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Lot 1554
A George III Mahogany and Brass Bound Wine Cooler, third quarter 18th century, of staved construction, the body fitted with two lion mask drop handles, lead lined interior, the oval base raised on four cabriole legs and pad feet with recessed castors, 62cm by 42cm by 55cm For similar examples see Thomas Chippendale, The Life & Work of Thomas Chippendale, Christopher Gilbert, page 79,and Gillows of Lancaster and London, Susan E Stewart, volume 1, page 307
Lot 289
A JAPANESE CLOISONNE ENAMEL WINE POT AND COVER decorated with auspicious emblems and mon in translucent and other enamels and tightly coiled gilt cloisons, the cover with kiku knop, the underside with flowers and waves over mottled light green, 14cm h, Meiji++Of fine quality and in fine condition, the enamel undamaged, the handle retaining only one of the two pairs of flowerhead shaped nuts and bolts by which it is secured
Lot 349
THREE GEORGE III WINE LABELS MADEIRA, RUM and WHITE WINE, octagonal and bright cut within pierced border,chained, 4.5cm w, comprising a pair by Phipps & Robinson, London, one no date letter, the other 1791, the Madeira label maker JS, probably Josiah Snatt, date letter rubbed ++Three particularly fine examples in practically as new condition, the marks as struck
Lot 575
H WHITE (MID 19TH CENTURY) THE KENT FAMILY HOTEL MARGATE signed, inscribed in gold and on the tablet below C S WOODRUFF WINE & SPIRIT MERCHANT GOOD STABLING & LOCK UP COACH HOUSES, pen, ink and wash, 36.5 x 27cm, maple frame C S Woodruff of 1, Lower Marine Terrace, Margate appears in the Essex, Herts, Kent & Sussex Publican Directory for 1855.++In fine condition, clean and laid down, one or two pale spots of foxing, in contemporary maple frame with section of repaired veneer
Lot 225
Johnson (Hugh) Chateaux of Bordeaux number 233 of 400 copies, 21 colour lithographs by Charles Mozley, loose as issued with accompanying texts in original cloth portfolio with ties, gilt-stamped morocco label on upper cover, slighlty soiled, large folio, Christie`s Wine Publications and Hedges & Butler Ltd., n.d.
Lot 54
A mid 19th century Minton majolica wine cistern, designed by Carlo Marochetti (1805-1867), the intertwined snake handles at each end of the oval body and lion masks in the centre of a vine band on the rim of the exterior above turquoise lappets, green foliage and paw feet, the turquoise interior with maple leaf band on the rim, 126 wide, 70cm deep and 49cm high (49.5 x 27.5 x 19.25in) (D) Similar lots were sold at Sotheby`s in 1992 and 1998. Sotheby`s stated that the shape was recorded in the Minton archives as shape 719 and suggested the probable date of production as 1850
Lot 614
Sir Edward Coley Burne-Jones (British, 1833-1898), Portrait of Frances, Lady Horner (1858-1940), signed lower right with initials "EBJ", brown chalk, 27 x 22cm (10.53 x 8.58in) Provenance: From the Collection of William Graham, Burne-Jones`s friend and patron, and by descent within the family of Lady Horner. Literature: Oliver Garnett, William Graham - Pre-Raphaelite Patron and Collector, privately printed, 1990 "Bring the drawing of Frances to show me when you come", letter to Burne-Jones from William Graham, dated 21 June 1885, from Oakdene, Guildford. William Graham (1817-1885), was a Scottish politician and Pre-Raphaelite patron, and MP for Glasgow. He was a wealthy merchant who was a cotton manufacturer and wine merchant. Graham was a friend and patron of Edward Burne-Jones from 1856. Graham bought several of Burne-Jones`s works and invited Burne-Jones and other artists such as Rossetti to his country house, Stobhall, in Perthshire. When Graham died on 16 July 1885, Burne-Jones sent some small paintings to be buried with him, which are now in his coffin in a Glasgow cemetery. After his death, most of his very large collection was sold at auction by Christie`s in April 1886, confirming Burne-Jones`s position as a great painter, with his pictures fetching
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