We found 166771 price guide item(s) matching your search
There are 166771 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
166771 item(s)/page
Frejus (Roland de) The Relation of a Voyage made into Mauritania, in Africk ...to Muley Arxid King of Tafiletta..., 2 parts in 1 vol., first edition in English, with 5pp. advertisement at end, browned, one or two small rust-spots, E8 of first part missing small portion from lower margin, front free endpapers detached, later calf with border in gilt and blind, rubbed, rebacked with gilt spine, corners repaired, [Wing F2161], small 8vo, by W. Godbid, and are to be sold by Moses Pitt, 1671.⁂ Rare, early work of North African exploration in order to develop French trade, translated from the French work published the previous year. The first part gives an account of the journey to Morocco and through Mauritania while the second part, titled 'A Letter in answer to divers Curious Questions concerning the Religion, Manners, and Customs...', provides more detail of the people and society including wildlife, foods, and the method of making wine used in the Jewish communities. Only 2 copies have appeared at auction since 1977, in 1985 and another in these rooms in 2019.
Six bottles of French red wine; 1994 Chateau le Prieure - Pomeral, 2002 Chateau Tour Pibran - Paullac, 2005 Chateau Cambon la Pelouse - Haut Médoc, 2001 Chateau Pontet-Canet - Pauillac, 2003 Barons de Rothschild Moulin de Duhart - Pauillac and 1999 Chateau Troplong Mondot - Saint Emillion Grand Cru (6)
A Chinese blue & white petal moulded bowl, Qing, Kangxi, finely painted throughout with sprigs of flowers on moulded sections, a lingzhi fungus to the underside within double concentric circles, applied label for Marchant, London, 15cm dia; together with two blue & white wine cups, one Kangxi and of octagonal form, the other painted with ruyi head fronds with six character Jiajing mark,Condition report: The large bowl is in good condition, with no obvious chips, cracks or restoration.The small circular wine bowl is in good condition, with no obvious chips, cracks or restoration.The octagonal wine cup has been broken into three pieces and glued together, leaving two small rim chips.
An early 19th-century mahogany circular dish topped tripod wine table with inverted sabre supports. 58 cm diameter x 71 cm high overall, together with two other non matching mahogany pillar tables one with a piecrust edge and one dished top.Qty: 3Private collectionCondition report: Some scratches to tops structurally good
A George III brass-bound mahogany octagonal cellarette with a hinged cover and a pair of brass folding handles on a square legged base with brass offset cup casters, together with a mahogany octagonal wine cooler, with lions mask handles, 48 cm wide x 69 cm high the cellaretteQty: 2Private collectionCondition report: Cellarette has vacant interior structurally goodWine cooler needs some work to make good
A George III mahogany piecrust topped wine table, the one piece top on a with fluted and carved column over well-carved cabriole legs terminating in claw and ball feet. 55 cm diameter x 65 cm overall heightPrivate collectionCondition report: Old repair to small areas of moulded edge, otherwise a good table with no signs of alteration or extensive restoration. No signs of any filled holes or the bearers having ever been moved.
Paar Louis XV-Weinkühler als SalonleuchterHöhe mit dem Leuchteraufsatz: 63 cm. Höhe ohne Leuchteraufsatz: 25,5 cm. Bodenseitige unterglasurblaue Sèvresmarke mit Jahresbuchstabe G. Paris, um 1759-1760.Porzellankorpus mit polychromen Frucht- und Blumenbouquets auf weißem Fond mit königsblauen Profilringen mit Goldblattzier. Diese findet sich in den anliegenden Blatthenkeln und der überreichen à jour gearbeiteten Ormolumontierung wieder, welche den Korpus umspielt. Einzusetzender Leuchteraufsatz mit je 7 Brennstellen und applizierten staffierten Porzellanblüten. Besch. und rest. (†)Provenienz: Sotheby‘s, Paris, 12. September 2018, Lot 63. (12901450) (13)A pair of Louis XV wine coolers as salon candelabras Height incl. candelabra attachment: 63 cm. Height excl. candelabra attachment: 25.5 cm.Underglaze blue Sèvres mark on underside with year letter “G”.Paris, ca. 1759-1760. (†)Provenance:Sotheby's, Paris, 12 September 2018, lot 63.
Tabernacle door from the early 17th century."The Last Supper".Relief in carved, gilded, stewed and polychrome wood.With its original polychromy.Measurements: 58 x 35 cm; 66 x 43 cm (frame).Relief in carved, polychromed, gilded and stewed wood, with the representation of the Last Supper in the foreground, occupying the lower half of the composition. It is a relief on different planes: the first with the representation of the table and the apostles, in a pronounced foreshortening that shows the artist's notable technical astuteness, behind which is a Baroque curtain, produced by the fall of the cloths hanging from a baldachin. Above this is a gilded censer of markedly baroque forms, with a rounded shape. Ultimately, a cobbled architectural structure indicates that we are in the city of Jerusalem.The Last Supper is one of the most important representations in the history of Western art. Firstly, because it is the specific moment in which the sacrament of the Eucharist is established, since Jesus at this supper made the analogy between his body and the bread, and the wine and his blood. Secondly, the mythical scene, which was painted by Leonardo, laid the foundations of Renaissance aesthetics, thus contributing a conception of perspective that was hegemonic until well into the 20th century.It presents slight flaws and marks of old xylophages.
Wine jug. Talavera or Toledo, 16th century.Glazed ceramic.Measurements: 25 x 14 cm.This wine jug, decorated on its outer surface with plant and floral elements in manganese blue on a white background, is a good example of the blue and white ceramics of Talavera or Toledo. The great boom in the manufacture of Talavera ware took place between the 16th century and the mid-18th century, when French tastes were introduced into Spain, and the clientele began to prefer pieces from Alcora. However, Talavera experienced a new Golden Age at the end of the 19th century, with the historicism.
A GEORGE IV MAHOGANY WINE COOLER CIRCA 1825 Of sarcophagus form, the interior lead lined with six divisions 50cm high, 70cm wide, 55cm deep Condition Report: There are some marks, scratches, knocks, cracks and abrasions consistent with age and use.Overall the piece is cleaned with some sun fading.No key present, the lock is open. With recessed casters to the paw feet.With some movement including to the back sloping panel; with some cracks to the veneers; some tears and wear to the lead lining.Please refer to the additional images for a visual reference of condition. Condition Report Disclaimer
A REGENCY MAHOGANY WINE COOLER ATTRIBUTED TO GILLOWS, CIRCA 1825 48cm high, 85cm wide, 59cm deep Provenance: Private Collection, Paris.Acquired from Axel Vervoordt. This 'Grecian reed-gadrooned sarcophagus' wine cooler follows a pattern featured in Gillows 1820 sketchbook (Westminster archive no.3064). This cooler relates closely to a wine-cooler from Ellerslie House, sold Christie's London, 24 May, 2001, lot 43 (£14,100). That example had been supplied by Banting, France & Co to Frederick, the 1st Marquess of Bristol for his London house in St James's Square, and was en suite with other items from the St James's Square dining room which were later removed to Ickworth, Suffolk. Another almost identical pair was supplied circa 1824 by Gillow & Co. of Oxford Street, London to Thomas John Wynn, 2nd Baron Newborough (d.1832), and were photographed by Country Life in The Hall at Glynllifon, Caernarvonshire. Condition Report: Of impressive/bold form and dimension. Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Some filler applied to timber in places. Lead lining with the expected wear, discolourations, oxidisation, and some small losses. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A REGENCY CARRARA MARBLE PEDESTAL PLINTH ATTRIBUTED TO THE CANOVA WORKSHOP FOR THOMAS HOPE CIRCA 1820-1830 With relief decoration in the round of three maenads with thyrsus and a man with wine flask, below characteristic band of squared Greek key band interspersed with flowerheads, stepped base,51.5cm high, top 29.5cm diameterFor an example of very similar Greek key banding please see the column support for "The Hope Venus", workshop of Antonio Canova circa 1822, now in the Leeds Art Gallery collection. This band pattern is also used at the top of the plinth base to Canova's Hercules and Lichas in the Galleria Nazionale d'Arte Moderna in Rome. The frieze design seems to be inspired by the second century marble frieze of the "Borghese Dancers", now in the Louvre.Condition Report: There are some marks, scratches, knocks, chips, and abrasions consistent with age and fairly heavy use. Surface fairly dirty throughout- some looks engrainedLacks plinth top, raised banding with losses throughout most notably to upper edge- both to the greek key band and to the rope twist beading beneath.Strong light reveals a diagonal flaw to one side- this seems to come from a slightly darker inclusion toward the base- with what looks like remedial infill all the way up.Base with stress cracking and old repaired sectionPlease see the additional photographs as a visual reference of condition and which form part of this condition report.Condition Report Disclaimer
A 'GRAND TOUR' CARVED MARBLE CISTERN OR WINE COOLER PROBABLY ITALIAN LATE 18TH/EARLY 19TH CENTURY Of oval lobed form,61.5cm long, 52.5cm wide, 21cm high.This form of wine cooler is a reduced scale model after a Roman 'labrum'- the cold water receptacle in a Roman bath complex. Traditionally they were constructed with the oval bowl on a spreading pedestal foot- as exemplified by the Milas Lilac labrum in the Vatican Museums. PLEASE NOTE DATE HAS BEEN AMENDED TO "LATE 18TH/EARLY 19TH CENTURY"SALE NOTICE- Condition Report: There are some marks, scratches, knocks, and abrasions consistent with age and use.Some wear and loss to edges- albeit quite minor. Base surface is worn quite hard with scoring and marks, colour decolouration to one corner of top rim- slightly dirtierCarving is quite sharp to the touch leading to suggestion that this may be slightly later than initially catalogued. Accordingly catalogue description amended to "Late 18th/early 19th century"Please see the additional photographs as a visual reference of condition and which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A REGENCY MAHOGANY OVAL WINE COOLER ATTRIBUTED TO GILLOWS, C.1815 the fan fluted lid revealing a lead lined interior and a brass Bramah lock, with ribbed baluster supports and later brass caps and castors 65cm high, 69cm wide, 51cm deep Provenance The Property of a Gentleman. Catalogue Note A similar wine cooler with fluted cover was formerly in the collection of the Earls of Stradbroke, Henham Hall, Suffolk, a house designed by James Wyatt in the 1790s. Another is illustrated in Ralph Edwards and Percy Macquoid, The Dictionary of English Furniture, vol. I, p. 223, fig. 9. See also Christie's, The English Collector, 14th November 2013, lot 53.
A PAIR OF REGENCY PLASTER TORCHERE FIGURES OF BACCHUS AND FLORA IN THE MANNER OF HUMPHREY HOPPER, EARLY 19TH CENTURY possibly after the bronze model by Pierre Garnier, Bacchus draped with a lion's pelt and holding a gilt brass wine cup, Flora standing beside a tree stump holding an ewer, each supporting a frosted glass storm lantern shade, mounted on gilt bronze bases and on modern painted wood plinths (8) the figures: 92.3cm high overall: 218cm high
-
166771 item(s)/page