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A Reprodux mahogany Georgian style four drawer chest with a nest of three tables, single drawer side table, small tilt top table, two tier side table, narrow hall table and wine table. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or authorised couriers ONLY. Restrictions apply to ensure social distancing.
A collection of hallmarked silverware, to include a Georgian wine funnel, a pair of sugar tongs, a Victorian toast rack and a Walker & Hall toast rack.IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
A SET OF FOUR GEORGE III STYLE SILVER-PLATED WINE COASTERS, of pierced circular form with turned wooden base. 12.6cm diameterThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In very good condition.
A GEORGE IV SCOTTISH SILVER TWO-PIECE WINE FUNNEL, by Robert Gray & Son, Glasgow 1820, the bowl repousse with trailing vines above a tongue border, the detachable collar with egg and dart rim. 13.5cm high, 4.5 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks well struck and well spaced, very lightly rubbed but legible - full set to funnel stem, further struck with monarch's head, maker's mark and town mark to collar. Minor bruising, light marks and surface scratches commensurate with age and use
AN ELIZABETH II SILVER WINE TASTER, by Albert Edward Jones, Birmingham 1990, circular with domed centre, the lower edge repousse with large dots and gadrooning, the ring handle with fruiting vine thumbpiece. Bowl diameter 7.8cm, 2.3 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck. Light surface marks and scratches commensurate with age and use
A Pair of George III Silver Wine-Coasters, by Henry Tudor and Thomas Leader, Sheffield, 1775, each circular and with openwork sides below a beaded border, each applied with a rococo cartouche engraved with initials below an earl's coronet, with turned wood base, 13cm diameter (2) . Each fully marked on base. There is some wear to the marks, though they are generally still legible. There is some overall surface scratching and wear. The wear is noticeable as a minor softening to the high points and the engraving. The wood is possible replaced. The total gross weight including the wood bases is 300gr.
A George III Silver Wine-Jug, by Thomas Heming, London, 1765, pear-shaped and on spiral-fluted conforming foot, the lower body with waved decoration below a band of chased fruiting grapevines, the upper-body spiral-fluted, with leaf-capped quilted handle and beak-form spout, engraved with initials, 28cm high, 36oz 8dwt, 1,133gr Provenance: Possibly Charles William Grenfell, M.P. (1823-1861) and by descent to his grandson Captain Edward Arthur Aylmer, D.S.C. (1892-1974), and by descent. While the early history of this jug is not entirely clear there is a strong possibility that it was acquired by Charles William Grenfell, M.P. (1823-1861), either as a gift or a purchase in the 19th century. Grenfell was the son of Charles Grenfell and his wife Lady Georgiana Frances, daughter of William Molyneux, 2nd Earl of Sefton. His brother Henry was, for a time, a director of the Bank of England. He was certainly acquiring items at auction, for example at least three lots from the celebrated sale of the collection of the Duke of Buckingham and Chandos at Stowe House. While in general shape the present jug most resembles a beer-jug, the ornament clearly suggests that it could only have originally been intended for wine. As such it would seem to be an unusual survival of an identifiable wine-jug dating to the 18th century. Michael Clayton notes that such jugs were nearly indistinguishable from ale-jugs during this period, though does illustrate a pair, also by Thomas Heming, which date to 1777 (M. Clayton, The Collector's Dictionary of the Silver and Gold of Great Britain and North America, London, 1971, p. 63, pl. 331). Unlike the present example that pair was decorated in the Neo Classical style as would have been the fashion by the time they were made. Arthur Grimwade also illustrates a number of jugs in his book Rococo Silver, though as noted above their form is virtually unchanged from earlier examples. One however, made by Philips Garden and hallmarked for 1754, stands out (A. Grimwade, Rococo Silver, London, 1974, p. 38, pl. 17b). Like the present example it is exuberantly decorated, through Grimwade suggests it may have been intended for beer. Most interestingly perhaps is a depiction on Thomas Heming's trade card of a jug which, while of a more baluster form, shows the same use of ornament as on the present example with the suggestion of a quilted lower body and a spiral-fluted upper body and with fruiting grapevines between. An example of the trade card, believed to date to the 1760s-1770s, is in the collection of the British Museum (Heal,67.204), having been donated by Sir Ambrose Heal, Chairman of Heal's furniture store along with a large collection of other trade cards in 1960. . Fully marked under base. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. There is an area of unevenness on one side, visible inside. This may be a repair or it may be constructional. The wear is noticeable as a minor softening to the high points. There are some minor bruises.
A collection of cut glass; 2 large brandy glasses, a small brandy glass, a champagne flute, four liqueur glasses, four sherry glasses, four small wine glasses, 2 wine goblets, a small rummer, three small tumblers and four vintage trifle glasses **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**
A Wine Glass, circa 1750, the drawn trumpet bowl on plain stem with air tear and domed foot, 18cm high; and A Wine Glass, circa 1780, the ogee with engraved border on a knopped faceted stem, 14cm high (2) CONDITION REPORT: . First glass possibly with some polishing to rim and footrim and with 5cm long surface flaw to stem. Both with typical minor surface wear.
A George III Mahogany Satinwood Banded and Chequer Strung Serpentine Fronted Knife Box, on later bracket feet, converted to a stationery box, 39cm high; A Similar Mahogany and Boxwood Strung Knife Box, the hinged top set with a patera enclosing a fitted interior, 34cm high; A Late Victorian Mahogany Kidney Shaped Wine Tray, with marquetry shell patera and brass handles, 56cm wide; and An Early Victorian Mahogany Sarcophagus Shaped Tea Caddy, with fitted interior, 31cm wide (4)
A Cordial Glass, circa 1750, the ovoid bowl on an opaque twist stem and plain foot, 14cm high; A Wine Glass, the bell shaped bowl on a plain stem and folded foot, 15.5cm high; and An 18th Century Style Cordial Glass, with opaque twist stem, 15.5cm high (3) CONDITION REPORT: . Second glass with flat chip to rim. All with some typical minor surface wear.
An Ale Flute, circa 1760, the ogee funnel bowl on an opaque twist stem, 18cm high; A Similar Wine Glass, the drawn trumpet bowl on plain stem with air tear, 17cm high; and A Dwarf Wine Glass, the semi-fluted ogee bowl engraved with a band of flowers on a plain stem, 11.5cm high (3) CONDITION REPORT: . Ale flute with flat chip to underside of foot. Similar wine glass with foot extensively trimmed. Dwarf wine glass with some polishing to foot.
A Wine Glass, circa 1750, the rounded funnel bowl on an opaque twist stem, 15.5cm high; Two Similar Wine Glasses, 16.5cm and 14.5cm high; and A Pair of 18th Century Style Wine Glasses, the bell shaped bowls engraved with fruiting vine on opaque twist stems, 17.5cm high (5) CONDITION REPORT: . Second and third glasses with chips to foot. All with some typical minor surface wear.
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