An 18th Century rummer with wrythen twist and circular foot (chipped); a 19th Century plain circular tapered rummer; a plain 18th Century dram with circular tapered bowl; a late 18th Century wine glass with circular tapered cut grip on knopped stem and cut circular foot; and a toast masters glass with campana shaped bowl. (5)
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A pair of silver wine coasters of plain circular form with everted rims, wooden base inset with cast and gilt Churchill commemorative plaque, designed by John S Churchill and Alex Styles, maker's mark 'Garrard & Co Ltd, London 1974' limited No.80/120, diameter 13.5cm, all housed in a fitted Garrard & Co case, width 34cm
A matched pair of wine glasses designed by Clyne Farquharson for John Walsh Walsh circa 1936. The pair with a circular spread foot rising to a facet stem set with a graduated cylindrical bowl decorated in the Leaf pattern with simple foliate motifs and a wheel cut line detail, engraved signature and dated for 1937, height 7.5".
A graduated set of three drinking glasses designed by Clyne Farquharson for John Walsh Walsh circa 1936. The set to comprise one wine, one port and one sherry. The three all having a circular spread foot with facet stem and graduated cylindrical bowl decorated in the Leaf pattern of simple foliate motifs with a wheel engraved line detail, all bear engraved signature and dated for 1937.
A graduated set of three assorted drinking glasses designed by Clyne Farquharson for John Walsh Walsh circa 1936. The set to comprise one wine, one port and one sherry all with circular spread foot, facet stem and graduated conical bowl cut in the Leaf pattern of simple foliate motifs with a wheel cut line detail, engraved signature and dated 1937.
A late 18th Century English firing glass circa 1770, the ogee bowl on double series opaque twist stem with 12-ply spiral band around a pair of spiral tapes and raised on a terraced foot, 3.5" high, filling to rim; a similar Dutch wine with funnel bowl raised on a double series opaque twist stem with four spiral tapes outside a vertical gauze, 5" high.(2).
A later 18th Century English wine glass circa 1770, the bell shaped bowl on double series colour twist stem with a pair of opaque white twist threads outside opaque white corkscrew outlined in translucent green and brick red with additional air spiral, raised on conical foot, 6.25" high. (See lot 13 for illustration).
A small collection of 19th Century period reproduction drinking glasses in the 18th Century style. The collection to comprise a matched pair of wines with spread foot, double series stem and plain bowl, a large folded foot wine with double series stem and fruiting vine engraved bowl, a facet double series stem wine with cylindrical bowl and a plain stem example high bladed knop and fruiting vine engraved bowl, (5).
A set of four late Victorian pressed wine goblets having a star decorated square base rising to a facet ball knop stem and flared cylindrical bowl detailed with a printie and fan design over decorated with a deep red stain, together with a near pair of red painted facet body pickle jars with fruiting vine design, (6).
A large 19th Century rummer having a circular foot rising to a bladed knop stem and flared cylindrical bowl decorated with facet arched panels and linear cuts to the base, together with a late Victorian large wine glass having a star cut circular foot with hollow facet cut baluster form stem and foliate engraved bowl with polished intaglio pattern over a satin ground, possibly Richardsons, (2).
A matched pair of 19th Century wine glasses circa 1875. The pair each with a circular foot rising to a hollow facet stem set with a graduated conical bowl. The pair decorated in the classical style with engraved foliate swags with ribbon ties below a repeat pattern border of triangular motifs with spot line detail in the manner of Joseph Keller, height 7.5".
GOON SHOW. ORIGINAL TYPESCRIPT. "The Goon Show" No. 138 (6th Series). No. 13. "The Lost Year". Transmission, Tuesday, 13th December 1955. Stab-bound mimeographed typescript of 26 pages, annotated in green and red pencil, pencil and blue biro, title lose; lower blank portion of last page torn away; the producer Peter Eton's copy, with his signature at the head of the title; slight dust-soiling and small coffee ring (although more likely wine!) to title. 'Yes, The Lost Year, the greatest motion picture of all time. The Lost Year! See it go roaring across the screen - a raging torrent of emotions and primative passions, you will want to see this film the moment you see the X certificate' (p. 2).
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