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Lot 352
Five bottles of vintage red wine to include two bottles of CHATEAU LA MISSION HAUT BRION 1964 grand cru classe bordeaux, no abv. or vol stated, CHATEAU PATACHE D'AUX 1970 cru grand bourgeois Medoc, no abv. or vol stated, CHATEAU HAUT-BAGES MONPELOU DOLAMORE 1970 Pauillac, no abv. or vol stated, and DOMAINE DES PONTIFES CHATEAUNEUF-DU-PAPE 1979 75cl no abv. stated. (5) Yes cork is almost touching liquid
Lot 353
Seven bottles of vintage red wine to include three bottles of CHATEAU D'ANGLUDET 1970 grand cru exceptionnel Margaux, no abv or vol stated, two bottles of CHATEAU FOURCAS DUPRE 1982 Listrac Medoc 75cl 12% abv. and two bottles of CHATEAU LA TOUR DE LEYSSAC 1961 Saint Estephe, no abv. or vol stated. (7)
Lot 354
Seven bottles of vintage wine CHATEAU LA CARDONNE 1983 Medoc 75cl no abv. stated, CHATEAU SE CAMENSAC 1970 Haut Medoc no abv. or vol stated, CHATEAU LIEUJEAN 1985 Haut Medoc cru Bourgeois 75cl no abv. stated, GRAND VIN DE LEOVILLE DU MARQUIS DE LAS CASES Saint Julien Medoc no abv. or vol stated, CHATEAU GRAND PUY DUCASSE 1964 Pauillac no abv. or vol stated, CHATEAU CANTENAC BROWN 1967 Margaux no abv. or vol stated and GRAND VIN LEOVILLE lable damaged. (7)
Lot 365
Four bottles of vintage red wine to include CHATEAU DE BARBE 1955 Villeneuve Cotes De Bourg no abv. or vol stated, GRAND GAILLARD 2004 Semillon Sauvignon Blanc 75cl 12.5% abv. L'IF GRENACHE 1998 Mont Tauch 75cl 13% abv. and a bottle of DOMAINE BAILLE 2000 Vieilles Vignes Carignan 75cl 13.5% abv. (4)
Lot 812
Slim cane with concealed Corkscrew. A slim Victorian cane with a copper screwed cap. Removal of the cap reveals a roundlet set into a hollow section of the stick. This can be removed and the two sections unscrewed revealing the helix which nestles in one half. The helix is then withdrawn and swivelled round to fit into the adjacent slot. The other half of the rounlet is then screwed back into place forming a good solid corkscrew. (Thus a gentleman and his cane are always ready to open a good bottle of wine). The roundlet is silver, fully hallmarked on both sections for London 1879. Maker’s mark is WL for William Leuchars a well known London silversmith first registered in 1876. Also decorated with ornate pattern of initials.Stick length 36”/920mm. Roundlet length 3 ½”/90mm---BJM
Lot 672
Powys (John Cowper, 1872-1963). Wood and Stone, A Romance, 1st edition, London: William Heinemann, 1915, inscribed 'For Lucy, from Katie, with love and best wishes for Xmas 1917' to front flyleaf, original cloth, rubbed, spine deficient, 8vo, together with Rodmoor, A Romance, 1st edition, New York, G. Arnold Shaw, 1916, author's initialled inscription for Gertrude M Powys, 7 November 1916, to front flyleaf, original cloth, slightly rubbed and some spine lean with slight wear at head of spine, plus Ducdane, 1st edition, New York: Doubleday, Page & Company, 1925, inscribed to front free endpaper verso, 'To Lucy from ARP [Albert Reginald Powys], March 20', map endpapers, inner hinges near broken, original cloth, some spine lean and damp marking, 8vo, plus Wolf Solent, 1st UK edition, London: Jonathan Cape, 1929, author's signed presentation inscription to half-title, 'For Lucy from her loving brother John. The Summer of 1929', some spotting, lower hinges cracked, original cloth, rubbed and damp stained, some edge wear and fraying along joints and at spine ends, 8vo, plus A Glastonbury Romance, 1st edition, New York: Simon & Schuster, 1932, author's signed presentation inscription to front flyleaf, 'Lucy Amelia, not forgetting either M or H, from her faithful brother John, March 1932', inner hinges cracked, original cloth gilt, rubbed and slightly soiled, spine faded and slightly damp stained near foot, 8voQTY: (5)NOTE:Lots 672-687: This collection of Powys-related books, letters, graphic material and family ephemera was accumulated over many years by Lucy Amelia Penny (née Powys), 1890-1986. She was the youngest child of the Reverend C. F. Powys, vicar of Montacute, Somerset, and Mary Cowper Johnson, whose family with its many literary connections came from Norfolk.After her marriage in 1912, to Hounsell Penny, a miller from Somerset, Mrs Penny lived first at Horsebridge on the River Test, then at Shootash, Hampshire, and finally from 1950 in the same cottage in Mappowder in the Blackmore Vale, Dorset, near to her brother T. F. Powys, author of Mr Weston’s Good Wine (1927) and Unclay (1931). Her other brothers were the novelist and essayist, John Cowper Powys, author of Wolf Solent (1929) and A Glastonbury Romance (1932) (once described by George Steiner as ‘England’s Dostoevsky’), and Llewelyn Powys, religious controversialist and essayist and author of Skin for Skin (1925) and The Cradle of God (1929). Among other members of this talented family were the poet Philippa Powys (Katie), the artist Gertrude M. Powys, who studied at the Slade, and A.R. Powys (Bertie), architect and conservationist, all of whom are well represented in books and other material in the collection. The collection is emphatically family-orientated, since Lucy regarded herself as the custodian of their interests and achievements (particularly as children), and also of the family papers. These include memorabilia from the Powys parents, grandparents and forebears, from the extended family and from the Powys ‘circle’. It consists of several hundred family-owned books (for the most part in a much-used condition but with significant inscriptions and insertions), including many inscribed and gifted first editions of Powys works. There are also examples of graphic work by family members, paintings by Gertrude Mary Powys, a small number of manuscripts and typescripts and much highly significant ephemera. There are also over 700 family photographs (in folders), and over 2000 family letters, including the letters of Mary Casey to and from her mother, Lucy Penny. Dr Peter Foss For further details on the contents of the Powys lots please contact Chris Albury | chris@dominicwinter.co.uk
Lot 556
Steadman (Ralph). The Grapes of Ralph. Wine According to Ralph Steadman, 1st edition, London: Ebury Press, 1992, numerous colour illustrations, original cloth, dust jacket, very slight toning to spine, 4toQTY: (1)NOTE:With a presentation inscription 'For Margaret Gun' in triplicate in green, blue and red pen and a sketch and signature of the artist to opposite half-title.
Lot 49
De Nobleville (Arnault). Aedologie ou traite du rossignol franc, ou chanteur, 1st edition, Paris: Chez Debure l'ainé, Quai des Augustins, à l'Image S. Paul, 1751, 2 folding engraved plates including frontispiece, contemporary mottled, gilt decorated spine with maroon morocco title label, spine torn at head with slight loss, small 8vo, together with:Abercrombie (John). The British Fruit-Gardener; And the Art of Pruning: Comprising the Most Approved Methods of Planting and Raising every Useful Fruit-Tree and Fruit-Bearing-Shrub, whether for Walls, Espaliers, Standards, Half-Standards, or Dwarfs..., 1st edition, London: Lockyer Davis, 1779, title also written in manuscript to lower margin, contemporary calf, joints split and leather at head of spine torn, corners worn and showing, 8vo,Mawe (Thomas). Every Man his own Gardener. Being a new and much more complete Gardener's Kalendar, and General Director, than any one hitherto published, 13th edition, London: J. F. and C. Rivington, T. Longman, B. Law [et al.], 1791, engraved frontispiece, contemporary half calf, extremities rubbed, 12mo,Marshall (William). Planting and Rural Ornament, 2 volumes, 2nd edition, London: G. Nicol, G. G. and J. Robinson and J. Debrett, 1796, contemporary calf, spines lacking labels, upper board of volume 1 detached, worn, 8vo,Macculloch (John). Remarks on the Art of Making Wine, 4th edition, enlarged and improved, London: Longman, Rees, Orme, Brown, & Green, 1829, half-title, light damp-staining at foot of initial leaves, original green cloth, 12mo, and The Modern Cookery, written upon the most approved and Economical Principles, and in which every Receipt has stood the Test of Experience, by a Lady, 9th edition, greatly improved and enlarged, Derby: Henry Mozley and Sons, 1846, wood engraved frontispiece, two plates and several illustrations of bills of fare, light toning, original cloth, 12mo, plus four other natural history and botany relatedQTY: (11)
Lot 39
COUPE EN PORCELAINE À GLAÇURE BLANCHEXVIIIe siècleA WHITE-GLAZED MALLOW-SHAPED WINE CUP18th centuryDelicately modelled with deep, thinly potted sides carved and finely incised on the exterior with a wide band of petals rising to the slightly flared rim radiating from a narrower band of petals with raised outlines around the foot, covered overall with a soft milky-white glaze, the base inscribed in underglaze blue with an apocryphal six-character Chenghua mark in underglaze blue within a double-circle. 9.2cm (3 3/8in) diam.Footnotes:十八世紀 白釉葵式盞Provenance:Christie's London, 17 June 1992, lot 467 An Austrian Private CollectionLempertz, Cologne, 11 June 2016, lot 199來源： 倫敦佳士得，1992年6月17日，編號467奧地利私人收藏倫佩茨拍賣行，科隆，2016年6月11日，編號199A white-glazed cup of similar form with Yongzheng mark from the Kempe collection, is illustrated in Bo Gyllensvard, Chinese Ceramics in the Carl Kempe Collection, Stockholm, 1964, pl.747. Compare also with another white-glazed cups from the collection of Paul and Helen Bernat, sold Christie's New York, 2 December 1993, lot 325. A pair of cups of this pattern size is illustrated in Jan Wirgin, Chinese Ceramics from the Axel and Nora Lundgren Bequest, Stockholm, 1978, pl.74.For further information on this lot please visit Bonhams.com
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