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A Regency oval inlaid mahogany and marquetry wine cooler, the oval crossbanded top with central fan patera and husk inlay to the outer edge, above a four panel body with husk and ribbon and bow inlay and a strung base, raised on square tapering legs with blind fret husk carvings terminating with spade feet, the interior has been adapted to hold a bottle/glass stand, 24 x 18in. (60.9 x 45.7cm.), 26¼in. (66.6cm.) high. * Condition: Small losses of veneer and some splits around the base, mostly near the legs, the interior has been altered to accept a glass/bottle tray which has pierced the interior liner.
A set of four John Walsh etched and green cased wine glasses, first half-20th century, the bowls with etched fruiting vines over diamond and petal cut decoration, on a plain, slightly tapered stem and plain foot, 19.4cm. high; together with a pair of Victorian olive green glass and gilt etched glass finger bowls, decorated with flowers and leafy scrolls, on three snail feet, possibly by Stevens & Williams, 4 7/8in. (12.4cm.) diameter; a Victorian pink and gold pedestal vase, the shell bowl with frilled rim on a double coiled flower stem, to a slightly conical foot, the bowl and foot with daisy flower decoration, 8½in. (21.6cm.) high; and a Victorian pink and clear crackle glass basket with floral prunts. (8) * Condition: - Val St Lambert glasses: A Few small scratches and one tiny frit to the underside of the feet. No other faults.- Finger bowls: Gilt wear. No other faults.- Vase: Good condition, with no faults.- Basket: One flower or a leaf possibly missing from side of basket. Otherwise wood.
A set of five unusual oversized blown glass champagne flutes, probably third quarter 20th century, of drawn trumpet form, on plain feet, 28.5cm. high; together with a set of six blown glass small wine glasses, early 20th century, the bucket bowls on hollow, panel cut stems, on plain feet with ground pontils, 15.2cm. high, four with faults. (11) * Condition: - Champagnes: One has a two small rim chips. One has a rim chip and tiny frit to the foot.- Wines: Two have a small chip to the foot.All other glasses in good condition.
A part suite of Royal Brierley Honeysuckle pattern stemmed glass ware, late 20th century, comprising seven 19cm. red wine goblets, four 17cm. red wine glasses and five 16.5cm. white wine glasses, together with a matching trifle bowl, water jug, cream jug, sugar caster, pair of candlesticks and sugar and pepper casters, etched factory marks. (24) * Condition: All pieces in good condition, with no damage. Some corrosion to the silver plated top on the salt.
Three boxed sets of six The Lady Hamilton Collection etched red wine glasses, by Bohemia Glass of the Czech Republic, the bell shaped bowls etched with lattice work and foliate pendants, on baluster stems, original maker's labels to feet, 17.8cm. high, in the original lidded boxes. (18 glasses) * Condition: All of the glasses in very good condition, with no fault - they appear to be unused. Some wear to boxes.
Two Edwardian mahogany crossbanded occasional tables with a Georgian mahogany wine table, The occasional tables with inlaid circular tops over slender tapering legs, united by small undertier, the wine table with a dished top over a turned and gadrooned column with swept legs to pad feet. (3)
Paya (Spain) O Gauge Overhead Electric Locomotive and Goods Rolling Stock a quantity consisting of a 4-6-4 Overhead Locomotive brown, lined in orange and numbered 1106, some fatigue to front/rear pony wheels, main driving wheels appear fatigue free, included with this lot is a Bogie 3-Tank Barrel Wagon, Bogie 3-Tank Wine Wagon and an Oil Flat Car with plane load. Overall Excellent. (4)
A 19th century Italian parquetry specimen wood tilt-top octagonal wine table, with star and sun motif and burr-walnut quadruple platform base, width 64cm, height 73cmA few small pieces of veneer in centre are beginning to lift, a few extremely minor veneer chips, otherwise no damage or restoration
Sechs barocke Weinflaschen2. Hälfte 18. Jh., zwei mit Siegel bezeichnet A.S. C.R. bzw W.A, eine am Boden gemarkt H.M. Carlsbad, olivfarbenes Glas, teils tief eingestochene Böden, alle mit verdickter Mündung bzw. aufgelegtem umlaufenden Band, eine mit kleinen Beschädigungen an der Mündung, alle mit Alters- und Gebrauchsspuren, H max. 29 cm. Quelle: Roger Dumbrell, Understanding Antique Wine Bottles, Antique Collector´s Club 1983.
Zwei Schlegelflaschenbarocke Weinflaschen, wohl niederländisch, um 1740 bzw. 1780, olivfarbenes blasiges Glas, tief eingestochene Böden, am Mündungsrand aufgeschmolzene Fäden, einer davon mit kleiner Beschädigung, H 24 und 25 cm. Quelle: Roger Dumbrell, Understanding Antique Wine Bottles, Antique Collector´s Club 1983.
Mid-century cobalt glasses, vases, and jars including: silverplated lidded coffee jar with cobalt insert, Avon George Washington goblet Fostoria wine glass or candle holder, 3 small ribbed shot glasses, 2 tall 5"H ribbed glasses, 1 ribbed roly poly glass, 1 sherbet glass, 1 small footed wine glass, 1 small handled glass, 1 tiny juice glass with circle designs, 1 small fluted glass with wheat design 1 tall smooth glass, 1 glass scoop, and tall flower vase. Largest piece measures 8"H x 4" dia. Issued: mid 20th CenturyCountry of Origin: USACondition: Age related wear.
This champagne or wine bottle coaster comes from the Millennium collection, named A Toast To The Year 2000. Each symbol along the outside represent the 5 universal toasts of Happiness, Love, Health, Prosperity and Peace. Waterford backstamp. Issued: 2000Dimensions: 3.25"H x 5.25" dia.Manufacturer: WaterfordCountry of Origin: IrelandCondition: Age related wear.
Beautiful blown glasses decorated with the iconic blue drop in stem, perfect for any occasion. Equally suited to red or white wine. Orrefors etched backstamp. Artist: Erika LagerbielkeIssued: 1985Dimensions: 3.5"W x 9.5"HManufacturer: OrreforsCountry of Origin: SwedenCondition: Age related wear.
FIVE CHINESE BLUE AND WHITE ITEMSKANGXI 1662-1722Comprising: a large dish painted with flowers and leaves, an octagonal cup and stand, a teabowl painted with a squirrel and vine pattern and a small octagonal wine cup, the dish with a paper label inscribed 'Bought at the Medingley Hall s... near Cambridge July 1871', 39cm. (5)
A SMALL CHINESE SOAPSTONE CARVING OF LI BAI17TH/18TH CENTURYThe drunken poet depicted reclining with one arm resting on his wine jar, wearing loose robes incised with swirling clouds, his hair and beard with finely incised details picked out in black, the pale stone of a creamy colour with small red inclusions, 6.3cm.
Noel Gallagher / Oasis: A Gibson Les Paul Standard Owned By Noel Gallagher, 1982, impressed serial no.83562505 to back of headstock, bound body and neck in wine red finish, mahogany back and neck, two humbuckers with four gold bonnet control knobs (two volume, two tone), three-way selector, rosewood fingerboard with trapezoid markers, cream scratchplate signed in blue pen Noel Gallagher, headstock with Gibson Deluxe tuners, in hardshell case; accompanied by a letter confirming the provenance, guitar 39in (99cm) long Footnotes: Provenance This guitar is accompanied by a letter which details its use by Noel Gallagher. It was owned by Noel in 1999 and used during his location recording session for the 'Standing On The Shoulders of Giants' album. This was the fourth studio album from the band and the first under 'Big Brother Recordings', at a time when two original members of Oasis, Paul 'Bonehead' Arthurs and Paul 'Guigsy' McGuigan' had left or were in the process of leaving. Now that the band's original line-up had changed, Noel, therefore, needed extra equipment to cover much of the instrumental on the tracks. He began looking for instruments and guitars that were older and provided a different sound. This enabled the musical direction of 'Standing On The Shoulders Of Giants' to move away from their characteristic Britpop to that of electronica and heavy psychedelic rock. It is the 16th fastest-selling album in UK chart history and has been certified double platinum by the British Phonographic Industry (BPI). The album recording began in France at Chateau de la Colle Noire, Montauroux. The guitar was purchased by a recording technician when the album was completed, who used to work at Abbey Road Studios and was known by the band. He was hired by Oasis to oversee the technical aspects of the recording at Chateau de la Colle Noire. However, it was not until the band continued recording at Wheeler End Studio in London, that Noel's guitar tech asked the vendor if he was interested in buying it directly from Noel. The guitar was too heavy for Noel to play on stage and so he decided to part with it. When the vendor arranged to collect the guitar at Olympic Studios in Barnes, Noel was there and signed the scratch plate for him. For further information on this lot please visit Bonhams.com
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166820 item(s)/page