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A cased set of six Elizabeth II silver wine gobletsCohen & Charles, Birmingham 1967, the gilt washed bell shaped bowls on plain stems and domed feet, 5¼in. (13.2cm.) high; together with a matching cased set of six silver sherry glasses, 4½in. (11.5cm.) high, total weight 47.5 tr.oz., in fitted red morocco Harrods cases. (2)
A set of twenty-seven Elizabeth II silver graduated goblets T. Hill, Birmingham 1972, comprising four large red wine goblets, twelve white wine goblets, six sherry goblets and five liqueur goblets, measuring 2¾in. to 6in. high, (7.25cm. to 15.25cm.), total weight 143.6 tr.oz. (27)* Condition: In very good condition, clear hallmarks, some with very light inner wash wear.
A George III silver gilt bottle or wine coaster Thomas & John Settle, Sheffield 1818, with all over repouss‚ floral and foliate decoration, 7in. (17.75cm.) diameter.* Condition: Good condition overall. Marks a little rubbed but remain clearly legible. Slight rubbing to gilt on raised centre of flowerheads and rim edge. Two small dings to side. No repairs. Wooden base good. Two small holes worn through fabric to underside.
A COLLECTION OF FIVE WINE GLASSES, mainly Georgian, comprising a round funnel bowl on a double series white opaque twist stem and a plain foot, 5 1/4" high, two similar glasses with trumpet bowls on plain stems, one enclosing an air tear at the top, on faceted feet, 6 1/2" high, a Dram firing glass with conical bowl and thick foot, 3 1/2" high, and a wine with round funnel bowl on a simple balustroid stem and folded foot, 6" high (Est. plus 18% premium inc. VAT)
A COLLECTION OF EIGHT GEORGIAN AND LATER DRINKING GLASSES, including a wine with funnel bowl and folded foot, 6" high, a similar smaller glass, 4 1/2" high, a dwarf ale with wrythen bowl and basal knop on folded foot, 3 3/4" high, and a similar single blade knopped glass, 4 1/4" high (Est. plus 18% premium inc. VAT)
A small quantity of Fleischmann, RoCo and Liliput etc HO model railway. Fleischmann DB class 064 2-6-2 tank locomotive 064-389-0 in black and red livery. 2 tamping machines, 3x DB suburban passenger coaches in dark green. A DB Restaurant Observation coach. OBB corridor coach in light blue, 3x 4 wheel passenger coach and a Guards van. Also 5 freight wagons including a bogie baggage car and a wine wagon. All boxed, minor wear. Contents VGC minor wear. (17)
A William IV Irish silver elongated crescent wine label with rounded ends, by Smith & Gamble, Dublin, 1830 (makers' mark and distinctively-shaped King's head and crowned harp but no date letter), with engraved straight and undulating borders, incised "SHERRY", 6 cm. long. Good condition, for some reason the engraver has not continued the outer straight border to the very end of the left-hand rounded end of crescent but only noticeable under magnification. this appears to be a minor careless omission by engraver and not a repair.
A George III Irish silver wine label by George Nagle, Dublin, 1808, rectangular with cut corners and double thread border, incised "GRAVE", fully marked on reverse horizontally but in addition an attempt has initially been made to mark it vertically and as a result the King's head has been struck 3 times and Hibernia and crowned harp each struck twice. Good condition.
A rare Chinese archaic bronze ritual wine vessel, Zun, late Shang/early Western Zhou dynasty, 12th-10th century B.C., crisply cast in high relief with pairs of kui, dragons, taotie masks and scrolls on a detailed leiwen ground, the lower bowstring band with cruciform aperture which is 'blind' on the opposing side, flanked by scrollwork flanges, bas-relief cast pictographic mark to the underside of the foot, green-grey patina with some occasional malachite green and cuprite encrustation, 35.5cm high, split to baseLiterature:Compare two similar Zun vessels sold by Christie's, New York, 'Fine Chinese Ceramics and Works of Art Part II', 13 - 14 September 2012, Lot 1226 and Sotheby's, New York, 'Chinese Art Through the Eye of Sakamoto Goro: Early Chinese Art', 13 September 2016, lot 12.A similar zun with the taotie mask featuring intaglio decoration, in the Arthur M. Sackler collection is illustrated in Robert W. Bagley, Shang Ritual Bronzes in the Arthur M. Sackler Collections, Cambridge, 1987, vol. 1, pl. 46; and another in the National Palace Museum, Taipei, is published in Shang Ritual Bronzes in the National Palace Museum Collection, Taipei, 1998, pl. 56.
A Chinese archaic bronze ritual wine vessel, Hu, Eastern Zhou dynasty, 5th-3rd century B.C., cast in low relief with two lower bands of interlocking coiled dragons amid leiwen, the neck with triangular lappets, taotie mask ring handles, silvery-green patina with occasional patches of malachite encrustation, 24cm high, small hole
A pair of Chinese famille rose covered wine warmers and covers, late 19th century, each painted with boys in landscapes, the cups with the figure of a demon, pseudo Jiaqing marks, height 9.3cm, covers repairedFrom the collection of a Hong Kong Tea Merchant who worked for Jardine Matheson & Co Ltd, before 1940.
A Chinese archaic bronze tripod wine-warming vessel, Jiao Dou, Eastern Han dynasty, 1st-3rd century A.D., applied with a long dragon-headed handle, on three zoomorphic feet, grey-brown patina with a thin malachite encrustation all over, 13.5cm high, 32cm longCompare a similar bronze vessel in the Art Galley New South Wales, Australia, accession number 8.1980.
A Chinese archaic bronze flask-shaped ritual wine vessel, Hu, Eastern Zhou dynasty, 5th-4th century B.C., cast in low relief with five bands of coiled interlocking dragons, surmounted by a bird-shaped cover linked by a two section chain to the curved handle, on a rope-twist foot, olive-brown patina with large patches of malachite encrustation, 36.5cm high, hole to base and loss to coverLiterature:A very similar bronze hu in the British Museum, London, accession no. 1973,0726.26 appears in Rawson, J, Chinese Bronzes: Art and Ritual, London/Sainsbury Centre for Visual Arts of East Anglia / Burrell Collection, Glasgow, BMP, 1987. Jessica Rawson describes this as 'A tall slender flask, circular in cross-section, this hu is sharply bent to one side, seemingly in imitation of a leather bottle. Three narrow registers are packed with tiny s-shaped dragons; such decoration is typical of the sixth century but probably persisted into the fifth century BC. A bird-shaped lid, with an articulated beak, is attached by a chain to a bowed handle.'See also Zhixin Jason Sun, Ancient Chinese Bronzes in the Collection of the Metropolitan Museum of Art, Orientations, March 2015 in which a similar assymetric hu vessel with bird-shaped cover is illustrated. The author states:An earlier hu, much more like a leather bottle, with a full body and tightly angled neck, was discovered in a tomb in Hubei Sui Xian Bajialou. It carried deeply curved chevrons. Later examples are decorated with a wide variety of motifs in several different techniques. During the Eastern Zhou ceramic, leather and lacquer shapes were rendered in bronze as bronze-casting spread geographically and as the use of bronze was extended from ritual to secular items'.
A small Chinese archaic bronze ritual wine cup, Zhi, Western Zhou dynasty, 11th century B.C., cast in relief to each side with a taotie mask with broders of kui dragons, olive-brown patina with malachite and azurite encrustation, 11cm high, hole and rim repairsCompare a similar larger bronze ritual zhi in the Metropolitan Museum of Art, New York, accession no. 24.72.6. also dated to the early Western Zhou dynasty.
A rare Chinese archaic bronze 'rhinoceros' ritual wine vessel, Zun, early Western Han dynasty, 3rd-1st century B.C. with a hinged cover to its back, of olive green patina encrusted with malachite, azurite and cuprite deposits, 11.8cm high, 21cm longLiterature:A similar shape rhinoceros bronze vessel (zun) dating from the early Western Han dynasty is on display in the Museum of Chinese History, Beijing.It was discovered by a farmer plowing his field in Maoling, Xingping County, Shaanxi Province, in 1963. The large rhinoceros-shaped wine vessel, found in a large pottery jar, was probably hidden by its owner during a period of unrest, but never retrieved. The body of the rhinoceros vessel in Beijing is inlaid with a swirling pattern in gold and silver wire, of which some remains.
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166044 item(s)/page