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Lot 55
A small collection of silver Concorde items, comprising a set of four wine labels of rectangular form, incurved corners, engraved `PORT`, `BRANDY`, `GIN`, and `WHISKY`, in two fitted cases, plus a single `BRANDY` label, an electroplated hip flask, by Chris Middleton, cased, and a cased pair of silver cufflinks and a tie pin. (8)
Lot 76
A mixed lot of elctroplated items, comprising: a Victorian wine coaster in the Paul Storr manner, circular form, embossed and pierced with cherubs, lions and vine leaves, a pair of old Sheffield plated candlesticks, a swing-handled sugar basket, a goblet, a cream jug, and other items including a quantity of flatware. (qty)
Lot 78
A mixed lot of silver items, various dates and makers, comprising, a pair of toast racks of heart form, London 1908. a sauce boat, a mustard pot, a pepper pot, a cigarette case, a cream jug, an ashtray, a dish, a belt buckle, three modern wine labels and a metalware dish, and an electroplated mounted pepper mill, approx. weight 32oz. (qty)
Lot 81
A collection of old Sheffield plated items, comprising: a salver of circular form, gadroon border, the centre engraved with an armorial, on three foliate bracket feet, plus a souffle dish of circular form, and entree dish warming stand and an electroplated wine coaster of pierced circular form. (4)
Lot 869
A set of twelve George III silver plates, by William Pitts, London 1802, circular form, gadroon border, engraved with an armorial, the reverse of one with a later presentation inscription, ` 48 silver plates with a pair of wine vases presented to William Dickinson Esq who during seven successive Parliaments was one of the Representatives of the County of Somerset by a large body of his late Constituents as a tribute of their sincere respect and esteem 1833`, diameter 25.5cm, approx. weight 232oz. (12) ** The arms are those of Dickenson of King Weston, Somerset quartering possibly Brokesby and impaling Carrington. William Dickinson (1771-1837) was the Member of Parliament for Great Marlow 1768-1774, Rye 1777-1790, and Somerset 1806-1831.
Lot 406
A collection of silver to include an Edwardian water pot, London 1907, with baluster body and straight neck with hinged cover and reed work handle; a pair of modern wine coasters with pierced borders; a reproduction lighthouse caster; together with other small items of silver (qty) water pot 12.5cm high, 12oz
Lot 311
A pair of electroplated wine coolers, in Regency style, 20th century, of campana form with inset liner, cast foliate rim, lobed body with twin acanthus cast and fluted handles, circular section stem on circular foot, each 21cm high, 23cm diameter condition report:** Marks, scratches and abrasions consistent with age and use. Scuffs and scratches to the plated surface overall. Otherwise no obvious significant damage
Lot 448
A collection of silver napkin rings comprising a set of six Victorian circular examples by George W Adams for Chawner & Co, London 1875, bright cut engraved; a cased oval pair by Henry Clifford Davis, Birmingham 1957, inscribed with a date; a further oval example by John Rose, Birmingham 1934, with Silver Jubilee mark; and pair of wine labels by Francis Howard Ltd, Sheffield 1970 and 1972, inscribed ‘Sherry’ and ‘Whisky’, and a further Victorian silver wine label by George Unite, Birmingham 1844, inscribed ‘BRANDY’ between engraved scrollwork, 397g (12.8oz) gross
Lot 1
An early sealed onion wine bottle of dark olive colour, the bucket shaped body with conical kick up and tapering neck with broad string rim, the shoulder applied with a seal of a family crest in the form of a peacock above a marquis’s coronet flanked by the initials G.C., 18 cm high, circa. 1680
Lot 61
A pair of Wedgwood sage jasper ware wine and water ewers the shoulders modelled respectively with a satyr grasping the horns of a goat hung with swags of fruiting vine and a triton grasping a dolphin mask hung with swags of water plants above bands of stiff leaves, jewelling and Greek key type designs, set on square bases, each 42 cm high, impressed Wedgwood, Made in England with gold ‘Masterpieces’ backstamp, numbered 12 of an edition of 25, with presentation cases and certificate. **John Flaxman Snr provided Wedgwood with the models of the originals in 1775 which were often entitled Sacred to Bacchus and Sacred to Neptune and were produced in Black Bassalt at 2 guineas and Jasper Ware at 5 guineas.
Lot 51
Pietro Bellotti (Bolzano 1625-1700 Warsaw) Self-portrait of the artist as Laughter, oil on canvas, 54.5 x 45.7 cm (217/16 x 18 in) Literature: Luciano Anelli, Pietro Bellotti 1625-1700, Grafo 1996, pg. 133 (for an illustration of the version in the Pinacoteca de Brera, Milan). Engraved: A version engraved by Antonio Pazzi, preliminary drawning by Giovanni Domenico Campiglia. The present painting is one of a number of autograph versions of Pietro Bellotti’s Self-portrait as Laughter, each with slight variations. The first of 1658 is in the Pinacoteca de Brera, Milan. A second version is in the Galleria degli Uffizi, Florence, signed and dated March 1658, and a third, dated 1664 was formerly known as being part of the Scheufelen Collection, Stuttgart, this version is the closest in composition to the present painting. The artist depicts himself with a wry smile, holding a glass of wine and a gold chain with a medallion, this gave him the opportunity to display his talents at depicting such objects, it also enables him to portray his success and rewards as an artist.
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