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Click here to subscribeA VICTORIAN CRANBERRY FOUR TRUMPET EPERGNE with crimped circular base 46cm high A PAIR OF VICTORIAN WRYTHEN CRANBERRY TRIANGULAR VASES with clear bases 22cm high A BLUE FLORALLY DECORATED FOOTED TRUMPET SHAPED VASE 19.5cm high A PAIR OF TURQUOISE BLUE TRUMPET WINE GLASSES 14cm high A GILT OVERLAY CYLINDRICAL CLEAR VASE 20cm high A CLEAR BULBOUS CARAFE, ATOMISER and TWO SIMILAR BLUE GROUD FLORALLY DECORATED TEA CUPS AND SAUCERS
World War Two commemorative wine 50 eme Anniversaire de la Liberation 1944-1994 Bordeaux Superieur. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
World War Two commemorative wine 50th Anniversary MOSQUITO DH58 1940-1990 Vin De Table Francais. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A George II wine flagon of plain tapered cylinder form, with stepped domed hinged lid and scrolling thumb piece, to C-scroll handle with heart-shaped terminal, on stepped spreading base, London 1756, 39cm high, maker Richard Gurney and Thomas Cook, ___73oz. (N.B. The body bears full armorial coat of arms and an engraved inscription "Gift of William Clobery, Late of Bradstone, Esq, Deceased").
Marques de Villamagna Gran Reserva Rioja. Campo Viejo 1975 One wine stained label. Levels top-shoulder (3) 1982 Lightly bin-soiled label. Level top-shoulder (1) 1985 Two wine stained labels. Levels: three base of neck and one top-shoulder (4) 1987 Lightly bin-soiled labels, one torn. Level base of neck (1)
A collection of cranberry and engraved ruby glassware, including a decanter and stopper, a small carafe and stopper with two matching cordial glasses, a pair of tulip-form vases, a circular jar and cover, a tumbler and various vases and wine glasses (all engraved), together with a plain cranberry wine glass, a small cranberry oil lamp with petal base and a pair of cranberry salts with ribbed decoration (19 pieces)
DAVID SHTERENBERG (RUSSIAN 1881-1948) Still Life with Wine Bottle, Glass and Fruit, oil on canvas 70 x 60.9 cm (27 9/16 x 24 in.) signed lower right PROVENANCECollection of Carol Robinson (probably acquired directly from the artist circa 1925)Private collection by descent from the aboveJames D. Julia Auctions, Fairfield, Maine, August 25-27, 2004, lot 116Acquired at the above by the present ownerEXPERTISEAccompanied by an authenticity certificate from the Tretyakov Gallery signed by Yulia Rybakova, 2012. (Copy available upon request)LITERATUREG. D. Gloss, Music and the Moderns: The Life and Work of Carol Robinson (Metuchen: Scarecrow Press, 1993), p. 89, 257LOT NOTESThe present work comes from the collection of renowned American pianist and teacher Carol Robinson. She was an avid participant of the Parisian avant-garde scene, and counted among her milieu many artists and authors, such as Fernand Léger, Cocteau, Hemingway, Tchelitchew, Grosz and Terechkovitch. As documented in Robinson's biography, her impressive art collection comprised many works by such illustrious acquaintances, most gifted by the artists themselves. Robinson and Shterenberg met at a Parisian salon likely in 1925 or 1927, at which point this work (referred to in the biography as Still Life) entered Robinson's collection, where it would remain for several decades.By the 1920s, Shterenberg, who had lived in Paris for over a decade in 1906-1917, returned to Moscow in the pursuit of possibilities offered by the new communist state. These opportunities – to direct, for example, major international exhibitions of Soviet art and to display his own works — brought Shterenberg back to Paris at various points in the 1920s (Mikhail P. Lazarev, David Shterenberg, Painter and Era: the Artist's Path, (Moscow: Galaktika, 1992), pp. 174-200). He would continue his association with the Parisian avant-garde, including its primary actors, such as Picasso, Modigliani, Chagall and Kees van Dongen. Despite his involvement with proponents of Cubism and Fauvism, Shternberg did not follow any particular school or faction, preferring instead a syncretic approach.The present work is part of Shterenberg's most important and well-known genre: the still life. His fascination with materiality and the artist's role as its mediator made still lives the ideal vehicle through which to realize objects' essence. Here, the sharply tilted tabletop is populated by an empty wine bottle, delicate etched glass, brilliantly red strawberries, pear and apple in a basket and, finally, an oblong melon — all precariously teetering on the surface, yet modelled with all the gravity of real weighty objects. The painting surface — here striated and resembling wood grain, there scraped, revealing the plain weave of the canvas — is, too, both strikingly formalistic and suggestive of a somatic connection to the objects. Shternberg's powerful composition and perspective, coupled with his deft, detailed handling of the paint, create a layered vision that rewards attentive inspection.
Air twist stem wine glass with trumpet on domed foot, H15.5cm, wine goblet with pointed round funnel bowl above ball knop and four sided teared Silesian stem with on folded foot, H18.5cm and glass lace makers lamp, globular reservoir, twisted handle, slightly ribbed stem with tear inclusions on domed folded base (3) Condition Report Click here for further images, condition, auction times & delivery costs
NO RESERVE Silver.- Kent (Timothy Arthur) West Country Silver Spoons and their Makers 1550-1750, 1992 § Rabinovitch (B.S.) Antique Silver Servers for the Dining Table, Concord, Ma., 1991 § Norie (John) Caddy Spoons, 1988 § Salter (John, editor) Wine Labels 1730-2003, Woodbridge, 2004, illustrations, some colour, original cloth or boards with dust-jackets, the second rubbed; and 2 others on cutlery, 4to (6)Provenance: The Partridge Fine Arts Research Library
Three silver wine coasters with turned wooden base by W I Broadway & Co and WEV, pair of silver sugar tongs and small silver trophy, all hallmarked (5) Condition Report Weighable silver approx 3.8oz, coaster with largest diameter = 12.5cmClick here for further images, condition, auction times & delivery costs
A set of four silver wine goblets by Stuart Devlin (1931-2018), each of plain conical form, raised on naturalistic gilt stems, each with various stamps and number marks verso, two assayed for London 1979 and two London 1980, h.22.5cm.Each stand well.Generally very good and original.Some small surface nicks and very minor handling wear throughout.
A SET OF FOUR SILVER GILT WINE COASTERS by John Waterhouse, Edward Hatfield & Company, Sheffield 1867, of circular form with stepped tapering sides richly embossed with foliage and flowerheads, the wooden bases with crested silver gilt buttons, each 18cm diameter x 6cm high Condition Report: Two have small dents in the rim of the base, all have discolouration here and there, they need a good clean. Can I refer you to our website, where if you click on the catalogue image there are several views and a zoom facility.
CHATEAU LAFITE MONTEIL, 2002 No.29078, 1500ml, 12.5% vol in wooded case, Chateau de Pes, 1986, 1.5l, 12.5% vol and Chateau d'Yguem, 1990, Chateau Sigalas Raband, 1987, seven other bottles of red wine, Taylor's Vintage Port, 2002 and a bottle of white wine (13) Condition Report: Available upon request
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