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Lot 1454
A SILVER THREE PIECE TRAVELLING HOLY COMMUNION SET AND TWO FURTHER ITEMS (3)The Communion Set comprising; a chalice, a paten and a glass bottle to hold wine, the first two London 1855, the lid of the bottle unmarked, with a case, also a twin handled circular dish, London 1919 and a pedestal dish, London 1921, combined weight of weighable silver 274 gms
Lot 1530
A VICTORIAN SCOTTISH SILVER WINE JUGOf baluster form with floral, foliate and scroll embossed decoration, having a scrolled handle, raised on a circular foot, Edinburgh 1845, height 36cm, gross weight 1391 gms, Ivory Certificate No: JVMVG2TE.Condition Report: Note ivory insulators to the handle. Connecting pins between the jug and the insulator are replacements and all four connecting pins have been out at some stage. One or two shallow dents to the handle, code scratch marks underneath the foot. Body in good condition. No apparent perforations, otherwise in good condition
Lot 20
EXTENSIVE CUT GLASS AND RUBY FLASH SUITE OF GLASSWARE LATE 19TH/ EARLY 20TH CENTURY to include seventeen champagne coupes, eighteen red wine glasses, sixteen white wine glasses, sixteen sherry glasses, eight tumblers, fifteen finger bows, four decanter jugs, two small decanters, and four larger decanters; all with facet cut bowls with ruby flash, the glasses on slender hexagonal stems with star cut bases, unmarked Dimensions:champagne coups 11cm high, finger bowls 12cm diameterProvenance:Provenance: Careston Castle, Brechin, Angus
Lot 21
SUITE OF 18TH CENTURY STYLE GLASS MODERN the trumpet bowls on plain extruded stems with air tears on conical circular folded foot; comprising nine large wine glasses, ten smaller wine glasses, and six liqueur glassesDimensions:18cm; 12.5cm; and 10.5cm with some variationProvenance:Provenance: Careston Castle, Brechin, Angus
Lot 219
Y REGENCY ROSEWOOD AND MAPLE WORK/ GAMES TABLE EARLY 19TH CENTURY the rectangular top inset with a chess/draughts board above a long frieze drawer and sliding work box covered in wine-red fabric, raised on trestle ends supports with disc feetDimensions:58.5cm wide, 71cm high, 43cm deepNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 234
COALPORT IMARI PART DESSERT SERVICE EARLY 19TH CENTURY each piece decorated with a vase issuing scrolling foliage and flowers, the rims with alternating roundels decorated with scallop shell designs, comprising: eight plates, 24.2cm diam; twelve side plates 21.5cm diam; a muffin dish and cover, 20cm diam; two shell shaped dishes, 20.5cm wide; two quatrefoil dishes, 27.5cm wide; two boat shaped twin-handled footed dishes, 31.5cm wide; a centrepiece bowl with twin scrolling handles, on a foot, 32.5cm wide; two small twin-handled sauce tureens, each on an oval stand [one cover lacking], body 18cm wide; four segment supper set [central dish lacking]; and a pair of wine coolersDimensions:28cm high
Lot 311
Y EARLY VICTORIAN ROSEWOOD WINE TABLE MID 19TH CENTURY the dished and lobed top raised on a spiral carved column and ending on a scrolling tripod baseDimensions:47.5cm diameter, 74cm highNote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 188
A Chinese celadon ovoid wine jar and cover, moulded in relief with four reserves of traditional figures below a ruyi frieze, domed cover with outswept meander border, monochrome light green opaque glaze throughout, the European gilt metal base cast with masks, 33cm high, impressed Yongzheng square mark Reference: For a jar of the same shape see Chinese Celadon and other related wares in South East Asia, SACS, Singapore 1979, fig 262, plt 217, lower right
Lot 816
A composed suite of reproduction Regency and earlier style furniture, comprising drinks cabinet, 126cm high, 71.5cm wide, 38.5cm deep, chest of four long drawers, 79cm high, 76cm wide, 47cm deep, sofa table, 73cm high, 93cm opening to 144cm wide, 50cm deep, work table, statuary pedestal, side cabinet and wine table (7)
Lot 430
Adam Easton A Bird of Paradise?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT. Education BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN Select Exhibitions/Awards 2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN Statement about AOAP Submitted Artwork These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 431
Adam Easton The Poet?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT. Education BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN Select Exhibitions/Awards 2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN Statement about AOAP Submitted Artwork These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 432
Adam Easton The Open Frame?, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT. Education BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN Select Exhibitions/Awards 2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN Statement about AOAP Submitted Artwork These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Lot 433
Adam Easton What Did You Find? 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Adam Easton (b.1989) is an American artist who received a Master of Fine Arts from the University of Minnesota in 2019. He has recently exhibited with PAPA Projects in an exhibition titled A Quiet Night, Part 1 in St. Paul, MN (2022). Additionally, in 2022 his work was part of Platform, Unit London's program of online viewing rooms. Adam's work was published in the 2020 Art Maze Mag Anniversary Edition, Issue 20. He currently lives and works in New Haven, CT. Education BFA - Lyme Academy College of Fine Arts, Old Lyme, CT MFA - University of Minnesota, Minneapolis, MN Select Exhibitions/Awards 2022 Platform, Unit London, unitlondon.viewingrooms.com 2022 A Quiet Night, Part 1, PAPA Projects, St. Paul, MN 2020 Reversibility, LOUP 2019 Wine Time, The Guest Room, Hudson Valley, NY 2019 Lobster Dinner, Trestle Gallery, Brooklyn, NY 2019 The Last Day in the Apartment, Katherine E Nash Gallery, Minneapolis, MN Statement about AOAP Submitted Artwork These paintings are small reimagining's of imagery that is familiar to my larger work. You can see examples of this if you compare the postcards to the paintings from my recent show A Quiet Night, Part 1. In addition I took the opportunity to work in a dramatically different color palette. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
![ALKEMADE, K. v. & P. v.d. SCHELLING. Nederlands displegtigheden, vertoonende de plegtige gebruiken [en misbruik] aan den dis,](https://cdn.globalauctionplatform.com/078c8cec-f2db-4653-8b91-af2500bc2d21/16eabeb4-341d-4f75-a865-af2500cd8da2/468x382.jpg)
Lot 988
ALKEMADE, K. v. & P. v.d. SCHELLING. Nederlands displegtigheden, vertoonende de plegtige gebruiken [en misbruik] aan den dis, in het houden van maaltyden, en het drinken der gezondheden, onder de oude Batavieren, en vorsten, graaven, (etc.), nevens den oorsprongk dezer gewoontens, en der zelver overeenkomst met die van andere volken. Rott., Ph. Losel, 1732-35. 3 vols. (134), 562; (2), 557, (61); (90), 612, (54) pp. W. 2 engr. front. & 15 (partly fold.) engr. by F. v. Bleyswyck. Sm-8°. Cont. vellum. (Vol 3: small wormhole in spine). NOTE:Book of Netherlandish antiquities describing religious and secular feasting habits. A great part is devoted to the history, art and excesses of drinking (wine). - Witteveen/Cuperus 111; Haitsma Mulier/v.d. Lem 9g & 425c.
Lot 339
Two rare English black wax twin dolls late 19th century, the reinforced black wax shoulder-heads turned slightly to the right with inset with glass eyes, one pair brown and one pair green, eyelid lines, down-turned mouths, black curly wool wigs, black glazed cotton stuffed bodies with stitched on solid black wax limbs, original white cotton and muslin dresses, lace trim with yellow silk sashes and bows at shoulders, underclothes, socks and cream satin socks -20in. (51cm.) high (one leg broken, but most appears to be there, slight wear and one sash perishing) - these dolls and the following 14 lots are the childhood toys of Christabel Browning (b.1897) and her sister Eileen Browning (b.1896); they are mainly pairs or twin dolls, so are being sold like this. The Brownings were a very wealthy family. Their father was Henry Gonne Browning, a partner in the family wine merchants (Twiss and Brownings (later Twiss, Brownings and Hallowes). They had various sole import licenses into England for prestigious brands including Hennessy Cognac and Dry Monopole Champagne. The family lived at 70 Knightsbridge and later 5 Cadogan Square. Their cousin was Freddie Boy (Frederick) Browning who was married to Daphne Du Maurier and another cousin was Maud Gonne the Irish freedom fighter and muse to WB Yeats. Christabel married the vendor’s grandfather Robert Arthur Redhead in 1926. He was managing Director of Associated Newspapers and his cousin, Peggy Redhead, was married to Esmond Harmsworth, the second Viscount Rothermere.
Lot 253
40+ Corgi items. Including; cars, commerical vehicles, buses, Coronation Street figures, etc. Examples include; Eddie Stobart vehicles, Superhaulers series, Cadbury's Foden Tank lorry, AEC Truck, Heavy Haulage Diamond T Ballast, girder trailer and locomotive load, Last of the Summer Wine Triumph Herald, Open Top AEC Regent bus set, Heritage Collection Berliet TLR8 tanker, etc. All boxed, minor wear to a few. Contents Mint. £40-60
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166820 item(s)/page