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Click here to subscribeA Pair of George III Silver Two-Handled Wine Coolers, Collars and Liners by John & Thomas Settle, Sheffield 1816 and 1817, embossed with leaf scrolls, floral and shell ornament on conforming pedestal bases, the collars engraved with crests in the form of lion rampants, 10.5ins high, weight 195ozs
A GOLD AND SILVER-INLAID 'FIGHTING BEARS' BRONZE MAT WEIGHT, WARRING STATES TO HAN DYNASTYOpinion: While bronze mat weights from the Warring States Period or the Han dynasty are rarer and rarer to come across on the market, it has nowadays become almost impossible to find one with such well preserved and detailed inlay work. The drama of the depiction has been copied over and over during later periods, and for all kinds of purposes, but it has never been achieved again to the extent found in the present lot.China, 5th century BC to 2nd century AD. Boldly cast as two ferocious bears locked in combat, one biting into his opponent's back as this one roars in anguish with his tongue outstretched. Finely inlaid in gold and silver, the two animals with scroll and geometric decoration as well as subtle detailing to their bodies, the sides of the circular base with a scroll band between line borders.Provenance: From a noted private collector in the Pacific Northwest, USA.Condition: Superb condition, commensurate with age. Wear, signs of weathering and erosion, corrosion, malachite and cuprite encrustation, nicks, scratches, losses and cracks. The gold and silver inlays exceptionally well-preserved. A bronze weight of around 2,000 years of age or more in such well-preserved condition must be considered exceedingly rare.Weight: 590.0 gDimensions: Diameter 6.7 cm, Height 5 cmWith a velvet-padded silk storage box. (2)Mat weights crafted from precious materials such as bronze and jade, often gilded or inlaid with gold, silver or gemstones, were produced in sets of four and served a practical function of anchoring down woven mats for seating. Mats and corner-weights were believed to have been used at banquets, even those laid out in tombs. Inlaid animal-form weights were discovered in the tomb of Dou Wan, consort of Liu Sheng, Prince Jing of Zhongshan (d. 113 BC), alongside food and wine vessels.The sculptural depiction of animals in combat was introduced to China from the nomadic and semi-nomadic cultures of Central Asia, the Eurasian steppes, and the Ordos region, and was an innovation particular to the Warring States and Han dynasty periods. During the early Western Han dynasty, the imperial Shanglin zoological park and hunting reserve adjacent to the walled city grew in size and importance. Conceived as a microcosm of the empire, it allowed the emperor and his courtiers to observe and study the various species of plants and animals known at the time. The site also served as a venue for orchestrated animal combat for the entertainment of the court.Literature comparison: Compare a closely related silver and gold-inlaid bronze mat weight from the Han dynasty depicting a ram and tiger, illustrated by Jenkins, Mysterious Sprits, Strange Beasts, Earthly Delights: Early Chinese Art from the Arlene and Harold Schnitzer Collection, Portland, 2005, page 60, and now in the collection of the Portland Art Museum. Compare a pair of related bronze figures of tigers, with similar gold and silver inlay, but of larger size (29 cm), dated to the Warring States period, illustrated by Christian Deydier, Oriental Bronzes, XXIIIe Biennale des Antiquaires, Paris, September 2006, pages 10-21.Auction result comparison:Type: Related Auction: Christie's New York, 16 September 2010, lot 886 Price: USD 182,500 or approx. EUR 240,000 converted and adjusted for inflation at the time of writingDescription: A Rare Gold and Silver-Inlaid Bronze Tiger-Form Weight, Eastern Han Dynasty (25-220 AD) Expert remark: Compare the similar size (6.7 cm) and purpose, and the inlay in gold and silver.Auction result comparison: Type: Closely related Auction: Sotheby's Hong Kong, 13 October 2021, lot 3674 Price: HKD 441,000 or approx. EUR 57,500 converted and adjusted for inflation at the time of writingDescription: An inscribed gold and silver-inlaid bronze weight, Han dynastyExpert remark: Compare the closely related subject matter, dynamic posture, and size (6.8 cm). Note the different decoration, albeit still employing gold and silver inlay.Auction result comparison: Type: Related Auction: Sotheby's New York, 22 March 2022, lot 7 Price: USD 88,200 or approx. EUR 86,500 converted at the time of writingDescription: A gold, turquoise and malachite-inlaid bronze weight, Early Western Han dynastyExpert remark: Compare the closely related subject matter, gold inlay, and size (6.9 cm). Note the use of turquoise and malachite inlays. 戰國至漢代錯金銀“斗熊”銅席鎮中國，公元前五世紀至公元二世紀。銅鎮作兩隻正在打架的熊造型，一隻熊正雙目圓睜，雙耳後抿，寬鼻闊嘴，回首咆哮；另一隻咬住對手的後背。細部刻畫入微。通體採用錯金銀工藝。形小而氣勢雄渾，造型生動自然，十分精緻。專家注釋：戰國或漢代的青銅席鎮在市場上越來越少見，幾乎找不到一件保存完好且鑲嵌工藝如此精湛的青銅席鎮。 來源：美國太平洋西北部知名私人收藏。 品相：狀況極佳，與年代相符。有磨損、風化和侵蝕、紅綠色結殼、刻痕、劃痕、缺損和裂縫的跡象，金銀鑲嵌保存完好，實爲罕見。 重量：590.0 克 尺寸：直徑6.7 厘米，高5 厘米 天鵝絨襯墊的真絲儲物盒。(2) 席鎮多由銅和玉石等材料製成，通常鎏金或錯金銀或鑲嵌寶石，一般一套為四件，古人就在蓆子的四角放置鎮，用來壓席，席鎮便應運而生。在漢代中山王劉勝的妃子竇琬（公元前 113 年逝世）的墓中發現了的動物形席鎮以及食物和酒器。戰鬥中的動物造型是從中亞、歐亞草原和鄂爾多斯地區的游牧和半游牧文化傳入中國的，戰國和漢代的創新。西漢初期，毗鄰城牆的皇家上林園和狩獵區的規模和重要性日益增加，為皇帝和他的朝臣可以觀察和研究當時已知的各種動植物提供了機會。當時還出現了動物打鬥場所，供娛樂消遣。文獻比較：比較一件非常相近的漢代公羊和老虎錯金銀銅席鎮，見Jenkins，Mysterious Sprits，Strange Beasts，《Earthly Delights: Early Chinese Art from the Arlene and Harold Schnitzer Collection》，波蘭，2005年，頁60，現收藏於波蘭藝術博物館。比較一對相近的戰國時期老虎青銅席鎮，相似的錯金銀，但尺寸較大(29 厘米)，見Christian Deydier，《Oriental Bronzes，XXIIIe Biennale des Antiquaires》，巴黎，2006年9月，頁10-21。 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2010年9月16日，lot 886 價格：USD 182,500（相當於今日EUR 240,000） 描述：東漢錯金銀老虎銅席鎮 專家評論：比較相似的尺寸(6.7 厘米)和目的，以及錯金銀裝飾。 拍賣結果比較： 形制：非常相近 拍賣：香港蘇富比，2021年10月13日，lot 3674 價格：HKD 441,000（相當於今日EUR 57,500） 描述：漢代銅錯金銀熊虎鎮紙 《日利千金富》銘款 專家評論：比較非常相近的主題、動作姿態和尺寸 (6.8 厘米)。請注意不同的裝飾，但仍然採用錯金銀的製作方式。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2022年3月22，lot 7 價格：USD 88,200 （相當於今日EUR 86.500） 描述：西漢初期銅錯金嵌寶虎獵羊形鎮 專家評論：比較非常相近的主題、鑲嵌金和尺寸 (6.9 厘米)。請注意綠松石和孔雀石鑲嵌的使用。
A GOLD AND SILVER-INLAID BRONZE ARCHAISTIC STEAMER, SONG TO MING DYNASTYChina, 960-1644. Heavily cast, the upper cauldron with two upright loop handles to the rim, decorated with interlocking scroll and confronting stylized phoenixes. The sides with three animal masks flanked by confronting phoenixes divided by short flanges, above pendent stiff leaves, all reserved on leiwen grounds. The shoulders of the three legs cast with stylized large-eyed animal masks, decorated with scroll and lozenge designs. The bronze with a rich, solid, naturally grown, dark patina with scattered malachite encrustations.Provenance: From the personal collection of Dr. David McCay, and thence by descent in the same family. Dr. David McCay was an English physician and later surgeon general with the Indian Medical Service in Bengal, India. He was sent to China during the Boxer Rebellion and served as an army doctor at the Siege of Peking. While in India, he wrote a book titled Investigations on Bengal Jail Dietaries. Upon his retirement, he returned to England with his collection of Chinese bronzes, cloisonné, and porcelain. After his death, his wife gifted his favorite piece, a highly important Wanli garlic mouth vase, among other items, to the Victoria and Albert Museum, accession number CIRC.23-1950, where it remains to this day.Condition: Very good condition with expected old wear, traces of age and usage, some casting irregularities, small nicks and losses, light scratches, the undersides of the feet with tiny old fills. The gold inlays are fresh and in very good condition overall. The silver inlays have darkened over time and show expected tarnish. However, we chose not to clean the silver inlays, so to preserve the piece’s impressive natural appearance.Weight: 5,200 g Dimensions: Height 31.5 cmReferring to the importance of reverence to the past in Chinese art, Ulrich Hausmann writes:“Archaic bronzes and their inscriptions, the subject of centuries of epigraphic and stylistic studies by literary men and artists, became inseparable, so much so that since that time scholars writing characters have seen at the back of their minds the image of ancient bronze vessels whose rubbings they had carefully studied. Generations of painters and calligraphers [...] spent a lifetime studying these inscriptions. What could be more fitting than to embellish one's studio with subtle allusions to the magnificent past, or to furnish the ancestral altar with vessels expressing the continuation of their inheritance.” (Quote from Ulrich Hausmann, Later Chinese Bronzes: In Search of Later Bronzes in Documentary Chinese Works of Art: In Scholars' Taste, Ed. Paul Moss, Sydney L. Moss, London, 1983, page 233, requoted again by Hugh Moss and Gerard Tsang in Arts from the Scholar's Studio, The Oriental Ceramic Society of Hong Kong and the Fung Ping Shan Museum, University of Hong Kong, 1986, cat. no. 161.)Expert’s note: The present steamer is quite likely to date from the Song dynasty, because the earliest archaistic bronzes generally tend to be the closest in form and design to their archaic prototypes. This is clearly the case here, as shown by the two literature comparisons below, which prove that the present lot is very much in the spirit of its Shang and Western Zhou paragons. The example from the National Palace Museum, Taipei, even has gold and silver inlays just like our vessel, which is unusual for such an early piece. Another important aspect is the superb, naturally grown patina on the present lot with its distinct malachite encrustations. This is beyond doubt not a patina from the late Ming or early Qing dynasty: It not only does closely resemble that of ancient bronzes, but with its unique appearance, reminiscent of savage elementary forces rather than the genteel creations of later periods, essentially makes this bronze an archaic vessel of its own merit.Literature comparison: Compare a closely related prototype for this steamer, also with gold and silver inlays, dated to the Shang dynasty, in the National Palace Museum, Taipei, image number K1A002369N000000000PAB. A related prototype, lacking gold and silver inlays, dated to the Western Zhou dynasty, 11th-10th century BC, in the collection of the Arthur M. Sackler Gallery in the National Museum of Asian Art, Smithsonian Institution, accession number S1987.352a-b, is illustrated by Jessica Rawson, Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Vol. IIB, Massachusetts, 1990, pp. 342-344, no. 33.Auction result comparison: Type: Related Auction: Bonhams London, 11 November 2010, lot 139 Price: GBP 31,200 or approx. EUR 49,500 converted and adjusted for inflation at the time of writing Description: A large archaistic bronze tripod steamer, yan, probably Song dynastyExpert remark: Compare the closely related form with similar legs cast with animal masks. This steamer is however vastly inferior to the present lot as it lacks the gold and silver inlays and the design is overall less lively. Note the larger size (44.5 cm). Auction result comparison: Type: Related Auction: Sotheby’s New York, 1 December 2022, lot 694 Price: USD 37,800 or approx. EUR 35,000 converted at the time of writing Description: An archaistic copper-inlaid bronze tripod censer (Ding), Ming dynastyExpert remark: Compare the related form with similar legs cast with animal masks. This censer is however vastly inferior to the present lot, not only because the inlays are merely copper, but also because it completely lacks the cauldron found on the present lot. Also note the significantly smaller size (16.7 cm).Auction result comparison: Type: Related Auction: Sotheby’s London, 14 May 2014, lot 252 Price: GBP 80,500 or approx. EUR 116,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold-inlaid bronze wine vessel and cover, you, Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the related size (30.2 cm). Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 8 October 2014, lot 3350 Price: HKD 2,680,000 or approx. EUR 380,000 converted and adjusted for inflation at the time of writing Description: A large gold and silver-inlaid bronze incense burner, gui, late Ming dynastyExpert remark: Compare the closely related manner of casting and decorations with similar gold and silver inlays. Note the similar size (28.5 cm).宋至明代銅錯金銀三足銅甗中國，960-1644年。甗分上下兩部分：一甑一鬲。甑部與鬲部相連，甑部有一對拱形直耳，外壁飾雷紋地鳳鳥紋飾帶與蕉葉紋，同樣是雷紋地上獸面紋。鬲部修飾獸面紋。表面神色包漿堅實，散佈著孔雀石色結殼。 來源：Dr. David McCay收藏，在同一家族保存至今。Dr. David McCay是一名英國醫生，後來在印度孟加拉的印度醫療部擔任外科醫生。他在義和團運動期間被派往中國擔任軍醫。在印度期間，他寫了一本名為《孟加拉監獄飲食調查》的書。退休後，他帶著他收藏的中國青銅器、景泰藍和瓷器回到英國。在他去世後，他的妻子將他最喜歡的一件非常重要的萬曆蒜頭瓶贈予維多利亞和阿爾伯特博物館，編號為 CIRC.23-1950，至今仍保存在博物館。品相：狀況極好，有磨損和使用痕跡、一些鑄造不規則、小刻痕和缺損、輕微劃痕、腳底面有微小的填充物。錯金部分整體狀況非常好。錯銀部分變暗並顯示出光澤。 重量：5,200 克 尺寸：高 31.5 厘米
A GOLD AND SILVER-INLAID BRONZE ARCHAISTIC WINE VESSEL, YOU, 17TH-18TH CENTURYChina. The flattened, pear-shaped body cast on each side with a large taotie mask with silver and gold-inlaid details, flanked by flanges, between bands of archaistic birds centered by animal masks at the neck and divided by flanges at the foot, all reserved against a leiwen ground. The arched, rope-twist handle attached to projecting bars with animal mask terminals.Provenance: From an old French private estate. Condition: Some old wear, few nicks, small dents, light surface scratches, and casting flaws. The original cover lost.Weight: 5,326 g Dimensions: Height 42.8 cm (incl. handle) and 27.6 cm (excl. handle and cover)With an associated bronze cover dating from the 19th to the early 20th century. (2)The present lot derives from an archaic bronze prototype, you, which was used as a ritual wine vessel during the Shang and Zhou dynasties.Literature comparison: Compare a related bronze vessel and cover with a rope-twist handle, dated to the 18th century, illustrated by Sydney L. Moss, The Second Bronze Age: Later Chinese Metalwork, London, 1991, pl. 58.Auction result comparison: Type: Closely related Auction: Sotheby's London, 15 May 2019, lot 59 Price: GBP 25,000 or approx. EUR 33,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold-inlaid bronze wine vessel and cover, you, 17th/18th century Expert remark: Compare the closely related form and decoration. Note the much smaller size (25.4 cm) and original cover.Auction result comparison: Type: Closely related Auction: Sotheby's London, 14 May 2014, lot 252 Price: GBP 80,500 or approx. EUR 116,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold-inlaid bronze wine vessel and cover, you, Ming dynasty Expert remark: Compare the closely related form and decoration. Note the smaller size (30.2 cm) and original cover.Auction result comparison: Type: Closely related Auction: Sotheby's London, 11 May 2011, lot 253 Price: GBP 30,000 or approx. EUR 46,000 converted and adjusted for inflation at the time of writing Description: An archaistic silver and gold inlaid bronze wine vessel and cover, you, Qing dynasty, 18th century Expert remark: Compare the closely related form and decoration. Note the smaller size (30.5 cm) and original cover.十七至十八世紀銅錯金銀提梁卣中國。小巧而精緻的鑄件，造型靈感來自商代銅卣，表面錯金銀絲，加強裝飾效果，雷紋地，饕餮獸面紋，上有提梁索股。 來源：法國私人舊藏。 品相：一些磨損、少量刻痕、小凹痕、輕微表面劃痕和鑄造缺陷。原始蓋丟失。 重量：5,326 克 尺寸：高42.8 厘米 (含提梁)，27.6 厘米 (不含提梁) 帶有可追溯至十九世紀至二十世紀初的青銅蓋。(2) 文獻比較： 比較一件相近的十八世紀銅錯金銀提梁卣，上有提梁索股，見Sydney L. Moss，《The Second Bronze Age: Later Chinese Metalwork》，倫敦，1991年，圖58。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2019年5月15日，lot 59 價格：GBP 25,000（相當於今日EUR 33,000） 描述：十七/十八世紀銅錯金銀饕餮紋提梁卣 專家評論：比較非常相近的外形和裝飾。請注意尺寸小很多(25.4 厘米) 和原始的蓋子。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2014年5月14日，lot 252 價格：GBP 80,500（相當於今日EUR 116,000） 描述：明銅錯金銀獸面紋帶蓋提梁卣 專家評論：比較非常相近的外形和裝飾。請注意尺寸較小 (30.2 厘米) 和原始的蓋子。 拍賣結果比較： 形制：非常相近 拍賣：倫敦蘇富比，2011年5月11日，lot 253 價格：GBP 30,000（相當於今日EUR 46,000） 描述：十八世紀銅錯金銀帶蓋提梁卣 專家評論：比較非常相近的外形和裝飾。請注意尺寸較小 (30.5 厘米) 和原始的蓋子。
A FAMILLE VERTE 'PHOENIX' PORCELAIN WINE COOLER, KANGXI PERIODChina, 1662-1722. The globular body supported on a short spreading foot and rising to a broad cylindrical neck set with two shell-molded handles below the bulbous mouth and lipped rim. Finely decorated in gilt and bright enamels to the exterior with birds and flowers above a band of shaped panels enclosing floral sprays against a floral diapered ground, the foot with a scroll band, the neck with phoenixes and peonies, the mouth with a floral band, the handles with scrolling vines. The interior sparsely decorated with a floral band below the rim and a floral spray to the base.Provenance: From an old French private estate. Condition: Very good condition with some wear to gilt and enamels, expected firing flaws including glaze recesses and dark spots, and minor chips to the foot.Weight: 668.7 g Dimensions: Height 13.8 cmLiterature comparison: Compare a related famille verte wine cooler, of different form, but with closely related decoration, 21 cm high, also dated to the Kangxi period, illustrated by David S. Howard, A tale of Three Cities, Canton, Shanghai and Hong Kong - Three Centuries of Sino-British Trade in the Decorative Arts, Sotheby's London, 1997, no. 106.康熙時期硬彩鳳穿牡丹冰酒器中國，1662-1722年。敞口，口沿下微鼓，兩側有貝殼狀手柄，頸部微束，鼓腹，短圈足。外壁描金，精美琺瑯描繪鳳穿牡丹紋，頸部有鳳凰和牡丹，腹部白地纏枝花卉紋。器內纏枝花卉紋。 來源：法國私人收藏。 品相：狀況極好，鎏金和琺瑯有一些磨損，燒製缺陷，包括釉面凹陷和黑點，足部有輕微缺口。 重量：668.7 克 尺寸：高 13.8 厘米 文獻比較： 比較一件不同外形的康熙粉彩冰酒器，但裝飾非常相近，21 厘米高，見David S. Howard，《A tale of Three Cities，Canton，Shanghai and Hong Kong - Three Centuries of Sino-British Trade in the Decorative Arts》，倫敦蘇富比，1997年，編號106。
AN UNDERGLAZE-BLUE AND COPPER-RED 'FISHERMAN' BEEHIVE WATER POT, TAIBAI ZUN, YONGZHENG MARKChina, 18th-19th century. Of classic form with rounded sides rising to a short and flaring neck, painted to the exterior in cobalt blue and copper red with a humorous scene depicting a fisherman chasing a bird that has just snatched a large clam from him, a fishing basket and rod attached to his belt, further with a pine tree and rockwork. The recessed base with an underglaze blue six-character mark da Qing Yongzheng nianzhi. Provenance: English trade, by repute formerly in the collection of Salisbury Langton Dennis (b. 1906) and thence by descent within the same family. The base with an old label, 'Yung Cheng 1723-1735'. Condition: Excellent condition with minor wear and few manufacturing flaws including pitting and dark spots.Weight: 258.0 g Dimensions: Diameter 10.1 cmWater pots of this form are known as Taibai zun, after the Tang dynasty poet Li Bai (also named Li Taibai, 701-762) who is often depicted leaning against a large wine vat of this shape. They are also known as jichao zun because their shape resembles that of a basketwork chicken coop that is woven with a small opening at the top through which the chicks are fed.雍正款青花釉裏紅《漁夫》太白尊中國，十八至十九世紀。太白尊小口微撇，圓唇，短頸，半球狀腹。外壁青花釉裏紅描繪了一位漁夫追趕一隻剛從他手中奪走大蛤蜊的鳥的幽默場景，他的腰帶上繫著一個魚籃和魚竿，背後有一棵松樹和假山。圈足内青花六字款“大清雍正年製”。 來源：英國古玩交易，據説來自Salisbury Langton Dennis (出生於1906年) 收藏，在同一家族保存至今。 底部有一標籤 'Yung Cheng 1723-1735'。 品相：狀況極佳，輕微磨損與製造缺陷，包括點蝕和黑點。 重量：258.0 克 尺寸：直徑10.1 厘米 這件水丞也叫太白尊，因形似唐朝私人李太白手中的酒壇而得名。又因形似雞罩，而得名“雞罩尊”。
10 bottles Mixed Lot 10 bottles Mixed Lot incorporating Champagne, Sparkling Wine, Port, Whisky and Malt Whisky comprising : 1 bottle Champagne Monsigny Brut No. III, 1 bottle Vintage Champagne De Brissar Brut Vintage 2002, 1 bottle Ackermann Saumur Brut Methode Traditionnelle, 1 bottle Coniusa Cava Brut Methode Traditionnelle, 1 bottle Dow’s Ruby Port, 1 bottle Bell’s Whisky – Help for Heroes Label, 1 bottle Glenfiddich 12 Years old ‘Signature’ label Valley of the Deer, 1 bottle Glenfiddich 12 Years Old ‘Special Reserve’, 1 bottle Bowmore ‘Legend’ Islay, 1 x 35cl bottle Glenmorangie 10 Year Old ‘The Original’
12 bottles Mixed Lot Assorted Red Table Wine plus 1 half bottle of Dessert Wine 12 bottles Mixed Lot Assorted Red Table Wine plus 1 half bottle of Dessert Wine (13 items) comprising: 2 bottles Chateau de Julienas Julienas 2001, 1 bottle ‘35’ South Cabernet Sauvignon, 4 bottles Cabernet Sauvignon Vin de Pays d’Oc 2005, 1 bottle Enclos des Lilas 1994, 1 bottle Beaujolais Villages 2002, 1 bottle Cellier des Dauphins Cotes du Rhone 2001, 1 bottle Villalta Tempranillo/Cabernet Sauvignon Carinena 1998, 1 bottle ‘La Bergerie’ Rothschild Mouton Cadet (believed late 1970’s), 1 x half bottle Malvasie Dulce Bodegas ‘La Geria’
10 bottles Mixed Lot Good Red Drinking Wine plus 2 bottles Dessert Wine 10 bottles Mixed Lot Good Red Drinking Wine plus 2 bottles Dessert Wine (12 items) comprising: 2 bottles Chateau Julie Bordeaux Superieur 1997, 1 bottle Terrazas de Los Andes Reserva Malbec 2004, 1 bottle Vina Maipo Reserve Merlot 2005, 1 bottle ‘Dark Corner’ Durif 2007, 1 bottle Wolf Blass Shiraz Cabernet Sauvignon 2007, 1 bottle Hardy’s Cabernet Sauvignon 2006, 1 bottle Corbett Canyon Cabernet Sauvignon, 1 bottle Corbett Canyon ‘Proprietors Red, 1 bottle ‘Old Git’ Cotes du Ventoux 2005, 2 bottles Marthinus Chenin Muscat 1999
9 bottles Mixed Lot Fine Whisky, Margaux 2009, Sherries, Liqueurs and Cigars 9 bottles Mixed Lot Fine Whisky, Margaux 2009, Sherries, Liqueurs and Cigars comprising : 2 bottles William Grant’s Family Reserve Scotch Whisky presented in ‘Millennium’ Tubes, 1 bottle Harvey Nichols 2009 Margaux (ex Chateau Rausan Segla), 1 bottle Shao Xing Rice Wine, 1 bottle Hidalgo ‘Clasica’ Fino Sherry, 1 bottle Townends ‘Kingston Cream’ Spanish Sweet Sherry, 1 x 50cl bottle Carthy & Black ‘Yorkshire Original Gin Cream Liqueur’, 1 x 25cl bottle Hotel Chocolat Cocoa Gin together with 18 Castella Panatellas in Original Wills Castella Tin
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