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Lot 369
A `famille-verte` bottle vase, painted with dragons chasing flaming pearls, six character Yongzheng mark to base, 23cm high, crack to base; together with a ruby ground `famille-rose` bowl painted with landscape roundels, four character mark in iron-red (Hall for the Cultivation of Virtue); and a miniature flower-shaped wine cup, six character mark in underglaze blue (3)
Lot 1563
"Box 213 French Red Premire Wines The Rhone Côtes du Rhône Villages 2007 The New Black Wine 2006 La Masquerade Shiraz Vin de Pays d`Oc 2006 SCA Château Signac Cuvée Combe d`Enfer 2007 SCA Château Signac Cuvée Combe d`Enfer 2007 Castel Freres Chateau du Lort 2007 La Masquerade Shiraz Vin de Pays d`Oc 2006 Cairanne Réserve des Hospitaliers 2006 The New Black Wine 2006 Cairanne Réserve des Hospitaliers 2006 Première The Rhone Côtes du Rhône Villages 2007 Castel Freres Chateau du Lort 2007"
Lot 1564
"Box 214 French Red Wines SCA Château Signac Cuvée Combe d`Enfer 2007 Calvet Bordeaux Rouge Reserve Organic Wine 2006 Cave de Tain Crozes Hermitage Blason 2006 Cave de Tain Crozes Hermitage Blason 2006 Morgon Le Cru Aux Roches Pourries La Cote du Py 2007 Hermitage Queen of Syrah Grande Reserve 2005 Château Toumilon Rouge 2006 Merlot La Baume 2008 Chateau Fombrauge 2006 SCA Château Signac Cuvée Le Secret 2005 Merlot La Baume 2008 SCA Château Signac Cuvée Tradition 2007"
Lot 60
Forty Two Hornby `O` Gauge Wagons and Tankers, including two Southern Railway Cattle Trucks, Double Wine Wagon, Breakdown Van and Crane, Esso, Shell, Royal Daylight, National and Manchester Oil Refinery Tankers, Carr`s Biscuits Van, two GW Milk Wagons, tippers, flat trucks etc., in three boxes.
Lot 44
A George II ebonised table timepiece with pull quarter repeat Edward Cockey, Warminster, circa 1730 The five finned pillar movement with verge escapement and silent pull-quarter repeat sounding the quarters on two small bells and the hour on a larger bell operated via a double groove pulley (to allow repeat cords on both sides) mounted on the foliate scroll engraved backplate, the 7 inch brass break-arch dial with Ho-Ho bird and floral basket engraved decoration to calendar and false bob apertures and ringed winding holes (one false) to the matted centre, within applied silvered Roman numeral chapter ring with fluer-de-lys half hour markers and Arabic five minutes to outer track, the angles with Indian mask and scroll cast spandrels beneath arch with silvered boss signed in Gothic script Edw. Cockey, Warminster flanked by conforming cast mounts, the inverted bell top case with hinged tied floral bud cast brass carrying handle above foliate pierced frets to upper quadrants of the front door and break-arch beneath shaped glazed apertures to sides, the rear door with rectangular glazed panel beneath lunette, on moulded base with small block feet, 41cm (16ins) high excluding handle. THIS DESCRIPTION TO BE READ IN CONJUNCTION WITH ‘IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS’ PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Provenance: The property of a private collector. Edward Cockey senior, born in 1669, was the son of Lewis Cockey (a bellfounder and clockmaker working in Warminster) from whom it is believed he subsequently learned the trade. Edward was clearly a talented and well connected clockmaker who in 1707 made an extremely complicated astronomical clock for Lord Weymouth for the Great Hall of Longleat. Weymouth is thought to have subsequently commissioned Cockey to make another, very similar example, as a gift to Queen Anne for her drawing Room at St James Palace (now residing at the National Maritime Museum, Greenwich). Edward Cockey junior was born in 1701 and although initially thought to have followed in his fathers footsteps apparently chose to become a wine merchant instead. There is a record of the death of an Edward Cockey, clockmaker, in 1768 which probably relates to Edward Junior. The current lot is one of probably less than half a dozen surviving table clocks by Edward Cockey. The movement is noteworthy in that it incorporates a repeat mechanism which was originally devised by Joseph Knibb to enable a clock to sound the hours and quarters only on demand by pulling one of the lines exiting from the case. In this form the repeat mechanism has to power both hour and quarter striking mechanisms rather than just the quarters before tripping the hour strike train (for striking table clocks). This type of repeating mechanism is often called a `silent pull` and is thought to have been intended for clocks destined for use in the bedchamber, suggesting that current lot would have probably been supplied to a very wealthy individual who could afford to have a clock made primarily for bedroom use. The case is interesting in that the carcass of the caddy is dovetailed into the structure of the case in order to remove the possibility of the caddy coming adrift whilst being transported by the handle.
Lot 139
A George III silver wine label, by Elizabeth Morley, London 1806, of rectangular form with canted corners and reeded borders, incised `Port`, another similar George IV silver wine label incised `Sherry`, by Mary Ann and Charles Reily, London 1826, and four modern examples titled `Whisky`, `Port`, `Sherry` and Brandy`, by Barker Bros. Ltd, Birmingham 1938/39, and a silver seven bar toastrack, by Goldsmiths and Silversmiths Company Ltd, London 1908, with central loop handle on oblong base, 11.5cm long (7) Visit www.sworder.co.uk for larger image and condition reports.
Lot 212
A wine glass, late 18th century, with a double series opaque twist stem, and an 18th century wine glass, with a wheel cut bowl and a facet cut stem, and a Georgian part spiral fluted and wheel cut ale glass, 15cm, 13.5cm and 11cm respectively (3) Visit www.sworder.co.uk for larger image and condition reports.
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166771 item(s)/page