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Lot 549
18TH CENTURY LARGE WINE GLASS the bowl engraved with a border of flowerheads and leakage, on an opaque white spiral twist stem, on a circular foot, 19cm high (bowl with riveted restoration) also four Late George III wine glasses with trumpet shaped bowls, on clear spiral twist stems (one chipped to base) and a small 19th century wine glass (6)
Lot 553
SUITE OF GREEN FLASHED TABLE GLASS the part faceted bowls engraved with leakage, on star cut bases, comprising eight champagne glasses, 8 tall stemmed wine glasses, eight low stemmed wine glasses, eight larger wine or sorbet glasses, seven finger bowls and eight stands (47); together with a pair of green flashed flower holders and a circular ash dish
Lot 143
O'Conor (Charles)ed: O'Flaherty (Roderick) The Ogygia Vindicated: Against the Objections of Sir George Mac Kenzie, 8vo D. (G. Faulkner) 1775. First Edn., cont. sprinkled calf, mor. label; also Hely (Rev. James) trans. O'Flaherty (R.) Ogygia, or a Chronological Account of Irish Events, 2 vols. in one, 8vo D. 1793. First Edn. Thus, later attractive hf. wine cold. mor. profusely tooled gilt spine, mor. labels. Both v. good. Scarce. (2)
Lot 884
Military General Service 1793-1814, 2 clasps, Sahagun, Toulouse (G. C. Carpenter, Capt. 15th Hussars), lightly polished with a few light marks, tiny edge graze & nicks, nearly very fine and rare. NOTE: Captain George Charles Carpenter (born c.1792), of Ford Cottage, Northumberland, was appointed Cornet in the 15th Hussars on the 18th of July, 1805, and attained the rank of Lieutenant on the 12th of October, 1808, and Captain on the 16th of July, 1812. He served in the Peninsula during the Corunna campaign between November 1808 and January 1809, and then again between March and April 1814. He is mentioned by name a number of times in the ‘History of the Fifteenth Hussars’, and was summed up a touch unfairly therein by his friend Dr Gibney, mentioning Carpenter as being of a rather sensible and sober disposition: ‘Writing of Captain Carpenter, with whom he had struck up a great friendship, Dr. Gibney says that he “had been a long time in the service, and had seen some hard fighting, and as a man was a general favourite, but not thought of much as an officer, being too fidgety and too quiet. He never neglected his duties, not was in any way deficient of knowledge of his profession; but he cared not for excitement, which, with the routine of duties, constituted the very essence of army life among officers of those days. He neither hunted, shot, gambled, nor drank wine freely, and was very ignorant on the good points of a horse. He was beyond the general run of officers in accomplishments, knowing the classics well, and several foreign languages, though not a University man; good looking.” Elsewhere Gibney tells us that Carpenter played the flute!’ Captain Carpenter retired by sale of his commission on the 7th of August, 1823, and was not present at Waterloo. Sold with copied medal roll entry confirming this entitlement, details as presented in the Challis Roll, where he is recorded as having died at Milan on the 8th of April, 1861 (aged 69), and copied extracts from the regimental history. Ex Glendining’s, March 1969 and Sotheby’s, 8 July 1982, lot 35.
Lot 1003
A stoneware flagon, printed for Beaufort Brewery, Wootton Bassett, 36 cm high, to/w a bottle from the Newport & South Wales Wine & Spirit Company, 24 cm, nine floral cut and mirrored glass door finger-plates, two pieces of cranberry glass and a cut glass butter dish (box) Condition Report Flagon good used condition Bottle covered in surface paint?
Lot 126
A George IV sterling silver wine funnel with removable strainer and circular seal, gadroon rim and shell clip, period script initials to body, full hallmarks struck to body with part marks to removable strainer and lion passant mark to circular seal, maker's mark William Bateman, hallmarked for London 1822, some damage to terminal of funnel, length 15.5 cm, weight 5 ozt / 158 g approx
Lot 127
A fine George IV Scottish sterling silver wine funnel, with removable strainer, cast foliate decoration to rim and embossed floral scroll decoration to body, cartouche set amongst rococo scrolls of a Scottish crest depicting a bird of flight sat atop an initial 'M', hallmarks struck to body of funnel and interior bezel of detachable strainer, sponsor's mark J McKay, Edinburgh 1825, length 14.5 cm, weight 185 g / 6 ozt approx
Lot 259
A George IV sterling silver travelling communion set, comprising chalice, paten and wine vial, upper section of chalice of baluster form atop a slender waisted stem on spreading circular foot with gilt interior and engraved religious armorial, the circular paten atop a flared trumpet form foot, the wine vial comprising a white metal (unmarked) screw top cap and moulded glass rectangular faceted body, all contained within an original fitted suede lined case with tooled leather exterior, chalice and paten fully hallmarked for London 1829, sponsor's mark Jonathan Hayne, height of chalice 9 cm, total combined weight of chalice and paten 2.3 ozt / 72 g approx
Lot 258
Sonia Handford (1925-2010): Three large oil still life studies featuring pumpkins, each signed. Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls' Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903-1988) where she received the 'Painting with Merit' award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty's Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.
Lot 259
Sonia Handford (1925-2010): Figures mending nets, oil on board. Provenance: The artist's daughter. Note: Born to Russian Jewish parents who settled in England in the early 1900s, Sonia Handford was educated at Clapham County Girls' Grammar School, and later at Wimbledon School of Art (1942-1945) under Lionel Ellis (1903-1988) where she received the 'Painting with Merit' award. She travelled widely during her life, beginning with France, Spain, Italy and Greece and later to Egypt, Russia, and the U.S.A. and exhibited at Wandsworth Town Hall (1963), Moriarty's Wine Bar, West Hampstead (1989) and Shaftesbury Arts Centre (2004). She also had an extensive teaching career at Sydenham School for Girls, Whitechapel Art Gallery, Balls Park College of Education, St. Albans School for Boys and Hampstead Comprehensive. Major influences on her work include: Picasso, Robert and Sonia Delaunay, Cezanne and Van Gogh.
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166771 item(s)/page