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Lot 124
A pair of modern silver two-handled wine tasters, of plain form with scroll handles, Birmingham 1976, 8.8cm diameter, 13.2cm handle to handle, combined weight 4.24ozt, 131.9g CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Lot 78
GAME OF THRONES SEASON VIII - A Season 8 production issued crew gift water bottle 'Fxxk The Water, Bring Me Wine' - unused - Provenance : These items came from a private vendor who worked for many years on the production crew of numerous films and was issued these items as were all crew members - authentic item and comes with an Excalibur Auctions certificate of authenticity (1 in lot)
Lot 55
English Fairy Tales, Retold By Flora Annie Steel, Illustrated By Arthur Rackham, Macmillan & Co. Ltd, St Martins Street, London, 1918, with coloured illustrations, red cloth boards and gilt title, 8vo, together with various other books to include De Cassagnac, Paul: French Wines, London, Chatto & Windus 1930, Claret And Sauternes, Classed Growths Of The Medoc And Other Famous Red And White Wines Of The Gironde. London: The Wine And Spirit Trade Record, 1920 and Langenbach, Alfred: German Wines and Vines, Vista Books, London, 1962. etc.
Lot 166
A fine pair of late 19th century silver-plated oval entrée dishes in late 18th century style and with delicate engraving, together with a pair of early 19th century Sheffield plated wine bottle coasters with turned bases and silver-plated bosses and an early 20th century muffin dish and cover (2 pairs and a single)
Lot 341
Four late 19th / early 20th century oil on canvas studies (3 unframed):a still life of a bottle of wine with fruits and another of an an open casket and an open book (40.5cm high x 58cm wide);a naïve lakeside scene;a naïve study of a crossroads cottage, initialled 'A.H.' lower right, glazed gilt frame.
Lot 61
A fine cut-glass silver-mounted claret jug; the glass with hobnail-cut body and star-cut base, the silver mounts marked for The Goldsmith's Company, Regent St. and assayed London 1903 (19.5cm high)Condition Report: The hallmarked silver mounted top is in excellent order and the hinge is flat. The inside of the silver lid is very clearly hallmarked, the lower silver mount is also very clearly marked. It is noted that there a minor pinhead-sized dings to the mount to the right of the spout. The silver would benefit from a clean. The glass inside the mount appears good with no cracks or chips, the body and base appear good but there is some discolouration at the bottom of the jug (wine residue). The Auctioneer reports that this has been consigned from a private vendor and is in excellent original condition.
Lot 1077
A GEORGE III SILVER WINE COASTER, by Thomas, James & Nathaniel Creswick, Sheffield 1825, circular with gadrooned and scroll rim, the sides chased with reeding, turned wooden base with crested roundel, 18cm diameter; together with A SIMILAR COASTER, maker's mark indistinct, Sheffield 1817, of similar designs, the roundel engraved 'AULD LANG SYNE May 31 1819', 18cm diameter. (2)CONDITION REPORTMarks are clear.
Lot 203
GILT-DECORATED CORAL-RED- GLAZED TEA BOAT QING DYNASTY, JIAQING MARK AND OF THE PERIOD 清嘉慶款及年代 珊瑚紅地描金纏枝蓮紋茶船 of boat form, the base of the interior painted with a lotus surrounded by four butterflies, each side of the interior decorated with a bat and lotus in tendrils, the exterior further adorned with butterflies and lotus in tendrils, the base inscribed with a six-character Jiaqing mark in iron-red on a turquoise ground(14.5cm wide)Provenance: Private English collection, SurreyNote: In Tao Ya, the old man of Jiyuan in the Qing Dynasty mentioned that "A cup holder is called a tea boat. In the Ming dynasty, it was made like a boat. In the Kangyong (Kangxi and Yongzheng) period, the holder for a small wine cup was rounded and not hollowed, but the Song kiln was hollowed. The design over time has fixed the simplicity and clumsiness." It can be seen that the boat-shaped cup holder or saucer appeared in the Ming dynasty. Its purpose was to hold the teacup to keep the heat from hands. Later, due to its boat-like shape, it was then named the "tea boat".
Lot 214
PEACHBLOOM-GLAZED BEEHIVE WATER POT KANGXI SIX-CHARACTER MARK AND POSSIBLY OF THE PERIOD 康熙款或到代 豇豆紅釉太白尊 the rounded sides raised to a short, waisted neck and slightly flaring mouth, incised with three archaistic dragon roundels beneath a glaze of even, crushed strawberry tone suffused with mottled copper-green, the rim, interior and base are covered in a transparent glaze, the base inscribed with a six-character Kangxi mark in underglaze blue(12.5cm wide)Provenance: formerly in a private American collectionNote: Water pots of this form are known as Taibai zun, after the Tang dynasty poet Li Bai (also named Li Taibai, 701-762) who is often depicted leaning against a large wine vat of this shape. Similar peachbloom-glazed water pots are found in various museums and collections worldwide, including the Percival David Foundation of Chinese Art, illustrated in Earth, Fire and Water: Chinese Ceramic Technology, London, 1996, no. 24, p. 34; the Baur Collection, Catalogue, vol. III, Geneva, 1999, nos. A305, A310 and A313-A316; a full set of the eight vessels at the Metropolitan Museum of Art, illustrated by S.G. Valenstein, A Handbook of Chinese Ceramics, New York, 1989, p. 237; the British Museum, Oriental Ceramics, The World's Great Collections, vol. 5, Tokyo, 1981, no. 230. Compare to a similar water pot sold at Christie's Hong Kong, 30 November 2011, lot 2924. An example of a smaller size (8.9cm diam.) was sold at Sotheby's Hong Kong, 11 April 2008, lot 2907.
Lot 243
FAMILLE ROSE PEACH-FORM 'PHEASANT AND BAMBOO' CADOGAN POT QING DYNASTY, QIANLONG PERIOD 清乾隆 粉彩雉雞竹林花卉紋壽桃型倒流壺 moulded in peach form standing on an everted foot, painted on one side with a pheasant in a bamboo grove, the other side adorned with various flowers, branches of moulded leafy stems encircling the top of the body, set with a hollow loop-handle with an opening at the bottom and an upward-pointing spout, the base with a very thin coating of glaze and a perforation in the centre(19.5cm wide)Provenance: Private English collection, acquired in 2017; Formerly in an English private collection, Suffolk.Note: a comparable famille rose peach-shaped cadogan pot with applied floral design, dated to the Qianlong period, was sold at Rob Michiels Auctions, Belgium on 13th March 2021, lot 105. These peach form pots were a Chinese novelty meant to be a puzzling curiosity to a gathering of people who were sharing the wine. It appears there is no way to fill the ewer as there is no aperture on top, it seems impossible to fill it from the hole beneath as it would run straight out. The liquid is filled through a funnel in the base that extends vertically inside the pot to a height that prevents the liquid from escaping when the pot is turned right side up after filling. The later name, Cadogan, refers to teapots made in Europe, as well as the original Chinese form. It is said that William Cadogan, 1st Earl Cadogan (1675 – 1726), was the first person to own a Chinese wine pot of this shape, hence the name. In England, the Cadogan teapot was particularly popular in the second quarter of the 19th century. A Meissen copy of such Chinese form and decorated in European style, dated ca. 1725, is in the collection of the Metropolitan Museum of Art, accession number: 1974.356.488. It was modelled after a Chinese porcelain wine pot from the Kangxi period (1662–1722).
Lot 261
TWO QIANJIANG ENAMELLED WARES LATE QING DYNASTY-REPUBLIC PERIOD, 19TH-20TH CENTURY 清末民初 友竹款 淺絳彩花鳥溫酒器 及 蓋罐 （共兩件） one wine warmer of pear shape, both the bulbous body and the dome cover painted with a bird perching on a tree branch, inscribed on the side with a poem and signed 'You Zhu'; the other cylindrical covered box similarly decorated and inscribed, either side attached with two moulded tree branches as loop handles(heights: 12.6cm and 14cm)
Lot 106
A Collection of Assorted Silver and Silver Plate, the silver including: a three various pepperettes; a pair of serving spoons; a sauceboat; a cased pair of salt-cellars and spoons; a plain napkin-ring; a King's pattern sauce-ladle and two various fruit-knives, weighable silver 23oz 17dwt, 742gr; the silver plate including: a pair of wine-coaster; two various silver plate bread-boards with wood insets; a silver plate salver; a mustard-pot and various items of flatware (qty)
Lot 1203
A 20th century mahogany tripod table, in Louis XVI style, with a circular red and white marble top above a plain frieze, raised on a baluster support with three cabriole legs, 33cm diameter by 79cm; together with a similar wine table with pink and grey marble top above a baluster support and three cabriole legs, 39cm diameter by 56cm (2)
Lot 162
A quantity of silver plate and metalware to include trays, a teapot, a wine coaster etc together with an Eastern lacquered box, an incense burner etc At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Lot 421
UEMURA SHOEN (1875-1949), KITANO TSUNETOMI (1880-1947), AFTER TOSHUSAI SHARAKU (FL. CIRCA 1794-1795), AND OTHERSTaisho (1912-1926) and/or Showa (1926-1989) era, early 20th century; Meiji (1868-1912), Taisho (1912-1926), or Showa (1926-1989) era, early 20th century 17 oban tate-e shin-hanga prints, illustrating the works of the famous playwright Chikamatsu Monzaemon (1653-1725), by leading Taisho-era artists as follows: (1) Semimaru in Semimaru by Suga Tatehiko (1878-1963); (2) The heroine Matsukaze in Matsukaze murasame sokutai kagami by Nakazawa Hiromitsu (1874–1964); (3) Lady Hagi probably in Kanhasshu tsunagi-uma by Ogawa Usen (1868-1938); (4) The sailor Kezori Kuemon in Hakata kojoro nami makura by Noda Kyuho (1879-1971); (5) The heroine Ochiyo in Sunju yoi koshin by Kitani Chigusa (1895-1947); (6) A swordsman by Yamaguchi Sohei (1882-1961); (7) A female ghost by Uemura Shoen (1875-1949); (8) The deity Fudo and the priest Mongaku by Tomita Keisen (1879-1936); (9) The heroine Osan in Daikyoji mukashi-goyomi by Okada Saburosuke (1869-1939); (10) The heroine Yugiri in Yugiri Awa no Naruto by Shima Seien (1892-1970); (11) The heroine Umekawa in Meido no hikyaku by Kitano Tsunetomi (1880-1947); (12) A bunraku puppet in the role of Kongomaru Terutada in Shibaraku by Nishimura Goun (1877-1938); (13) The spirit of wine in Shuten Doji by Tamamura Hokuto (1893-1951); (14) The heroine Koman in Tanba Yosaku by Yamamura Kouka (1885-1942); (15) The heroine Koharu in Shinju ten no amijima by Kikuchi Keigetsu (1879-1955); (16) Princess Kinshojo in Kokusenya Kassen by Nishiyama Suisho (1879-1958); (17) The heroine Toragozen in Soga by Ishikawa Toraji (1875-1964); variously signed, originally published between 1922 and 1926 as a series of 18 prints and supplement to a set of 16 volumes of Monzaemon's work titled Dai Chikamatsu Zenshu (The Complete Works of Chikamatsu), some with an engraver and printer's names, this set probably containing both original and later editions; last a reproduction woodblock print depicting the actor Segawa Tomisaburo II as Yadorigi, the wife of Ogishi Kurando from the play Hanayama Bunroku Soga (The Iris Soga of the Bunroku Era); inscribed Toshusai Sharaku ga. The smallest: 29cm x 44cm (11 7/16in x 17 5/16in); the largest: 47.5cm x 29.8cm (18¾in x 11¾in); Sharaku: 38cm x 25.5cm (14 15/16in x 10in). (18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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