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Amandus van Maastricht (c. 600 – 680), “Apostle of the Franks”, was a 7th-century mission bishop and founder of monasteries and churches in Flanders, northern France and the Basque Country. He was bishop of Maastricht for several years and is venerated as a Catholic saint. He is the patron saint of all of Flanders and the patron saint of wine merchants, brewers, pharmacists, innkeepers and grocers. Amandus is invoked against rheumatism, paralysis, gout, fever, convulsions, skin disorders, epilepsy and animal diseases. Relics of Amandus are kept in many churches and treasuries, including the Sint-Amanduskerk in Wezeren (Flemish Brabant), the Sint-Elooiskerk in Kortrijk and the Sint-Petrus-en-Pauluskerk in Oberammergau. The most famous reliquary, an early 13th-century piece of silversmithing from St. Amand's Abbey, is now in the Walters Art Museum in Baltimore. Belgium-Flanders, 17th century, hallmarks: Spectro tested 93-95% silver - traces of use and damages. 26 grams, 925/1000. Dim. L 7 cm, W 5.5 cm, H 0.7 cm.
Pair of Chinese vases. Qing Dynasty, 19th century.Hand-painted porcelain.Wear due to use and passage of time.Measures: 33 x 19,5 x 14,5 cm.Pair of Chinese vases from the Qing dynasty, 19th century, with lobed geometrical shapes and zoomorphic side handles, in hand-painted porcelain in ochre and green colours. These vases are reminiscent of the shapes of the ritual wine vessels that were made in bronze in early China for funerary celebrations in the Bronze Age. Bronze ritual vessels were more than just elegant objects of status, but symbols of power that commanded respect. They were cast using moulds from pieces of pottery, built around a clay model.
Libation cup; Chinese, Quing Dynasty 1644-1911.Enamelled and polychrome porcelain.It has an inscription on the base. It is in a good state of preservation.Measurements: 18 x 15.5 cm.Cup of libations that presents a foot of round base, with cylindrical structure that supports the body with thin and exvasado lip. The ornamentation is based on figurative scenes, with the presence of a large dragon on the body standing out. This type of piece is of great artistic and decorative value, and originally had a sacred and mythological character. They were made from natural materials of animal origin, as these materials supposedly had the ability to detect the presence of poisons in the liquids poured into the cups, although in this case they are made of porcelain.This is the case with libation cups such as the one presented here, dating from the 18th century, which served as ceremonial vessels for the sprinkling of a ritual drink as an act of offering to the deities. The liquids offered in the libations were varied, normally unmixed wine was used, although milk, honey and even pure water were also often poured into them. The elegant decoration of this piece is faithful to the minimalist taste of Dehua's production, where refinement is aimed at the subtlety of the details. Following this line, in the present Libation cup we find
A BOX OF ASSORTED WHITE METAL AND A CANTEEN, to include a tea set comprising of a tea pot, sugar pot and milk jug with a hammered finish, a set of six white metal wine glasses, signed 'Valero for Falstaff', two sets of three wine glasses, a set of two port glasses with vine detail, two tankers, a wine bucket, a toast rack, a salt and pepper shaker set, a pair of candle stick holders, a tray and a selection of flat ware, together with a complete six piece canteen, encased in a wooden box, signed (condition report: general light wear, overall condition good)
TWO BOXED ISLE OF WIGHT WINE GLASSES, each bowl in blue glass with a gold band and iridescent looped pattern, supported on a clear stem, each has original factory sticker to base, with original cylindrical boxes (2 + 2 boxes) (Condition report: good condition, no obvious damage, would benefit from a clean)
A GROUP OF CUT CRYSTAL AND GLASSWARE, comprising five cut crystal whisky glasses, five cut crystal wine glasses, an amber fluted glass shade, a set of six large clear brandy glasses, a cut crystal jug, bud vase with an EPNS stand, height 15cm, a large diamond cut pitcher and bowl, a glass dome on a circular glass base, height 32cm, three circular trinket dishes, a rectangle desk top stamp holder, candle holder, etc (28) (Condition report: the bowl has chips and nibbles on the base , the stamp holder has nibbles along edges)
ONE BOX OF CRYSTAL AND TABLEWARE, to include a Kosta Boda Art glass 'Forest Spring Flowers' cake stand, diameter 34cm, a Stuart Crystal decanter, a square cut crystal whisky decanter, four Thomas Webb Crystal glasses, five cut crystal wine glasses, a Royal Worcester 'Evesham' oven dish, a Portmeirion 'Botanic Garden' oven dish and platter, an Aynsley 'HyStyle' flan dish, a Royal Norfolk platter, etc (s.d) (1 box)
FOUR BOXES AND LOOSE CUT GLASS, DRINKING GLASSES AND SUNDRIES ETC, to include a set of six whiskey tumblers, six champagne flutes, matching sets of four red and white wine glasses, boxed Bohemia wine glasses, boxed champagne glasses, some incomplete sets of wine, whiskey and port glasses, Old Hall stainless wares, plastic ice buckets, nail clippers and scissors
CERAMICS & GLASS, two boxes containing a collection of glass crystal decanters, wine glasses and goblets, Grafton China saucers, Japanese inspired tea cups, one partial Adderley bone china tea set, one partial Royal Kent bone china tea set, one brass matchbox and mirror and a circular barometer (no glass)
Ca. 37 BC - 70 AD A pottery vessel in the form of a flagon with a bulbous-shaped body. It features a short neck and pronounced rim. A single handle arching from the neck to the shoulder. The vessel sits on a low foot ring. Vessels such as this one were designed for everyday use, in particular for carrying and serving water and wine at banquets. Size: L:285mm / W:165mm ; 1.09Kg Provenance: Property of a London Ancient Art gallery; previously acquired on the UK art market.
Ca. 100-300 AD A finely modelled bronze pair of feet, coming from a statue of a satyr. The legs are cast with strong, naturalistic features. A rare find! Satyrs were companions of the ancient Greek god Dionysus (the Romans 'Bacchus'), the god of wine, fertility, ritual madness, theater, and religious ecstasy. The upper half of their body was human, the lower half animal. Size: Set of 2 L:173 - 187mm / W:34 - 38mm ; 640g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
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166771 item(s)/page