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Lot 1
A large collection of 19th & 20th Century silver plate, EPNS to include: A set of Victorian circular salts on ball and claw feet, matching spoons, in fitted caseA set of six oak cased fish knives and forks (bone handles)A set of six mahogany cased mother of pearl handles fruit knives and forks, engraved blades, with silver collars hallmarked Sheffield, 1906A set of twelve mahogany cased fruit knives and forks, engraved blades, retailed and stamped by Mappin & WebbCanteen of Old English EPNS flatware (6 piece)Victorian style large coffee potMuffin dish and coverTwo wine coastersEntree dish, spare entree dish handles, salver, pair of Victorian style fish servers and a large collection of loose flatware mainly fiddle and Old English pattern etc (3 boxes)
Lot 116
Wine.- Gyrão (Antonio Lobo de Barbosa Ferreira Teixeira, Viscount) Tratado theorico e pratico da agricultura das vinhas, da extracção do mosto, bondade, e conservação dos vinhos, e da distillação das agoas ardentes, title with woodcut royal arms, 3 folding engraved plates of distillation apparatus, folding letterpress table, list of subscribers towards end, errata f. at end, light ink marking to foot of front free endpaper and title, occasional spotting or staining, lightly browned, contemporary mottled calf, gilt spine in compartments and with red morocco label, joints starting, but holding firm, lower corners worn, rubbed, [Innocêncio I, 184 & XX, 244], 8vo, Lisbon, National Printers, 1822.⁂ Rare, with WorldCat recording only a handful of copies, and not found in the standard food & drink bibliographies. Includes cultivation of vines, prevention of disease, wine production, and the economics of wine making. Gyrão (1785-1863) was an agricultural entrepreneur, politician, and academic.
Lot 88
Port wine.- British Factory. Novas instrucçoens da Feitoria Ingleza, a respeito dos vinhos do Douro, Setembro de 1754. A todos os commissarios, 4pp., drop-head title, contemporary ink numbers to upper corners of both ff., modern marbled boards, [cf. Simon Vinaria p.114], [Porto], no printer, 1754; and 8 others, 18th & 19th century Wine, v.s. (9)⁂ The first mentioned addresses the failing fortunes of the British Factory in Oporto, due to the fall in demand in England for port wines.
Lot 151
A SHANG STYLE BRONZE RITUAL WINE CUP, ZHI, MING DYNASTYChina, Ming dynasty (1368 - 1644). The pear-shaped body supported on a spreading foot and rising to an everted rim, finely decorated around the waisted neck with a narrow band of chilong above archaic scroll between two-line borders as well as two bosses, the splayed hollow foot encircled by two bow-string bands. With a later wood stand and a fitted silk box. Condition: Very good condition, commensurate with age. Extensive wear, signs of weathering and erosion. Fine, naturally grown patina with extensive malachite encrustation. Provenance: Norwegian private collection. Weight: 415 g (excl. stand) Dimensions: Height 14.3 cm (excl. stand)Zhi goblets served as drinking vessels. They were employed in important ritual performances aimed at paying homage to the ancestors. According to Chinese beliefs, the ancestors were deemed active participants in the life of their offspring, which they could positively influence if provided with the correct necessities for their own afterlife, see Jessica Rawson, 'The Power of Images: The Model Universe of the First Emperor and its Legacy', in Historical Research, no.75, 2002, pp. 123-154.
Lot 313
A BLUE AND WHITE POURING BOWL, YI, YUAN DYNASTY 元代青花纏枝蓮紋匜China, 1279-1368. Well potted with rounded sides resting on a slightly concave base, one side set with an outward flaring spout above a small loop handle, the interior painted with a central medallion enclosing a lotus blossom surrounded by leaves, encircled by a diapered band below the rim, the exterior with a broad band of flowerheads borne on sinuous leafy vines, the spout with a cloud, the base left partly unglazed to reveal the ware burnt to orange in the firing. Provenance: From the collection of Felix Tikotin, and thence by descent within the family. Felix Tikotin (1893-1986) was an architect, art collector, and founder of the first Museum of Japanese Art in the Middle East. Born in Glogau, Germany, to a Jewish family, his ancestors had returned with Napoleon from Russia from a town named Tykocin. He grew up in Dresden and after World War I, he traveled to Japan and immediately fell in love with the culture. In April 1927, he opened his own first gallery in Berlin. The entire family survived the holocaust, and in the 1950s Tikotin slowly resumed his activities as a dealer in Japanese art. He became, once again, very successful and prominent, holding exhibitions all over Europe and the United States. When he first visited Israel in 1956, he decided that the major part of his collection belonged in that country. In 1960, the Tikotin Museum of Japanese Art was opened in Haifa. Condition: Very good condition with some old wear, traces of use and shallow surface scratches, and firing irregularities including kiln grit and some glaze pooling and recess at the rim, the latter smoothened in the manufacturing process.Weight: 223.4 g Dimensions: Length 15.5 cmBowls of this form are known as yi and appear to have been used as pouring vessels together with yuhuchun vases. Chiumei Ho in 'Social Life Under the Mongols as Seen in Ceramics', Transactions of the Oriental Ceramic Society, vol. 59, 1994-95, p. 44, notes that in archaeological contexts they are often found together with such vases and wine cups. This pairing is also depicted in a wall painting from the tomb of Zhang Andabuhua and his wife, which has been dated to 1269 AD and is illustrated in the catalog of the exhibition The World of Khubilai Khan. Chinese Art in the Yuan Dynasty, The Metropolitan Museum of Art, New York, 2010, p. 83, fig. 115.These bowls were also used by Mongols in Iran, as exemplified by the bowl painted in the Enthronement Scene, part of the album Jami al-tavarikh (Compendium of Chronicles), which was commissioned between the reigns of Ghazan (r. 1295-1304) and his brother, OEljeitü (r. 1304-1316), included in the exhibition The Legacy of Genghis Khan, Courtly Art and Culture in Western Asia, (1256-1353), The Metropolitan Museum of Art, New York, 2002, cat. no. 19, fig. 84. The shape was probably copied from metal prototypes and a very similar silver pouring bowl was found together with a silver yuhuchun ping in a hoard at Hefei, Anhui province, which contained items inscribed with a name written in Phagspa characters as well as a date equivalent to 1333, both now in the Anhui Museum Provincial Museum, published in the exhibition catalog 'The World of Kublilai Khan, Chinese Art in the Yuan Dynasty', The Metropolitan Museum of Art, New York, 2010, p. 83, fig. 115.Literature comparison: Several pouring bowls of this form and decorated with various floral designs are illustrated in Zhongguo taoci quanji, vol. 11, Shanghai, 2000, pls. 213-217. One depicting a hare, in the British Museum, is published in Jessica Harrison-Hall, Ming Ceramics in the British Museum, London, 2000, pl. 1:22.Auction result comparison: Type: Closely related Auction: Sotheby's London, 6 November 2019, lot 137 Price: GBP 50,000 or approx. EUR 66,500 converted and adjusted for inflation at the time of writing Description: A blue and white pouring bowl, yi, Yuan dynastyExpert remark: Compare the closely related form and decoration. Note the slightly larger size (18.3 cm).Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 26 May 2021, lot 332 Price: HKD 126,000 or approx. EUR 15,500 converted and adjusted for inflation at the time of writing Description: A blue and white 'lingzhi' pouring vessel, yi, Yuan dynastyExpert remark: Compare the closely related form, decoration, and size (15.4 cm).元代青花纏枝蓮紋匜中國，1279-1368年。圓腹，口微歛，平底。沿有流，形呈長方，與腹相連，流下著一小系；流上有一朵雲；器心飾纏枝蓮紋，上；外壁有一圈纏枝花卉紋；白地釉色泛青。口沿無釉。底部部分未上釉，露出在燒製中燒成橙色的器皿。來源：Felix Tikotin收藏，在同一家族保存至今。Felix Tikotin (1893-1986) 一位建築師、藝術收藏家，也是中東第一家日本藝術博物館的創始人。他出生在德國格洛高的一個猶太家庭，他的祖先隨拿破崙從俄羅斯一個名叫提科欽的小鎮返回。他在德勒斯登長大，第一次世界大戰後前往日本旅行，並立即愛上了它的文化。1927 年 4 月，他在柏林開設了自己的第一家藝廊。二戰時，整個家庭在大屠殺中倖存下來。1950 年代，Tikotin 慢慢恢復了他作為日本藝術品經銷商的活動。 他非常成功，在歐洲和美國各地舉辦展覽。當他在 1956 年第一次訪問以色列時，他決定把他的大部分收藏都捐贈給以色列。1960 年，Tikotin 日本藝術博物館在海法開放。 品相：品相極好，有一些磨損、使用痕跡和表面淺劃痕，以及燒製不規則，包括窯砂和邊緣的一些釉池和凹槽。 重量：223.4 克 尺寸：長15.5 厘米 這種碗被稱為匜，似乎與玉壺春瓶一起使用。見Chiumei Ho 《Social Life Under the Mongols as Seen in Ceramics》，東方陶瓷學會彙刊，卷59，1994-95年，第44頁，注意到在考古挖掘中，它們經常與花瓶和酒杯一起被發現。 這一對也出現在墓葬壁畫中，該壁畫的歷史可追溯至公元 1269 年，並在"The World of Khubilai Khan"展覽的目錄中有所說明；元代中國藝術，大都會藝術博物館，紐約，2010年，第83頁，圖115。文獻比較： 數個有相似青花纏枝紋外形的匜，見《中國陶瓷全集》，卷11，上海，2000年，圖213-217。一件兔紋匜，收藏於大英博物館，出版於Jessica Harrison-Hall，《Ming Ceramics in the British Museum》，倫敦，2000年，圖1:22。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2019年11月6日，lot 137 價格：GBP 50,000（相當於今日EUR 66,500） 描述：元青花一把蓮紋匜 專家評論：比較非常相近的外形和裝飾。請注意尺寸稍大(18.3 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2021年5月26日，lot 332 價格：HKD 126,000（相當於今日EUR 15,500） 描述：元青花靈芝紋匜 專家評論：比較非常相近的外形，裝飾和尺寸 (15.4 厘米)。
Lot 425
Michele Marieschi, 1696/1710 Venedig – 1743 ebenda, NachfolgeVENEDIG – RIALTOBRÜCKE MIT UFER DER WEIN- UND KOHLENHÄNDLERÖl auf Leinwand.57 x 97 cm.Beigegeben eine Expertise von Dario Succi, Gorizia, in Kopie. In diesem Gemälde dominiert die berühmte, die beiden Ufer verbindende Rialtobrücke. Die Gondeln und Lastschiffe sind dem Betrachter im Vordergrund nahe herangebracht. Dies erlaubt dem Maler hier eine lebendige Straßenszene ins Bild zu setzen. An der Mole rechts wird soeben ein Streit ausgefochten. Arbeiter gehen aufeinander los. Mit gezücktem Dolch steigt einer der Männer aus dem mit Weinfässern beladenen Kahn, einer liegt bereits am Boden, während andere fliehen. Es liegt nahe, die Szenerie mit dem Wein in Verbindung zu bringen, der hier in Venedig ehemals gelagert und gehandelt wurde. Auf den Fassböden mehrere Initialen. Die Darstellung zeigt sich analog zu einem der Bilder einer Serie, die um 1882 aus der Sammlung der Farnese nach Neapel in di Galleria Nazionali di Capodimonte kamen. Zwischenzeitlich im Palazzo Francavilla, gelangten sie dann in den Palazzo Reale und ins Museum Reale Borbonico. 1932 wurden acht der Bilder nach Rom transferiert, um das Büro des Präsidenten des Corte dei Conti auszustatten. Anlässlich einer Ausstellung, kuratiert von Succi, wurden die Bilder dem Maler Francesco Albotto (um 1723-1758) zugewiesen.Der Einfluss der großen venezianischen Vedutisten, so auch von Marieschi, ist hier noch immer lebendig. Wie so häufig ist auch hier das Vorbild in den Stichen von Antonio Visentini (1688-1782) zu sehen, jedoch vielfach abgewandelt. In der beigegebenen Expertise wird darauf verwiesen, dass ein Zusammenhang mit dem Maler Francesco Zanin (um 1824-1884) nicht ausgeschlossen ist. A.R.Literatur:Vgl. Dario Succi, Ausstellungskatalog, Marieschi tra Canaletto e Guardi, Gorizia 1989. (1361851) (3) (11)Michele Marieschi, 1696/1710 Venice – 1743 IBID., follower ofVENICE – RIALTO BRIDGE WITH WINE AND COAL MERCHANTS ON THE BANK Oil on canvas.57 x 97 cm.Accompanied by an expert’s report by Dario Succi, Gorizia, in copy.
Lot 1258
STAR TREK: PICARD (T.V. SERIES, 2020 - 2022) - Chateau Picard Bourgogne Wine Crate and Bottle - A Chateau Picard Bourgogne wine crate and bottle from Paramount Plus' hit series Star Trek: Picard. In the Season 2 episode "The Star Gazer," Jean-Luc Picard's (Patrick Stewart) Romulan housekeeper Laris (Orla Brady) supervised the boxing and labeling of bottles of Chateau Picard Bourgogne.This lot consists of one packing straw-filled wooden crate with a removable cover engraved "Appellation Labarre Controle Chateau Picard Bourgogne Franche-Comte'' and dated "2386," as well as a black wax-sealed bottle filled with red wine-color liquid and wrapped with a faux silver label with engravings matching the cover. The liquid is not safe for consumption, and the lot exhibits some missing straw. Dimensions: (boxed) 21.25" x 14" x 7.25" (54 cm x 35.75 cm x 18.5 cm)Estimate: $2,500 - 5,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
Lot 237
INTERVIEW WITH THE VAMPIRE: THE VAMPIRE CHRONICLES (1994) - Lestat's (Tom Cruise) Waistcoat and Drinking Glasses - Lestat's (Tom Cruise) waistcoat and drinking glasses from Neil Jordan's horror film Interview with the Vampire: The Vampire Chronicles. In New Orleans, Lestat filled his glass with the blood of a prostitute for the reluctant Louis (Brad Pitt) to drink. Later, Lestat wore his waistcoat as Claudia (Kirsten Dunst) tricked him into drinking the blood of dead twins.This linen waistcoat features a pale blue front embellished with an embroidered gold-color pattern throughout. A handwritten label sewn to the underarm reads "Lestat 10." The wine glasses each feature a trumpet bowl with a beaded stem. The waistcoat exhibits a blue-color run on the back panel as a result of age and use. Dimensions: (each) 4" x 4" x 7.75" (10 cm x 10 cm x 19.75 cm)Estimate: $5,000 - 10,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
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