Kelchglas und VaseMurano. 2. H. 20. Jh. Italien. 1x Weinglas aus rotem Glas mit reicher, ornamentaler Goldmalerei und weißen Emailpünktchen (H 23,5 cm). / 1x Plattflasche mit aufgeschmolzenem, gedrehtem Glasfaden an Hals und Mündungsrand, Rundfuß, aus farblosem Glas mit in der Zwischenschicht eingeschmolzenen, opalgrünen, gedrehten Fäden und opalweißen Spiralfäden (H 29,5 cm) Goldrand des Weinglases berieben. Cup glass and vaseMurano. 2nd h. 20th c. Italy. 1x red glass wine glass with rich ornamental gold painting and white enamel dots (h 23,5 cm). / 1x Plattflasche with fused twisted glass thread on the neck and mouth rim, round base, made of colorless glass with opal green twisted threads and opal white spiral threads fused in the interlayer (h 29.5 cm) Gold rim of the wine glass rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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6 Vitrinentassen19. Jh. Polychrome Malerei und/oder Goldstaffage. H Tassen 9,5-11 cm, Ø überwiegend originale Untertassen 12,5-13,5 cm. 1x Sèvres: mit weinrot-brauner Landschaftsmalerei und weinrotem Fond. / 1x Ilmenau oder Althaldensleben: mit gold-blauen Blattranken und der Aufschrift "Dem Hausherrn". / 4x ungemarkt: davon 1x mit Landschaftsmalerei und Goldfond. / 1x mit gold-grünem, teils goldradiertem vegetabilen Dekor. / 1x mit goldgravierter Vogelmalerei und Goldfond. / 1x mit beigem und goldenem Teilfond sowie vegetabiler Goldmalerei Partieller Goldabrieb. 6 vitrine cups19th century Polychrome painting and / or gold staffage. H cups 9,5-11 cm, Ø mostly original saucers 12,5-13,5 cm. 1x Sèvres: with wine-red-brown landscape painting and wine-red background. / 1x Ilmenau or Althaldensleben: with gold-blue leaf tendrils and the inscription "Dem Hausherr". / 4x unmarked: including 1x with landscape painting and gold background. / 1x with gold-green, partly gold-etched vegetal decoration. / 1x with gold-engraved bird painting and gold background. / 1x with beige and gold partial background and vegetal gold painting Partial gold abrasion. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bacchus mit SatyrMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Modell-Nr.: G 57. Entwurf: 1780. JÜCHTZER, Christian Gottfried(1752 Meißen - 1812 ebd.) Polychrom bemalt, goldstaffiert. H 20 cm. Figur des Bacchus mit Weinschale, hinter ihm ein kleiner Faunsknabe stehend Weinblätter, Bocksfüße, linkes Bein und linker Arm des Bacchus sowie linke Hand des Faunsknaben restauriert. Bacchus with satyrMeissen. Pommel swords, from 1850-1924, 1st choice. Model no.: G 57. design: 1780. JÜCHTZER, Christian Gottfried(1752 Meissen - 1812 ibid.) Polychrome painted, gold decorated. H 20 cm. Figure of Bacchus with wine bowl, behind him a small faun boy standing Wine leaves, buck feet, left leg and left arm of Bacchus and left hand of the faun boy restored. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Seltene Weinkanne mit Capodimontedekor und PresentoirMeissen. Knaufschwerter, ab 1850-1924, 1. Wahl. Kanne mit ovoidem Korpus, Korallenhenkeln und Rundfuß. Umlaufend ein Figurenrelief mit einer Seelandschaft mit spielenden Putten und Sirenen, am Presentoirrand ein der Kanne entsprechendes Relief mit spielenden Putten Kleine Randbestoßung am Unterteller, kleiner Eisenfleck am Kannenfuß.| Nachtrag 19.06.23: Kanne H 27,5 cm; Ø Unterteller 22,5 cmRare wine pot with capodimonte decor and presentoirMeissen. Pommel swords, from 1850-1924, 1st choice. Pot with ovoid body, coral handles and round base. Circumferentially a figure relief with a seascape with playing putti and sirens, on the presentoir rim a relief corresponding to the jug with playing putti Small rim bump on the saucer, small iron spot on the jug foot.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bildplatte: RheingoldKPM Berlin. 23,5 x 26 cm, Rahmen: 50 x 44 cm. Kokette weibliche Schönheit mit einem gefülltem Weinglas. Eine unterschwellig-erotische Porträt-Darstellung. Farbige Bemalung von Emil Kies, Stuttgart, signiert. Rückseitig auf altem Klebezettel bezeichnet. Unglasierter Boden, Pressmarken. Neuwertiger Profilrahmen Minimaler Abplatzer am Rand. Porcelain plaque * Partnerauktion Bergmann. Literatur : Neuwirth (1977) Band II Seite 9. Provenienz : Fränkischer Sammlungsnachlass. Picture plate: RheingoldKPM Berlin. 23.5 x 26 cm, frame: 50 x 44 cm. Coquettish female beauty with a filled wine glass. A subliminal erotic portrait depiction. Colored painting by Emil Kies, Stuttgart, signed. Inscribed on old adhesive label on the reverse. Unglazed bottom, press marks. As new profile frame Minimal chipping at the edge. Porcelain plaque * Partner auction Bergmann. Literature : Neuwirth (1977) Volume II page 9. Provenance : Franconian collection estate. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Dekorativer Korallenarmreif Gelbgoldmontierungen 750 geprüft. Ø 7 cm. 40,4 g. 3-gliedriger Armreif aus geschnittenem, weinumranktem Frauenkopf und 2 Korallenbögen als Füllhörner, an korallenbesetzter Kastenschließe mit Sicherheitskette Decorative coral bangle Yellow gold mounts 750 tested. Ø 7 cm. 40,4 g.3-link bangle made of cut, wine-wreathed woman's head and 2 coral arches as cornucopias, on coral-studded box clasp with safety chain *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Krawattennadel mit Amethyst und Altschliff-Diamanten um 1900, im Etui Gelbgold 585 geprüft, Silber geprüft. 2 x 1 cm. Nadel L 6,5 cm. 2,5 g. Krappengefasster Amethyst, umgeben von 8 silbergefassten Altschliff-Diamanten, an langer Nadel, in weinrotem Etui Tie pin with amethyst and old cut diamonds around 1900, in case Tested yellow gold 585, tested silver. 2 x 1 cm. Pin L 6,5 cm. 2,5 g.Claw-set amethyst surrounded by 8 silver-set old-cut diamonds, on long pin, in wine-red case *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Brustkopfpuppe als BischofUngemarkt.Masse/Papiermaché, Stoff. L 55 cm. Blaue Schlafaugen, blonde Mohairperücke, Stoffkörper, Massearme, angenähte schwarze Lederstiefel. Weinrote Samtkasel über weißem Unterkleid, goldfarbenes Kreuz mit Farbsteinen, Mitra aus Brokat Gesicht rissig.Provenienz : Sammlungsnachlass aus Nordhrein-Westfalen.Chest head doll as a bishopUnmarket.Mass/paper mache, fabric. L 55 cm.Blue sleep eyes, blond mohair wig, cloth body, mass arms, sewn-on black leather boots. Wine red velvet chasuble over white undergarment, gold cross with colored stones, brocade mitre Face cracked.Provenance : Collection estate from Nordhrein-Westfalen.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Puppenstuben-Puppe und kleine SammlungsvitrinePuppenkopf mit "1" gemarkt. Um 1900.H 20/22 cm. Blondes Püppchen (französischer Typ) mit blauen Glasaugen, Mohairperücke, Gliederkörper und weinroter alter Samtkleidung mit Spitze. Vierseitig verglaste Vitrine mit Metallbeinen, dazu elegante Kanne Halskurbel unsauber verarbeitet, 1 winziger Farbchip an der Oberlippe, 1 Zeh bestoßen. Vorderbeine der Vitrine wacklig.Provenienz : Sammlungsnachlass aus Nordrhein-Westfalen.Dollhouse doll and small collection showcaseDoll head marked with "1". Circa 1900.H 20/22 cm. Blonde doll (French type) with blue glass eyes, mohair wig, jointed body and wine red old velvet clothing with lace. Four-sided glazed display case with metal legs, in addition elegant jug Neck crank uncleanly processed, 1 tiny paint chip on the upper lip, 1 toe bumped. Front legs of the display case wobbly.Provenance : collection estate from North Rhine-Westphalia.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
A Chinese Kangxi blue and white porcelain ginger jar 18cm diameter x 21cm high together with two antique Chinese green glazed wine pourers, each 10cm wide x 9.5cm highGinger jar with two cracks running through sides and chip to top; wine pourers with small glaze chips and chip to one spout.New photos added.
Viniculture Interest: Hoare, Clement 'A Practical Treatise on the Cultivation of the Grape Vine on Open Walls', second edition, Longman et al, London 1832. Brown cloth plus 'A Treatise on the Art of Making Wine from Native Fruits', Accum, Frederick, Longman et al 1820 plus two associated - all in used condition (4)
Shaykh Muhammad Amir of Karraya or studio (fl. c. 1830-50) The Balfour album 26 watercolours on wove paper, each approx. 27 x 21cm (all portrait format except numbers 9, 12 and 25, landscape; numbers 8, 10, 18 and 24 with J. Whatman Turkey Mills watermarks visible), corner-mounted to varicoloured paper leaves in contemporary green half morocco album, contemporary manuscript titles in ink to foot, many additionally with contemporary English translations of the title in pencil to lower left (given below in round brackets where applicable; supplied titles in square brackets), all annotated lower right 'Shekh Mahomed Ameer, Calcutta at Karyah', 'S. Mohammed Ameer Painter, situated at Kurrya' or similar (except 'A teacher of Hindostanee', in the same style but not annotated). Contents comprise:1. Assabardar (Mace bearer)2. Sotaburdar (Mace bearer)3. Hooka burdar4. Serkar (Native clerk)5. Dewan (A landed proprietor)6. (A teacher of Hindostanee)7. Barber8. Chouruburdar [Fly-whisk wallah]9. Palankeen10. Matoy walla (Sweet meat seller)11. Burkundaz (Watchman)12. Hindoostany Carriage13. Dorcah (Dog keeper)14. Maytur[?] (House sweeper)15. B. Woman [Bengali water carrier]16. Estruwallah [Iron wallah]17. Dancing girl18. Grass cutter19. Abdawr (Wine cooler & table servant)20. Coachman21. Ayah (Ladies attendant)22. Serdawr Bearer (Body attendant & house servant)23. Hurkarah (Letter carrier or message bearer)24. Khansamah (Head table attendant)25. Karachee (Native carriage)26. Bheshtee (Water carrier).With a similar watercolour bound between numbers 22 and 23, titled Hindoostanee Lady, signed 'Zayn al-Abidin musawwir [painter]', 19 x 15.5cm, Qajar-style, heightened with gum arabicNote: Note: A major collection of watercolours by one of the leading practitioners of ‘Company School’ painting for European patrons in 19th-century India. The only sets of any comparable extent which we can identify are a group in the British Library comprising 17 pictures of servants, castes, and tradesmen (Add. Or. 171-187), and the famous Holroyd album, produced for Calcutta merchant Thomas Holroyd, given by him to the Oriental Club in 1839, sold by them in 1961 and now dispersed.Acknowledged as 'by far the most talented and original' of all Calcutta painters specialising in work for the British (Archer, 1972), Shaykh Muhammad enjoyed an enthusiastic following among the city's colonial elite in the second quarter of the 19th century. In 1844 the traveller Fanny Parkes purchased a set of paintings evidently similar to the present album, publishing versions of the serkar, burkundaz and the Bengali water carrier in her 1850 travel memoir, Wanderings of a Pilgrim in Search of the Picturesque.In 2019-20 Shaykh Muhammad's work featured in the Forgotten Masters exhibition of Company School paintings at the Wallace Collection, London, at which six of his paintings were shown. William Dalrymple, historian of British India and curator of the exhibition, paid tribute to his inimitable fusion of European and Indian techniques:‘The Shaykh was equally at home painting a Palladian house or thoroughbred horse, a group of dhobis or a pair of dogs. His single figures are sometimes shown in the Mughal tradition, in profile … but when he wished to, the Shaykh could paint in a more European style than any of his rivals, with low horizons and expanses of blank white space that no Mughal artist would have allowed. He had completely mastered perspective, foreshortening and shading, giving his work a realism and naturalism unique among Indian artists of his generation. Yet while in anatomical accuracy his horse portraits can stand comparison even with Stubbs, there is still an indefinable Indian warmth about his work, a Mughal application of the heart as well as the head'.Unlike his contemporary in Vellore, Yellapah, Shaykh Muhammad is not known to have produced a self-portrait, and little is known of his life or background. His paintings, however, have provoked speculation on his potentially ambivalent attitude towards to his patrons, who are either omitted entirely or, if they are present, are shown with their faces artfully concealed. One such painting, his depiction of a palanquin with a partially visible British passenger, is found in the present album (item 9). If this figure is indeed Thomas Holroyd, as stated in the Forgotten Masters catalogue, Shaykh Muhammad apparently had no reservations about reproducing the likeness for other customers.Provenance: By family repute acquired by Edward Green Balfour (1813-1889), surgeon and naturalist in India; thence by descent. Balfour travelled to India in 1834 as an assistant surgeon in the Madras medical service, and ended his career as surgeon-general in the presidency. An acknowledged polymath, he wrote on subjects including Indian languages and literature and forestry in addition to medicine. His most influential work in his own day was his Enyclopaedia of India and Southern Asia, published at Madras in 1857. Today he is also remembered for his pioneering ecological writings, which explored what he believed to be the 'direct relationship between deforestation, climatic change, and environmental degradation' (ODNB).Literature:Mildred Archer, Company Drawings in the India Office Library (1972), p. 76, cf. catalogue numbers 59-61.idem, Company Paintings: Indian Paintings of the British Period (1992), cat. nos. 80-82.William Dalrymple, ed., Forgotten Masters: Indian Painting for the East India Company (2019), pp. 17 and 122-131, cat. nos. 66-71.
A pair of George III silver mounted wine coasters, makers marks rubbed, London 1803, each with pierced scroll and foliate silver border and mounted to turned wood base, 14cm diameter (2)Condition:Hallmarks slightly rubbed, a few small dings and creases, possible small repair to one of the borders, general wear, refer to images
A pressed brass Snuffer Tray, a black japanned papier maché Snuffer Tray with gilt and greeen floral decoration, a polished cut steel Candle Snuffer, a black japanned papier maché Wine Coaster decorated moths and foliage in gilt, 5¼in diam, a small red lacquered Tray, Clay (Birmingham) and another by Wontner & Benson, London; six (6)
Box of metalware mostly silver plate to include: toast rack, Viners of Sheffield wine coaster, tankard, hot chocolate cup, sugar sifter, miniature trophy cups, basket, napkin rings, teaspoons, card box containing playing cards, tray, tea strainer, lobed sugar bowl and milk jug etc. (B.P. 21% + VAT)
A James Powell & Sons Whitefriars amber glass M54 decanter and stopper designed by Barnaby Powell, pattern 2720, tapering square section decanter with dimpled stopper, three conical sherry glasses, another clear glass decanter and stopper and two Stuart large wine glasses designed by Jasper Conran, unsigned Whitefriars, Conran glasses etched marks,, 38cm. high (amber decanter), (9) LiteratureLesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Manchester Museum & Art Gallery/Richard Dennis, page 129 for the decanter illustrated
Cristallo con bordo dorato. Secolo XX. Composto da: 12 calici da champagne, 12 bicchieri acqua, 12 bicchieri da vino, 12 bicchieri da rosolio, 12 coppette, 2 alzate, 12 piattini, 2 bottiglie e due broccheCrystal with gold edge. 20th century. Composed of: 12 champagne glasses, 12 water glasses, 12 wine glasses, 12 rosolio glasses, 12 bowls, 2 risers, 12 saucers, 2 bottles and two pitchers
A pair of late Victorian silver and glass wine carafes, etched bodies in the Grecian style with floral splays, cut diamond pattern base band, both hallmarked London, 1897, maker William Hutton & Sons Ltd, H.21.5cmOverall very good condition. No cracks or chips to the glass, the silver is free from dents, splits or visible repair.
A late Victorian large Mappin & Webb silver and glass wine carafe, the hinged lid and collar, splays or ribbons, foliage and fruit above a pierced band of scrolling decor, the glass body with further splays of ribbons and flowers, the base with a silver band of palmettes, the top, the lid and the base hallmarked London, 1898, maker Mappin & Webb, the base also signed Mappin & Webb, H.31.5cm Condition report: No chips or cracks to the glass, no splits, breaks, losses or visible repair to the silver.
A GEORGE III SILVER WINE FUNNELWith a detachable straining top having a reeded rim, initial D engraved, London 1805, height 15cm, weight 116 gmsCondition Report; The detachable top; there is no side lip, silver is very thin in places, particularly to the right of the hallmark, bottom lip is not as deep as usual, there looks to be lead solder within this lip when viewed from either side. The piercing is rather random and crude, the holes are of differing sizes and are not symmetrical. The bottom section has some shallow denting, hall marks are a little weak, particularly the maker, lip at the bottom is in good condition, dent between two of the upright ridges towards the bottom, initial D is later. Visible solder join to the top section running from top to bottom, in general a poor example
A SILVER SERVING SLICE AND FURTHER SILVER AND SILVER MOUNTED WARES (6)The Old English and shell pattern serving slice London 1923, a rectangular cigarette case, with engine turned decoration, Birmingham 1935, a wine funnel (damaged) and three small circular inkstands, the tops detached, (two tops present), combined weight of weighable silver 249 gms Provenance The Estate of the late Professor Jonathan & Mrs Deanna Brostoff, (See Bellmans website article for further details)
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