Ensemble de 6 bouteilles comprenant : - Château Phélan Ségur, 2004, 75 cl. - Château Lagrange Saint Julien, 1998, 75 cl.- Château Les Hauts de Pontet, 1999, 75 cl.- Vosnes-Romanée Les Beaux-Monts Domaine Charles Thomas, 2000, 75 cl. - Gevrey-Chambertin 1er Cru - Les Cazetiers Maison Jean-Philippe Marchand, 2001, 75 cl. - Gevrey Chambertin 1er Cru Domaine Drouhin-Laroze, 1999, 75 cl. Vins et Spiritueux Vins et Spiritueux Vins et alcools - Wine - Spirits - Wein - Spirituosen
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Ensemble de 21 bouteilles comprenant :- 7 bouteilles, Château Tour Bel-Air, 2001, 75 cl. - 6 bouteilles, Château grand clapeau Olivier, 2005, 75 cl. - 1 bouteille, Les Remparts de la Tour, 2005, 75 cl. - Deux bouteilles, Château Bonnet, 2001, 75 cl. - Deux bouteilles, Château Font-Merlet, 2001, 75 cl. - 1 bouteille, Château Coucheroy, 1999, 75 cl. - 1 bouteille, Château Corbin, 2001, 75 cl. - 1 bouteille, Château Darzac, 1999, 75 cl. Vins et Spiritueux Vins et Spiritueux Vins et alcools - Wine - Spirits - Wein - Spirituosen
Ensemble de bouteilles : Château Brane-Cantenac Margaux & Château Haut Bellegarde, comprenant : - 4 bouteilles Château Brane-Cantenac Margaux 1990 grand cru classé, 75 cl.- 1 bouteille Château Haut Bellegarde 1999, 75 cl. Vins et Spiritueux Vins et Spiritueux Vins et alcools - Wine - Spirits - Wein - Spirituosen
Original vintage advertising poster card issued by Nord Express to promote their Calais - Bruxelles - Pullman Express route. Lithograph card printed on both sides by Hachard & Cie, Paris. France, 1927. Size: 14.7x10.4cm. Good condition, bumps and small tears on margins, minor loss on bottom right margin, fold on top right corner. Iconic design by Adolphe Mouron Cassandre created in 1927. It shows a stylised image of a train speeding towards the horizon, with a cloud of smoke and a blue sky above it. The visual language owes much to Cubism, but belongs to the Art Deco in its imagery and the unmistakable modernity of the subject matter. The image communicates the glamour of travel in simple lines. Cassandre, pseudonym of Adolphe Jean-Marie Mouron (1901- 1968) was a French painter, commercial poster artist, and typeface designer. He was born Adolphe Jean-Marie Mouron in Kharkiv, Ukraine, to French parents. As a young man, Cassandre moved to Paris, where he studied at the École des Beaux-Arts and at the Académie Julian. The popularity of posters as advertising afforded him an opportunity to work for a Parisian printing house. Inspired by cubism as well as surrealism, he earned a reputation with works such as Bûcheron (Woodcutter), a poster created for a cabinetmaker that won first prize at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes. Cassandre became successful enough that with the help of partners he was able to set up his own advertising agency called Alliance Graphique, serving a wide variety of clients during the 1930s. He is perhaps best known for his posters advertising travel, for clients such as the Compagnie Internationale des Wagons-Lits. His creations for the Dubonnet wine company were among the first posters designed in a manner that allowed them to be seen by occupants in moving vehicles. His posters are memorable for their innovative graphic solutions and their frequent denotations to such painters as Max Ernst and Pablo Picasso. In addition, he taught graphic design at the École des Arts Décoratifs and then at the École d'Art Graphique. With typography an important part of poster design, the company created several new typeface styles. Cassandre developed Bifur in 1929, the sans serif Acier Noir in 1935, and in 1937 an all-purpose font called Peignot. In 1936, his works were exhibited at the Museum of Modern Art in New York City which led to commissions from Harper's Bazaar to do cover designs.
Original vintage advertising poster card Vitesse - Luxe - Confort issued by French North Railways to promote their Pullman and Wagon Lits services. Lithograph card printed on both sides by L.Daniel, Lille. France, 1929. Size: 15.1x9.5cm. Good condition, bumps, folds and small tears on margins, minor loss on middle left margin and top right corner, gloss coating to the front side. Iconic design by Adolphe Mouron Cassandre created in 1929. Cassandre, pseudonym of Adolphe Jean-Marie Mouron (1901- 1968) was a French painter, commercial poster artist, and typeface designer. He was born Adolphe Jean-Marie Mouron in Kharkiv, Ukraine, to French parents. As a young man, Cassandre moved to Paris, where he studied at the École des Beaux-Arts and at the Académie Julian. The popularity of posters as advertising afforded him an opportunity to work for a Parisian printing house. Inspired by cubism as well as surrealism, he earned a reputation with works such as Bûcheron (Woodcutter), a poster created for a cabinetmaker that won first prize at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes. Cassandre became successful enough that with the help of partners he was able to set up his own advertising agency called Alliance Graphique, serving a wide variety of clients during the 1930s. He is perhaps best known for his posters advertising travel, for clients such as the Compagnie Internationale des Wagons-Lits. His creations for the Dubonnet wine company were among the first posters designed in a manner that allowed them to be seen by occupants in moving vehicles. His posters are memorable for their innovative graphic solutions and their frequent denotations to such painters as Max Ernst and Pablo Picasso. In addition, he taught graphic design at the École des Arts Décoratifs and then at the École d'Art Graphique. With typography an important part of poster design, the company created several new typeface styles. Cassandre developed Bifur in 1929, the sans serif Acier Noir in 1935, and in 1937 an all-purpose font called Peignot. In 1936, his works were exhibited at the Museum of Modern Art in New York City which led to commissions from Harper's Bazaar to do cover designs.
Original vintage medicinal drink advertising poster: If you've lost your appetite take some Home Mad Tonic Blood Wine There is iron in it - Costs only 1 a Pint. Stylised black lettering against orange background. Very good condition, folded. Country: UK. Year: 1920s. Designer: Unknown. Size (cm): 43 x 13.
COOKERY - DAVID, Elizabeth, French Country Cooking, London, John Lehmann Ltd., [1951], 8vo, decorated by John Minton, lightly browned throughout, original cloth, with original dust-jacket by John Minton, torn with loss; and another by the same author, French Provincial Cooking, [1960] and seven volumes of A Concise Encyclopaedia of Gastronomy, London, The Wine and Food Society, [1947-49], sections I -III, V-VIII, some with dust-jackets (worn) (9)
Various Albums containing interesting 19th c. Letters, purchase orders and ephemera, mainly relating to Hereford businesses. Also an interesting letter from French champagne supplier Pommery & Greno, regarding the shortage of champagne to fulfill orders in 1918 at the end of WWII with a quantity of loose wine Labels relating to Wm. Pulling & Co. Hereford
A mid 18th Century baluster wine glass of Newcastle type, having a conical funnel bowl wheel-cut in depiction of a bearded male profile and a sailing vessel, the compound stem comprising short multiple spiral air twist adorsed baluster, above a hollow-blown inverted baluster on a plain foot, 21 cm. A similar glass is illustrated (No 26) in Arthur Churchill's "History in Glass". This example purchased in 1974 from Delomosne and Son and accompanied by their invoice
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