Lot Mature Drinking Wine 9 bottles (including 2 Fine Magnums Claret) Mixed Lot Mature Drinking Wine comprising 1 Magnum Chateau Cissac Cru Bourgeois Haut-Medoc 2010 (b/n), 1 Magnum Chateau Ballan-Larquette Bordeaux 2015 (i/n), 2 bottles Chevaux Des Girondins Bordeaux 1999 (2 x b/n), 1 bottle Chateau de Saint Croix Coteaux d’Aix-en- Provence, 1 bottle Alamos Cabernet Sauvignon Mendoza 2005, 1 bottle Georges Duboeuf Fleurie Domaine des Quatre Vents 1992, 2 bottles Cepage Ploussard Arbois Pupillin Paul Benoit et Fils 2004.Wilson55 can help with delivery! Click on the shipping tab for more details.
Lot 19
Mixed Lot Fine 6 bottles Mixed Lot Fine, mature Classified and Cru Bourgeois Haut Medoc comprising: 1 bottle Chateau Lynch-Moussas Grand Cru Classe Pauillac 2006 (vts), 1 bottle Chateau Chasse-Spleen Cru Exceptionnel Moulis en Medoc 1985 (vts), 1 bottle Chevalier de Gruaud (of Gruaud Larose) St Julien 1993 (b/n),1 bottle Connetable Talbot (2nd Wine of Chateau Talbot) St Julien 1994 (b/n), 1 bottle Maitre d’Estournel (of Cos d’Estournel) 1982 (m/s), 1 bottle Chateau Larose Trintaudon Cru Bourgeois Haut-Medoc 1988 (mus).Wilson55 can help with delivery! Click on the shipping tab for more details.
Lot 198
NO RESERVE Wine label catalogue.- Imprimerie Wetterwald Frères. Modèles pour Vins, No. 619, wine label printer's catalogue, containing c.230 examples of labels pasted onto leaves with explanatory text, list of prices dated 1 Septembre 1937 loosely inserted (torn at head and repaired), some minor creasing to corners of leaves, very occasional light spotting, a few faint marginal water stains, but overall very good, original paper-backed printed boards, rebacked, boards lightly rubbed and soiled, new endpapers, oblong 4to, Bordeaux, 1937.
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